DOCSLIB.ORG

FINAL THESIS Corrected.1.1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
FINAL THESIS Corrected.1.1 © JAMILU ADAMU GARKUWA 2017 iii DEDICATION In loving memory of my father – Alhaji Adamu Garkuwa – who was second to none, to my precious mother, lovely wife, amiable daughter, step mothers, brothers, sisters, and friends, I dedicate this research to everyone who has patiently endured the pain of my absence during my stay in the Kingdom of Saudi Arabia Jazakumullahu Khairan. iv ACKNOWLEDGMENTS All praises and adorations are due to Allah - the Lord of the worlds - for granting me the ability to complete this work. I am deeply grateful to the Kingdom of Saudi Arabia for offering me what is considered to be an opportunity that comes with remarkable significance. I acknowledge all the support given to me by the Architectural Engineering Department during my Master program here in KFUPM. I am grateful to my thesis advisor, Dr. Adel A. Abdou for his explicit explanations, patience, and guidance throughout my research. I am equally grateful to Dr. Ismail M. Budaiwi and Dr. Mohammad O. Babsail for their constructive criticisms and patience. I acknowledge the fatherly support and encouragement offered to me by Dr. Baqer M. Al- Ramadan, the Chairman of ARE department. My appreciation also goes to the entire members of the ARE department, mentors, colleagues, friends and well-wishers who have helped me in one way or the other. May Allah (S.W.T) reward you abundantly. v TABLE OF CONTENTS ACKNOWLEDGMENTS ............................................................................................... V TABLE OF CONTENTS ............................................................................................... VI LIST OF TABLES ........................................................................................................... X LIST OF FIGURES ........................................................................................................ XI LIST OF ABBREVIATIONS ..................................................................................... XVI ABSTRACT .................................................................................................................. XIX XX ...................................................................................................................... ملخص الرسالة CHAPTER 1 INTRODUCTION ..................................................................................... 1 1.1 Background ............................................................................................................................................ 1 1.2 Problem Statement ................................................................................................................................. 3 1.3 Objectives of the Study .......................................................................................................................... 4 1.4 Significance of the Research .................................................................................................................. 4 1.5 Scope and Limitation of the Research ................................................................................................... 5 1.6 Research Methodology .......................................................................................................................... 5 1.7 Research Outcome ................................................................................................................................. 7 CHAPTER 2 LITERATURE REVIEW ......................................................................... 9 2.1 Energy Utilization in Hot Climates (KSA as a Case Study) .................................................................. 9 2.2 Energy Conservation Practices in Office Buildings: Case Studies ...................................................... 10 2.3 Overview and Classification of Dynamic Facades .............................................................................. 12 2.3.1 Classification Based on Nature of Movement ..................................................................................... 16 2.3.2 Classification Based on Light Penetration Ability ............................................................................... 16 vi 2.4 Transparency of a BIPV and BIPV/T Panels ....................................................................................... 49 2.5 Importance of using CABS .................................................................................................................. 50 2.6 Cabs and Technology........................................................................................................................... 51 2.7 Dynamic Facades and Future Challenges ............................................................................................ 54 2.8 Challenges of Modelling and Simulating Dynamic Facades ............................................................... 55 2.9 Building Energy Simulating (BES) Tools ........................................................................................... 56 2.10 DesignBuilder Capabilities (V4.8) ....................................................................................................... 59 2.11 Summary of Findings........................................................................................................................... 60 CHAPTER 3 MODEL DEVELOPMENT.................................................................... 63 3.1 Development of Dynamic Façade Model ............................................................................................ 63 3.1.1 Dynamic Façade Modelling ................................................................................................................. 64 3.1.2 Development of a Sample Block to Investigate the Developed Model ............................................... 65 3.1.3 Building Calibration and Simulation ................................................................................................... 68 3.1.4 How to Model a Dynamic Façade and Examine its Impact on Energy Saving Potential .................... 79 3.2 Adoption of Selected and Audited Office Building ............................................................................. 81 3.2.1 Building Description ............................................................................................................................ 