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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Camila Dias Borges
1 CAMILA DIAS BORGES BELA LUGOSI'S NOT DEAD: O DISCURSO E A REPRESENTAÇÃO DE GÓTICOS NO SITE DE REDE SOCIAL FACEBOOK Pelotas 2014 2 UNIVERSIDADE CATÓLICA DE PELOTAS PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS DISSERTAÇÃO DE MESTRADO Bela Lugosi's Not Dead: O Discurso e a Representação de Góticos no Site de Rede Social Facebook Por Camila Dias Borges Dissertação de Mestrado apresentada ao Programa de Pós-Graduação em Letras, área de concentração Linguística Aplicada, da Universidade Católica de Pelotas, como requisito parcial à obtenção do título de Mestre em Letras. Orientadora: Profa. Dra. Raquel Recuero (PPGL/UCPEL) Linha de Pesquisa: Texto, Discurso e Relações Sociais Pelotas, novembro de 2014. Dados Internacionais de Catalogação na Publicação (CIP) B732b Borges, Camila Dias Bela Lugosi’s not dead: o discurso e a representação de Góticos no site de rede social Facebook. / Camila Dias Borges. – Pelotas: UCPEL, 2014. 158f. Dissertação (mestrado) – Universidade Católica de Pelotas , Programa de Pós-Graduação em Letras, Pelotas, BR-RS, 2014. Orientadora: Raquel Recuero. 1. discurso. 2. representação. 3. subcultura gótica. 4.góticos. 5. sites de redes sociais I. Recuero, Raquel,or . II. Título. CDD 401.41 Ficha catalográfica elaborada pela bibliotecária Cristiane de Freitas Chim CRB 10/1233 3 AGRADECIMENTOS A todos do Programa de Pós-Graduação em Letras da Universidade Católica de Pelotas por terem me acolhido com muito carinho e, principalmente, por terem despertado em mim o interesse pela pesquisa. A todos os professores que, com dedicação, não somente repassaram conhecimento, mas também instigaram questionamentos que muito me auxiliaram no desenvolvimento pessoal. À querida orientadora Raquel, que constantemente amparou a minha reflexão sobre a teoria e os dados, esclarecendo com paciência e atenção as dúvidas de pesquisa. -
1. Mapplethorpe, Robert, “Patti Smith 1 Fifth Avenue,” 1978
Olivia Swinford April 16, 2015 Mood Board 1 Citations 1. Mapplethorpe, Robert, “Patti Smith 1 Fifth Avenue,” 1978. Smith, Patti. Just Kids. New York: Ecco, 2010. 2. "Publicity Shots 1978 - Blondie." Blondie. Accessed April 16, 2015. http://www.blondie.net/photos/publicity-shots/#gallery/1277/1/0. 3. "See Who Was Playing at CBGB This Week in 1975." - The Strut. June 16, 2011. Accessed April 16, 2015. http://www.thestrut.com/2011/06/16/see-who-was-playing-at-cbgb- this-week-in-1975/. 4. Galindo, Brian. "17 Awesome Photos That Captured CBGB's Iconic 1970s Punk Scene." BuzzFeed. September 9, 2014. Accessed April 16, 2015. http://www.buzzfeed.com/briangalindo/17-awesome- photos-that-captured-cbgbs-iconic-1970s-punk- scen?utm_term=1dpwbpa&sub=3440532_3765090#.fd4LQj1Am. 5. Galindo, Brian. "17 Awesome Photos That Captured CBGB's Iconic 1970s Punk Scene." BuzzFeed. September 9, 2014. Accessed April 16, 2015. http://www.buzzfeed.com/briangalindo/17-awesome- photos-that-captured-cbgbs-iconic-1970s-punk- scen?utm_term=1dpwbpa&sub=3440532_3765090#.fd4LQj1Am. 6. Bokuniewicz, Carol "Album Cover, Talking Heads: Remain in Light, 1980." Cooper Hewitt, Smithsonian Design Museum. Accessed April 16, 2015. https://collection.cooperhewitt.org/objects/18644717/. 7. "Patti Smith Group -- Because The Night." Patti Smith Group -- Because The Night. Accessed April 16, 2015. http://www.springsteenlyrics.com/collection/moreinfo.php?item=6096 &height=500&width=700. 8. "Photos | Sex Pistols | The Official Website." Sex Pistols The Official Website. January 1, 2012. Accessed April 16, 2015. http://www.sexpistolsofficial.com/photos/?wppa-album=4&wppa- photo=302&wppa-occur=1. 9. "Punk Art Catalogue - Section II: Punk Magazine & School of Visual Arts - 98 Bowery: 1969-1989." Punk Art Catalogue - Section II: Punk Magazine & School of Visual Arts - 98 Bowery: 1969-1989. -
