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Indian Classical Dance Is a Relatively New Umbrella Term for Various Codified Art Forms Rooted in Natya, the Sacred Hindu Musica
CLASSICAL AND FOLK DANCES IN INDIAN CULTURE Palkalai Chemmal Dr ANANDA BALAYOGI BHAVANANI Chairman: Yoganjali Natyalayam, Pondicherry. INTRODUCTION: Dance in India comprises the varied styles of dances and as with other aspects of Indian culture, different forms of dances originated in different parts of India, developed according to the local traditions and also imbibed elements from other parts of the country. These dance forms emerged from Indian traditions, epics and mythology. Sangeet Natak Akademi, the national academy for performing arts, recognizes eight distinctive traditional dances as Indian classical dances, which might have origin in religious activities of distant past. These are: Bharatanatyam- Tamil Nadu Kathak- Uttar Pradesh Kathakali- Kerala Kuchipudi- Andhra Pradesh Manipuri-Manipur Mohiniyattam-Kerala Odissi-Odisha Sattriya-Assam Folk dances are numerous in number and style, and vary according to the local tradition of the respective state, ethnic or geographic regions. Contemporary dances include refined and experimental fusions of classical, folk and Western forms. Dancing traditions of India have influence not only over the dances in the whole of South Asia, but on the dancing forms of South East Asia as well. In modern times, the presentation of Indian dance styles in films (Bollywood dancing) has exposed the range of dance in India to a global audience. In ancient India, dance was usually a functional activity dedicated to worship, entertainment or leisure. Dancers usually performed in temples, on festive occasions and seasonal harvests. Dance was performed on a regular basis before deities as a form of worship. Even in modern India, deities are invoked through religious folk dance forms from ancient times. -
Sl No App.No 1 5291 2 5292 3 5293 4 5294 5 5295 6 5296 7 5297 8 5298
Page 1 of 67 SL APP.NO CANDIDATE NAME NO AND ADDRESS MANIKANDANATH N, S/O NADARAJAN,, PONNARAI, 1 5291 SAHAYA NAGAR, PALAPALLAM (VIA), KANYAKUMARI- 629159 SATHEESH KUMAR K.R, S/O.KUMARADHA S,, 2 5292 VARAGU VILAI,, BETHELPURAM POST,, KANYAKUMARI-0 SHIJU R, S/O.RAMALINGAM NADAR, 3 5293 KAVU VILAI HOUSE,, METHUKUMMAL POST,, S.T.MANKAD, KANYAKUMARI- 629172 ROBINSON R, S/O ROBINSON[L], 4 5294 4-139, APPATTU VILAI, KAPPUKAD POST, KANYAKUMARI- 629162 SELVAKUMAR.T, S/O S.THANGAPPAN, 5 5295 NORTH STREET, MYLAUDY POST, KANYAKUMARI- 629403 NESA RAJA KUMAR, S/O.NESAMON I, 6 5296 KUZHIVILAI HOUSE, THENGAPATTANAM POST, KANYAKUMARI- 0 JAGADEESAN A, S/O AYYAPPA [LATE], 7 5297 1/120B, AKSHARA BAVAN, KRISHNAMANGALAM, THUCKALAY KANYAKUMARI- 629175 MANOHARAN A, S/O ARIKRISHNA PERUMAL, 8 5298 D.NO.3-4,, ATHIKATTU VILAI, MONIKETTIPOTTAL POST- KANYAKUMARI- 629501 Page 2 of 67 NELSON A, S/O ALLECY, 9 5299 KONATHU VILAI, KOODAITHUCKY ROAD, KULASEKHARAM POST KANYAKUMARI- 629161 JOHN BENNET.N, S/O NESAMANI .N 10 5300 MAN PATTAN VILAI, CHERUKOLE, KATTATHURAI POST, KANYAKUMARI- 629158 DAVINSON.C.R, DAVIS COTTAGE, 11 5301 KUTHIRAI VAIKALI VEEDU KOLLAL, KANJAMPURAM POST KANYAKUMARI- 629154 JAYAKUMAR.N, S/O S.NARAYANAN, 12 5302 4-114,PADAR NILAM, VAYAL KARAI, MANAVALAKURICHY POST KANYAKUMARI- 629252 SUNIL T, S/O THANKIAN N 13 5303 KARUMPILA VILAI HOUSE ADAIKKA KUZHI POST KALIYAKKAVILAI VIA KANYAKUMARI- 629153 SASI KUMAR P, S/O PACHAN,, 14 5304 KANCHIRA VILAGAM HOUSE, AYINKAMAMDESOM, KALIAKKAVILAI PO, KANYAKUMARI- 629153 THIYAGARAJAN.T, S/O M.THIRULINGAM, 15 5305 17- 10,CHOTHA VILAI, PUTHALAM POST, KANYAKUMARI- 629602 SREE KUMAR M, S/O.MURUGAN,, 16 5306 POOCHIKATTU VILAI,, THICKANAMCODE POST, KANYAKUMARI-0 Page 3 of 67 MANIGANDAN S, S/O SIVAGURUNATHAN,, 17 5307 19-61B PUVIYOOR,, SOUTH THAMARAIKULAM, AGASTEESWARAM POST. -