81 3.2.2 Building Envelope Details ................................................................................................................... 83 3.2.3 HVAC System Details ......................................................................................................................... 86 3.2.4 Lighting Details ................................................................................................................................... 88 3.3 Development of Base Case Model (Static) .......................................................................................... 91 3.3.1 Phase I: Site Inventory ......................................................................................................................... 91 3.3.2 Phase II: AutoCAD Utilization ............................................................................................................ 92 3.3.3 Phase III: DesignBuilder Involvement ................................................................................................. 93 CHAPTER 4 RESULTS AND DISCUSSION ............................................................ 102 4.1 Introduction........................................................................................................................................ 102 vii 4.2 Investigating the Energy Performance of Dynamic Facades ............................................................. 102 4.2.1 Dynamic Facades in DesignBuilder ................................................................................................... 103 4.2.2 Impact of Shading Devices on Load Parameters ............................................................................... 110 4.2.3 Methods of Achieving Dynamic Facade in DesignBuilder ............................................................... 112 4.2.4 Investigation of Actual Building Loads ............................................................................................. 121 4.2.5 Geometry Impact on Dynamic Façade’s Performance ...................................................................... 123 4.2.6 Configuring Dynamic Facades .......................................................................................................... 127 4.2.7 Investigating the Impact of Dynamic Facades ................................................................................... 132 4.2.8 Positioning of Dynamic Façade ......................................................................................................... 134 4.2.9 Dynamic Façade and Building Orientation ........................................................................................ 139 4.2.10 Performance of Dynamic Façade and Materials in DesignBuilder .......................................... 141 4.3 Investigation to Determine the Best Hvac System ............................................................................. 142 4.4 Investigating the Energy Performance of Dynamic Facades on Real Office Building ...................... 145 4.4.1 Investigating the Impact of Embedded Shading Devices................................................................... 146 4.4.2 Investigating the Impact of Dynamic Facades ..................................................................................
Load more

Recommended publications
  • University of Florida Thesis Or Dissertation Formatting
    HOW AN ISLAMIC SOLUTION BECAME AN ISLAMIST PROBLEM: EDUCATION, AUTHORITARIANISM AND THE POLITICS OF OPPOSITION IN MOROCCO By ANN MARIE WAINSCOTT A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2013 1 © 2013 Ann Marie Wainscott 2 To Tom and Mary Wainscott 3 ACKNOWLEDGMENTS It is hubris to try to acknowledge everyone who contributed to a project of this magnitude; I’m going to try anyway. But first, another sort of acknowledgement is necessary. The parsimonious theories and neat typologies I was taught in graduate school in no way prepared me to understand the tremendous sacrifices and risks of physical and psychological violence that individuals take in authoritarian contexts to participate as members of the political opposition; that is something one learns in the field. I’d like to begin the dissertation by acknowledging my deep respect for those activists, regardless of political persuasion, whose phone calls are recorded and monitored, who are followed every time they leave their homes, who risk their lives and the lives of those they love on behalf of their ideals. For those who have “disappeared,” for those who have endured torture, sometimes for years or decades, for those who are presently in detention, for those whose bodies are dissolved in acid, buried at sea or in mass graves, I acknowledge your sacrifice. I know some of your stories. Although most of my colleagues, interlocutors and friends in Morocco must go unnamed, they ought not go unacknowledged.
    [Show full text]
  • Young Collectors Auction Contemporary the from Middleeast Art Ayyam Gallery |Dubai April 30 Th , 2010
    ayyam gallery ayyam Young Collectors Auction Contemporary Art from the Middle East ayyam gallery | dubai April 30th, 2010 Viewing: April 28 - 29 / 2010 10 AM to 8 PM Auction No. 04 Friday, Aril 30th, 2010 18:00 hrs. For all enquiries please contact : Hisham Samawi Dubai + 971 4 323 6242, [email protected] Sally Othman Damascus + 963 11 613 1088, [email protected] Myriam Jakiche Beirut + 961 1 374450, [email protected] General Information [email protected] ayyam gallery | dubai 3rd Interchange, Al Quoz 1, Street 8, PO Box 283174 Dubai, UAE Phone + 971 4 323 6242, Fax + 971 4 323 6243, [email protected], www.ayyamgallery.com Dear friends, Since our last Young Collectors Auction in October of last year, Ayyam Gallery opened a new space in Beirut dedicated to Middle Eastern Art and held its first ever Beirut Sale, a very successful auction that was held earlier this year. Our dedication to contemporary and emerging artists from the Middle East is fueled by the amazing talent that these artists possess and the great works they are producing. In this sale we have put together a selection of works that would befit the most important of Middle Eastern contemporary art collections. Works by some of the most important emerging artists from Syria, Iran, and Lebanon are present in force. While our concentration is on emerging artists, some of our favorite blue chip names such as Samia Halaby, Youssef Abdelke, and Asaad Arabi are also present. We thank you for your continued support of Middle Eastern art. Khaled Samawi Founder Ayyam Gallery Omran YOUNES Syria 1971 Lot 001 Signed, Dated 100 X 100 cm.
