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Manitoba School Counsellor Magazine
manitobaSchool Counsellor FALL 2020 Manitoba schools hold parades to boost student morale during the height of COVID-19 The transition to post-secondary education during a pandemic COVID-19, smoking, and vaping: A real-life exercise in critical thinking for your students PUBLICATIONS MAIL AGREEMENT #40934510 AGREEMENT MAIL PUBLICATIONS “I don’t think I would be where I am today without the supports of the Access Program. Access is really good because it establishes a community within a larger whole.” Brandon Wosniak, U of M student, Métis living in Winnipeg ACCESS Program Discover the path between you and your dreams The Access Program includes two paths: The University of Manitoba Access Program (UMAP) supports students in degree and diploma programs at the U of M. It is available to all Manitoba residents, with preference given to Indigenous people, residents of Northern Manitoba, low income earners, and newcomers. The Health Careers Access Program (HCAP supports Indigenous (Status, Non-Status, Métis, Inuit students for entry to health-related professions such as Medicine, Dentistry, Dental Hygiene, Pharmacy, Rehabilitation Sciences, and Nursing. Students must be residents of Manitoba. Access students receive: • Academic Advising • Smaller Classes • Personal Counselling • Learning Labs • Full-time Indigenous • Tutoring Hours Included Unkan (Grandfather) • Connection to the • Financial Advisor Indigenous Community To learn more visit www.umextended.ca access or call 204-474-8000 #AccessUM manitoba School Counsellor IN THIS ISSUE is published -
Siouxsie and the Banshees the Scream Mp3, Flac, Wma
Siouxsie And The Banshees The Scream mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Scream Country: UK & Europe Released: 1989 Style: Post-Punk MP3 version RAR size: 1552 mb FLAC version RAR size: 1738 mb WMA version RAR size: 1738 mb Rating: 4.6 Votes: 514 Other Formats: APE VOX MOD DXD MP2 MP4 MMF Tracklist Hide Credits Pure 1 1:50 Music By – McKay*, Morris*, Sioux*, Severin* Jigsaw Feeling 2 4:37 Lyrics By – Severin*Music By – McKay*, Severin* Overground 3 3:48 Lyrics By – Severin*Music By – McKay* Carcass 4 3:49 Lyrics By – Sioux*, Severin*Music By – Fenton*, Sioux*Written-By – Fenton* Helter Skelter 5 3:46 Written-By – Lennon/McCartney* Mirage 6 2:48 Lyrics By – Severin*Music By – McKay* Metal Postcard 7 4:13 Lyrics By – Sioux*Music By – McKay* Nicotine Stain 8 2:57 Lyrics By – Sioux*Music By – Severin* Suburban Relapse 9 4:10 Lyrics By – Sioux*Music By – McKay* Switch 10 6:51 Lyrics By – Sioux*Music By – McKay* Companies, etc. Distributed By – Polydor Ltd. Marketed By – Polydor Ltd. Phonographic Copyright (p) – Polydor Ltd. (UK) Copyright (c) – Polydor Ltd. (UK) Recorded At – RAK Studios Mixed At – De Lane Lea Studios Published By – Dreamhouse Music Published By – Chappell Music Ltd. Published By – Sparta Florida Music Group Ltd. Published By – Northern Songs Credits Bass Guitar – Steven Severin Design [Concept] – Siouxsie And The Banshees* Drums, Percussion – Kenny Morris Guitar, Saxophone – John McKay Mixed By – Steve Lillywhite Photography By – Paul Wakefield Producer – Siouxsie And The Banshees*, Steve Lillywhite Voice – Siouxsie-Sioux* Written-By – McKay* (tracks: 1 to 4, 6 to 10), Morris* (tracks: 1 to 4, 6 to 10), Sioux* (tracks: 1 to 4, 6 to 10), Severin* (tracks: 1 to 4, 6 to 10) Notes ℗ 1978 Polydor Ltd (UK) © 1989 Polydor Ltd (UK) Original Sound Recording Made By Polydor Ltd (UK) Recorded at RAK. -
Making Ends Meet Toronto’S 2015 Living Wage
