Felix Issue 504, 1979
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ENDER's GAME by Orson Scott Card Chapter 1 -- Third
ENDER'S GAME by Orson Scott Card Chapter 1 -- Third "I've watched through his eyes, I've listened through his ears, and tell you he's the one. Or at least as close as we're going to get." "That's what you said about the brother." "The brother tested out impossible. For other reasons. Nothing to do with his ability." "Same with the sister. And there are doubts about him. He's too malleable. Too willing to submerge himself in someone else's will." "Not if the other person is his enemy." "So what do we do? Surround him with enemies all the time?" "If we have to." "I thought you said you liked this kid." "If the buggers get him, they'll make me look like his favorite uncle." "All right. We're saving the world, after all. Take him." *** The monitor lady smiled very nicely and tousled his hair and said, "Andrew, I suppose by now you're just absolutely sick of having that horrid monitor. Well, I have good news for you. That monitor is going to come out today. We're going to just take it right out, and it won't hurt a bit." Ender nodded. It was a lie, of course, that it wouldn't hurt a bit. But since adults always said it when it was going to hurt, he could count on that statement as an accurate prediction of the future. Sometimes lies were more dependable than the truth. "So if you'll just come over here, Andrew, just sit right up here on the examining table. -
A Great Friggin'swindle? Sex Pistols, School Kids and 1979
Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk Osborne, Richard ORCID: https://orcid.org/0000-0003-4111-8980 (2015) A great friggin’ swindle? Sex Pistols, school kids and 1979. Popular Music and Society, 38 (4) . pp. 432-449. ISSN 0300-7766 [Article] (doi:10.1080/03007766.2015.1034496) First submitted uncorrected version (with author’s formatting) This version is available at: https://eprints.mdx.ac.uk/17322/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated. -
Psaudio Copper
Issue 94 SEPTEMBER 23RD, 2019 Welcome to Copper #94! As this issue goes live, I'll have just returned from a quick trip to NY and back----so sorry, no analysis of the Phil Collins song. I'll leave that to our busy friend, Christian James Hand. In this issue, Professor Larry Schenbeck looks at copycats---long before the "My Sweet Lord" debacle; Dan Schwartz examines an amazing gift from a famous friend; Richard Murison explores his family tree; Roy Hall remembers his (very active!!) dating life; Anne E. Johnson’s Off the Charts brings us lesser-known cuts from Siouxsie and the Banshees; J.I. Agnew goes into meticulous detail on the meticulous process of record quality control; Woody Woodward begins a new series on guitar god Jeff Beck; Anne’s Something Old/Something New brings us several recent recordings of Haydn Symphonies; the batting average of Tom Gibbs' record reviews drops from .800 last issue to .666 in this issue; and I look at inevitability in The Audio Cynic, and examine direct-drive turntables in Vintage Whine. I'm pleased to welcome a new contributor: Bob Wood will be telling stories of his long career in radio, and as a voice-over artist. I think you'll enjoy Bob's True-Life Radio Tales. Rocky Mountain Audio Fest is the subject of a feature, written by moi. And finally---- Copper #94 wraps up with Charles Rodrigues on divine intervention, and another stunning Parting Shot from our friend, James Schrimpf. Until next time, Leebs. In The Beginning TRUE-LIFE RADIO TALES Written by Bob Wood Believe it or not, several people have encouraged me to write about my time in radio. -
P of Progressive Rock, and from the from the Exclusiveness of Forebears Like the Velvets and Kraftwerk and Roxy and Bowie
POST-PUNK POST-PUNK 1979 | POST-PUNK Post-punk has a lousy name. It’s temporally accurate, mostly; and meaningful in that post-punk music generally benefited from the jolt of energy and attitude that briefly was punk, even when it was often made by musicians who’d been at it for years. But punk was mostly musically and culturally discrete, insular and self-constrained. Post-punk, conversely, represented a flourishing of many sounds, myriad scenes, and many styles, all with roots reaching back (garage rock, krautrock, funk, jazz, musique concrete, ska) and branches reaching out and intertwining (hip-hop, disco, Latin musics, dub), all while leaning eagerly forward into the future. In part post-punk was the liberation of “art rock” from the virtuosic grip of progressive rock, and from the from the exclusiveness of forebears like the Velvets and Kraftwerk and Roxy and Bowie. It was to varying degrees the breaking down of barriers between “rock” and non-white musics, always with the risk of appropriation; but mostly created with a sincere attitude of learning and engagement, rather than theft. Women in post-punk were not an oddity, an opening act, but were instead at the very center of its most creative scenes in a way rock music had rarely seen. Certainly post-punk was a rejection of “disco-sucks” and cock-rock meatheadedness, as even its simplest power pop forms generally rejected brute machismo. Post-punk was revolutionary in that it helped expand rock music’s typical access to means of production, and broadened the circle of who could be at the forefront; but it was also evolutionary of rock music’s best possibilities, no an ex nihilo event, and as such was made to last. -
