Everything I Never Told You : a Novel / Celeste Ng
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80DF Herbicide EPA Reg
Supplemental Labeling Dow AgroSciences LLC 9330 Zionsville Road Indianapolis, IN 46268-1054 USA Spike® 80DF herbicide EPA Reg. No. 62719-107 Banded Application for Woody Plant Control in Rangeland, Permanent Pastures, Fencerows, and Clearings for Wildlife Habitat For Distribution and Use Only in Alabama, Kansas, Louisiana, Missouri, Mississippi, New Mexico, Oklahoma and Texas ATTENTION ● It is a violation of Federal law to use this product in a manner inconsistent with its labeling. ● This labeling must be in the possession of the user at the time of application. ● Read the label affixed to the container for Spike 80DF before applying. Carefully follow all precautionary statements and applicable use directions. ● Except as described below, use of Spike 80DF according to this supplemental labeling is subject to all use precautions and limitations imposed by the label affixed to the product container. Directions for Use Spike® 80DF herbicide is recommended as a ground-applied band application for control of woody plants in rangeland and permanent pastures, for establishment of clearings for enhancement of wildlife habitat, and for control of trees and brush in fencerows. Note: Before applying, read and understand Mixing Directions, Application Methods and Factors in Herbicidal Response of Woody Plants sections of this supplemental labeling. Grazing Management In rangelands and permanent grass pastures, measures to minimize injury to, and maximize growth response of, desirable grasses and other forage species are recommended. These include: -
Oral History Interview with Edward Dugmore, 1994 May 13-June 9
Oral history interview with Edward Dugmore, 1994 May 13-June 9 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Edward Dugmore on May 13, 1993. The interview was conducted at Edward Dugmore's home in New York by Tram Combs for the Archives of American Art, Smithsonian Institution. Interview ED: EDWARD DUGMORE MD: EDIE DUGMORE [MRS. DUGMORE] TC: TRAM COMBS Tape 1, Side A (45-minute tape sides) TC: This is an interview for the Archives of American Art, conducted by Tram Combs for the Archives with Edward Dugmore. There will be three voices on the tape. This is Tram Combs speaking. ED: This is Edward Dugmore. MD: And this is Edie Dugmore. TC: Edie is Mrs. Dugmore. She is sitting in on the interview for information that doesn’t come immediately to mind, and any disagreements about [our accuracy]. [all chuckle] Ed, tell us about your background, your family. ED: Okay, I was born in 1915. I have two brothers, approximately four years apart. Older brother and a younger brother. TC: Their names? ED: There’s Leonard, and then myself, and then Stanley is the youngest. My father came over from England, and my mother, and he was a photographer. TC: With your mother? MD: No. ED: No, he didn’t do that; that’s right. -
Into the Woods Is Presented Through Special Arrangement with Music Theatre International (MTI)
PREMIER SPONSOR ASSOCIATE SPONSOR MEDIA SPONSOR Music and Lyrics by Book by Stephen Sondheim James Lapine June 28-July 13, 2019 Originally Directed on Broadway by James Lapine Orchestrations by Jonathan Tunick Original Broadyway production by Heidi Landesman Rocco Landesman Rick Steiner M. Anthony Fisher Frederic H. Mayerson Jujamcyn Theatres Originally produced by the Old Globe Theater, San Diego, CA. Scenic Design Costume Design Shoko Kambara† Megan Rutherford Lighting Design Puppetry Consultant Miriam Nilofa Crowe† Peter Fekete Sound Design Casting Director INTO The Jacqueline Herter Michael Cassara, CSA Woods Musical Director Choreographer/Associate Director Daniel Lincoln^ Andrea Leigh-Smith Production Stage Manager Production Manager Myles C. Hatch* Adam Zonder Director Michael Barakiva+ Into the Woods is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com Music and Lyrics by Book by STEPHEN JAMES Directed by SONDHEIM LAPINE MICHAEL * Member of Actor’s Equity Association, † USA - Member of Originally directed on Broadway by James LapineBARAKIVA the Union of Professional Actors and United Scenic Artists Orchestrations by Jonathan Tunick Stage Managers in the United States. Local 829. ^ Member of American Federation of Musicians, + Local 802 or 380. CAST NARRATOR ............................................................................................................................................HERNDON LACKEY* CINDERELLA -