Magnitude of Folk Performing Arts in the Life of the People of Kanyakumari District – a Case Study
© 2018 JETIR June 2018, Volume 5, Issue 6 www.jetir.org (ISSN-2349-5162) Magnitude of Folk Performing Arts in the Life of the People of Kanyakumari District – A Case Study C. Gomathavalli Assistant Professor, Department of History Government Arts and Science College, Nagercoil, Kanyakumari District, Tamilnadu, India-629504. Abstract This study attempts to analyse the importance of folk performing arts, which are the real modes of entertainment for folks and way of veneration of their deities, in the social life of people of Kanyakumari district. Villuppaatu (82%), kanuyankoothu (11%), Karagaattam 6%) and Kalialattam (1%) are very important in Hindu temples managed by villagers, of which villuppattu is inevitable in the temples of deities such as Mutharaman, Isakiyamman, Vaathai saami, Bathrakali amman, Boothathan sami, Pitchaikalasami and Aaldibothi, Kaniyankoothu is well-liked in Sudalaimadan temples, Karagaattam is a rule in some Mutharamman temples, Kalialaattam is austerely a mode of entertainment in the temple festivals irrespective of the deity. Villuppattu, Kaniyan koothu and Karaga attam seem to be inevitable in Hindu temples while Kaliyal attam has occupied a high place in the festivals of Christians as well as Hindu temples; the other folk performing arts are being executed during the cultural festivals and even temple festivals for entertainment. This paper presents the real situation of folk performing arts among the people of Kanyakumari district, at present, to reveal their social impacts, economic impacts and cultural impacts on different castes of people and the conditions of artisans in the society. Keywords: Folk performing arts, castes, religions, social, cultural, financial. Introduction Kanyakumari district, the southernmost district of Tamilnadu state, lies between 77º 15' and 77º 36' of the eastern longitudes and between 8º 03' and 8º 35' of the northern latitudes. -
All in One Gs 06 फेब्रुअरी 2019
ALL IN ONE GS 06 FEBRUARY 2019 Classical Dance in India: 3. Yajurveda / यजुर्ेद 4. Rigveda / ऋग्र्ेद Ans- 2 भारत मᴂ शास्त्रीय न配ृ य: Q-2 The oldest form of the composition of Hindustani Vocal Music is: Classical Dances are based on Natya Shastra. सहंदुस्तानी गायन संगीत की रचना का सबसे पुराना 셂प है: शास्त्रीय नृ配य नाट्य शास्त्र पर आधाररत होते हℂ। 1. Ghazal / ग़ज़ल 2. Dhrupad / ध्रुपद Classical dances can only be performed by trained dancers and who have 3. Thumri / ठुमरी 4. Qawwali / कव्र्ाली studied their form for many years. Ans- 2 शास्त्रीय नृ配य के वल प्रशशशित नततशकयⴂ द्वारा शकया जा सकता है और शजन्हⴂने कई वर्षⴂ तक Q-3 Which of the following is correct? अपने 셁पⴂ का अध्ययन शकया है। सन륍न में से कौन सा सही है? Classical dances have very particular meanings for each step, known as 1. Hojagiri dance- Tripura / होजासगरी नृ配य- सिपुरा "Mudras". 2. Bhavai dance- Rajasthan / भर्ई नृ配य- राजस्थान शास्त्रीय नृ配यⴂ के प्र配येक चरण के शलए बहुत शवशेर्ष अर्त होते हℂ, शजन्हᴂ "मुद्रा" के 셂प मᴂ 3. Karakattam- Tamil Nadu / करकटम- तसमलनाडु जाना जाता है। 4. All of the above / उपरोक्त सभी Classical dance forms are based on grace and formal gestures, steps, and Ans- 4 poses. Q-4 Which of the musical instruments is of Indo-Islamic origin? शास्त्रीय नृ配य 셂पⴂ अनुग्रह और औपचाररक इशारⴂ, और हाव-भाव पर आधाररत होते हℂ। कौन सा र्ाद्ययंि इडं ो-इस्लासमक मूल का है? 1. -
