Group Exhibitions ©Djameltatah.Com 2021 « Picasso & Les Femmes D
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
University of Florida Thesis Or Dissertation Formatting
HOW AN ISLAMIC SOLUTION BECAME AN ISLAMIST PROBLEM: EDUCATION, AUTHORITARIANISM AND THE POLITICS OF OPPOSITION IN MOROCCO By ANN MARIE WAINSCOTT A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2013 1 © 2013 Ann Marie Wainscott 2 To Tom and Mary Wainscott 3 ACKNOWLEDGMENTS It is hubris to try to acknowledge everyone who contributed to a project of this magnitude; I’m going to try anyway. But first, another sort of acknowledgement is necessary. The parsimonious theories and neat typologies I was taught in graduate school in no way prepared me to understand the tremendous sacrifices and risks of physical and psychological violence that individuals take in authoritarian contexts to participate as members of the political opposition; that is something one learns in the field. I’d like to begin the dissertation by acknowledging my deep respect for those activists, regardless of political persuasion, whose phone calls are recorded and monitored, who are followed every time they leave their homes, who risk their lives and the lives of those they love on behalf of their ideals. For those who have “disappeared,” for those who have endured torture, sometimes for years or decades, for those who are presently in detention, for those whose bodies are dissolved in acid, buried at sea or in mass graves, I acknowledge your sacrifice. I know some of your stories. Although most of my colleagues, interlocutors and friends in Morocco must go unnamed, they ought not go unacknowledged. -
Design Competition Brief
Design Competition Brief The Museum of the 20th Century Berlin, June 2016 Publishing data Design competition brief compiled by: ARGE WBW-M20 Schindler Friede Architekten, Salomon Schindler a:dks mainz berlin, Marc Steinmetz On behalf of: Stiftung Preußischer Kulturbesitz (SPK) Von-der-Heydt-Straße 16-18 10785 Berlin Date / as of: 24/06/2016 Design Competition Brief The Museum of the 20th Century Part A Competition procedure ..............................................................................5 A.1 Occasion and objective .......................................................................................... 6 A.2 Parties involved in the procedure ........................................................................... 8 A.3 Competition procedure .......................................................................................... 9 A.4 Eligibility ............................................................................................................... 11 A.5 Jury, appraisers, preliminary review ...................................................................... 15 A.6 Competition documents ....................................................................................... 17 A.7 Submission requirements ...................................................................................... 18 A.8 Queries ................................................................................................................. 20 A.9 Submission of competition entries and preliminary review ................................. -
Ar204 Art and Interpretation
AR204 ART AND INTERPRETATION Art and Aesthetics Module: Art Objects and Experience Fall 2019 Seminar Leader: Geoff Lehman Course Times: Wednesday, 9:00- 10:30 and Friday, 10:45-12:15 (9:00-12:15 for museum visits) Email: [email protected] Office Hours: Tuesdays, 14:00-16:00 Course Description Describing a painting, the art historian Leo Steinberg wrote: “The picture conducts itself the way a vital presence behaves. It creates an encounter.” In this course, we will encounter works of art to explore the specific dialogue each creates with a viewer and the range of interpretive possibilities it offers. More specifically, the course will examine various interpretive approaches to art, including formal analysis, iconography, social and historical contextualism, aestheticism, phenomenology, and psychoanalysis. Most importantly, we will engage interpretation in ways that are significant both within art historical discourse and in addressing larger questions of human experience and (self- )knowledge, considering the dialogue with the artwork in its affective (emotional) as well as its intellectual aspects. The course will be guided throughout by sustained discussion of a small number of individual artworks, with a focus on pictorial representation (painting, drawing, photography), although sculpture and installation art will also be considered. We will look at works from a range of different cultural traditions, and among the artists we will focus on are Xia Gui, Giorgione, Bruegel, Mirza Ali, Velázquez, Hokusai, Manet, Picasso, Man Ray, Martin, and Sherman. Readings will focus on texts in art history and theory but also include philosophical and psychoanalytic texts (Pater, Wölfflin, Freud, Merleau-Ponty, Barthes, Clark, and Krauss, among others). -
