List of Folk Dances in India

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WWW.YOUREDUCATIONPORTAL.COM YEP INDIA List of Folk Dances in India • Andhra Pradesh : Kuchipudi, Kottam • Assam: Ojapali, Bihu, Ankia Na • Arunachal Pradesh: Lion and Peacock dance, Chalo, Popi, Bardo Chham, Aji Lamu • Bihar : Jata Jatin, Faguna or Fag, Purbi,Bidesia • Chhatisgarh : Panthi, Raut Nacha • Gujarat : Dandya Ras, Garba Lasya Nritya, Bhavai, Garba, Rasila, Trippan • Goa: Fugdi, Dekhnni, Tarangamel, Dhalo • Haryana : Swang, Khoria, Gugga dance, Loor, Sang, Dhama • Himachal Pradesh : Luddi Dance, Munzra, Kanayala, Giddha Parhaun, Hikat • Jammu and Kashmir : Rouf, Chakri, Jharkhand Karma • Karnataka : Yakshagana, Bayalata, Simha Nutrya, Dollu Kunitha, Veeragase • Kerala : Chakiarkoothu, Kathakali, Mohiniattam, Ottam Thullal, Chavittu Natakam, Kaikotti Kalai, Koodiyattam, Krishnavattam, Mudiyettu, Tappatri Kai, Tappatri Kai, Theyyam • Lakshadweep : Lava • Madhya Pradesh: Macha, Lota, Pandvan, Tertali, Charkula, Jawara, Matki dance, Phulpatti dance, Grida dance, Maanch, Gaur maria dance • Mizoram: Chiraw (Bamboo Dance) WWW.YOUREDUCATIONPORTAL.COM YEP INDIA • Manipur: Thang ta, Dhol cholom, Manipuri • Maharashtra: Tamasha, Dahi Kala, Lavani, Lezim • Odisha: Odissi, Savari, Ghumara, Paik, Chhau, Gotipua, Sambalpur • Puducherry: Garadi • Punjab : Bhangra, Giddha, Daff, Dhaman, Malwai, Jhumar, Karthi, Kikli, Sammi, Dandass, Ludi Jindua • Rajasthan : Ghumar, Chakri, Gangaur, Jhulan, Leela, Jhuma, Suisini, Ghapal, Kalbelia • Sikkim: Singhi chham, Yak Chaam, Maruni, Rechungma • Tamil Nadu : Bharatnatyam, Kumi, Kolattam, Kavadi, Karagattam, Theru koothu, Bommal attam, Puliyaattam, Oyilattam • Telangana : Perini Thandavam, Dappu, Lambadi • Tripura: Hojagiri, Goria, Lebang Boomani • Uttarakhand: Chholiya, Jagars, Thali-Jadda, Jhainta, Barada Nat • Uttar Pradesh: Nautanki, Raslila, Kajri, Jhora, Chhapeli, Jaita • West Bengal: Jatra, Chau, Kathi .

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Indian Classical Dance Is a Relatively New Umbrella Term for Various Codified Art Forms Rooted in Natya, the Sacred Hindu Musica
CLASSICAL AND FOLK DANCES IN INDIAN CULTURE Palkalai Chemmal Dr ANANDA BALAYOGI BHAVANANI Chairman: Yoganjali Natyalayam, Pondicherry. INTRODUCTION: Dance in India comprises the varied styles of dances and as with other aspects of Indian culture, different forms of dances originated in different parts of India, developed according to the local traditions and also imbibed elements from other parts of the country. These dance forms emerged from Indian traditions, epics and mythology. Sangeet Natak Akademi, the national academy for performing arts, recognizes eight distinctive traditional dances as Indian classical dances, which might have origin in religious activities of distant past. These are: Bharatanatyam- Tamil Nadu Kathak- Uttar Pradesh Kathakali- Kerala Kuchipudi- Andhra Pradesh Manipuri-Manipur Mohiniyattam-Kerala Odissi-Odisha Sattriya-Assam Folk dances are numerous in number and style, and vary according to the local tradition of the respective state, ethnic or geographic regions. Contemporary dances include refined and experimental fusions of classical, folk and Western forms. Dancing traditions of India have influence not only over the dances in the whole of South Asia, but on the dancing forms of South East Asia as well. In modern times, the presentation of Indian dance styles in films (Bollywood dancing) has exposed the range of dance in India to a global audience. In ancient India, dance was usually a functional activity dedicated to worship, entertainment or leisure. Dancers usually performed in temples, on festive occasions and seasonal harvests. Dance was performed on a regular basis before deities as a form of worship. Even in modern India, deities are invoked through religious folk dance forms from ancient times.
