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Smash Hits Volume 50
OCTOBER 30 NOVEMBER 12 1980 tstti: TErrar5 HAZEL O'CONNOR AQAM & THE ANTS ORCHESTRAL MANOEUVRES & STATUS QUO IN COLOUR - ^gW^**^Oct. 30-Nov. 121980 Vol. 2 No. 22 THE TIDE IS HIGH Blondie 2 TOWERS OF LONDON XTC 5 DANCING WITH MYSELF Generation X S GENTLEMEN TAKE POLAROIDS Japan 8 ONE MAN WOMAN Sheena Easton 11 GIVE ME AN INCH Hazel O'Connor 18 LA-DI-DA Sad Cafe 21 IN MY STREET The Chords 24/25 LET ME TALK Earth Wind & Fire 27 I NEED YOUR LOVIN' Teena Marie 30 ALL OUT OF LOVE Air Supply 30 PASSING STRANGERS Ultravox 35 The Tide Is High HEROES The Stranglers 39 WHOSE PROBLEM Motels 42 Blondie FASHION David Bowie 51 on Chrysalis Records JAPAN: Feature 6/7/8 HAZEL O'CONNOR: Feature 16/17/18 STATUS QUO: Colour Poster 28/29 &KS2ES3S—-— ADAM & THE ANTS: Feature 40/41 O.M.I.T.D.: Colour Poster 52 BITZ 13/14/15 BIRO BUDDIES 22&34 CARTOON 22 MADNESS COMPETITION 24 DISCO 27 Repeat chorus CROSSWORD 31 REVIEWS 32/33 WHITESNAKE COMPETITION 34 rl antSVO,Jtob STAR TEASER 36 IutHf'' t «herrnan FACT IS 43 INDEPENDENT BITZ 44 LETTERS 47/48 BADGE OFFER 48 GIGZ 50 chorus Repeat Editor Editorial Assistants Contributors Ian Cranna Bev Hillier Robin Katz Linda Duff Red Starr 9" 1 nts you to be Fred Dellar hw •"" STKiBut I II artT Advertisement w my deaf David Hepworlh Manager Mike Stand m V Rod Sopp m the kinda Kelly Pike ' ^ •* who aive" u ju« J Hk. th.t. (Tel: 01-439 8801) Jill Furmanovsky oh no Design Editor Assistant Steve Bush Steve Taylor Adie Hegarty 'roduction Editor Editorial Consultant Publisher Kasperde Graaf Nick Logan Peter Strong to fade Repeat chorus Editorial and Advertising address: Smash Hits, 52-55 Carnaby Street, London W1V 1PF. -
The Performativity of Punk: Construction, Performance and Redefinition of the Punk Identity
1 The Performativity of Punk: Construction, Performance and Redefinition of the Punk Identity It is difficult to trace Punk back to a specific genesis; some claim it started in America in the late 1960s with the Stooges and the Velvet Underground, while others place its origins in England with the Sex Pistols in the mid 1970s. Regardless, in both regions of the world and within a short time span, the axioms of music, performance and styles of living and dress were shifting. This shift has been collectively termed ‘Punk’ and the movement not only redefined music as it had been known, but created a new performance genre in which identity was a key component, and was constantly being constructed, performed and reshaped. Punk served as a departure from previously established aesthetics concerning sound, style and performance and developed into the antithesis of propriety and order. While those engaged in the study of Punk are now beginning to analyze it as a performance type in addition to a music genre, the role of the Punk identity in cultivating the genre and developing a unique performance type has not been adequately discussed. This paper examines Punk as something that was created through performance, which is the crux of performative theory. The performance of Punk is the personification of chaos as an aesthetic, and utilizes an aggressive, interactive performance style established by Punk forerunners on and offstage. While looking at these figures, it is important to keep in mind that they are not representatives of Punk, but are essentially ‘Punk’ because it was via performance that Punk was created. -
THE WOLFMEN ***Mesmerising New Single ‘Cecilie’ Released September 17Th on Howl Records***