Young Collectors Auction Contemporary the from Middleeast Art Ayyam Gallery |Dubai April 30 Th , 2010
ayyam gallery ayyam Young Collectors Auction Contemporary Art from the Middle East ayyam gallery | dubai April 30th, 2010 Viewing: April 28 - 29 / 2010 10 AM to 8 PM Auction No. 04 Friday, Aril 30th, 2010 18:00 hrs. For all enquiries please contact : Hisham Samawi Dubai + 971 4 323 6242, [email protected] Sally Othman Damascus + 963 11 613 1088, [email protected] Myriam Jakiche Beirut + 961 1 374450, [email protected] General Information [email protected] ayyam gallery | dubai 3rd Interchange, Al Quoz 1, Street 8, PO Box 283174 Dubai, UAE Phone + 971 4 323 6242, Fax + 971 4 323 6243, [email protected], www.ayyamgallery.com Dear friends, Since our last Young Collectors Auction in October of last year, Ayyam Gallery opened a new space in Beirut dedicated to Middle Eastern Art and held its first ever Beirut Sale, a very successful auction that was held earlier this year. Our dedication to contemporary and emerging artists from the Middle East is fueled by the amazing talent that these artists possess and the great works they are producing. In this sale we have put together a selection of works that would befit the most important of Middle Eastern contemporary art collections. Works by some of the most important emerging artists from Syria, Iran, and Lebanon are present in force. While our concentration is on emerging artists, some of our favorite blue chip names such as Samia Halaby, Youssef Abdelke, and Asaad Arabi are also present. We thank you for your continued support of Middle Eastern art. Khaled Samawi Founder Ayyam Gallery Omran YOUNES Syria 1971 Lot 001 Signed, Dated 100 X 100 cm. -
Fiberartoral00lakyrich.Pdf
University of California Berkeley Regional Oral History Office University of California The Bancroft Library Berkeley, California Gyongy Laky FIBER ART: VISUAL THINKING AND THE INTELLIGENT HAND With an Introduction by Kenneth R. Trapp Interviews Conducted by Harriet Nathan in 1998-1999 Copyright 2003 by The Regents of the University of California has been Since 1954 the Regional Oral History Office interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Gyongy Laky, dated October 21, 1999. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. -
National Museum of Aleppo As a Model)
Strategies for reconstructing and restructuring of museums in post-war places (National Museum of Aleppo as a Model) A dissertation submitted at the Faculty of Philosophy and History at the University of Bern for the doctoral degree by: Mohamad Fakhro (Idlib – Syria) 20/02/2020 Prof. Dr. Mirko Novák, Institut für Archäologische Wissenschaften der Universität Bern and Dr. Lutz Martin, Stellvertretender Direktor, Vorderasiatisches Museum, Staatliche Museen zu Berlin Fakhro. Mohamad Hutmatten Str.12 D-79639 Grenzach-Wyhlen Bern, 25.11.2019 Original document saved on the web server of the University Library of Bern This work is licensed under a Creative Commons Attribution-Non-Commercial-No derivative works 2.5 Switzerland licence. To see the licence go to http://creativecommons.org/licenses/by-nc-nd/2.5/ch/ or write to Creative Commons, 171 Second Street, Suite 300, San Francisco, California 94105, USA Copyright Notice This document is licensed under the Creative Commons Attribution-Non-Commercial-No derivative works 2.5 Switzerland. http://creativecommons.org/licenses/by-nc-nd/2.5/ch/ You are free: to copy, distribute, display, and perform the work Under the following conditions: Attribution. You must give the original author credit. Non-Commercial. You may not use this work for commercial purposes. No derivative works. You may not alter, transform, or build upon this work.. For any reuse or distribution, you must take clear to others the license terms of this work. Any of these conditions can be waived if you get permission from the copyright holder. Nothing in this license impairs or restricts the author’s moral rights according to Swiss law. -
ICR 6-2 Prelims+Text.Indd