On the Emergence of Sinophobic Behavior on Web Communities In
“Go eat a bat, Chang!”: On the Emergence of Sinophobic Behavior on Web Communities in the Face of COVID-19 Fatemeh Tahmasbi Leonard Schild Chen Ling Binghamton University CISPA Boston University [email protected] [email protected] [email protected] Jeremy Blackburn Gianluca Stringhini Yang Zhang Binghamton University Boston University CISPA [email protected] [email protected] [email protected] Savvas Zannettou Max Planck Institute for Informatics [email protected] ABSTRACT KEYWORDS The outbreak of the COVID-19 pandemic has changed our lives in COVID-19, Sinophobia, Hate Speech, Twitter, 4chan unprecedented ways. In the face of the projected catastrophic conse- ACM Reference Format: quences, most countries have enacted social distancing measures in Fatemeh Tahmasbi, Leonard Schild, Chen Ling, Jeremy Blackburn, Gianluca an attempt to limit the spread of the virus. Under these conditions, Stringhini, Yang Zhang, and Savvas Zannettou. 2021. “Go eat a bat, Chang!”: the Web has become an indispensable medium for information ac- On the Emergence of Sinophobic Behavior on Web Communities in the quisition, communication, and entertainment. At the same time, Face of COVID-19. In Proceedings of the Web Conference 2021 (WWW ’21), unfortunately, the Web is being exploited for the dissemination April 19–23, 2021, Ljubljana, Slovenia. ACM, New York, NY, USA, 12 pages. of potentially harmful and disturbing content, such as the spread https://doi.org/10.1145/3442381.3450024 of conspiracy theories and hateful speech towards specific ethnic groups, in particular towards Chinese people and people of Asian 1 INTRODUCTION descent since COVID-19 is believed to have originated from China. -
Financial Statements Summary
3Q 2019 Earnings Release Studio Dragon November 7, 2019 Disclaimer This financial information in this document are consolidated earnings results based on K-IFRS. This document is provided for the convenience of investors only, before the external audit on our 3Q 2019 financial results is completed. The audit outcomes may cause some parts of this document to change. In addition, this document contains “forward-looking statements” – that is, statements related to future, not past, events. In this context, “forward-looking statements” often address our expected future business and financial performance, and often contain words such as “expects”, “anticipates”, “intends”, “plans”, “believes”, “seeks” or “will”. Our actual results to be materially different from those expressed in this document due to uncertainties. 3Q 2019 Earnings Release TABLE OF CONTENTS 1 3Q 2019 Highlights 2 3Q 2019 Operating Performance º Programing º Distribution º Cost 3 Growth Strategies Appendix We Create New Culture 1 3Q 2019 Highlights <Arthdal Chronicles> <Hotel Del Luna> <Miss Lee> <Watcher> <Mr. Temporary> <The Running Mates> <Love Alarm> (1) Programming Distribution Production Revenue Revenue Revenue Trend W131.2bn w60.8bn w60.0bn 13titles (YoY +6.0%) (YoY +24.4%) (YoY -5.4%) (YoY +5 titles) Note (1) Each quarter includes all titles in progress - 4 - We Create New Culture 12 3Q 2019 Operating Performance Summary 3Q19 Revenue (+6.0% YoY) – Hit a record high, driven by diversified business, premium IP, and expanded lineups OP (-49.2% YoY) – Maintained stable fundamentals amid last year’s high-base <Mr. Sunshine> and BEP of <Arthdal Chronices> 4Q19 Aim to reinforce influence via titles incl. -
This List of Gestures Represents Broad Categories of Emotion: Openness