    [Show full text]
  • National Museum of Aleppo As a Model)
    Strategies for reconstructing and restructuring of museums in post-war places (National Museum of Aleppo as a Model) A dissertation submitted at the Faculty of Philosophy and History at the University of Bern for the doctoral degree by: Mohamad Fakhro (Idlib – Syria) 20/02/2020 Prof. Dr. Mirko Novák, Institut für Archäologische Wissenschaften der Universität Bern and Dr. Lutz Martin, Stellvertretender Direktor, Vorderasiatisches Museum, Staatliche Museen zu Berlin Fakhro. Mohamad Hutmatten Str.12 D-79639 Grenzach-Wyhlen Bern, 25.11.2019 Original document saved on the web server of the University Library of Bern This work is licensed under a Creative Commons Attribution-Non-Commercial-No derivative works 2.5 Switzerland licence. To see the licence go to http://creativecommons.org/licenses/by-nc-nd/2.5/ch/ or write to Creative Commons, 171 Second Street, Suite 300, San Francisco, California 94105, USA Copyright Notice This document is licensed under the Creative Commons Attribution-Non-Commercial-No derivative works 2.5 Switzerland. http://creativecommons.org/licenses/by-nc-nd/2.5/ch/ You are free: to copy, distribute, display, and perform the work Under the following conditions: Attribution. You must give the original author credit. Non-Commercial. You may not use this work for commercial purposes. No derivative works. You may not alter, transform, or build upon this work.. For any reuse or distribution, you must take clear to others the license terms of this work. Any of these conditions can be waived if you get permission from the copyright holder. Nothing in this license impairs or restricts the author’s moral rights according to Swiss law.
    [Show full text]
  • ICR 6-2 Prelims+Text.Indd
    Islam and Civilisational Renewal A journal devoted to contemporary issues and policy research Volume 6 • Number 2 • April 2015 Produced and distributed by ISLAM AND CIVILISATIONAL RENEWAL EDITOR-IN-CHIEF Professor Mohammad Hashim Kamali EDITORIAL TEAM Dr Mohamed Azam Mohamed Adil Dr Daud AbdulFattah Batchelor Abdul Karim Abdullah Tengku Ahmad Hazri Norliza Saleh Siti Mar’iyah Chu Abdullah REGIONAL EDITORS Americas: Dr Eric Winkel Europe: Dr Christoph Marcinkowski Africa & Middle East: Mahmoud Youness Asia & Australasia: Dr Syed Farid Alatas ADVISORY BOARD Professor Gholamreza Aavani, Professor Carl W. Ernst, Professor Ingrid Mattson, Iranian Philosophical Society University of North Carolina University of Western Ontario Dr AbdulHamid A. AbuSulayman, Professor John Esposito, Professor Abbas Mirakhor, International Institute of Islamic Georgetown University International Centre for Thought Professor Silvio Ferrari, Education in Islamic Finance Professor Zafar Ishaq Ansari, Università degli Studi Professor Chandra Muzaffar, International Islamic University HRH Prince Ghazi bin Muhammad, International Movement for a Islamabad Jordan Just World Professor Azyumardi Azra, Professor Claude Gilliot, Professor Seyyed Hossein Nasr, State Islamic University Jakarta Aix-Marseille Université George Washington University Professor David Burrell CSC, Professor Ekmeleddin İhsanoğlu, Professor Tariq Ramadan, University of Notre Dame Organisation of Islamic Oxford University Dr Mustafa Cerić, Cooperation Professor Mathias Rohe, Former Grand Mufti of Bosnia- Professor Yasushi Kosugi, Friedrich-Alexander-Universität Herzegovina Kyoto University Professor Abdullah Saeed, Professor Hans Daiber, Emeritus Professor Hermann University of Melbourne Johann Wolfgang Goethe Landolt, McGill University Professor Miroslav Volf, Universität Professor Tore Lindholm, Yale University Ahmet Davutoğlu, University of Oslo Professor Abdal Hakim Murad, Foreign Minister of Turkey Professor Muhammad Khalid University of Cambridge Professor W.