Print Catalogue
Thursday 30th July 2020 | 10:00 Music & Music Memorabilia Auction July 2020 Lot 793 Description Estimate The Beatles - A Collection of Beatles Oldies (PCS 7016), first pressing. £20.00 - £40.00 Lot 794 Description Estimate David Bowie - Heroes LP (PL 12552), with insert. £15.00 - £20.00 Lot 795 Description Estimate The Beatles - Revolver LP (PMC 7009), early pressing £20.00 - £30.00 Lot 796 Description Estimate 5 x Blondie LPs, Autoamericans, Blondie, Eat To The Beat, Parrallel Lines, £20.00 - £30.00 Plastic Letters. Lot 797 Description Estimate Fairport Convention - Angel Delight LP ( ILPS 9162 ). £10.00 - £15.00 Lot 798 Description Estimate King Crimson - Discipline LP ( EGLP 49 ). £10.00 - £15.00 Lot 799 Description Estimate David Bowie - Scary Monsters And Super Creeps ( BOW LP2 ). with insert. £10.00 - £15.00 Lot 800 Description Estimate 2 x Frank Zappa LPs. Studio Tan ( K59210 ). Zoot Allures ( K56298 ). £10.00 - £15.00 Lot 801 Description Estimate The Beatles - Sgt Peppers Lonely Hearts Club Band. £15.00 - £20.00 Lot 802 Description Estimate 5 x Rock LPs. Edgar Winter - Jasmin Nightdreams. Ry Cooder (2) - Bop £10.00 - £15.00 Till Drop. Jazz. Santana - Abraxas. Steely Dan- Greatest Hits. Lot 803 Description Estimate 7 x 1980s LPs. Joan Armatrading - Walk Under Ladders. Grace Jones (3) - £15.00 - £20.00 Island Life. Nightclubbing. Slave to the Rhythm. Kate Bush - The Dreaming. Orchestral Manoeuvers In The Dark - Architecture And Morality. Carly Simon - Come Upstairs. Lot 804 Description Estimate 6 x LPs. Joan Baez - In Concert pt.2. Blood Sweat and Tears - Blood Sweat £10.00 - £15.00 and Tears. -
In Brief Feedback Backlash
Theses Bindings CPF Traditional Bookbinders Leeds Student arc pleased to announce ttint from February 20th 1981 January 1981 a collection and delivery point will he available every Friday 2-4 pin within Leeds University's Union Ruildinq. Issue Number 243 Price £4.90 per standard copv Free For further details Telephone Leeds 795296 Craft Print Finishing, Wortley, Leeds LS I2 4QL In Brief Students at the Polytechnic will be voting soon for next year's Executive committee. ‘Ents’ Success Nominations for the two top posts, President and Deputy President, open next Monday, February 23rd. The polls will be open for the week March 9th - 13th. The other three elected posts w ill be decided during the w eek March 16th - 20th, with nominations opening on March The sabbaticalIn elections this Elections 2nd. The Polytechnic’s Annual week at the University Union by Cat Smith General Meeting will be held on have brought success for two Inside February 26th. candidates heavily involved in Union entertainment. A Special General Meeting what I’ve done for the Union arranged for Wednesday last In the race for Treasurer Andy over the past year.” 12 Page failed to reach its quorum of Kershaw, Ents Secretary, beat his 500. The meeting was called in nearest rival Bryan Gallagher by Mr Kershaw is 16. an attempt to lower the quorum over 500 votes. After the count, of AGM’s following last months Mr Kershaw commented, “I’m When Mr Kershaw takes office in inquorate AGM. over the moon. I’m very pleased August, he will be joined by Gill that the people who voted went Newman, the successful can Perspective A man has been found guilty of for someone who has got their didate in the election for Cultural Emmerdale peeping’ at female students at head screwed on. -
Download 2014–2015 Catalogue of New Plays
CCoverover SSpreadpread 11415.ai415.ai 1 77/28/2014/28/2014 112:15:052:15:05 PPMM IInsidenside CCoverover SSpreadpread 11415.ai415.ai 1 88/12/2014/12/2014 55:13:13:13:13 PPMM Catalogue of New Plays 2014–2015 © 2014 Dramatists Play Service, Inc. NNEWEW CCATALOGUEATALOGUE 114-15.indd4-15.indd 1 88/12/2014/12/2014 110:23:060:23:06 AAMM Dramatists Play Service, Inc. A Letter from the President Fall 2014 Dear Subscriber: After 22 years, you’ll see that this traditional letter is being sent to you by someone new. Stephen Sultan is now enjoying a well-deserved retirement, although he remains onboard here at the Play Service as a trusted and valued consultant. I became the president — only the sixth to head the company since its founding in 1936 — in January, after years of serving as an agent representative on our Board of Directors. I couldn’t be happier in my new position, as DPS has always meant a great deal to me. And I am extremely fortunate to work with a wonderful staff, whose dedication, intelligence, and good humor are an inspiration. The original charter for Dramatists Play Service empha- sizes the importance of the word “service” in our name. I think you’ll find that the service to both our customers and our playwrights continues at a higher level than ever before. As always, there are some great new additions to our catalogue this year. I’m very happy that we have acquired all five nominees for Best Play in this season’s Tony Awards, with ALL THE WAY, Robert Schenkkan’s riveting portrait of LBJ and the politics of power and compromise, leading the pack. -