This list of gestures represents broad categories of emotion: openness, defensiveness, expectancy, suspicion, readiness, cooperation, frustration, confidence, nervousness, boredom, and acceptance. By visualizing the movement of these gestures, you can raise your awareness of the many emotions the body expresses without words. Openness Aggressiveness Smiling Hand on hips Open hands Sitting on edge of chair Unbuttoning coats Moving in closer Defensiveness Cooperation Arms crossed on chest Sitting on edge of chair Locked ankles & clenched fists Hand on the face gestures Chair back as a shield Unbuttoned coat Crossing legs Head titled Expectancy Frustration Hand rubbing Short breaths Crossed fingers “Tsk!” Tightly clenched hands Evaluation Wringing hands Hand to cheek gestures Fist like gestures Head tilted Pointing index finger Stroking chins Palm to back of neck Gestures with glasses Kicking at ground or an imaginary object Pacing Confidence Suspicion & Secretiveness Steepling Sideways glance Hands joined at back Feet or body pointing towards the door Feet on desk Rubbing nose Elevating oneself Rubbing the eye “Cluck” sound Leaning back with hands supporting head Nervousness Clearing throat Boredom “Whew” sound Drumming on table Whistling Head in hand Fidget in chair Blank stare Tugging at ear Hands over mouth while speaking Acceptance Tugging at pants while sitting Hand to chest Jingling money in pocket Touching Moving in closer Dangerous Body Language Abroad by Matthew Link Posted Jul 26th 2010 01:00 PMUpdated Aug 10th 2010 01:17 PM at http://news.travel.aol.com/2010/07/26/dangerous-body-language-abroad/?ncid=AOLCOMMtravsharartl0001&sms_ss=digg You are in a foreign country, and don't speak the language. -
Download Issue
YOUTH &POLICY No. 116 MAY 2017 Youth & Policy: The final issue? Towards a new format Editorial Group Paula Connaughton, Ruth Gilchrist, Tracey Hodgson, Tony Jeffs, Mark Smith, Jean Spence, Naomi Thompson, Tania de St Croix, Aniela Wenham, Tom Wylie. Associate Editors Priscilla Alderson, Institute of Education, London Sally Baker, The Open University Simon Bradford, Brunel University Judith Bessant, RMIT University, Australia Lesley Buckland, YMCA George Williams College Bob Coles, University of York John Holmes, Newman College, Birmingham Sue Mansfield, University of Dundee Gill Millar, South West Regional Youth Work Adviser Susan Morgan, University of Ulster Jon Ord, University College of St Mark and St John Jenny Pearce, University of Bedfordshire John Pitts, University of Bedfordshire Keith Popple, London South Bank University John Rose, Consultant Kalbir Shukra, Goldsmiths University Tony Taylor, IDYW Joyce Walker, University of Minnesota, USA Anna Whalen, Freelance Consultant Published by Youth & Policy, ‘Burnbrae’, Black Lane, Blaydon Burn, Blaydon on Tyne NE21 6DX. www.youthandpolicy.org Copyright: Youth & Policy The views expressed in the journal remain those of the authors and not necessarily those of the Editorial Group. Whilst every effort is made to check factual information, the Editorial Group is not responsible for errors in the material published in the journal. ii Youth & Policy No. 116 May 2017 About Youth & Policy Youth & Policy Journal was founded in 1982 to offer a critical space for the discussion of youth policy and youth work theory and practice. The editorial group have subsequently expanded activities to include the organisation of related conferences, research and book publication. Regular activities include the bi- annual ‘History of Community and Youth Work’ and the ‘Thinking Seriously’ conferences. -
Sticksstones DISCUSSION QUESTIONS.Indd
DISCUSSION QUESTIONS BROUGHT TO YOU BY EMILY BAZELON, AUTHOR OF STICKS AND STONES: Defeating the Culture of Bullying and Rediscovering the Power of Character and Empathy MONIQUE: CHAPTERS 1 AND 4 Emily defi nes bullying as physical or verbal abuse that is repeated over time and in- volves a power imbalance—one kid, or group of kids, lording it over another. Do you agree with that defi nition? Is there anything about it you would change? Research shows that boys are more likely to bully physically, and girls are more likely to use indirect means of hostility, like gossip and exclusion. Does that match your experience? Emily makes