    [Show full text]
  • France & Col O Nies
    1062 FRANCE FRANCE 1862 Re-issue 34 A5 30c brn, yelsh (’67) 600.00 12.50 Type II 10b A2 10c bister 425.00 a. 30c dk brn, yellowish 975.00 30.00 11a A2 25c blue 250.00 35 A5 40c pale org, yellow- frants ish 600.00 8.75 1849-50 Typo. Unwmk. Imperf. The re-issues are in lighter colors and on a. 40c org, yelsh (’68) 610.00 11.00 whiter paper than the originals. c. Half used as 20c on cover 32,500. 1 A1 10c bis, yelsh 36 A5 80c rose, pnksh LOCATION — Western Europe (’50) 1,250. 275.00 (’68) 725.00 18.00 GOVT. — Republic a. 10c dark bister, yelsh 1,500. 325.00 1853-60 Imperf. a. 80c carmine, yellowish 1,050. 27.50 b. 10c greenish bister 2,150. 325.00 d. Half used as 40c on cover 36,500. AREA — 210,033 sq. mi. e. Tˆete beche pair 50,000. 11,250. Die I. The curl above the forehead directly e. Quarter used as 20c on POP. — 58,978,172 (1999 est.) 2 A1 15c green, grnsh below “R” of “EMPIRE” is made up of two lines cover 40,000. (’50) 15,500. 725.00 very close together, often appearing to form a 37 A6 5fr gray lil, lav (’69) 4,300. 775.00 CAPITAL — Paris a. 15c yellow green, grnsh 16,500. 800.00 a. “5” and “F” omitted 56,000. c. Tˆete bˆeche pair single thick line. There is no shading across c. 5fr bluish gray, lavender 4,800.
    [Show full text]
  • Transparent Film to Protect Louvre Abu Dhabi from Rain
    Transparent film to protect Louvre Abu Dhabi from rain Rain will not affect the Louvre Abu Dhabi museum since there will be a transparent film between the two layers of the perfo- rated dome structure, said its design team yesterday in an exclusive interview. Meanwhile, the piling works for the project have gone out to tender and will commence in early December, a senior official from its developer Tourism De- velopment Investment Company (TDIC) told Emirates Business. “TDIC will soon notify shortlisted companies on the main contract,” said Felix Reinberg, Project Director of Cultural District at TDIC (see box for fact sheet). The project will be housed in the Cultural District of Saadiyat Island with the Zayed Louvre Abu Dhabi will showcase fine arts, decorative arts and archaeological artefacts. National Museum, the Guggenheim Abu (JOSEPH J CAPELLAN) Dhabi Museum and this museum due for completion in 2013. In his design statement, Nouvel said the want to test its functionality and manage- “I think that in every project, you have museum is conceived as “a complex of ability. This is Phase 1, where the patter- to find a good reason to do things,” pavilions, plazas, alleyways and canals, ning of the “rain of light” (light patterns said Jean Nouvel of Jean Nouvel Atelier evoking the image of a city floating on through the interlaced perforations) speaking to this newspaper. “I research the sea. Hovering over the complex will testing is taking place for a section of the the character of the missing piece of the be a form inspired by traditional Arabic dome,” said Reinberg.
    [Show full text]
  • Saving and Reconstructing Heritage
    Press release THURSDAY 19 to SATURDAY 21 JANUARY 2017 – SPECIAL EVENT AT THE LOUVRE-LENS MUSEUM Saving and Reconstructing Heritage At a time when significant archaeological treasures in the Middle East are threatened by tragic current events, the Louvre-Lens Museum is hosting a special event from 19 – 21 January on the theme of endangered heritage. Jean-Luc Martinez, President-Director of the Louvre Museum, will give a lecture on protecting cultural heritage in areas affected by armed conflict. Marie Lavandier, Director of the Louvre-Lens Museum and President of the ICCROM Council, will lead an international symposium on post-conflict reconstruction of historic cities. This special event is being organized in partnership with ICCROM, through its ICCROM-ATHAR Regional Conservation Centre located in the United Arab Emirates, and the Institut du monde arabe in Tourcoing, France. It is part of the programming for the Louvre-Lens exhibition ‘History Begins in Mesopotamia,’ currently running until 23 January. Aleppo, the Omeyyad Mosque, 2013 ©UNESCO / Ron Van Oers PRESS CONTACTS Regional and Belgian press National press International press Bruno Cappelle Alexis Grégorat Paul Arenson Musée du Louvre-Lens Agence Claudine Colin Communication ICCROM Tel: +33 (0)3 21 18 62 13 Tel: +33 (0)1 42 72 60 01 / +33 (0)6 45 03 16 89 Tel: +39 340 862 1843 [email protected] [email protected] [email protected] 1 PROGRAMME DETAILS Thursday 19 January, 6pm Lecture PROTECTING HERITAGE By Jean-Luc Martinez, President-Director of the Louvre Museum and commissioner of the exhibit “From Bamiyan to Palmyra: A Journey to the Heart of Universal Heritage” at the Grand Palais in Paris, until 9 January 2017.