THE WOLFMEN ***Mesmerising New Single ‘Cecilie’ Released September 17th on Howl Records*** “Marco and Chris do growing old disgracefully moves with style. With thumping Suicide- alike beatbox and glam-rockabilly guitars, the A-side is exuberant filth.” Ian Harrison, Mojo Magazine, reviewing the Wolfmen’s last ‘limited edition’ single ‘Kama Sutra’, December 2006. The Wolfmen, formed by ex – Banshee and Adam & The Ants guitarist Marco Pirroni and ex- Adam Ant bassist / vocalist Chris Constantinou, are set to release a new CD, Vinyl and download single, ‘Cecilie’, coupled with ‘ Do The Ostrich’ (co-rewritten with Lou Reed), on HOWL Records, distributed by Townsend /Universal on September 17th. ‘Cecilie’, the band’s first major single release, taken from their debut album, (due in 2008), is awash with seductive, shimmering melodies, generously poured all over a gloriously scuzzy, modern-rock sound track. Commenting on the duo’s approach to songwriting, Marco says “we used to try to make it as retro sounding as possible, but in America we get lumped in with The Killers, Bloc Party and Babyshambles. It’s not as easy as you think to sound uncool. It all backfired and we started getting critical acclaim. The strange thing is that when The Wolfmen started we were listening to old Northern Soul and the Velvet Underground and glam rock and that is what it is a mixture of. A lot of people our age say, ‘Oh no, it’s not hip enough.’ I believed them for about five minutes and then after playing it for a bunch of 17 year olds they said it sounded great – they couldn’t care less about people’s ages and nor do we. -
913 Jjáuit.J1J (Simmons/Peoples/Ellis)
MUSIC 8 VIDEO WEEK FEBRUARY 7, 1981 A-2 (TOP WRITERS) = PLATINUM = GOLD O= SILVER A Little In Love IA. Terneyl .... 15 (One million sales) (500,000 sales) (250,000 sales) Antmusic (Adam Ant/ II II IIUSIIC-`° WEENORDER FORM CHART 0 Marco Pirroni) 6 Burn Rubber On Me (Simmons/Wilson/Taylor) .. 22 BritishMarketResearch Car Trouble (Adam Ant) 40 Bureau Ltd. 1981, publication Cheated (Carroll/Wilson) 74 rights licensed exclusively to Dancing With Myself 60 Music&Video Week and Ildd/James) broadcastingrightstothe Do Nothing (Golding/ Dammers) 18 BBC. All rights reserved. Don't Stop The Music 913 JJáUit.J1J (Simmons/Peoples/Ellis) .... 7 This Last Wks on TITLE/Artist (producer) Publisher Label number This Last Wks on TITLE Artist (producer) Publisher Label number Do The Hucklebuck Week Week Chart Week Week Chart (Alfred/Gibson) 44 JUST WHEN I NEEDED YOU MOST Embarrassment (Berson/ 2 Thompson) 68 1 3 WOMAN £ 57 2 SonetlA Side SON 2221 (Al John Lennon (Lennon/Ono/Douglas) Lennon/Ono Music O Geffen K 79195(W) 39 Barbara Jones (A. Ranglin) Warner Brothers Fade To Grey (Currie/ Payne/ Ure) 8 CAR TROUBLE 71 IN THE AIR TONIGHT 51 3 Fan Dabi Dozi (Kerr( £ &The Ants (Chris Hughes) EMI Do It DUN 10 (SP) Phil Collins (Collins/Padghan) Hit & Run o Virgin VSK 102(C) 40 Adam Flash (B. May) 24 2 3 4 Gangsters Of The Groove VIENNA MYSTERIES OF THE WORLD )Temperton) 20 41 67 2 Philadelphia PIR 9601 (C) 3 6 4Ultravox (Ultravox/Plank) Island/Copyright Control Chrysalis CHS 2481(F) MFSB (-I Mighty 3/Carlin Give Peace A Chance (Lennon/McCartney) 33 THROWN AWAY 75 IMAGINE 2 Guilty (B. -
Psaudio Copper
Issue 94 SEPTEMBER 23RD, 2019 Welcome to Copper #94! As this issue goes live, I'll have just returned from a quick trip to NY and back----so sorry, no analysis of the Phil Collins song. I'll leave that to our busy friend, Christian James Hand. In this issue, Professor Larry Schenbeck looks at copycats---long before the "My Sweet Lord" debacle; Dan Schwartz examines an amazing gift from a famous friend; Richard Murison explores his family tree; Roy Hall remembers his (very active!!) dating life; Anne E. Johnson’s Off the Charts brings us lesser-known cuts from Siouxsie and the Banshees; J.I. Agnew goes into meticulous detail on the meticulous process of record quality control; Woody Woodward begins a new series on guitar god Jeff Beck; Anne’s Something Old/Something New brings us several recent recordings of Haydn Symphonies; the batting average of Tom Gibbs' record reviews drops from .800 last issue to .666 in this issue; and I look at inevitability in The Audio Cynic, and examine direct-drive turntables in Vintage Whine. I'm pleased to welcome a new contributor: Bob Wood will be telling stories of his long career in radio, and as a voice-over artist. I think you'll enjoy Bob's True-Life Radio Tales. Rocky Mountain Audio Fest is the subject of a feature, written by moi. And finally---- Copper #94 wraps up with Charles Rodrigues on divine intervention, and another stunning Parting Shot from our friend, James Schrimpf. Until next time, Leebs. In The Beginning TRUE-LIFE RADIO TALES Written by Bob Wood Believe it or not, several people have encouraged me to write about my time in radio. -
