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Downloading Case in U.S daijesti 109 The Digest debiuti papuna SariqaZe 105 The Debut Papuna Sharikadze saqarTvelos saavtoro uflebaTa asociacia reformirebis procesi grZeldeba 96 Georgian Copyright Association The Reform Process Continues stumari daviT asaTiani - „Microsoft saqarTvelos“ generaluri direqtori 90 The Guest David Asatiani – The General Director of the “Microsoft Georgia” qarTvelebi ucxoeTSi manana menabde 85 Georgians Abroad Manana Menabde precedentebi 82 Precedents problematika daviT sayvareliZe, rezo kiknaZe, vaxo babunaSvili, anton balanCivaZe 56 Problems David Sakvarelidze, Rezo Kiknadze, Vakho Babunashvili, Anton Balanchivadz subieqturi sivrce nika rurua, aka morCilaZe, irina demetraZe 26 The Subjective Space Nika Rurua, Aka Morchiladze, Irina Demetradze portreti vaxtang Wabukiani 20 The Portrait Vakhtang Chabukiani mTavari Tema interviu CISAC-is evropul sakiTxTa direqtor - mitko CatalbaSevTan 14 The Main Topic Interview with CISAC European Affairs Director, Mitko Chatalbashev Semecneba saavtoro uflebebi teqnologiebisa da ekonomikis ganviTarebis kvaldakval 6 Overview Copyrights in Tact with Development of Technologies and Economy gamomcemeli: saqarTvelos saavtoro uflebaTa asociacia/Publisher: Georgian Copyright Association (GCA) saqarTvelo, 0171 Tbilisi, kostavas q. 63 / 63 Kostava str. 0171 Tbilisi, Georgia tel.:/Tel: +995 32 2 7887 www.gca.ge [email protected] aRmasrulebeli menejeri: giorgi salayaia/Executive Manager: Giorgi Salakaia nomerze muSaobdnen: Tamar kemularia, irina demetraZe, xaTuna gogiSvili/The edition was prepared by: Tamar Kemularia, Irina Demetradze, Khatuna Gogishvili foto da grafikuli dizaini: kikala studio/Photo and graphic design: KIKALA STUDIO literaturuli redaqtireba: nena gigolaSvili/Literature editing: Nena Gigolashvili Targmani: nino togoniZe/Translation: Nino Togonidze nomeri daibeWda gamomcemloba “24 saaTi printSi”/The edition was printed by the publishing house “24 SAATI PRINTI” Jurnali gamodis saqarTvelos kulturisa da ZeglTa dacvis saministros da inteleqtualuri sakuTrebis erovnuli Contents Contents centris “saqpatentis” mxardaWeriT/The magazine is published with the support of the Ministry of Culture and Monument Protection of Georgia and the National Intellectual Property Center – SAKPATENTI JurnalSi gamoqveynebuli masalebis gamoyeneba gamomcemlis nebarTvis gareSe akrZalulia The use of the magazine content is forbidden without prior permission of the publisher yvela ufleba daculia © 2012 all Rights Reserved sarCevi Copyright piradad CemTvis, es albomi mainc musikosebis, qalaqis, da Tu gnebavT, mTeli epoqis erTian ganwyobaze ufroa, vidre studiaSi daWerili, Camweris sqel, yav- isfer firze datanili wamis, momentis grZnobaze - nika rurua. For me this album is more about the mood of musicians, the city, and even the whole epoch, than about the feeling of the moment, a squeezed second caught in the Studio and placed on the thick, brown tape of the recorder – Nika Ru- rua yvelaze magari sakiTxavi CemTvis iyo, fon klaistis 'mihael kolhaasi", ajanyebuli vaWris ambavi luTerisdroindel germaniaSi. am wignSi gadmocemulia ambavi, Tu ris fasac SeiZleba daujdes qveya- nas erTi rigiTi kacis usamarTlod ganawyeneba. - aka morClaZe The best for me was “Michael Kohlhaas” by Von Kleist, the story of a rebelled merchant in Germany of Lu- ther’s times. A story tells about a price that a country might pay for offending an ordinary man. – Aka Morchiladze vfiqrob araCveulebrivi gamofena Zalian axlos dgas frangul axal talRasTan, egzistencializmis aTeistur redaqciasTan da amasTanave Zalian qarTulia - irina demetraZe. I think that “An Unusual Exhibition” is quite close to the French New Wave, with the atheistic edition of existen- tialism, and, at the same time is very Georgian – Irina Demetradze xelovnebis mTavari arsi xom Wvretaa, risi Sede- gicaa swored raime yovlad Cveulebrivsa da banalurSi raRac gansakuTrebulis, araCveulebrivis, ''gaugonaris'', saswaulebrivis danaxva da am danaxulis interpretacia sxvaTaTvis dasanaxveblad. - rezo kiknaZe The core idea of art is foreseeing, the result of which is noticing something special, unordinary, “wonderful”, miracu- lous in ordinary and banal things and interpretation of the noticed for the purposes of public disclosure. – Rezo Kiknadze mxat- vari mravalmxrivi unda iyos, amas Tavad misi interesebic ganapirobebs, magram Tu arCevani dadga: artisti Tu mxatvari? me meores virCev.. - anton balanCivaZe A painter should be developed in versatile directions. It is conditioned by his/her own interests. In case if I have to choose between being an artist or a painter, I will choose the second one. – Anton Balanchivadze. ver gamovdivarT im Zveli stereoti- pebidan da sxvisi inteleqtualuri sakuTrebis miTviseba qurdoba ar gvgonia. es xom igivea, rom vinmem Tqveni kuTvnili