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Giddha Folk Dance: an Embodiment of Healing Through Creative Artistic Punjabi Dance Culture and Connection with Somatic Dance Therapy & Practice
GIDDHA FOLK DANCE: AN EMBODIMENT OF HEALING THROUGH CREATIVE ARTISTIC PUNJABI DANCE CULTURE AND CONNECTION WITH SOMATIC DANCE THERAPY & PRACTICE Giddha is a form of folk dance from the land of five rivers called Punjab in North- Western part of India. So many rivers in one place signifying fertility and precious land for cultivation and farming. Punjabi culture is filled with vibrancy and fun loving loud people. They believe in expressing themselves with full power and intensity. Punjabi dances are based around energy and happiness. This form has freedom, expression, dramatic voice, facial and body dialoguing. It is a kinaesthetic, preoperceptive and muscular activity with elements of clapping and voicing emotions. It is an act of body, mind and emotions. Clapping helps to release toxins and also can be related to acupressure, as this triggers the points that effect major inner body organs. This form of movement exploration is therapeutic and has the ability to heal from a holistic perspective. Healing here is not when one goes into hospital and finds external source of therapy but from this perspective it simply means uniting the wholeness of being. This supports body, mind and spirit energy, bringing many people together to perform in a sacred circle; thus helping socialising to become artistic and motivational. It allows women of small knit family structures, villages and controlled environment societies to voice their inner feelings and releasing painful toxins through singing, dancing and bodily expression. It gives time to people to release everything in a joking fun loving manner and especially in a non- judgmental circle.
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Focus March 2021
Editorial Board Safai Mitra Suraksha Challenge Programme Dr. M.S. Raviprakasha highlights of the programme Principal, Rector Smt. Renuka T Commission- Dr. H.V.Jayaprakash er addressed about Safai Mi- Chief Editor tra Suraksha Challenge pro- Dr.B.T.Muddesh gramme awarness to students. Publications Incharge Dr. K B Obalesh presented on Safai Mitra Suraksha chal- Youth Awareness Programme on Safai Mitra Suraksha Challenge lenge to students of SSIT, Associate Editors neer TCC, Dr. K.B Obalesh, On 20/03/2021 the aware- Tumakuru to ensure safe and Dr. Tejaswini K.M State convener and member ness programme on Safai Mi- clean environment for lifetime Dr. Ravikiran B.S of Safai karmachari supervi- tra Suraksha challenge was and there was a technical talk sion member and Mr. Dhar- Dr. Manu S organized by Civil Engineer- on “Design aspects of UGD nesh city corperator ward No. ing department SSIT, Tumak- Systems by Smt. Madhu M 28 TCC. Dr. M.Z. Kurian Members uru, in PG seminar hall. Chief and other TCC Engineers ad- Registrar, SSAHE, Tumakuru Dr. Manjunath C guests of the programme were dressed the students to main- and Principal Dr. M.S Ravi- Mr. Prasanna kumar M Smt. Renuka.T Commission- tain proper sanitation and pro- prakasha presided over the Mrs. Nirmala G er Tumakuru City Corpora- tection of UGD systems for programme.Theprizes were Mrs. Sowjanya G.V tion, Sri Mahesh deputy com- future generation. The pro- distributed to UG/PG student Mrs.Shilpa G.N missioner,development,TCC gramme organizers were Smt. toppers and NCC best achiev- Mrs.