Wavelength (December 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 12-1981 Wavelength (December 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (December 1981) 14 https://scholarworks.uno.edu/wavelength/14 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ML I .~jq Lc. Coli. Easy Christmas Shopping Send a year's worth of New Orleans music. to your friends. Send $10 for each subscription to Wavelength, P.O. Box 15667, New Orleans, LA 10115 ·--------------------------------------------------r-----------------------------------------------------· Name ___ Name Address Address City, State, Zip ___ City, State, Zip ---- Gift From Gift From ISSUE NO. 14 • DECEMBER 1981 SONYA JBL "I'm not sure, but I'm almost positive, that all music came from New Orleans. " meets West to bring you the Ernie K-Doe, 1979 East best in high-fideUty reproduction. Features What's Old? What's New ..... 12 Vinyl Junkie . ............... 13 Inflation In Music Business ..... 14 Reggae .............. .. ...... 15 New New Orleans Releases ..... 17 Jed Palmer .................. 2 3 A Night At Jed's ............. 25 Mr. Google Eyes . ............. 26 Toots . ..................... 35 AFO ....................... 37 Wavelength Band Guide . ...... 39 Columns Letters ............. ....... .. 7 Top20 ....................... 9 December ................ ... 11 Books ...................... 47 Rare Record ........... ...... 48 Jazz ....... .... ............. 49 Reviews ..................... 51 Classifieds ................... 61 Last Page ................... 62 Cover illustration by Skip Bolen. Publlsller, Patrick Berry. Editor, Connie Atkinson. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Summerfest 2013 Brings Just What the Doctors Ordered Starting Saturday, August 3, at 10 AM, with 3 Steps to Incredible Health with Dr
08/2013 Love, Laugh & Eat with John Tickell, MD—Live! • Masterpiece MYSTERY: Silk • The March SummerFest Enjoy sensational specials and tell your friends. Sarah Brightman: Dreamchaser in Concert Live! at UNC-TV Love, Laugh Alfie Boe: & Eat with Storyteller at the John Tickell, MD Royal Albert Hall The Supremes: ‘60s Girl Grooves Elvis: Aloha From Hawaii An Evening with Doc Watson & David Holt Please help us find new members to sustain UNC-TV’s life-changing television! AugustCP.indd 1 7/17/13 1:21 PM augustHIGHLIGHTS On ... SummerBeat the Heat with Cool Fest Specials! SummerFest 2013 brings just what the doctors ordered starting Saturday, August 3, at 10 AM, with 3 Steps to Incredible Health with Dr. Joel Fuhrman and Healthy Hormones: Brain Body Fitness, at noon. Keep moving with toe-tapping tunes from ‘60s Pop, Rock & Soul, at 1 PM, and Doobie Brothers Live at Wolf Trap, at 3 PM. Then, at 4:30 PM, learn to Love, Laugh & Eat with John Tickell, MD—LIVE—in the UNC-TV studio! Stroll down memory lane with Lawrence Welk: Precious Memories, at 6 PM, and pick up the tempo with ‘60s Girl Grooves, at 8 PM. Saturday takes a dramatic turn with the last new episode of the hit Brit mystery series Death in Paradise, at 10 PM. Get inspired Sunday, August 4, with Smarter Brains, at 10 AM, and George Beverly Shea: The Wonder of It All, at 11:30 AM. Enjoy The Great American Songbook, at 1 PM, Hugh Laurie—Live on the Queen Mary, at 3 PM, and Superstars of Seventies Soul Live, at 4 PM. -
115108266.23.Pdf
f da % KILDONAN CHURCH. Built in 185S, the ministry of Rev. John Black. THE SELKIRK SETTLERS IN REAL LIFE. BY REV. R. G. MacBETH, M.A., Pastor of Augustine Church, Winnipeg. WITH INTRODUCTION BY HON. SIR DONALD A. SMITH, K.O.M.G. TORONTO: WILLIAM BRIGGS. Montreal : C. W. COATES. Halifax: S. F. HUESTIS. Enterbd according to Act of the Parliament of Canada, in the year one thousand eight hundred and ninety-seven, by William Briggs, at the Department of Agriculture. v G N ys j 7CM*'64 PREFACE. In common with others who have been interested in, and connected with, the development of the territories formerly under the administration of the Hudson Bay Company, I heard with much pleasure of the intention of my friend, the Rev. R. G. MacBeth, M.A., to place on record an account of the genesis and development of the Selkirk Settlement in the Red River Valley. The longer such a work is postponed the more difficult must it be to carry out, and it would be a thousand pities if a descrip- tion of the pioneer attempts at colonization in the great North-West were not given to the world. This is neither the time nor the place to enter upon a discussion of the motives which influenced Lord Selkirk in his enterprise. He may have been somewhat in advance of the times in which he lived, but he had the courage of his convictions, and his efforts deserve the fullest recognition from those who believe in the great future in store for Western Canada. -