    [Show full text]
  • Adaptive Façades Architecture
    Adaptive Façades An Integrated Algorithmic Approach Helena Luísa Freitas Martinho Thesis to obtain the Master of Science Degree in Architecture Supervisors: Prof. Dr. António Paulo Teles de Menezes Correia Leitão Prof. Dr. Miguel José das Neves Pires Amado Examination Committee Chairperson: Prof. Dr. Ana Paula Filipe Tomé Advisor: Prof. Dr. António Paulo Teles de Menezes Correia Leitão Member of the Committee: Prof. Manuel de Arriaga Brito Correia Guedes May 2019 Declaration I declare that this document is an original work of my own authorship and that it fulfills all the requirements of the Code of Conduct and Good Practices of the Universidade de Lisboa. Acknowledgments I would like to begin by leaving a word of appreciation for the person that made all of this work possible. To my supervisor, António Menezes Leitão, for the constant guidance and encouragement along this journey. To my co-supervisor, Miguel Pires Amado, for agreeing to be part of this work. To Roel Loonen, for the inspiring discussions that instigated my interest over this topic. To my fellow members of ADA, for the precious feedback and advice. A special acknowledgment to José, Catarina, Inês, and Renata, for the everlasting patience and wonderful company. To my parents, for the unconditional love and support. And most of all, to Ignacio, for believing in me whenever I couldn’t. To each and every one of you - thank you. This work was supported by national funds through Fundação para a Ciência e a Tecnologia (FCT) with references UID/CEC/50021/2019 and PTDC/ART-DAQ/31061/2017. i Abstract The concept of architectural performance comprises an understanding of the interaction between the built and natural environments.
    [Show full text]
  • Mashrabiyacontemporary Design Cultural Anchor and Environmental
    IMPACT: International Journal of Research in Engineering & Technology ISSN(P): 2347–4599; ISSN(E): 2321–8843 Vol. 8, Issue 1, Jan 2020, 1–12 © Impact Journals MASHRABIYA CONTEMPORARY DESIGN: CULTURAL ANCHOR AND ENVIRONMENTAL PERFORMANCE Khalid Eljaouhari 1, Larbi Amhamdi 2 & Larbi Bouayad 3 1Research Scholar, Center of Doctoral Studies, National School of Architecture of Rabat, Morocco 2, 3 Professor, National School of Architecture of Rabat, Morocco Received: 03 Jan 2020 Accepted: 08 Jan 2020 Published: 25 Jan 2020 ABSTRACT Facing the challenges of globalization and sustainability, some architects claim inspiration from traditional crafts in search of regional specificities and environmental performance. This article proposes to invest this practice, trying to understand factors of its emergence. And that, through the study of Mashrabiya which was renewed and interpreted in contemporary projects as ornamental skin of building, claiming to provide a local identity and intelligent climate control. This paper will focus on the concept of Mashrabiya, analyzing its contemporary features in comparison with the traditional ones, evaluating its contributions in contemporary project. Seminars, focus groups, and interviews were conducted to build a comprehensive background supporting the purposeof this study. This article is a modest scientific contribution to understand this trend and find some answers to the critical questions raised by adopting this design approach that resides in transcribing traditional elements in contemporary contexts. KEYWORDS: Design, Crafts, Mashrabiya, Interpretation, Context Anchor, Traditional, Contemporary INTRODUCTION In recent years, issues of local specificity and the search for alternatives to the global standardization of architecture and culture led architects to seek solutions in combining contemporary design concepts and engineering methods with traditional crafts.
