Adaptive Façades Architecture
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University of Florida Thesis Or Dissertation Formatting
HOW AN ISLAMIC SOLUTION BECAME AN ISLAMIST PROBLEM: EDUCATION, AUTHORITARIANISM AND THE POLITICS OF OPPOSITION IN MOROCCO By ANN MARIE WAINSCOTT A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2013 1 © 2013 Ann Marie Wainscott 2 To Tom and Mary Wainscott 3 ACKNOWLEDGMENTS It is hubris to try to acknowledge everyone who contributed to a project of this magnitude; I’m going to try anyway. But first, another sort of acknowledgement is necessary. The parsimonious theories and neat typologies I was taught in graduate school in no way prepared me to understand the tremendous sacrifices and risks of physical and psychological violence that individuals take in authoritarian contexts to participate as members of the political opposition; that is something one learns in the field. I’d like to begin the dissertation by acknowledging my deep respect for those activists, regardless of political persuasion, whose phone calls are recorded and monitored, who are followed every time they leave their homes, who risk their lives and the lives of those they love on behalf of their ideals. For those who have “disappeared,” for those who have endured torture, sometimes for years or decades, for those who are presently in detention, for those whose bodies are dissolved in acid, buried at sea or in mass graves, I acknowledge your sacrifice. I know some of your stories. Although most of my colleagues, interlocutors and friends in Morocco must go unnamed, they ought not go unacknowledged. -
On El Lissitzky's Representations of Space
Online Journal of Art and Design volume 3, issue 3, 2015 Scissors versus T-square: on El Lissitzky’s Representations of Space Acalya Allmer Dokuz Eylül University, Turkey [email protected] ABSTRACT The first exhibition of Russian art since the Revolution was held in Berlin at the Van Diemen Gallery in the spring of 1922. In Camilla Gray’s terms it was ‘the most important and the only comprehensive exhibition of Russian abstract art to be seen in the West’ (Gray, 1962:315). The exhibition was organized and arranged by Russian architect El Lissitzky who acted as a link between the Russian avant-garde and that of the west. He played a seminal role especially in Germany, where he had lived before the war and where he was a constant visitor between 1922 and 1928. The diversity of El Lissitzky’s talents in many fields of art including graphic design, painting, and photography made him known as ‘travelling salesman for the avant-garde.’ However, what makes the theoretical and visual works of Lissitzky discontinuous and divergent is that they include apparently contradictory domains. Through his short life by shifting different modes of representations - perspective, axonometry, photomontage - Lissitzky sometimes presented us a number of problems in his irrational way of using the techniques. This article concentrates on his contradictory arguments on representation of space especially between 1920 and 1924, by re-reading his theoretical texts published in the avant-garde magazines of the period and looking through his well-preserved visual works. Keywords: El Lissitzky, representation, space, axonometry, photography, avant-garde 1. -
Young Collectors Auction Contemporary the from Middleeast Art Ayyam Gallery |Dubai April 30 Th , 2010
ayyam gallery ayyam Young Collectors Auction Contemporary Art from the Middle East ayyam gallery | dubai April 30th, 2010 Viewing: April 28 - 29 / 2010 10 AM to 8 PM Auction No. 04 Friday, Aril 30th, 2010 18:00 hrs. For all enquiries please contact : Hisham Samawi Dubai + 971 4 323 6242, [email protected] Sally Othman Damascus + 963 11 613 1088, [email protected] Myriam Jakiche Beirut + 961 1 374450, [email protected] General Information [email protected] ayyam gallery | dubai 3rd Interchange, Al Quoz 1, Street 8, PO Box 283174 Dubai, UAE Phone + 971 4 323 6242, Fax + 971 4 323 6243, [email protected], www.ayyamgallery.com Dear friends, Since our last Young Collectors Auction in October of last year, Ayyam Gallery opened a new space in Beirut dedicated to Middle Eastern Art and held its first ever Beirut Sale, a very successful auction that was held earlier this year. Our dedication to contemporary and emerging artists from the Middle East is fueled by the amazing talent that these artists possess and the great works they are producing. In this sale we have put together a selection of works that would befit the most important of Middle Eastern contemporary art collections. Works by some of the most important emerging artists from Syria, Iran, and Lebanon are present in force. While our concentration is on emerging artists, some of our favorite blue chip names such as Samia Halaby, Youssef Abdelke, and Asaad Arabi are also present. We thank you for your continued support of Middle Eastern art. Khaled Samawi Founder Ayyam Gallery Omran YOUNES Syria 1971 Lot 001 Signed, Dated 100 X 100 cm. -
The Agency of Mapping: Speculation, Critique and Invention
