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Dossier Georgia Nuevo Teatro Estatal de Ópera y Ballet (Tbilisi - Georgia) Bajo la direcci n artstica de [S SS[SeZh[^[ El 1 Opera & Ballet State Theatre – Tbilisi - Georgia”, es todo un s3mbolo de cultura georgiana. Construido bajo la direcci4n del ar5uitecto italiano Antonio Scudieri, se Y^aTS^ eZaif[_W eWdh[UWe> e^ Carretera de Oca a, 53 MERCALICANTE / Edificio Mercado, planta 2, oficina Nº 03114 Alicante /Alicante / e-mail testitajada(globalsho,timeservices.com /. Testi Tajada 0 inaugur el 12 de abril de 1851 , con la actuaci4n de una compa 3a italiana, a las 4rdenes de Barbieri , 5ue represent4 doce funciones durante tres meses. El 7 de noviembre de 1851 comien9a oficialmente la primera temporada oper3stica en Tbilisi con :Lucia di Lammermoor: de Gaetano Doni9etti. En la segunda temporada se complementan sus actividades art3sticas con la incorporaci4n del ballet El 5 de octubre de 1852, el Ballet Cl$sico de San Petersburgo representa el II acto del ballet de Tallioni 1La S3lfide” y 1Polka-Aengerka” con la participaci4n, entre otros, de T. Chernova, Fedor Manokhin y E. Pano. Cn a o despuDs, Fedor Mano(hin pon3a en escena el segundo acto de 1Giselle”. Al a o siguiente, en 1854, el mismo Manokhin estrenaba el primer ballet completo, en tres actos. Se trataba de 1La Gitana Espa ola” de F. Tallioni. Ea desde sus primeros a os, el 1Tbilisi - Opera & Ballet State Theatre – Georgia” estF s4lidamente unido a las grandes figuras del ballet clFsico mundial. En las dDcadas de los ochenta y los noventa del siglo GIG, Tbilisi acoge varias representaciones del 1Teatro Imperial de Ballet de San Petersburgo” en las 5ue figuran m3ticos bailarines como E Gillper, Sofia Fedorova, ,sadora Duncan, .era Tsignad/e 0 Mi(hail Fo(in Este Iltimo interpretar3a en los escenarios georgianos sus primeros ballets innovadores 5ue, mFs tarde, le har3an mundialmente famoso en Paris en las 1Diagilev Seasons”. En 1812 , la bailarina Mar3a Perrini , alumna del m3tico Enrico Cecchetti, actIa en el escenario de Tbilisi, y decide 5uedarse en el pa3s durante casi medio siglo. En 1707 crea el primer estudio coreogr$fico para bailarines cl$sicos en Georgia. Sus mDtodos de ense an9a y sus alumnos se convirtieron la base del ballet georgiano En 1135 , uno de sus mFs destacados alumnos, .a(htang Chabu(iani, presenta en Tbilisi el primer ballet netamente georgiano Se trata de 6El cora/n de las monta7as”, un espectFculo inspirado en el folklore georgiano sobre la lucha por la libertad, consolidando la dan9a de carFcter masculino. Y^aTS^ eZaif[_W eWdh[UWe> e^ Carretera de Oca a, 53 MERCALICANTE / Edificio Mercado, planta 2, oficina Nº 03114 Alicante /Alicante / e-mail testitajada(globalsho,timeservices.com /. Testi Tajada 0 Aakhtang Chabukiani se gradu en la Escuela de Ballet de 8eningrado en 1121 y se incorpor4 al ballet del Teatro 9irov :Mariins(0) de esa ciudad, interpretando los principales papeles del repertorio clFsico. En 1141 , el bailar3n vuelve a Tbilisi , donde se encarga de la compa 3a de ballet del Teatro Estatal de =pera 0 Ballet hasta 1123 , al tiempo 5ue dirige la Escuela de Ballet de Tbilisi. Chabukiani introdujo un estilo innovador de baile masculino con