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List of Indian Folk Dances - State Wise
STUDENT'S SENA New resolution for banking aspirants List of Indian Folk Dances - State Wise List of Folk dances, important for general awareness section of bank exams. Jharkhand Chhanu, Sarahul, Jat-Jatin, Karma, Danga, Bidesia, Sohrai. Uttarakhand Garhwali, Pandav Nritya, Kumaoni, Kajari, Chancheri, Jhora, Raslila, Chhapeli. Andhra Kuchipudi (Classical), Ghanta mardala, Vilasini Pradesh Natyam, Andhra Natyam, Burrakatha, Veeranatyam, Butta bommalu, Tholu Bommalata, Dappu. Chhattisgarh Goudi, Karma, Jhumar, Dagla, Pali, Tapali, Navrani, Diwari, Mundari. Arunachal Mask dance (Mukhauta Nritya), War dance. Pradesh Himachal Jhora, Jhali, Chharhi, Dhaman, Chhapeli, Mahasu, Pradesh Nati, Dangi, Chamba, Thali, Jhainta, Daf, Stick dance etc. Goa Mandi, Jhagor, Khol, Dakni etc. Assam Bihu, Bichhua, Natpuja, Maharas, Kaligopal, Bagurumba, Naga dance, Khel Gopal, Tabal Chongli, Canoe, Jhumura Hobjanai etc. West Bengal Kathi, Gambhira, Dhali, Jatra, Baul, Marasia, Mahal, Keertan etc. Kerala Kathakali (Classical), Ottamthullal, Mohiniyattam, Kaikottikali, Tappeti Kali, Kali Attam. Meghalaya Laho, Baala etc. Manipur Manipuri (Classical), Rakhal, Nat Rash, Maha Rash, Raukhat etc. 1 STUDENT'S SENA New resolution for banking aspirants Nagaland Chong, Lim, Nuralim etc. Orissa Odissi (Classical), Savari, Ghumara, Painka, Munari, Chhau, Chadya Dandanata etc. Maharashtra Lavani, Nakata, Koli, Lezim, Gafa, Dahikala Dashavatar or Bohada, Tamasha, Mouni, Powara, Gauricha etc. Karnataka Yakshagana, huttar, Suggi, Kunitha, Karga, Lambi Gujarat Garba, Dandiya Raas, Tippani Juriun, Bhavai. Punjab Bhangra, Giddha, Daff, Dhaman etc. Rajasthan Ghumar, Chakri, Ganagor, Jhulan Leela, Jhuma, Suisini, Ghapal, Panihari, Ginad etc. Mizoram Khanatm, Pakhupila, Cherokan etc. Jammu Rauf, Hikat, Mandjas, kud Dandi nach, Damali. & Kashmir Tamil Nadu Bharatanatyam, Kummi, Kolattam, Kavadi. Uttar Pradesh Nautanki, Raslila, Kajri, Jhora, Chappeli, Jaita. Bihar Jata-Jatin,Bakho-Bakhain, Panwariya, Sama-Chakwa, Bidesia, Jatra etc.
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Magnitude of Folk Performing Arts in the Life of the People of Kanyakumari District – a Case Study
© 2018 JETIR June 2018, Volume 5, Issue 6 www.jetir.org (ISSN-2349-5162) Magnitude of Folk Performing Arts in the Life of the People of Kanyakumari District – A Case Study C. Gomathavalli Assistant Professor, Department of History Government Arts and Science College, Nagercoil, Kanyakumari District, Tamilnadu, India-629504. Abstract This study attempts to analyse the importance of folk performing arts, which are the real modes of entertainment for folks and way of veneration of their deities, in the social life of people of Kanyakumari district. Villuppaatu (82%), kanuyankoothu (11%), Karagaattam 6%) and Kalialattam (1%) are very important in Hindu temples managed by villagers, of which villuppattu is inevitable in the temples of deities such as Mutharaman, Isakiyamman, Vaathai saami, Bathrakali amman, Boothathan sami, Pitchaikalasami and Aaldibothi, Kaniyankoothu is well-liked in Sudalaimadan temples, Karagaattam is a rule in some Mutharamman temples, Kalialaattam is austerely a mode of entertainment in the temple festivals irrespective of the deity. Villuppattu, Kaniyan koothu and Karaga attam seem to be inevitable in Hindu temples while Kaliyal attam has occupied a high place in the festivals of Christians as well as Hindu temples; the other folk performing arts are being executed during the cultural festivals and even temple festivals for entertainment. This paper presents the real situation of folk performing arts among the people of Kanyakumari district, at present, to reveal their social impacts, economic impacts and cultural impacts on different castes of people and the conditions of artisans in the society. Keywords: Folk performing arts, castes, religions, social, cultural, financial. Introduction Kanyakumari district, the southernmost district of Tamilnadu state, lies between 77º 15' and 77º 36' of the eastern longitudes and between 8º 03' and 8º 35' of the northern latitudes.
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List of Empanelled Artist
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All in One Gs 06 फेब्रुअरी 2019
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Classical Dances Have Drawn Sustenance
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