Sl. NO. Name of the Guide Name of the Research Scholar Reg.No Title Year of Registration Discipline 1. Dr.V.Rilbert Janarthanan
Sl. Year of Name of the Guide Name of the Research Scholar Reg.No Title Discipline NO. registration Dr.V.Rilbert Janarthanan Mr.K.Ganesa Moorthy Gjpdz; fPo;f;fzf;F Asst.Prof of Tamil 103D,North Street 1. 11001 Ey;fSk; r*fg; gz;ghl;L 29-10-2013 Tamil St.Xaviers College Arugankulam(po),Sivagiri(tk) khw;Wk; gjpTfSk; Tirunelveli Tirunelveli-627757 Dr.A.Ramasamy Ms.P.Natchiar Prof & HOD of Tamil 22M.K Srteet vallam(po) 11002 vLj;Jiug;gpay; 2. M.S.University 30-10-2013 Tamil Ilangi Tenkasi(tk) (Cancelled) Nehf;fpd; rpyg;gjpf;fhuk; Tvl Tvl-627809 627012 Dr.S.Senthilnathan Mr.E.Edwin Effect of plant extracts and its Bio-Technology Asst.Prof 3. Moonkilvillai Kalpady(po) 11003 active compound against 30-10-2013 Zoology SPKCES M.S.University Kanyakumari-629204 stored grain pest (inter disciplinary) Alwarkurichi Tvl-627412 Dr.S.Senthilnathan Effect of medicinal plant and Mr.P.Vasantha Srinivasan Bio-Medical genetics Asst.Prof entomopatho generic fungi on 4. 11/88 B5 Anjanaya Nagar 11004 30-10-2013 Zoology SPKCES M.S.University the immune response of Suchindram K.K(dist)-629704 (inter disciplinary) Alwarkurichi Tvl-627412 Eepidopternam Larrae Ms.S.Maheshwari Dr.P.Arockia Jansi Rani Recognition of human 1A/18 Bryant Nagar,5th middle Computer Science and 5. Asst.Prof,Dept of CSE 11005 activities from video using 18-11-2013 street Tuticorin Engineering classificaition methods MS University 628008 Dr.P.Arockia Jansi Rani P.Mohamed Fathimal Visual Cryptography Computer Science and 6. Asst.Prof,Dept of CSE 70,MGP sannathi street pettai 11006 20-11-2013 Algorithm for image sharing Engineering MS University Tvl-627004 J.Kavitha Dr.P.Arockia Jansi Rani 2/9 vellakoil suganthalai (po) Combination of Structure and Computer Science and 7. -
2013 1.Worldview of Subaltern People the Department of Folklore And
2012- 2013 1.Worldview of Subaltern People The Department of Folklore and Folklore Resources & Research Centre, St. Xavier’s College (autonomous) have jointly organized six days National workshop on “Worldview of Subaltern People” from August 6 – 11, 2012. In the inaugural ceremony, Prof. Tho Paramasivan, Governing Council member, Tamil University, Tanjore, delivered keynote address while Prof. A Sivasubramanian, eminent Folklorist, delivered special address on the theme, “Research Areas and Subaltern History of Tamilnadu”. Rev. Fr. A Arockiyasamy SJ, Secretary, St. Xavier’s College, gave valedictory address on August 11, 2018. 2. Field Methodology and Ethnography The Department of Folklore and Folklore Resources & Research Centre, St. Xavier’s College (autonomous) have jointly organized five days State level workshop on “Field Methodology and Ethnography” from December 04 – 08, 2012. Dr. A Dhananjeyan, head and associate professor, Department of Folklore, SXC, introduced the workshop theme and keynote address while Rev. Fr. V Britto SJ, Rector, SXC institutions and Rev. Fr. A Arockiyasamy SJ, Secretary, St. Xavier’s College, felicitated the inaugural ceremony on December 4, 2012. 