    [Show full text]
  • MWL Magazine September 2019
    A true Muslim is an ambassador for Islam, reflecting its values a n d p r i n c i p l e s . — Secretary General of the Muslim World League His Excellency Sheikh Dr. Mohammad bin Abdulkarim Al-Issa About the MWL The Muslim World League is a non-governmental international organization based in Makkah. Its goal is to clarify the true message of Islam. Crown Prince Faisal, the third son of King Abdulaziz ibn Mohammad Al Saud, founded the Muslim World League during the meeting of the general Islamic Conference on May 18, 1962, in order to fulfill his dream for an Islamic Ummah. The establishment of the MWL continued the vision of the Crown Prince to enlighten and educate the international Muslim community, which began with the founding of the Islamic University of Madinah in 1961. The Muslim World League has grown into a worldwide charity to which the Saudi Royal Family remain active donors. Ascending to the throne as King Faisal in November 1964, the Saudi leader remained steadfast in his faith, proclaiming: “I beg of you, brothers, to look upon me as both brother and servant. ‘Majesty’ is reserved to God alone and ‘the throne’ is the throne of the Heavens and Earth.” Contents SEPTEMBER 2019 | VOLUME 49 | ISSUE 9 1. The Month in Review The main events and activities of H.E. Sheikh Dr. Mohammad bin Abdulkarim Al-Issa for September 2019. .......................................5 2. Letter from the Editor Peace and Solidarity: A Conference Theme, A Global Goal. ......................10 3. Editorial Leaders La Grande Tradition: France & Islam—A Great Tradition of Great Understanding ...12 The Age of Enlightenment: Islam, the West and the Power of Ideas.
    [Show full text]
  • Download Pdf Catalogue
    ROYAL MANSOUR MARRAKECH PRESENTS INVISIBLE LIGHT yahya & qotbi 19 April - 15 September 2014 When I first took over as President of the Arab World Institute in Paris in 2013, I soon discovered that I had inherited an exhibition called “Invisible Light” that was to be shown in the Zaha Hadid pavillion, by the painter Mehdi Qotbi and the sculptor of light Yahya.I was familiar with both of their work, but was intrigued as to what they would do together and the results of such a collaboration, coming from two very different artistic backgrounds. Added to this, was my worry about how they would make use of Zaha’s pavillion which is an incredibly challenging exhibition space, as remarkable as it is architecturally.When I glimpsed the set up of the sculptures I was overwhelmed and astonished at how perfectly the works of art seemed to complement and accentuate the space. The installation and lighting had yet to be finished so I decided to withdraw and leave it a complete surprise for the opening vernissage. As I entered into the space a few days later, I was dazzled by the sophisticated simplicity of the scenography, the obsessive fine tuning of the lighting design and the extraordinary beauty of the sculptures that seemed to dance and shimmer. I was enchanted and realised that I was being taken on a journey through time and space, form and material.....from darkness to light. I was transported through the pavillion, that I now barely recognised, and guided effortlessly, as if by an invisible hand, my attention being drawn to each sculpture as and when the artists desired.
    [Show full text]
  • Announcement
    Announcement 71 articles, 2016-04-01 06:02 1 Fashion Industry Remembers Zaha Hadid The architect died at age 65 in Miami of a sudden heart attack. 2016-03-31 23:17 11KB wwd.com (8.07/9) 2 Star architect Zaha Hadid dies aged 65 from heart attack World-renowned British architect whose designs include the London Olympic Aquatic Centre has died 2016-03-31 16:49 4KB www.theguardian.com (8.07/9) 3 Frankie Previews Fall Collection in New York Frankie — the revamped, Los Angeles-based brand formerly known as denim label Frankie B — previewed its fall collection to editors. 2016-03-31 21:29 1KB wwd.com (3.01/9) 4 Sotheby’s Contemporary Art Head Cheyenne Westphal Out After 25 Years Westphal in front of a Hirst. COURTESY SOTHEBY'S Cheyenne Westphal, the worldwide head of contemporary art at Sotheby's, is leaving after 25 years in what is 2016-03-31 12:59 (2.00/9) 1KB www.artnews.com 5 Ricardo Lowenberg, 2016 Spotlight Artist Gleaning artistic influence from an amalgam of art history’s greatest painters, Mexico-born painter Ricardo Lowenberg transforms the canvas with his skillful manipulation of shape, color, texture, and rhythm. In his portrayal of the everyday world, Lowenberg transforms scenes of the mundane into spiritually... 2016-04-01 06:02 2KB artexponewyork.com 6 Show Guide Ad Upload AENY 2016 Show Guide Ad Upload Form 2016-04-01 06:02 602Bytes artexponewyork.com 7 Official Logos Proud Sponsors Exhibitor Logos Spread the word and advertise your upcoming exhibition at FOTO SOLO 2016 with our official logos.
    [Show full text]