IO The Agency of Mapping: Speculation, Critique and Invention JAMES CORNER Mapping is a fantastic cultural project, creating and building the world as much as measuring and describing it. Long affiliated with the planning and design of cities, landscapes and buildings, mapping is particularly instrumental in the construing and constructing of lived space. In this active sense, the function of mapping is less to mirror reality than to engender the re-shaping of the worlds in which people live. While there are countless examples of authoritarian, simplistic, erroneous and coer cive acts of mapping, with reductive effects upon both individuals and environments, I focus in this essay upon more optimistic revisions of mapping practices. 1 These revisions situate mapping as a collective enabling enterprise, a project that both reveals and realizes hidden poten tial. Hence, in describing the 'agency' of mapping, I do not mean to invoke agendas of imperialist technocracy and control but rather to sug gest ways in which mapping acts may emancipate potentials, enrich expe riences aJd diversify worlds. We have been adequately cautioned about mapping as a means of projecting power-knowledge, but what about mapping as a productive and liberating instrument, a world-enriching agent, especially in the design and planning arts? As a creative practice, mapping precipitates its most productive effects through a finding that is also a founding; its agency lies in neither repro duction nor imposition but rather in uncovering realities previously unseen or unimagined, even across seemingly exhausted grounds. Thus, mapping unfolds potential; it re-makes territory over and over again, each time with new and diverse consequences. -
National Museum of Aleppo As a Model)
Strategies for reconstructing and restructuring of museums in post-war places (National Museum of Aleppo as a Model) A dissertation submitted at the Faculty of Philosophy and History at the University of Bern for the doctoral degree by: Mohamad Fakhro (Idlib – Syria) 20/02/2020 Prof. Dr. Mirko Novák, Institut für Archäologische Wissenschaften der Universität Bern and Dr. Lutz Martin, Stellvertretender Direktor, Vorderasiatisches Museum, Staatliche Museen zu Berlin Fakhro. Mohamad Hutmatten Str.12 D-79639 Grenzach-Wyhlen Bern, 25.11.2019 Original document saved on the web server of the University Library of Bern This work is licensed under a Creative Commons Attribution-Non-Commercial-No derivative works 2.5 Switzerland licence. To see the licence go to http://creativecommons.org/licenses/by-nc-nd/2.5/ch/ or write to Creative Commons, 171 Second Street, Suite 300, San Francisco, California 94105, USA Copyright Notice This document is licensed under the Creative Commons Attribution-Non-Commercial-No derivative works 2.5 Switzerland. http://creativecommons.org/licenses/by-nc-nd/2.5/ch/ You are free: to copy, distribute, display, and perform the work Under the following conditions: Attribution. You must give the original author credit. Non-Commercial. You may not use this work for commercial purposes. No derivative works. You may not alter, transform, or build upon this work.. For any reuse or distribution, you must take clear to others the license terms of this work. Any of these conditions can be waived if you get permission from the copyright holder. Nothing in this license impairs or restricts the author’s moral rights according to Swiss law. -
Maps and Meanings: Urban Cartography and Urban Design
Maps and Meanings: Urban Cartography and Urban Design Julie Nichols A thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy The University of Adelaide School of Architecture, Landscape Architecture and Urban Design Centre for Asian and Middle Eastern Architecture (CAMEA) Adelaide, 20 December 2012 1 CONTENTS CONTENTS.............................................................................................................................. 2 ABSTRACT .............................................................................................................................. 4 ACKNOWLEDGEMENT ....................................................................................................... 6 LIST OF FIGURES ................................................................................................................. 7 INTRODUCTION: AIMS AND METHOD ........................................................................ 11 Aims and Definitions ............................................................................................ 12 Research Parameters: Space and Time ................................................................. 17 Method .................................................................................................................. 21 Limitations and Contributions .............................................................................. 26 Thesis Layout ....................................................................................................... 28 -
189 09 Aju 03 Bryon 8/1/10 07:25 Página 31