materialuri nivTi gankargos - vaxo babunaSvili. We can’t get rid of some old stereotypes, and, just, don’t consider that the appropriation of others’ intellectual property is theft. In fact, it would be exactly the same case if someone managed your own material item. – Vakho Babunashvili. Cven saqme gvaqvs msoflio musikalur saganZurTan da Sesabamisad saWiroa avtorTa da im organiza- ciaTa mxardaWera, vinc axorcielebs saavtoro uflebaTa monitorings - daviT sayvareliZe. We are talking about the world’s music treasure, and, ac- cordingly, the support from the side of authors or organization, which conduct monitoring on copyrights, is needed – David Sakvarelidze. TxuTmet weliwadze metxans me uTe- atrod, udasod davrCi da ver SevZeli Cemi SemoqmedebiTi cxovrebis arcTu ise mokle dro Cemi qveynis Semdgomi ganviTarebisTvis momexmarebina - vaxtang Wabukiani For over 15 years, I was left without a theatre and without a troupe, and, therefore, in this not-so-short period of my creative life, I was not able to contribute, to the future development of my country – Vakhtang Chabukiani. klasika ukve non- konformistuladac SeiZleba CaiTvalos, radgan klasika iseve, rogorc nonkonformizmi, uryevia da angariSs ar uwevs imas, rac mis garSemo xdeba! - manana menabde. Classic can already be regarded as non-conformist, as classic, like non- conformism, is imperturbable and does not take into consideration what is happening around! – Manana Menabde. saavtoro uflebebis dacvis gareSe ino- vacia da nebismieri qmnileba safrTxis qveS dgeba, radgan es iwvevs axali Rirebuli produqtis SeqmnisTvis da masSi investirebisTvis stimulis dakargvas - mitko CaTalbaSevi. Without Copyright protection an innovation and any kind of invention will be put under risk, since this provokes loss of stimulus for creation of a new valuable product and investment in it. – Mitko Chatalbashev. sazogadoeba mzad aris internet-mekobreobas seriozuli omi gamoucxados. Tumca, mimaCnia, rom saWiroa damatebiTi zomebis miReba da kanon- ebis gamkacreba am mimarTulebiT -– daviT asaTiani. The society is ready to declare a serious war to the Internet pirating. Though, from my point of view, additional measures should be taken in this direction and laws should become stricter. jazi Taviseburi komunikaciaa. garegnuladac cvlis adamians. papunasac aRar ainteresebs bevri ram, is sxvagvarad uyurebs da afasebs garemos, movlenebs. jazi imdenad didi siamovnebaa, rom ar giRirs sxva rameze daixarjo - zura ramiSvi- li Jazz is a kind of communication. It changes a person’s appearance. It is worth to mention that, Papuna is not interested in many things, he sees and evaluates the environment and events in a different way. Jazz is such great pleasure, that it does not worth to get spent on other things - Zura Ramishvili 6 Semecneba Overview Copyright 2012 saavtoro uflebebi teqnologiebisa da ekonomikis ganviTarebis kvaldakval Copyright in Tact with Development of Technologies and Economy Jurnal “Copyright”–is mkiTxveli wina nomerSi In the previous issue of the magazine “Copyright”, gaecno kacobriobis mier damwerlobis ganviTare- the reader got familiar with the stages of develop- bidan saavtoro uflebebamde ganvlil gzas. am ment of the mankind from the moment of the ap- procesebSi adamians exmareboda mudmivi teqnolo- pearance of the written language up to the creation giuri da sazogadoebrivi cvlilebebi. Zveli Sumer- of Copyrights. In this process, the ongoing, con- ebis da babilonelebis civilizaciebidan dawyebu- stant technological and social changes were of a li, me-18 saukunis mijnamde jer kidev sadavo iyo great help. Since the ancient civilizations of Sumer- avtoris da gamomcemlis uflebebis gansazRvris ians and Babylonians and by the 18th century, the koncefcia, sad unda gasuliyo zRvari..... am pro- concept of definition of author’s and publisher’s cesebSi mecnierebi da gamomgoneblebi aqtiurad rights and where the margin should be put be- ar monawileobdnen... magram... tween these two, had been disputable… Scientists and inventors did not take an active part in these 1765 wels, safrangeTis provincia Salon sur son- processes… but… Si, warmatebuli iuristis ojaxSi biWi daibada. maSin veravis warmoedgina ra kavSiri eqneboda In the year 1765, in the French commune of Chalon-sur- biWis sainJinro gatacebebs da mis karieras mamis profesiasTan. Saône, a boy was born in the family of a successful lawyer. Nobody could imagine then, how the fascination of the 1826 wels jozef nisefor nefsma pirveli foto ga- boy with the engineering and his career would be con- daiRo, axali industria imdenad male gavrcelda, nected with his father’s profession. rom ukve 1862 wels londonSi saxviTi xelovnebis saavtoro uflebebis dacvis aqti SemuSavda. masSi In 1826y., Joseph Nisafon Nefs has taken the first pho- vkiTxulobT, rom saavtoro uflebebiT ferw-
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