Canadian Centre for Policy Alternatives | Ontario April 2015 Making Ends Meet Toronto’s 2015 Living Wage Kaylie Tiessen www.policyalternatives.ca RESEARCH ANALYSIS SOLUTIONS Kaylie Tiessen is an economist with the Canadian Centre for Policy Alternatives’ Ontario office. She holds a Master’s degree in Development Economics from Dal- housie University. She researches labour markets, provincial budgets and the val- ---- ue of public services. This report is available free of charge at www.policyalternatives.ca. Printed copies may Toronto’s living wage calculation is based on the National Living Wage Framework – be ordered through the CCPA national office for a document outlining a national methodology to ensure consistency across the coun- a $10 fee. try. The methodology was developed based on the work of researchers in Ontario and British Columbia who refined their method based on feedback from focus groups of ... persons living on low-income and other representatives. Further discussion, devel- Help us to continue to offer our opment, and refinement of the calculation was conducted by the Toronto living wage working group – a committed group of individuals representing labour, business, the publications free online. public sector, social justice organizations, and civil society. Click / scan the QR code below to make a tax-deductible donation This group met several times to discuss the family expenditures that inform the calcu- lation. Thank you to the group for providing leadership, context, support, and valida- to the CCPA -
The Cure — Wikipédia
The Cure — Wikipédia https://fr.wikipedia.org/wiki/The_Cure The Cure 1 The Cure [ðə ˈkjʊə(ɹ)] est un groupe de rock britannique, originaire de Crawley, dans le Sussex The Cure de l'Ouest, en Angleterre. Formé en 1976, le groupe comprend actuellement Robert Smith, Roger O'Donnell aux claviers, Simon Gallup à la basse, Reeves Gabrels à la guitare et Jason Cooper à la batterie. Robert Smith est la figure emblématique du groupe. Il en est le chanteur et le guitariste (il joue également de la basse ou des claviers), le parolier et le principal compositeur. Par ailleurs, il est le seul membre présent depuis l'origine du groupe. The Cure, à Singapour le 1er août 2007. Associé au mouvement new wave, The Cure a Informations générales développé un son qui lui est propre, aux ambiances 2, 3 Pays d'origine Royaume-Uni tour à tour mélancoliques, rock, pop, gothiques Genre musical Cold wave, new wave, et psychédéliques, créant de forts contrastes, où la post-punk, rock alternatif, basse est mise en avant et n’est pas seulement un rock gothique instrument d’accompagnement. Elle est, Années actives Depuis 1976 notamment en raison du jeu particulier de Simon Gallup une composante essentielle de la musique de Labels Fiction Records, Geffen The Cure. L'utilisation conjointe d'une basse six Records cordes (souvent une Fender VI), au son Site officiel www.thecure.com caractéristique, très souvent utilisée dans les motifs (http://www.thecure.com) mélodiques, contribue pour beaucoup à la signature Composition du groupe sonore si singulière du groupe. Membres Robert Smith Cette identité musicale, ainsi qu'une identité Simon Gallup visuelle véhiculée par des clips, contribuent à la Roger O'Donnell popularité du groupe qui atteint son sommet dans Jason Cooper les années 1980. -
Nova Scotia's Early Learning Curriculum Framework
Capable, Confident, and Curious: NOVA SCOTIA’S EARLY LEARNING CURRICULUM FRAMEWORK IMPLEMENTATION DRAFT 2018–2019 Website references contained within this document are provided solely as a convenience and do not constitute an endorsement by the Department of Education and Early Childhood Development of the content, policies, or products of the referenced website. The department does not control the referenced websites and is not responsible for the accuracy, legality, or content of the referenced websites, or for that of subsequent links. Referenced website content may change without notice. If an outdated or inappropriate site is found, please report it to [email protected]. Please note that all attempts have been made to identify and acknowledge information from external sources. In the event that a source was overlooked, please contact [email protected]. Capable, Confident, and Curious: Nova Scotia’s Early Learning Curriculum Framework ISBN: 978-1-55457-717-0 © Crown copyright, Province of Nova Scotia, 2018 Prepared by the Department of Education and Early Childhood Development CAPABLE, CONFIDENT, AND CURIOUS: NOVA SCOTIA’S EARLY LEARNING CURRICULUM FRAMEWORK Acknowledgements The Nova Scotia Department of Education and Early Childhood Development acknowledges the work of other provincial early learning frameworks across Canada, all of which were reviewed in the preparation of this document. See Appendix A for a complete listing of provincial early learning curriculum frameworks. In particular, the Nova Scotia early learning curriculum framework acknowledges Australia’s Belonging, Being, and Becoming—The Early Years Learning Framework for Australia. With permission, content in the sections Early Learning Practices and Learning Strategies draw heavily on the Australian framework. -