189_09 aju 03 Bryon 8/1/10 07:25 Página 31 Measuring the qualities of Choisy’s oblique and axonometric projections Hilary Bryon Auguste Choisy is renowned for his «axonometric» representations, particularly those illustrating his Histoire de l’architecture (1899). Yet, «axonometric» is a misnomer if uniformly applied to describe Choisy’s pictorial parallel projections. The nomenclature of parallel projection is often ambiguous and confusing. Yet, the actual history of parallel projection reveals a drawing system delineated by oblique and axonometric projections which relate to inherent spatial differences. By clarifying the intrinsic demarcations between these two forms of parallel pro- jection, one can discern that Choisy not only used the two spatial classes of pictor- ial parallel projection, the oblique and the orthographic axonometric, but in fact manipulated their inherent differences to communicate his theory of architecture. Parallel projection is a form of pictorial representation in which the projectors are parallel. Unlike perspective projection, in which the projectors meet at a fixed point in space, parallel projectors are said to meet at infinity. Oblique and axonometric projections are differentiated by the directions of their parallel pro- jectors. Oblique projection is delineated by projectors oblique to the plane of pro- jection, whereas the orthographic axonometric projection is defined by projectors perpendicular to the plane of projection. Axonometric projection is differentiated relative to its angles of rotation to the picture plane. When all three axes are ro- tated so that each is equally inclined to the plane of projection, the axonometric projection is isometric; all three axes are foreshortened and scaled equally. -
ICR 6-2 Prelims+Text.Indd
Islam and Civilisational Renewal A journal devoted to contemporary issues and policy research Volume 6 • Number 2 • April 2015 Produced and distributed by ISLAM AND CIVILISATIONAL RENEWAL EDITOR-IN-CHIEF Professor Mohammad Hashim Kamali EDITORIAL TEAM Dr Mohamed Azam Mohamed Adil Dr Daud AbdulFattah Batchelor Abdul Karim Abdullah Tengku Ahmad Hazri Norliza Saleh Siti Mar’iyah Chu Abdullah REGIONAL EDITORS Americas: Dr Eric Winkel Europe: Dr Christoph Marcinkowski Africa & Middle East: Mahmoud Youness Asia & Australasia: Dr Syed Farid Alatas ADVISORY BOARD Professor Gholamreza Aavani, Professor Carl W. Ernst, Professor Ingrid Mattson, Iranian Philosophical Society University of North Carolina University of Western Ontario Dr AbdulHamid A. AbuSulayman, Professor John Esposito, Professor Abbas Mirakhor, International Institute of Islamic Georgetown University International Centre for Thought Professor Silvio Ferrari, Education in Islamic Finance Professor Zafar Ishaq Ansari, Università degli Studi Professor Chandra Muzaffar, International Islamic University HRH Prince Ghazi bin Muhammad, International Movement for a Islamabad Jordan Just World Professor Azyumardi Azra, Professor Claude Gilliot, Professor Seyyed Hossein Nasr, State Islamic University Jakarta Aix-Marseille Université George Washington University Professor David Burrell CSC, Professor Ekmeleddin İhsanoğlu, Professor Tariq Ramadan, University of Notre Dame Organisation of Islamic Oxford University Dr Mustafa Cerić, Cooperation Professor Mathias Rohe, Former Grand Mufti of Bosnia- Professor Yasushi Kosugi, Friedrich-Alexander-Universität Herzegovina Kyoto University Professor Abdullah Saeed, Professor Hans Daiber, Emeritus Professor Hermann University of Melbourne Johann Wolfgang Goethe Landolt, McGill University Professor Miroslav Volf, Universität Professor Tore Lindholm, Yale University Ahmet Davutoğlu, University of Oslo Professor Abdal Hakim Murad, Foreign Minister of Turkey Professor Muhammad Khalid University of Cambridge Professor W. -
Axonometry New Practical Graphical Methods for Determining System Parameters
PSYCHOLOGY AND EDUCATION (2021) 58(2): 5710-5718 ISSN: 00333077 Axonometry New Practical Graphical Methods For Determining System Parameters Malikov Kozim Gafurovich Senior Lecturer, Department of Engineering Graphics and Teaching Methods, Tashkent State Pedagogical University named after Nizami Abstract Some practical graphical method of determining the coefficients of variation and angles between them, which are the main parameters of the axonometric system, first describes the development of a model for generating axonometric projections and using it to determine the basic parameters of axonometry graphically. Key words: Axonometry, isometry, projection, transformation, parallel, plane, perpendicular, horizontal, bisector plane. Article Received: 18 October 2020, Revised: 3 November 2020, Accepted: 24 December 2020 Introduction. shortened, the angular values between them do not The practical graphical method of determining the change, and the triangle of traces is an equilateral coefficients of variation of the axes of the triangle, as noted above, described in the Q plane axonometric system and the angles between them in their true magnitude. has not been raised as a problem until now [1]. Therefore, all elements of isometry, i.e. Because the results obtained were graphic works axonometric axes, are reduced to a theoretically performed manually, they were approximately 0.5- determined coefficient of variation of 81.6496 mm 1 mm accurate. Therefore, graphical methods were and the angular values between them are described of great importance -