Smash Hits Volume 16
FORTNIGHTLY July 12-25 1979 25p Words to the TOP SINGLES including Good Times Angeleyes If I Had You A«^ Friday's Angels .« >^> .6\A° >° sioirxiEE vV A^" TUBEWAYARMY v?^^ WHO / LPs to be won IAN DUBY # in colour / ) M- Can't Stand Losing You By The Police on A&M Records I you so many times today And I guess it's ail trua — what your girlfriends say TItat you don't ever wanna see me again And your brother's gonna Iclli me — and he's six feet ten I guess you'd call K cowardice But I'm not prepared to go on iiice this I can't I can't I can't stand losing I can't i can't I can't stand losing I can't I can't I can't I can't stand losing you I • • • • • • • • • • • • • • • I can't stand losing you I can't stand losing you n»••••••••••••• • • • • • • • • •••••^• • • i can't stand losing you I see you've sent my letters back And my LP records and they're all scratched I can't see the point in another day When nobody listens to a word I say You can call it lack of confidence But to carry on living doesn't make no sense I can't I can't I can't stand losing Repeat six times I guess this is our last goodbye And you don't care so I won't cry And you'll be sorry when I'm dead And all this guilt will be on your head I guess you'd call it suicide But I'm too full to swallow my pride I can't I can't I can't stand losing Repeat to fade Words and music by Sting. -
Everything I Never Told You : a Novel / Celeste Ng
THE PENGUIN PRESS Published by the Penguin Group Penguin Group (USA) LLC 375 Hudson Street New York, New York 10014 USA • Canada • UK • Ireland • Australia • New Zealand • India • South Africa • China penguin.com A Penguin Random House Company First published by The Penguin Press, a member of Penguin Group (USA) LLC, 2014 Copyright © 2014 by Celeste Ng Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader. LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Ng, Celeste. Everything I never told you : a novel / Celeste Ng. pages cm ISBN 978-1-101-63461-5 1. Daughter—Death—Fiction. 2. Drowning—Fiction. 3. Grief—Fiction. I. Title. PS3614.G83E94 2014 813'.6—dc23 2013039961 This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental. Version_1 for my family CONTENTS TITLE PAGE COPYRIGHT DEDICATION chapter one chapter two chapter three chapter four chapter five chapter six chapter seven chapter eight chapter nine chapter ten chapter eleven chapter twelve AUTHOR’S NOTE ACKNOWLEDGMENTS one Lydia is dead. But they don’t know this yet. 1977, May 3, six thirty in the morning, no one knows anything but this innocuous fact: Lydia is late for breakfast. -
Collection 1" De Fcgb
Collection "Collection 1" de fcgb Artiste Titre Format Ref Pays de pressage 1919 Repulsion 45T RED 22 Royaume-Uni 1919 Machine LP REDLP 25 Royaume-Uni 1919 Earth Song Maxi 45T 12 ABS 026 Royaume-Uni 1919 Cry Wolf Maxi 45T 12 ABS 017 Royaume-Uni 1919 Caged 45T RED 14 Royaume-Uni 3 Teens Kill 4 No Motive LP ID 3 France 3 Time Loser Get Out Of My Way 45T RIP 007 France 45 Grave School's Out Maxi 45T E-1039 Etats Unis Amerique 45 Grave Evil/party Time 45T CLP 2184 Etats Unis Amerique 65daysofstatic Come To Me 45T HOFF108S Royaume-Uni 93 Current 93 Present Sveinbjö... Edda LP DURTRO 005 Royaume-Uni 999 The Biggest Prize In Sport LP POLS 1013 Royaume-Uni 999 Lust Power And Money LP 130093 France 999 999 LP UAGF 30199 France A Split Second The Colosseum Crash (remix) Maxi 45T ANT 100 Belgique A Split Second Scandinavian Bellydance Maxi 45T ANT 076 Belgique A Split Second Mambo Witch Maxi 45T ANTLER 088-12 Belgique A Split Second Kiss Of Fury LP AS 5014 Belgique A Split Second Flesh (1991 Remix) Maxi 45T AS 5065 Belgique A Split Second Ballistic Statues LP ANTLER 054 Belgique A Split Second Backlash 45T AS - 5013 Belgique A Split Second Another Violent Breed Maxi 45T ANT 106 Belgique A Wedding Anniversary Asylum Maxi 45T 12 DAN 020 France A Wedding Anniversary A Wedding Anniversary LP DAN LP 010 France à;grumh Too Many Cooks Spoil The Broth...Maxi 45T BIAS 57 Belgique à;grumh Black Vinyl Under Cover LP BIAS 72 Belgique Achwgha Ney Wodei Triptyque 3LP NIR 872 France Actifed Dawn Of A Legion Maxi 45T JUNG 7 Royaume-Uni Actifed Crucifixion Maxi 45T JUNG 11 Royaume-Uni Adam Ant Vive Le Rock LP CBS 26583 EU Adult.