3. Colours: An Art Exhibition The Department of Folklore and Folklore Resources & Research Centre, St. Xavier’s College (autonomous) have jointly organized an art exhibition on the theme “Colours” during December 07 – 08, 2012. The exhibition curated the visual images of a young artist from Kilinochy, Sri Lanka, V Vasantharupan, who was also our student. 4. International Documentary Film Festival In association with Chithiramum Kaippazhakkam, Tirunelveli, the Department of Folklore and Folklore Resources & Research Centre, St. Xavier’s College (autonomous) have jointly organized an International Documentary Film Festival on the theme “People and Traditions” during January 21 – 22, 2013 commemorating Century of Indian Cinema. -
List of Applications for the Post of Office Assistant
List of applications for the post of Office Assistant Sl. Whether Application is R.R.No. Name and address of the applicant No. Accepted (or) Rejected (1) (2) (3) (5) S. Suresh, S/o. E.Subramanian, 54A, Mangamma Road, Tenkasi – 1. 6372 Accepted 627 811. C. Nagarajan, S/o. Chellan, 15/15, Eyankattuvilai, Palace Road, 2. 6373(3) Accepted Thukalay, Kanyakumari District – 629 175. C. Ajay, S/o. S.Chandran, 2/93, Pathi Street, Thattanvilai, North 3. 6374 Accepted Soorankudi Post, Kanyakumari District. R. Muthu Kumar, S/o. Rajamanickam, 124/2, Lakshmiyapuram 7th 4. 6375 Accepted Street, Sankarankovil – 627 756, Tirunelveli District. V.R. Radhika, W/o. Biju, Perumalpuram Veedu, Vaikkalloor, 5. 6376 Accepted Kanjampuram Post, Kanyakumari District – 629 154. M.Thirumani, W/o. P.Arumugam, 48, Arunthathiyar Street, Krishnan 6. 6397 Accepted Koil, Nagercoil, Kanyakumari District. I. Balakrishnan, S/o. Iyyappan, 1/95A, Sivan Kovil Street, Gothai 7. 6398 Accepted Giramam, Ozhuginaseri, Nagercoil – 629001. Sambath. S.P., S/o. Sukumaran. S., 1-55/42, Asarikudivilai, 8. 6399 Accepted Muthalakurichi, Kalkulam, Thukalay – 629 175. R.Sivan, S/o. S.Rajamoni, Pandaraparambu, Thottavaram, 9. 6429 Accepted Puthukkadai Post – 629 171. 10. S. Subramani, S/o. Sankara Kumara Pillai, No.3, Plot No.10, 2nd Main Age exceeds the maximum age 6432 Road, Rajambal Nager, Madambakkam, Chennai – 600 126. limit. Hence Rejected. R.Deeba Malar, W/o. M.Justin Kumar, Door No.4/143-3, Aseer Illam, 11. Age exceeds the Maximum Age 6437 Chellakkan Nagar, Keezhakalkurichi, Eraniel Road, Thuckalay Post – limit. Hence Rejected 629 175. 12. S. Anand, S/o. Subbaian, 24/26 Sri Chithirai Rajapuram, 6439 Accepted Chettikulam Junction, Nagercoil – 629 001. -
List of Applications for the Post of Computer Operator
List of applications for the post of Computer Operator Receipt Sl. Register Name and address of the applicant Whether Application is Accepted (or) Rejected No. No. (1) (2) (3) (4) G. Abinaya, S/o. K. Ganesan, 1/53A, The applicant had not attained the minimum age limit. 1. 6449 Melakrishnanputhoor & Post, Nagercoil, Hence Rejected. Kanyakumari District – 629 601. P. Subin, S/o. S. Paul, House No.4-2, West The applicant had not passed the Type writing both 2. 6458 Street, Mangulam, Boothapandi Post, Senior Grade and Diplomo in Computer Application from Kanyakumari District – 629 852. a recognised University. Hence Rejected. The applicant had not passed the Type writing both R. Veni, W/o. M. Iyyappan, 25/8, 4, 3. 6459 Senior Grade and Diplomo in Computer Application from Pattarkulam Colony, Boothapandy. a recognised University. Hence Rejected. M. Sugithra, D/o. V. Murugan, 25/3 The applicant had not passed the Type writing both 4. 6465 Pattarkulam Colony, Bhoothapandy, Senior Grade and Diplomo in Computer Application from Kanyakumari District. a recognised University. Hence Rejected M.R. Saji, D/o. V. Murugan, 91/9, Bharathi The applicant had not passed the Type writing both Street, Thankaiya Nadar Compound, 5. 