Islam and Civilisational Renewal A journal devoted to contemporary issues and policy research Volume 6 • Number 2 • April 2015 Produced and distributed by ISLAM AND CIVILISATIONAL RENEWAL EDITOR-IN-CHIEF Professor Mohammad Hashim Kamali EDITORIAL TEAM Dr Mohamed Azam Mohamed Adil Dr Daud AbdulFattah Batchelor Abdul Karim Abdullah Tengku Ahmad Hazri Norliza Saleh Siti Mar’iyah Chu Abdullah REGIONAL EDITORS Americas: Dr Eric Winkel Europe: Dr Christoph Marcinkowski Africa & Middle East: Mahmoud Youness Asia & Australasia: Dr Syed Farid Alatas ADVISORY BOARD Professor Gholamreza Aavani, Professor Carl W. Ernst, Professor Ingrid Mattson, Iranian Philosophical Society University of North Carolina University of Western Ontario Dr AbdulHamid A. AbuSulayman, Professor John Esposito, Professor Abbas Mirakhor, International Institute of Islamic Georgetown University International Centre for Thought Professor Silvio Ferrari, Education in Islamic Finance Professor Zafar Ishaq Ansari, Università degli Studi Professor Chandra Muzaffar, International Islamic University HRH Prince Ghazi bin Muhammad, International Movement for a Islamabad Jordan Just World Professor Azyumardi Azra, Professor Claude Gilliot, Professor Seyyed Hossein Nasr, State Islamic University Jakarta Aix-Marseille Université George Washington University Professor David Burrell CSC, Professor Ekmeleddin İhsanoğlu, Professor Tariq Ramadan, University of Notre Dame Organisation of Islamic Oxford University Dr Mustafa Cerić, Cooperation Professor Mathias Rohe, Former Grand Mufti of Bosnia- Professor Yasushi Kosugi, Friedrich-Alexander-Universität Herzegovina Kyoto University Professor Abdullah Saeed, Professor Hans Daiber, Emeritus Professor Hermann University of Melbourne Johann Wolfgang Goethe Landolt, McGill University Professor Miroslav Volf, Universität Professor Tore Lindholm, Yale University Ahmet Davutoğlu, University of Oslo Professor Abdal Hakim Murad, Foreign Minister of Turkey Professor Muhammad Khalid University of Cambridge Professor W. -
For Immediate Release George Condo
FOR IMMEDIATE RELEASE GEORGE CONDO: NEW WORKS OPENING RECEPTION: APRIL 27, 6-8PM 20 East 79th Street, New York Skarstedt is pleased to present George Condo: New Works, an exhibition of new sculptures and paintings on view from April 27 – June 24, 2017 at Skarstedt Upper East Side, 20 East 79th Street, New York, NY 10075. In December 2014 Condo began working on Origin, a small wood sculpture he hand-painted, cut, and glued together. Origin soon became the subject of three larger-scaled variations in bronze. These variations represent a return to methods of sculpting that the artist first took up with his earliest three-dimensional works in the late 1980s—using wood, clay, plaster, paint, fabric, and found objects to create bronze sculptures that incorporate both figurative and abstract elements. Here we see Condo’s concept of the “simulated found object,” which he explored in his earliest exhibited paintings in the 1980s, combined with the use of real found objects from his studio into entirely new figurative forms in bronze. Condo cuts, screws, and hinges together flat surfaces of plywood into angular figurative representations then applies layers of plaster, clay and paint squeezed directly from the tube, “knowing that once cast in bronze all of my markings will remain present and be reinvigorated in the patinated surfaces,” the artist says. Writing in 2015 on the subject of what he referred to as Condo’s “unedited human disasters,” Simon Baker described his sculptures as having: “the barest suggestion of anatomical specificity barely distinguishable from the raw materials from which they were produced, but as with Condo’s work in every medium, openly manifesting a dramatic and irrepressible joy in the process of production.” (Simon Baker, Painting Reconfigured, pg. -
France & Col O Nies
1062 FRANCE FRANCE 1862 Re-issue 34 A5 30c brn, yelsh (’67) 600.00 12.50 Type II 10b A2 10c bister 425.00 a. 30c dk brn, yellowish 975.00 30.00 11a A2 25c blue 250.00 35 A5 40c pale org, yellow- frants ish 600.00 8.75 1849-50 Typo. Unwmk. Imperf. The re-issues are in lighter colors and on a. 40c org, yelsh (’68) 610.00 11.00 whiter paper than the originals. c. Half used as 20c on cover 32,500. 1 A1 10c bis, yelsh 36 A5 80c rose, pnksh LOCATION — Western Europe (’50) 1,250. 275.00 (’68) 725.00 18.00 GOVT. — Republic a. 10c dark bister, yelsh 1,500. 325.00 1853-60 Imperf. a. 80c carmine, yellowish 1,050. 27.50 b. 10c greenish bister 2,150. 325.00 d. Half used as 40c on cover 36,500. AREA — 210,033 sq. mi. e. Tˆete beche pair 50,000. 11,250. Die I. The curl above the forehead directly e. Quarter used as 20c on POP. — 58,978,172 (1999 est.) 2 A1 15c green, grnsh below “R” of “EMPIRE” is made up of two lines cover 40,000. (’50) 15,500. 725.00 very close together, often appearing to form a 37 A6 5fr gray lil, lav (’69) 4,300. 775.00 CAPITAL — Paris a. 15c yellow green, grnsh 16,500. 800.00 a. “5” and “F” omitted 56,000. c. Tˆete bˆeche pair single thick line. There is no shading across c. 5fr bluish gray, lavender 4,800. -
Transparent Film to Protect Louvre Abu Dhabi from Rain