ENDER's GAME by Orson Scott Card Chapter 1 -- Third
ENDER'S GAME by Orson Scott Card Chapter 1 -- Third "I've watched through his eyes, I've listened through his ears, and tell you he's the one. Or at least as close as we're going to get." "That's what you said about the brother." "The brother tested out impossible. For other reasons. Nothing to do with his ability." "Same with the sister. And there are doubts about him. He's too malleable. Too willing to submerge himself in someone else's will." "Not if the other person is his enemy." "So what do we do? Surround him with enemies all the time?" "If we have to." "I thought you said you liked this kid." "If the buggers get him, they'll make me look like his favorite uncle." "All right. We're saving the world, after all. Take him." *** The monitor lady smiled very nicely and tousled his hair and said, "Andrew, I suppose by now you're just absolutely sick of having that horrid monitor. Well, I have good news for you. That monitor is going to come out today. We're going to just take it right out, and it won't hurt a bit." Ender nodded. It was a lie, of course, that it wouldn't hurt a bit. But since adults always said it when it was going to hurt, he could count on that statement as an accurate prediction of the future. Sometimes lies were more dependable than the truth. "So if you'll just come over here, Andrew, just sit right up here on the examining table. -
NLS User Manual
WAVES NLS NON-LINEAR SUMMER USER GUIDE Table of Contents Chapter 1 – Introduction..................................................................... 3 1.1 Welcome..................................................................................................................3 1.2 Product Overview ....................................................................................................3 1.3 Concepts and Terminology......................................................................................4 1.4 Components ............................................................................................................7 1.5 WaveSystem Toolbar...............................................................................................7 Chapter 2 – Quick Start Guide ........................................................... 8 Chapter 3 – Interface and Controls .................................................. 10 3.1 NLS Channel Interface ..........................................................................................10 3.2 NLS Channel Controls...........................................................................................11 3.3 NLS Buss Interface................................................................................................13 3.4 NLS Buss Controls ................................................................................................14 3.5 NLS VCA Groups Console Interface .....................................................................16 3.6 NLS - VCA Group Console -
MM" ,/ Ljtta) Fln; #-{