Architecture Program Report 7 September 2015
ARCHITECTURE PROGRAM REPORT FOR THE NATIONAL ARCHITECTURAL ACCREDITATION BOARD 7 SEPTEMBER 2015 THE IRWIN S. CHANIN SCHOOL OF ARCHITECTURE THE COOPER UNION FOR THE ADVANCEMENT OF SCIENCE AND ART NADER TEHRANI, DEAN ELIZABETH O’DONNELL, ASSOCIATE DEAN The Irwin S. Chanin School of Architecture of the Cooper Union Architecture Program Report September 2015 The Cooper Union for the Advancement of Science and Art The Irwin S. Chanin School of Architecture Architecture Program Report for 2016 NAAB Visit for Continuing Accreditation Bachelor of Architecture (160 credits) Year of the Previous Visit: 2010 Current Term of Accreditation: From the VTR dated July 27, 2010 “The accreditation term is effective January 1, 2010. The Program is scheduled for its next accreditation visit in 2016.” Submitted to: The National Architectural Accrediting Board Date: 7 September 2015 The Irwin S. Chanin School of Architecture of the Cooper Union Architecture Program Report September 2015 Program Administrator: Nader Tehrani, Dean and Professor Chief administrator for the academic unit in which the Program is located: Nader Tehrani, Dean and Professor Chief Academic Officer of the Institution: NA President of the Institution: William Mea, Acting President Individual submitting the Architecture Program Report: Nader Tehrani, Dean and Professor Name of individual to whom questions should be directed: Elizabeth O’Donnell, Associate Dean and Professor (proportional-time) The Irwin S. Chanin School of Architecture of the Cooper Union Architecture Program Report September 2015 Section Page Section 1. Program Description I.1.1 History and Mission I.1.2 Learning Culture I.1.3 Social Equity I.1.4 Defining Perspectives I.1.5 Long Range Planning I.1.6 Assessment Section 2. -
France & Col O Nies
1062 FRANCE FRANCE 1862 Re-issue 34 A5 30c brn, yelsh (’67) 600.00 12.50 Type II 10b A2 10c bister 425.00 a. 30c dk brn, yellowish 975.00 30.00 11a A2 25c blue 250.00 35 A5 40c pale org, yellow- frants ish 600.00 8.75 1849-50 Typo. Unwmk. Imperf. The re-issues are in lighter colors and on a. 40c org, yelsh (’68) 610.00 11.00 whiter paper than the originals. c. Half used as 20c on cover 32,500. 1 A1 10c bis, yelsh 36 A5 80c rose, pnksh LOCATION — Western Europe (’50) 1,250. 275.00 (’68) 725.00 18.00 GOVT. — Republic a. 10c dark bister, yelsh 1,500. 325.00 1853-60 Imperf. a. 80c carmine, yellowish 1,050. 27.50 b. 10c greenish bister 2,150. 325.00 d. Half used as 40c on cover 36,500. AREA — 210,033 sq. mi. e. Tˆete beche pair 50,000. 11,250. Die I. The curl above the forehead directly e. Quarter used as 20c on POP. — 58,978,172 (1999 est.) 2 A1 15c green, grnsh below “R” of “EMPIRE” is made up of two lines cover 40,000. (’50) 15,500. 725.00 very close together, often appearing to form a 37 A6 5fr gray lil, lav (’69) 4,300. 775.00 CAPITAL — Paris a. 15c yellow green, grnsh 16,500. 800.00 a. “5” and “F” omitted 56,000. c. Tˆete bˆeche pair single thick line. There is no shading across c. 5fr bluish gray, lavender 4,800. -
Transparent Film to Protect Louvre Abu Dhabi from Rain
Transparent film to protect Louvre Abu Dhabi from rain Rain will not affect the Louvre Abu Dhabi museum since there will be a transparent film between the two layers of the perfo- rated dome structure, said its design team yesterday in an exclusive interview. Meanwhile, the piling works for the project have gone out to tender and will commence in early December, a senior official from its developer Tourism De- velopment Investment Company (TDIC) told Emirates Business. “TDIC will soon notify shortlisted companies on the main contract,” said Felix Reinberg, Project Director of Cultural District at TDIC (see box for fact sheet). The project will be housed in the Cultural District of Saadiyat Island with the Zayed Louvre Abu Dhabi will showcase fine arts, decorative arts and archaeological artefacts. National Museum, the Guggenheim Abu (JOSEPH J CAPELLAN) Dhabi Museum and this museum due for completion in 2013. In his design statement, Nouvel said the want to test its functionality and manage- “I think that in every project, you have museum is conceived as “a complex of ability. This is Phase 1, where the patter- to find a good reason to do things,” pavilions, plazas, alleyways and canals, ning of the “rain of light” (light patterns said Jean Nouvel of Jean Nouvel Atelier evoking the image of a city floating on through the interlaced perforations) speaking to this newspaper. “I research the sea. Hovering over the complex will testing is taking place for a section of the the character of the missing piece of the be a form inspired by traditional Arabic dome,” said Reinberg.