Dickson Motors Ltd
., , , , , ., .j , , , , , , " • " , " " . .~ - . • " . : . .' ,.' ;1-. '-----,-T- --- • Page Sixty-six PageSixty-seyeJ,l' TBB JEWISH P,OST Thursday, December 20, 1962 December 20, l.II6I! THE JEWI,SH POST Kobe community, without a rabbi, Best Wishes for a Happy to you all 1~~~~==:C~o=r=di;=:'a=l;""';:C;;:h=a=n=u=;k"'a=;h~G~r"'e"'e~ti;:ng=s~to~a:'illi=:o=u=r====~ a teacher, or school for the younger Friends and Customers I JOYOUS CHANUKAH GREETINGS TP ALL OUR I FRIENDS AND CUSTOIMERS generation? * * The Tenth an GOLD CROWN I went on to Hong Kong, many of \ By IDA, G. COWEN whose 50 Jewish families work in To reach the synagogue in Kobe, Pollock's Hardware one ·or another of the Kadoorie OLD DUTGH FOODS LTD. ., .' \ Japan, one climbs the hillside from BILLIARD LOUNGE family's far-flung ventures. But \ I ' , ! the port to reach Kitano-Cho, an ED HARRIS, Proprietor there is no feeling there of a 'com Phone SPruce 4-2561 OME time ago the play "The Tenth Man" was 'presented on Broadway area of attractive concrete homes Phone JUstice 2·5007' , Featuring. ·munity taking root alld planning S with great acclaim. The setting was a synagogue aruf the title derived with club house and swimming pool. 1407 MAIN ST. WINNIPEG 12 New Brunswick Gold CrowD Tables and Equipment for the younger generation. 1700 SARGENT AVE. WINNIPEG from the fact that the sexton had to go into the street Minyan hlinting. The synagogue itself is a large, ill Beautiful Modern Sunoundings r As hi Kobe, one winds up the I found this search for "the'Tenth Man" enacted in real life in communi- rather bare building contributed by "THE NEW TREND IN BILLIARDS" steep ,hillside from the waterfront ties such as, Kobe, Hong Kong, Bangkok, Rangoon ,and, Calcutta. -
BRIDGES: from the Ivory Tower to Real Life 16 29
E U ISS GLOBAL PERSPECTIVES ON DIABETES Volume 59 – June 2014 SPECIAL BRIDGES: from the ivory tower to real life 16 29 47 32 International Diabetes Federation All correspondence and advertising enquiries link to third-party websites, which are not under Promoting diabetes care, prevention and should be addressed to the Managing Editor: IDF’s control. The inclusion of such links does not imply a recommendation or an endorsement by a cure worldwide International Diabetes Federation, Chaussée de IDF of any material, information, products and La Hulpe 166, 1170 Brussels, Belgium services advertised on third-party websites, and IDF Diabetes Voice is published quarterly and is Phone: +32-2-538 55 11 – Fax: +32-2-538 51 14 disclaims any liability with regard to your access of such linked websites and use of any products or freely available online at www.diabetesvoice.org. services advertised there. While some information This publication is also available in French and © International Diabetes Federation, 2014 – All in Diabetes Voice is about medical issues, it is not rights reserved. No part of this publication may Spanish. medical advice and should not be construed as such. be reproduced or transmitted in any form or by any means without the written prior permis- ISSN: 1437-4064 Editor-in-Chief: Rhys Williams sion of the International Diabetes Federation Guest Editor: Linda Siminerio (IDF). Requests to reproduce or translate IDF Cover photo : © William Vazquez Managing Editor: Olivier Jacqmain, publications should be addressed to the IDF [email protected] Communications Unit, Chaussée de La Hulpe The production of this Special Issue has been 166, B-1170 Brussels, by fax +32-2-5385114, or made possible thanks to the support of BRIDGES. -
Moscow by Night: Musical Subcultures, Identity Formation, and Cultural Evolution in Russia, 1977–2008