6480 Senior Grade and Diplomo in Computer Application from Asaripallam Medical College East Vasal – 629 a recognised University. Hence Rejected 201. Anandhi.R., D/o. P.Ramachandran, Door The applicant had not passed the Type writing both 6. 6484 No.28/100, Pilavilai Junction, Mangavilai Senior Grade and Diplomo in Computer Application Post, Kanyakumari District – 629 501. from a recognised University. Hence Rejected. -
Dancing Into the Chthulucene: Sensuous Ecological Activism In
Dancing into the Chthulucene: Sensuous Ecological Activism in the 21st Century Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Kelly Perl Klein Graduate Program in Dance Studies The Ohio State University 2019 Dissertation Dr. Harmony Bench, Advisor Dr. Ann Cooper Albright Dr. Hannah Kosstrin Dr. Mytheli Sreenivas Copyrighted by Kelly Perl Klein 2019 2 Abstract This dissertation centers sensuous movement-based performance and practice as particularly powerful modes of activism toward sustainability and multi-species justice in the early decades of the 21st century. Proposing a model of “sensuous ecological activism,” the author elucidates the sensual components of feminist philosopher and biologist Donna Haraway’s (2016) concept of the Chthulucene, articulating how sensuous movement performance and practice interpellate Chthonic subjectivities. The dissertation explores the possibilities and limits of performances of vulnerability, experiences of interconnection, practices of sensitization, and embodied practices of radical inclusion as forms of activism in the context of contemporary neoliberal capitalism and competitive individualism. Two theatrical dance works and two communities of practice from India and the US are considered in relationship to neoliberal shifts in global economic policy that began in the late 1970s. The author analyzes the dance work The Dammed (2013) by the Darpana Academy for Performing Arts in Ahmedabad, -
Branch Libraries List
Libraries Address 1 District Central Librarian District Central Library No:61 M S Road, Agasteeswaram Taluk, Nagercoil-629001. Kanyakumari District. Branch Library Address 1 Librarian 8 Librarian 15 Librarian Branch Library Branch Library Branch Library Colachel-629251 Kallukoottam-629808 Kuzhithurai-629163 Market-800, Door No:P.16-71A / 4-120-11 Vilavancode Taluk N.D.N Building, Kalkulam Kalkulam Taluk Taluk Kanyakumari District Kanyakumari District Kanyakumari District 2 Librarian 9 Librarian 16 Librarian Branch Library Branch Library Branch Library Aralvaimozhi-629301 Karankadu-629809 Thirunanthikarai-629161 11-119 Vadakoor Road, Karankadu Post Kulasekaram Post Thovalai Taluk, Kalkulam Taluk, Kanyakumari District Kanyakumari District Kanyakumari District 3 Librarian 10 Libraria n 17 Librarian Branch Library Branch Library Branch Library Manavalakurichi-629252 Monday Market-629802 Sucindram-629704 Door No:12-198, Old No:12-17, Neyyoor & Post Near Panchayat Office, Bech Road Kalkulam Taluk, Marshal Nesamony Park, Kanyakumari District Kanyakumari District Kanyakumari District 4 Librarian 11 Librarian 18 Librarian Branch Library Branch Library Branch Library Agasteeswaram-62701 Painkulam Anjugramam-629401 Door No:14/6, Keel Salai Vilavancode Taluk Police Station Road Post Agasteeswaram Taluk, Kanyakumari District Kanyakumari District Kanyakumari District 5 Librarian 12 Librarian 19 Librarian Branch Library Branch Library Branch Library Azhakappapuram-629401 Arumanai-629151 Kovilanvilai-629252 Door No:12-42 Panchayat Street, Arumanai- Post -