Smash Hits Volume 45
30p August 21-September 3 1980 i**i^ / ^ * ™ :'/ :'! WCA A. cm rpp» #J|™ Wordstothe R0XY MUSIC ^ WOW WW- in colour H' PIRANHAS THE 2 SMASH HITS — X » ^^= N-5» l_ START! August 21-September 3 1980 Vol. 2 No. 17 The Jam 4 BEST FRIEND Right then — it's extra rations this issue, as we're carrying both The Beat 5 sides of The Beat's new single STAND DOWN MARGARET without anything else dropping out. As well as getting an extra The Beat 5 song for your money, there's all TOM HARK your usual news, reviews and features plus the usual sprinkling The Piranhas 12 of extra goodies — the video FUNKIN' FOR JAMAICA game prize on the crossword and the Breaking Glass competition Tom Browne 14 (that's on page 28). Now if you'll A WALK IN THE PARK kindly excuse us, we've got Nick Straker Band another issue to prepare while 14 you're enjoying this one (mutter THE WHISPER Editor mutter, grumble grumble, not fair The Selecter 17 etc.) See y'all in two weeksiimej, Ian Cranna Features Editor AWAY David Hepwo rah The Swinging Cats 17 |gn Editdr FEELS LIKE I'M IN LOVE Ve Bush Kelly Marie 19 Production Editor KasperdeGraaf YOU'VE GOT TO BE A HUSTLER Editorial Assistants Sue Wilkinson 24 Bev Hillier GIVE Linda fluff ME BACK MY MAN Contributors The B52's 24 Robitmatz SISTER EUROPE Redjftarr Fredplellar Psychedelic Furs 31 Mik/St ANOTHER DAY, ANOTHER GIRL KeTly Iprtsr— , The Lambrettas 32 I Pfirmanovsky MarkCasto FREE ME Steve Taylor Roger Daltrey 32 Advertisement Manager Rod Sopp* KINGS OF THE WILD FRONTIER (Tel: 01-439 8801) Adam & The Ants 39 Assistant I DIE, YOU -
Educare 16.2.Indd
EDUCARE 2016:2 2016:2 CONFERENCE ISSUE: POLITICS OF IDENTITY, ACTIVISM AND PEDAGOGY IN PUNK OF HIP-HOP STUDIES EDUCARE VETENSKAPLIGA SKRIFTER EDUCARE – Vetenskapliga skrifter är en sakkunniggranskad skriftserie som ges ut vid fakulteten Lärande och samhälle vid Malmö högskola sedan hösten 2005. Den speglar och artikulerar den mångfald av ämnen och forsk-ningsinriktningar som finns inom utbildningsvetenskap i Malmö. EDUCARE är också ett nationellt och nordiskt forum där nyare forskning, aktuella perspektiv på utbildningsvetenskapens ämnen samt utvecklingsar-beten med ett teoretiskt fundament ges plats. Utgivning består av vetenskap-liga artiklar skrivna på svenska, danska, norska och engelska. EDUCARE vänder sig till forskare vid lärarutbildningar, studenter vid lärarutbildningar, intresserade lärare vid högskolor, universitet och i det allmänna skolväsendet samt utbildningsplanerare. ADRESS EDUCARE-vetenskapliga skrifter, Malmö högskola, 205 06 Malmö. www.mah.se/educare ARTIKLAR EDUCARE välkomnar originalmanus på max 8000 ord. Artiklarna ska vara skrivna på något nordiskt språk eller engelska. Tidskriften är refereegranskad vilket innebär att alla inkomna manus granskas av två anonyma sakkunniga. Redaktionen förbehåller sig rätten att redigera texterna. Författarna ansvarar för innehållet i sina artiklar. För ytterligare information se författarinstruktioner på hemsidan www.mah.se/educare eller vänd er direkt till redaktionen. Artiklarna publiceras även elektroniskt i MUEP, Malmö University Electronic Publishing, www.mah.se/muep REDAKTION Redaktör: Jonas Qvarsebo. Redaktionsråd. Cecilia Ferm, Hector Perez, Lisa Asp-Onsjö, Thomas Johansson, Andreas Fejes och Ann-Carita Evaldsson COPYRIGHT: Författarna och Malmö högskola EDUCARE 2016:2 Conference Issue: Politics of identity, activism and pedagogy in punk of hip-hop studies Titeln ingår i serien EDUCARE, publicerad vid Fakulteten för lärande och samhälle, Malmö högskola. -