gran influencia entre los bailarines y core4grafos de las siguientes generaciones. A lo largo de su carrera profesional, colabor4 con artistas de la talla de Maia Plisetskaya, Marina Semenova, Alla Shelest, Raisa Struchkova, Beryl Gray o Ivette Shovire. En 2010, Tbilisi celebr4 el centenario de su nacimiento en uno de los eventos internacionales mFs importantes del a o, segIn la CNESCO. Participaron estrellas del ballet de todo el mundo, como Angel Corella (ABTL, Igor Melensky, Irma Niorad9e, Andrei Eermakov (Teatro Mariinsky, Tamara Rojo, David Makhateli (Covent GardenL, Elena Gludjid9e, Arionel Aargas (English National BalletL, Carmen Corella (Corella BalletL, Ayacheslav Lopatin, Anastasia Stashkevich (Bolshoi de MoscIL, Semyon Chudin, Natalia Somova (Teatro Musical AcadDmico de MoscIL, Lali Nandelaki, Aasil Akhmeteli, Nino Gogua (Ballet Estatal de GeorgiaL y la primera bailarina Nina Ananiashvii. A principios de los a7os sesenta, Gogi Ale(sid/e se incorpora a la compa 3a como director art3stico abriendo una nueva e innovadora etapa. Incorpor4 los ballets neoclFsicos al repertorio del teatro y cre4 numerosas miniaturas coreogrFficas y ballets en un solo acto. El siguiente director art3stico de la compa 3a fue Mikhail Lavrovsky (1782- 1785L, conocido bailar3n y core4grafo del Teatro Bolshoi de MoscI. Puso en escena interesantes versiones de ballets como 1Romeo y /ulieta” de Prokofiev y 1Porgy and Bess” de Gershvin, donde Dl interpretaba los papeles principales. Desde 2004, Nina Ananishvili es la nueva directora art3stica . En sus cinco primeras temporadas, puso en escena veintiocho ballets y cinco miniaturas, ademFs de incorporar nuevos estilos coreogrFficos 5ue van mFs allF del clFsico. Entre otros, ha introducido die9 ballet del core4grafo George Balanchin, donde la compa 3a manifiesta todo su potencial Y^aTS^ eZaif[_W eWdh[UWe> e^ Carretera de Oca a, 53 MERCALICANTE / Edificio Mercado, planta 2, oficina Nº 03114 Alicante /Alicante / e-mail testitajada(globalsho,timeservices.com /. Testi Tajada 0 art3stico y su depurada tDcnica, ademFs de obras como 1Los Sue os de /ap4n” y 1Las variaciones de Bi9et” de Aleksey Ratmansky, 1Secons Before The Ground” y 1Midsummer NightOs Dream” de Tray McIntyre, 1Green” de Stanton Pelsh, 1Sagalobeli” de Euri Possokhov y nuevas versiones de 1Romeo y Lulieta”, 1Don Quijote”, 1El Lago de los Cisnes” o 1Giselle”. Asimismo, Nina ha potenciado las colaboraciones internacionales con compa 3as y ballets como el Dans Royal Theatre, el Covent Garden, Mikhail Lavrosvsky, Frank Andersen, AleRander Grant, Bart Cooke, Denis Bonner, Margarette Narbierre, Trey McIntyre, Aleksey Fadeyechev, Euri Possokhov, Ben Stevenson, Christopher Carr, Grant Coyle, Nancy Euverink, Nen Ossola o Patrick DelcroiR. En esta nueva etapa, la compa 3a del Teatro Estatal de Spera y Ballet de Tbilisi reali9a Master Class sistemFticas con Irina Nolpakova, Maerie Calegari, Eva Nloborg, Emilio Martins, Tatiana Rastorgueva, Andrey Nudelin, Dimitri Norneev y Iulia Malkhasiants. El vestuario y los decorados son de Aleksander Aasiliev, Aiacheslav Okunev, David Monavardisashvili, Natia Sirbilad9e, Mikheil Makharad9e, Ana Nalato9ihvili. A menudo los espectFculos son dirigidos por Sergey Stadler, Aleksander