State Dance (S) Andra Pradesh Kuchipudi, Kolattam, Ghantamardala, (Ottam Thedal, Mohiniattam, Kummi, Siddhi, Madhuri, Chhadi
BHARAT SCHOOL OF BANKING STATIC GK Indian Cultural/Classical Dances - Folk Dances in India State Dance (S) Andra Pradesh Kuchipudi, Kolattam, Ghantamardala, (Ottam Thedal, Mohiniattam, Kummi, Siddhi, Madhuri, Chhadi. Arunachal Pradesh Bardo Chham Assam Bihu, Ali Ai Ligang, Bichhua, Natpuja, Maharas, Kaligopal, Bagurumba, Naga dance, Khel Gopal, Tabal Chongli, Canoe, Jhumura Hobjanai etc. Bihar Chhau,Jata-Jatin, Bakho-Bakhain, Panwariya, Sama-Chakwa, Bidesia, Jatra etc. Chhattisgarh Panthi, Raut Nacha, Gaur Maria, Goudi, Karma, Jhumar, Dagla, Pali, Tapali, Navrani, Diwari, Mundari. Goa Tarangamel, Dashavatara, Dekhni, Dhalo, Dhangar, Fugdi, Ghodemodni, Goff, Jagar, Kunbi, Mando, Musal Khel, Perni Jagar, Ranamale, Romta Mel, Divlyan Nach (Lamp dance), Veerabhadra, Morulo, Tonayamel , Mandi, Jhagor, Khol, Dakni, , Koli Gujarat Garba, Dandiya Ras, Tippani Juriun, Bhavai. Haryana Saang, Chhathi, Khoria, Ras Leela, Dhamal, Jhumar, Loor, Gugga, Teej Dance, Phag, Daph, Gagor Himachal Pradesh Kinnauri, Mangen, Jhora, Jhali, Chharhi, Dhaman, Chhapeli, Mahasu, Nati, Dangi, Chamba, Thali, Jhainta, Daf, Stick dance Jammu & Kashmir Kud, Dumhal, Rauf, Hikat, Mandjas, Damali Jharkhand Chhanu, Sarahul, Jat-Jatin, Karma , Munda, Danga, Bidesia, Sohrai. Karnataka Yakshagan, Bayalatta, Dollu Kunitha, Veeragasse, Huttar, Suggi, Kunitha, Karga, Lambi Kerala Mohiniyattam, Kathakali, Thirayattam, Theyyam, Thullal, Koodiyattam, Duffmuttu / Aravanmuttu, Oppana, Kaikottikali, Thiruvathirakali, Margamkali, Thitambu Nritham, Chakyar Koothu, Chavittu Nadakam, Padayani -
MA-Bharatanatyam-2017.Pdf
M.A.Bharatanatyam Curriculum and Syllabus Effective from the Academic Year 2017-2018 School of Music and Fine Arts PROGRAM EDUCATIONAL OBJECTIVES(PEO) PEO1: To acquire an in-depth knowledge in the repertoire of Bharatanatyam. PEO2: Understand the theoretical concepts through a study of treatises in Sanskrit and Tamil from ancient to modern times. PEO3: Apply the theory of dance learnt into performance and develop the ability to codify practice. PEO4: Publish research findings and innovations in various forums and publication of research articles in peer reviewed and indexed conferences and journals. PROGRAM OUTCOME (PO) PO1: Understanding Performing Art in depth:Understand and go into the depths of the practice of performing arts by revisiting basics and progressively delving into advanced forms as well. PO2: Understanding Art from a Historical perspective: Study and analysis of Art forms in Music and dance from treatises, manuscripts and oral tradition. PO3: Bridging Theory and Practice of Art:Continuing the legacy and tradition of our Indian heritage by recording practice and performance as theoretical concepts for future generations by initiating the student into research studies. PROGRAM SPECIFIC OUTCOME (PSO) PSO1: Be well versed in the various theoretical concepts with an outline study of treatises in Sanskrit and Tamil from ancient to modern times. PSO2: Acquire in-depth knowledge in the various elements of Bharatanatyam and be able toperformwith a good repertoire of compositions. 2 BOARD OF STUDIES S. No NAME AFFILIATION ROLE 1. Dr.Premeela Gurumurthy Dean, School Of Music And Fine Arts Chairperson Asst. Prof and Head i/c, Dept. of Indian 2.