Smash Hits Volume 66
J5pUSA$l75 June 11 -24 1981 -^W# Vol. 3 No. 12 SPRINGSTEEN'S PLAYING Wembley/Hepworth's gorn all trembly/ la la la/la la la la!!" "Orlrlght, guv? Don't mind me. I'm sick as a moon, mate. Over the parrot. I'm just trying' to wrap me eyeballs round this 'ere new issue Knoworrlmean?" "Orlright, I'll just talk you through the important parts. I gets th ball, right, I heads it into the Squeeze feature (making a hell of a deni in me new perm), chips it across The Human League colour shot, tap it out to an Ant on the wing and then whacks it straight between couple of Whitesnake mike stands and smack into the top corner o\ the Linx centrespread. One — nil. Won meself a motorbike and ." Specials songbook too . ." "Oh, and I'm opening a . boutique, Brian . GHOST TOWN The Specials 2 WOULD I LIE TO YOU Whitesnake 8 YOU'LL NEVER BE SO WRONG Hot Chocolate 8 ALL STOOD STILL Ultravox 9 SPELLBOUND Siouxsie&The Banshees 9 THROW AWAY THE KEY Linx 14 BODY TALK Imagination 14 NOBODY WINS Elton John 18 ALL THOSE YEARS AGO George Harrison 19 GOING BACK TO MY ROOTS Odyssey 21 1 1 O'CLOCK TICK TOOK U2 23 ONE DAY IN YOUR LIFE Michael Jackson 31 MORE THAN IN LOVE Kate Bobbins 31 WILL YOU Hazel O'Connor 36 LET'S JUMP THE BROOMSTICK Coast To Coast 43 ADAM AND THE ANTS: Feature 4/5/6 WHITESNAKE: Feature 16/17 LINX: Colour Poster 24/25 SQUEEZE: Feature 34/35 HUMAN LEAGUE: Colour Poster 44 BITZ 11/12/13 TOYAH/MADNESS POSTER COUPON 12 SPECIALS SONGBOOK COMPETITION 20 DISCO 21 YAMAHA BIKE/ BOOMTOWN RATS COMPETITION 27 CROSSWORD 30 INDEPENDENT BITZ 33 LETTERS 39/40 COMPETITION WINNERS 41 GIGZ 42 Special thanks this issue to Tel Seago (design) The charts appearing in Smash Hits are compiled by Record Business Research from information supplied by panels of specialist shcps. -
Adam Ant Antics in the Forbidden Zone Mp3, Flac, Wma
Adam Ant Antics In The Forbidden Zone mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Antics In The Forbidden Zone Country: US Released: 1990 Style: New Wave, Punk, Synth-pop MP3 version RAR size: 1571 mb FLAC version RAR size: 1361 mb WMA version RAR size: 1256 mb Rating: 4.6 Votes: 569 Other Formats: AIFF MIDI AHX ADX VOC AA TTA Tracklist From Dirk Wears White Sox 1 –Adam And The Ants Zerox 3:46 2 –Adam And The Ants Whip In My Valise 3:58 3 –Adam And The Ants Car Trouble 3:24 4 –Adam And The Ants Kick 2:06 From Kings Of The Wild Frontier 5 –Adam And The Ants Kings Of The Wild Frontier 3:54 6 –Adam And The Ants "Antmusic" 3:34 7 –Adam And The Ants Dog Eat Dog 3:07 8 –Adam And The Ants Los Rancheros 3:27 9 –Adam And The Ants Killer In The Home 4:18 From Prince Charming 10 –Adam And The Ants Stand And Deliver 3:33 11 –Adam And The Ants Beat My Guest 3:11 12 –Adam And The Ants Prince Charming 3:16 13 –Adam And The Ants Ant Rap 3:23 From Friend Or Foe 14 –Adam Ant Desperate But Not Serious 4:12 15 –Adam Ant Place In The Country 2:50 16 –Adam Ant Friend Or Foe 3:21 17 –Adam Ant Goody Two Shoes 3:29 From Strip 18 –Adam Ant Strip 3:59 19 –Adam Ant Puss 'N Boots 4:02 From Vive Le Rock 20 –Adam Ant Apollo 9 3:23 21 –Adam Ant Vive Le Rock 3:39 Companies, etc. -
Top Pop Singles 1955-2015
CONTENTS Author’s Note .............................................................................................................................................................. 5 What’s New With This Edition ..................................................................................................................................... 6 Researching Billboard’s Pop Charts ........................................................................................................................... 7 Explanation of Artist And Song Awards .................................................................................................................... 