Sotnikov y Robert Cole. Entre los primeros bailarines 5ue suelen actuar con la compa 3a se encuentran Angel Corella (ABTL, Andrei Cvarov, Maria AleRandrova, Morihiro I,ata, Narim Abdulim (Bolshoi de MoscIL, Sergey Filin (Teatro de Stanislavsky y Nemirovich-DanchenkoL, Igor Melensky, Irma Niorad9e (Teatro MariinskyL, Tamara Rojo, David Makhateli (Covent GardenL, Elena Glurdjid9 (English National BalletL, Farukh Ru9imatov (Teatro Mikhailovsky de San PetersburgoL, Sebastian Nloborg (Royal Dans BalletL e Igor Artamonov (National Ballet of BelarusL httpA//CCC opera ge /Tome.aspRUlangVen-CS Y^aTS^ eZaif[_W eWdh[UWe> e^ Carretera de Oca a, 53 MERCALICANTE / Edificio Mercado, planta 2, oficina Nº 03114 Alicante /Alicante / e-mail testitajada(globalsho,timeservices.com /. Testi Tajada 0 Y^aTS^ eZaif[_W eWdh[UWe> e^ Carretera de Oca a, 53 MERCALICANTE / Edificio Mercado, planta 2, oficina Nº 03114 Alicante /Alicante / e-mail testitajada(globalsho,timeservices.com /. Testi Tajada 0 N,NA ANAN,ASD.,8, Directora art3stica de la compa73a N,NA ANAN,ASD.,8, Y^aTS^ eZaif[_W eWdh[UWe> e^ Carretera de Oca a, 53 MERCALICANTE / Edificio Mercado, planta 2, oficina Nº 03114 Alicante /Alicante / e-mail testitajada(globalsho,timeservices.com /. Testi Tajada 0 Nina Ananiashvili naci en 1153 en Tbilisi, :Georgia), en plena era soviDtica. Con 13 a os, es enviada a estudiar a la escuela de Ballet de MoscE . ReciDn graduada en 1781, es fichada por el Bolshoi. Al a o siguiente interpreta con DRito su primer papel principal (Odette-OdileL en una gira de la compa 3a por Alemania. En 1783 es ascendida a la categor3a de solista y actIa por primera ve9 en su ciudad natal, Tbilisi. En 1185 0a es primera bailarina del Bolshoi y comien9a a acumular importantes premios internacionales. El pIblico y la cr3tica se rinden ante su talento durante las giras del Bolshoi por Reino Cnido y EECC. Su carrera profesional acaba de empe9ar. En 1188 , Nina se convierte en la primera bailarina de la Antigua Cni4n SoviDtica 5ue actEa como artista invitada por el 6NeC For( Cit0 Ballet” Su DRito es fulminante. En poco tiempo ya es una estrella del ballet internacional, actuando en los mFs prestigiosos escenarios y con las compa 3as mFs destacadas del mundo (el Royal Danish Ballet, el Nirov Ballet de San Petersburgo, Royal Ballet del Covent Garden en Reino Cnido, Ballet Real de Suecia, Ballet de Monte Carlo, Ballets Nacionales de Noruega, Finlandia y Portugal, Birmingham Ballet, Boston Ballet, Ballet de Munich, Ballet de Touston y el Ballet de Tokio, entre otrosL. En 1113 se incorpora como primera bailarina al American Ballet Theatre de Nueva For(, 0 en 1111, al Ballet de Douston Pero su mayor reto llegar3a en 2004 . Con una de las carreras profesionales mFs s4lidas de la historia del ballet, el reciDn elegido presidente georgiano, Mijail Saakashvili, le pide 5ue se haga cargo del ballet del Teatro Estatal de Opera 0 Ballet de Georgia- Tbilisi , en la nueva etapa del pa3s. Cn legado, con de mFs un siglo de tradici4n y solvencia, 5ue hay 5ue recuperar tras cuatro guerras en 17 a os de independencia. Nina acepta el desaf3o, aun5ue comien9a a dosificar sus apariciones en pIblico.
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