I99 KINGSToN RoAD LoNDON SW}g TeI,OI_540 oasi.. l 'rv MM" ,/ lJttA) fln; #-{ tru'rtterry Xffm-ry*LSS.e.Re.ffiS. seeffixss eg-ge"k&R"-4ffi *es-e cherry Red Recolds r. the Lond,on baeed, independ.ont Record. conpanyr have slgned, a three yo&r llce,'se a,greenent wtth the Sristol based gecords. Eeartbeat cherr! n"a sill-be marke! ?"d. prornote arl Eeartbeat product whicb wtli i*clud.ed, ritb cherry Redrs d,istriiutlon d.ear rriu-fp"rtan Rec ordg r First new release und,er the agreement nill be a l2,r track single by 3ristol. band. t0LAX0 4 $ersht6$ho"'A}n3.1'"]';f;i".;i'i:}'ix$i*;';;'kgr+BABrEsr wh,Lch iE rereased of stoqk for ine rait i;;; rsonthE. said raln Mc$ay on behar.f ol cherry Red,r?here are talented acts energlng f:rom tnl gristor so&e vexy will retaia totarTeY coirtioi-over &r€*r seaibeat conplo tetv ret'ain tbeir i"u*i-ii-"iiti.tbatr A. arrd, R. gid,e and havo the ad.vantage fiowever, they irr.rl 'ow of nationar *riirruutron asd havE il:fffr,tronotionaL and' markotlns raciriii.u ;;-*;;; i*,*r" ].lore luformatioa lain Uc$ay on 540 6g5I. ilrrsct*r: IeenMclrlry Registered Office, fr* S*uth .&udi*y Stre*t, fu*nc3*n W I t{u*r,r*+xl b€gK\S* €.ft*Jz-lr{ & Glaxo Babies : rliine Ilionths to the liscot (Cherry Red./ Heartbeat) Of all the new bands spawned in the Sristol area over the last few years, very few have had any lasting effect on the national scener most having dissolved into a mediochre pop/p.p soup. -
Emale Students Harassed Local Arrested; Slips by Security
Noo-ProUt Qrg. U.S. fotag* PAID Bronx, NMVVM 5 PtrmitNo 76M Thursday Aprll2,1M7 Velum* «9Nutnb«r 10 fordham university, new york emale Students Harassed Local Arrested; Slips by Security by Lynne Viera perpetrator with friends. Jacob Basher, a 19-year-old Hispanic, They saw Basher and followed him. The as arrested on-campus at approximately perpetrator then hid in the bushes. One of the i Sunday morning for assault and harass- girls saw two security guards driving by the ent of two female Fordham students, library, stopped the car and told the guards cording to Thomas Courtney, director of that a girl was almost raped and that the man fcurity. was still on campus. In the first of two related incidents, a "They looked at me like I was drunk or shman, who wishes to remain anonymous, something. I told them to get out of the car i walking home from the Lantern with her and get the guy! The 1BI guard on the passen- animate. After not being required to show ger's side finally got out. I opened the car door eir i.d.'s, they entered the campus through on the driver's side so that the guard would get 13rd Avenue gate, where they proceeded to out too," said a Hughes Hall resident. south sffle of Duane Library. Meanwhile, in a second incident, Basher, of 183rd Street and Crotona another girl was accosted. She and her venue, then jumped out of the bushes, friends also entered the campus through the abbed one of the girls around the neck, and 3rd Avenue gate and were not asked for i.d. -
Felix Issue 504, 1979
THE NEWSPAPER OF IMPERIAL COLLEGE UNION Friday, November 9th, 1979 Issue No. 533 EXEC EXHAUSTED AFTER 8 MONTHS OF CONTROVERSY FELIX EDITOR DISPUTE FINALLY SETTLED COLIN PALMER RATIFIED Gary Dearmer speaking at the UGM Photo by Colin Palm, BRIGHTON 79 ICU LEADS THE WAY a driver's view An opportunity to drive in the London to On Wednesday afternoon, the Union's 'Death Brighton Veteran Car Run is a unique to British Education' Coffin led the NUS march experience, and I feel privileged to have been outside the Department of Education and given the opportunity to drive Boanerges in Science. At this stage the NUS Exec were this annual event. The build-up to 4 playing ultra callous by ordering Union banners November was nerve-racking to say the least, not to be raised. Yet earlier they had amongst, and preparations had been in hand for a good almost chaos, sanctioned a march along the two months. Waking up at 6am to a cold and pavements from Malet Street without full police wet day did nothing to subdue my spirits so I approval. Thus, as the 400 strong demo passed dressed in what I thought would be necessary the DES there were no placards and no banners, to keep out the cold, and then doubled it. a feature of any successful demo. After a final check at the garage, we loaded up To applause and clapping the coffin was the car and set off for Hyde Park, along with brought out from Waterloo tube entrance direct Sir Hugh Ford, the Guilds Motor Club from IC and across the road.