10 User’s Guide ............................................................................................................................................................. 11 THE ARTIST SECTION .................................................................................................................................. 15 An alphabetical listing, by artist, of every song that charted on Billboard’s pop singles charts from 1/1/1955 through 12/26/2015. THE SONG TITLE SECTION .................................................................................................................... 979 An alphabetical listing, by song title, of every song that charted on Billboard’s pop singles charts from 1/1/1955 through 12/26/2015. THE BACK SECTIONS THE TOP ARTISTS: ....................................................................................................................................... -
Traditions of Punk and the Politics of Empowerment
Anyone Can Do It: Traditions of Punk and the Politics of Empowerment By Pete R.W. Dale Re-submission for PhD ICMuS Newcastle University 2010 Blank page ii Anyone Can Do It: Punk, Folk and the Politics of Empowerment Contents Title Page Page i Contents Page Page iii Introduction page vi Chapter One page 1 i. What Is Punk? Style vs. Substance page 2 ii. What Is Folk? Getting the Folk ‘Us’ in Focus page 27 iii. Punk as Folk: Two Sides of the Same Coin? page 57 iv. Chapter Conclusion page 84 Chapter Two page 88 i. Punk, Avant-gardism and Novelty page 90 ii. Marxism, Anarchism and the Issue of Universality page 119 iii. Justice to Come and the Micromatic Recoil page144 iv. Chapter Conclusion page 183 Chapter Three page 189 i. An Original Re-Birth? page 191 ii. There Is No Authority, But… : Anarcho-punk page 195 iii. Indie-Pop Ain’t Noise Pollution: The Cutie Movement page 231 iv. Chapter Conclusion page 269 iii Chapter Four page 275 i. Still Birth? page 277 ii. The Arrival of a New, Renegade, Girl-Boy Hyper-Nation: Riot Grrrl page 284 iii. Delivering the Groceries at 128 Beats per Minute: Math Rock page 326 iv. Chapter Conclusion page 366 Conclusion page 369 Bibliography page 389 iv Blank page v Introduction When the word punk is invoked, a majority of people – in the UK, at least – will think of the Sex Pistols, safety pins through the nose and other such bands and signifiers from the late 1970s. The purpose of this research, in large part, is to show that punk has in fact been a persistent and consistent tradition in the decades since. -
PUNK by Jon Savage I
PUNK By Jon Savage I: INTRO I’m a street-walking cheetah with a heartfull of napalm… It starts with a feeling. I’m the runaway son of the nuclear A-bomb…. A feeling so intense and so out there that it struggles to make itself heard. I am the world’s forgotten boy… These screams of rage fall on deaf ears in the woozy hedonism of the early seventies. The singer is: too dumb, too blank, too violent. A dose of Amphetamine among the Quaaludes. He cuts himself on stage, flings himself into the audience…. Sick boy, sick boy, learning to be cruel… ..trying to get a reaction, any reaction. Anything but this boredom. Anything but this stoner ooze that avoids the issue of what it is to be young, outcast, and ready to murder a world. Is there concrete all around or is it in my head? The bloom is off youth culture as the promises of the sixties fade. The charismatic dark stars of the early seventies, David Bowie, Alice Cooper, catch this mood but by mid decade they are too successful and too old - sixties people themselves – to embody this feeling. They can write as observers but they aren’t inside it. I’m getting tired of being alone…. The secret heart of pop culture shifts from the country to the inner city. This is a dark, dangerous world. It’s a jungle out there. WWW.TEACHROCK.ORG Somethin’ comin’ at me all the time…. But after sundown, when everyone has fled, there is space. The new breed find the feeling in the midst of emptiness.