MOSCOW BY NIGHT: MUSICAL SUBCULTURES, IDENTITY FORMATION, AND CULTURAL EVOLUTION IN RUSSIA, 1977–2008 BY GREGORY R. KVEBERG DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History in the Graduate College of the University of Illinois at Urbana-Champaign, 2012 Urbana, Illinois Doctoral Committee: Professor Diane Koenker, Chair Professor Kathryn Oberdeck Professor Craig Koslofsky Professor John McKay Professor Mark Steinberg Abstract This dissertation examines the history of musical subcultures in Moscow from 1977 to 2008. It argues that subcultures were not forces for revolutionary change, or natural loci of opposition to the state. Only during the brief period from 1982 to 1984 did the state actively seek to impose a unitary vision of culture on the Soviet Union. Throughout the rest of these three decades, the state allowed a significant range of subcultural expression. This policy won either loyalty or toleration for Brezhnev’s government from a majority of Muscovite subculturalists. It proved similarly successful when re- introduced by Vladimir Putin. This dissertation asserts that this policy of tolerance allowed official culture and subcultures to evolve together in a dialectical process. This work also charts key trends in the development of subcultural identities in Moscow. Subculturalists responded to shifting political and economic situations. They generally greeted the arrival of the market with ambivalence, as many felt that musical legitimacy required artists to eschew commercial success. Subculturalists eagerly embraced the Internet, and used it to form connections to other groups of subculturalists and to archive collective memories. Contact with the west produced a variety of different responses among subculturalists, and these responses speak to larger divisions within Russian society. -
Neph Program 8.5 Final.Qxd
Program October 5–6, 2006 Vancouver Convention and Exhibition Centre Aleadingttend edge learning sessions Pain interactiverticipate panel discussions Connectwith colleagues Acquireinformation and tools you can use Conference Objectives and Accreditation After attending this conference, participants will be able to: 1. Use evidence-based criteria to achieve timely referral 10. Apply best practice standards in support of end-of- of CKD patients for transplant evaluation. life decision making and care delivery in the setting of pending or actual end stage renal disease. 2. Identify patients who will benefit from pre-emptive transplantation. 11. Provide ethically sound support to patients, families 3. Recognize and support opportunities for paired donation. and guardians in reaching life-support decisions for patients with or approaching end-stage renal disease. 4. Apply updated K/DOQI guidelines to establish evidence- based hemoglobin target ranges, and guide usage of 12. Identify barriers to the development of an effective erythropoietic salvage and iron agents for management and sustainable shared care agreement between of anemia in their CKD and dialysis patients. nephrologists and family physicians in caring for patients with chronic kidney disease. 5. Evaluate and apply a tested and proven BC protocol to delegate maintenance anemia therapy to certified 13. Apply existing models to develop context-specific nursing or pharmacy professionals. service agreements between family physicians and nephrologists to share the delivery of care for 6. Apply the BCPRA anemia management database as a patients with chronic kidney disease according to basis for tracking and guiding anemia management in provincial practice guidelines. CKD and dialysis patients. 14. Develop performance indicators and measures to 7. -
Frontrunners Headlines