Transparent film to protect Louvre Abu Dhabi from rain Rain will not affect the Louvre Abu Dhabi museum since there will be a transparent film between the two layers of the perfo- rated dome structure, said its design team yesterday in an exclusive interview. Meanwhile, the piling works for the project have gone out to tender and will commence in early December, a senior official from its developer Tourism De- velopment Investment Company (TDIC) told Emirates Business. “TDIC will soon notify shortlisted companies on the main contract,” said Felix Reinberg, Project Director of Cultural District at TDIC (see box for fact sheet). The project will be housed in the Cultural District of Saadiyat Island with the Zayed Louvre Abu Dhabi will showcase fine arts, decorative arts and archaeological artefacts. National Museum, the Guggenheim Abu (JOSEPH J CAPELLAN) Dhabi Museum and this museum due for completion in 2013. In his design statement, Nouvel said the want to test its functionality and manage- “I think that in every project, you have museum is conceived as “a complex of ability. This is Phase 1, where the patter- to find a good reason to do things,” pavilions, plazas, alleyways and canals, ning of the “rain of light” (light patterns said Jean Nouvel of Jean Nouvel Atelier evoking the image of a city floating on through the interlaced perforations) speaking to this newspaper. “I research the sea. Hovering over the complex will testing is taking place for a section of the the character of the missing piece of the be a form inspired by traditional Arabic dome,” said Reinberg. -
AR204 Art and Interpretation
AR204 Art and Interpretation Art and Aesthetics Module: Art Objects and Experience Fall 2018 Seminar Leader: Geoff Lehman Course Times: Wednesday,14:00- 15:30 and Friday, 14:00-15:30 (until 17:15 for museum visits) Email: [email protected] Office Hours: Tuesdays, 14:00-16:00 Course Description Describing a painting, the art historian Leo Steinberg wrote: “The picture conducts itself the way a vital presence behaves. It creates an encounter.” In this course, we will encounter works of art to explore the specific dialogue each creates with a viewer and the range of interpretive possibilities it offers. More specifically, the course will examine various interpretive approaches to art, including formal analysis, iconography, social and historical contextualism, aestheticism, phenomenology, and psychoanalysis. Most importantly, we will engage interpretation in ways that are significant both within art historical discourse and in addressing larger questions of human experience and (self- )knowledge, considering the dialogue with the artwork in its affective (emotional) as well as its intellectual aspects. The course will be guided throughout by sustained discussion of a small number of individual artworks, with a focus on pictorial representation (painting, drawing, photography), although sculpture and installation art will also be considered. We will look at works from a range of different cultural traditions, and among the artists we will focus on are Xia Gui, Giorgione, Bruegel, Mirza Ali, Velázquez, Hokusai, Manet, Picasso, Man Ray, Martin, and Sherman. Readings will focus on texts in art history and theory but also include philosophical and psychoanalytic texts (Pater, Wölfflin, Freud, Merleau-Ponty, Barthes, Clark, and Krauss, among others). -
Saving and Reconstructing Heritage
Press release THURSDAY 19 to SATURDAY 21 JANUARY 2017 – SPECIAL EVENT AT THE LOUVRE-LENS MUSEUM Saving and Reconstructing Heritage At a time when significant archaeological treasures in the Middle East are threatened by tragic current events, the Louvre-Lens Museum is hosting a special event from 19 – 21 January on the theme of endangered heritage. Jean-Luc Martinez, President-Director of the Louvre Museum, will give a lecture on protecting cultural heritage in areas affected by armed conflict. Marie Lavandier, Director of the Louvre-Lens Museum and President of the ICCROM Council, will lead an international symposium on post-conflict reconstruction of historic cities. This special event is being organized in partnership with ICCROM, through its ICCROM-ATHAR Regional Conservation Centre located in the United Arab Emirates, and the Institut du monde arabe in Tourcoing, France. It is part of the programming for the Louvre-Lens exhibition ‘History Begins in Mesopotamia,’ currently running until 23 January. Aleppo, the Omeyyad Mosque, 2013 ©UNESCO / Ron Van Oers PRESS CONTACTS Regional and Belgian press National press International press Bruno Cappelle Alexis Grégorat Paul Arenson Musée du Louvre-Lens Agence Claudine Colin Communication ICCROM Tel: +33 (0)3 21 18 62 13 Tel: +33 (0)1 42 72 60 01 / +33 (0)6 45 03 16 89 Tel: +39 340 862 1843 [email protected] [email protected] [email protected] 1 PROGRAMME DETAILS Thursday 19 January, 6pm Lecture PROTECTING HERITAGE By Jean-Luc Martinez, President-Director of the Louvre Museum and commissioner of the exhibit “From Bamiyan to Palmyra: A Journey to the Heart of Universal Heritage” at the Grand Palais in Paris, until 9 January 2017.