THE 4 Trading Post Way Medford Lakes. New Jersey 08055 HARD REPORT February 26, 1988 Issue #67 609-654-7272 alb FRONTRUNNERS THE DEL -LORDS JUDAS PRIEST "JUDAS KISS" "JOHNNY B. GOODE" "The best new record I've Watch this incredible heard in years-and one interpretation emerge as play a lot-from a band / the biggest cover tune of probably wouldn't have the first quarter-and one walked across the street to of the biggest hits of this see before".. band's career. ... Russ Mottla, KTYD Atlantic Enigma KINGDOM COME RECORD OF THE WEEK "KINGDOM COME" ROBERT PLANT KINGDOM "Considering they're a band new on the scene, this "NOW AND ZEN" COME is without a doubt the most With an a/bum debut at 1*, all kinds explosive thing I've of instant request activity, pages of participated in in my 17 programmer raves and five more years in radio". ... ofiej4v.charted tracks-it's obvious this is Bruce McGregor, WRIF the biggest thing to date in '88.... Polydor E s Pa r a nz a / At I NEW PLAY PRIORITIES... JONI GEORGE ROBERT DWEEZIL THOROGOOD PALMER ZAPPA MSG MITCHELL ERT PALMER MOOG JONI MITCHELL "Born To Be Bad" (EMI/Manhattan) "Sweet Lies" (Island) ' My Guitar (Chrysalis) 'Follow The Night" (capitol)"Snakes And Ladders" (Geffen) CHARTSTARS HEADLINES MOST ADDED SALE OF NBC RADIO GETS $121.5 MILLION 1. Robert Plant "Tall Cool One" EsParanza/Atl 91 LONE STAR LISLE TO DO MORNINGS AT KISW 2. B. Springsteen "All That Heaven . ." Columbia 52 3. Robert Plant "Ship Of Fools" EsParanza/Atl 47 11 MILLION DOLLAR DEAL: KSJO FOR SALE BIGGEST MOVERS RANDY CRITTENTON SIGNS WITH DB RECORDS B. -
The Music of the Goth Subculture: Postmodernism and Aesthetics Charles Allen Mueller
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 The Music of the Goth Subculture: Postmodernism and Aesthetics Charles Allen Mueller Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE MUSIC OF THE GOTH SUBCULTURE: POSTMODERNISM AND AESTHETICS By CHARLES ALLEN MUELLER A Dissertation submitted to the College of Music In partial fulfillment of the Requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2008 Copyright 2008 Charles Mueller All Rights Reserved The members of the Committee approve the dissertation of Charles Allen Mueller defended on June 12, 2008. __________________________ Charles E. Brewer Professor Directing Dissertation __________________________ Barry Faulk Outside Committee Member __________________________ Denise Von Glahn Committee Member __________________________ Douglass Seaton Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOLEDGEMENTS I would like to extend my most sincere gratitude to the Presser Foundation who funded my research in Great Britain. I would also like to thank journalist Mick Mercer and the staff at Rough Trade in London who provided me with important insights into the development of goth music. All of the past and present goth participants and musicians who took the time to share with me their passion for music and life experiences also -
Vogue.Com/Vogue-Daily/Print/Rebel-Rouser-Sheila
Rebel Rouser: Sheila Rock Photographs the Scene in Punk+ - ... http://www.vogue.com/vogue-daily/print/rebel-rouser-sheila-... FASHION Rebel Rouser: Sheila Rock Photographs the Scene in Punk+ by Mark Holgate John Lydon Photo: Sheila Rock, PUNK+, 2013 1 of 6 27/04/2013 12:55 Rebel Rouser: Sheila Rock Photographs the Scene in Punk+ - ... http://www.vogue.com/vogue-daily/print/rebel-rouser-sheila-... Subey Photo: Sheila Rock, PUNK+, 2013 Jeannette Lee, formerly of Public Image Limited. 2 of 6 27/04/2013 12:55 Rebel Rouser: Sheila Rock Photographs the Scene in Punk+ - ... http://www.vogue.com/vogue-daily/print/rebel-rouser-sheila-... Photo: Sheila Rock, PUNK+, 2013 Chrissie Hynde (bottom) and Steve Strange of the Moors Murderers. Photo: Sheila Rock, PUNK+, 2013 3 of 6 27/04/2013 12:55 Rebel Rouser: Sheila Rock Photographs the Scene in Punk+ - ... http://www.vogue.com/vogue-daily/print/rebel-rouser-sheila-... Photo: Sheila Rock, PUNK+, 2013 From left: Siouxsie Sioux, John McKay, Steven Severin, and Kenny Morris of Siouxsie and the Banshees. 4 of 6 27/04/2013 12:55 Rebel Rouser: Sheila Rock Photographs the Scene in Punk+ - ... http://www.vogue.com/vogue-daily/print/rebel-rouser-sheila-... Photo: Sheila Rock, PUNK+, 2013 From left: Paul Simonon, Topper Headon, Mick Jones, and Joe Strummer of the Clash. Photo: Sheila Rock, PUNK+, 2013 “I was never a punk, I was too middle-class,” says Sheila Rock with a laugh. “The closest I ever got was wearing black jeans.” Rock is an American photographer who has been based in Britain since 1970, and perhaps this remove is why her fly-on-the-wall images of the ignition of the London punk scene in the mid-70s, and its subsequent flaring across the rest of the country, are so beautifully raw and utterly compelling.