a point of saying that at the heart of many “mean girl” stories is at least one boy who is actively participating. Does that match your experience? At Woodrow Wilson School in Middletown, Conn., students in popular circles believed that social aggression was necessary to improve or maintain social status. Can school culture change the way ‘popularity’ is experienced? Monique’s mother, Alycia, tried to do everything she could to help her daughter. But her effort to speak out publically backfi red. What went wrong for Alycia? If you were in her position, what would you have done? What role did social media play in Monique’s story? What could Monique’s principal or assistant principal have done differently to stop the bullying? What do you think of the role Juliebeth played for Monique? What stops more students for standing up for kids who have been bullied, and what would it take to change that? What should the superintendent of the Middletown school district have done in re- sponse to Monique’s story? One student stood up for Monique on Facebook: her boxing teammate, Juliebeth. -
Effort to Reduce Carbon Footprint | Press Releases
PRESS RELEASE Wm. Wrigley Jr. Company Launches Effort to Reduce Carbon Footprint Enabled by Infosys Technologies World’s Largest Manufacturer of Chewing Gum Seeks to Transform Logistics Operations in Western Europe London, UK - November 20, 2008: In a move to extend its social responsibility leadership, the world’s leading manufacturer of chewing gum Wm. Wrigley Jr. Company is reducing the carbon footprint it creates in its logistics operations, Infosys Technologies announced today. Infosys is enabling Wrigley to transform its logistics operations by providing solutions and services in a pilot to determine how much carbon emissions are produced and subsequently may be reduced across the company’s truck-based shipping operations in Western Europe. “Managing our impact on the environment is an integral part of Wrigley corporate philosophy,” said Ian Robertson, head of supply chain sustainability at Wm. Wrigley Jr. Company. “We’re committed to making improvements across all operations but need an integrated enterprise system to measure progress. Infosys provided that solution and services to empower that process.” Early in the pilot, Infosys identified logistics operations in which Wrigley may reduce its carbon footprint by as much as 20 percent, and provided process consulting around operational adoption. The analysis will continue to evaluate Wrigley’s complex distribution network across six countries in Western Europe – spanning more than 44 million kilometers a year in shipments between suppliers, the company and its own customers and includes its distribution centers – for CO2 emissions emitted according to the UK’s Defra (Department for Environment, Food and Rural Affairs) standards. Infosys is using its patent-pending Logistics Optimization solution and carbon management tools to deliver the carbon footprint analysis to Wrigley as a managed information service. -
Market Achievements History Product
Wrigley ENG 15.03.2007 12:56 Page 170 Market a confectionery product.These products deliver a Since its founding in 1891,Wrigley has established range of benefits including dental protection itself as a leader in the confectionery industry. It is (Orbit), fresh breath (Winterfresh), enhancing best known for chewing gum and is the world’s memory and improving concentration (Airwaves), largest manufacturer of these products, some of relief of stress, helping in smoking cessation and which are among the best known and loved brands snack avoidance. in the world.Today,Wrigley's brands are woven into Wrigley is one of the pioneers in developing the fabric of everyday life around the world and are the dental benefits of chewing sugarfree gum - sold in over 150 countries.The original brands chewing a sugar-free gum like Orbit reduces the Wrigley’s Spearmint, Doublemint and Juicy Fruit incidence of tooth decay by 40%. Its work and have been joined by the hugely successful brands support in the area of oral healthcare has resulted Orbit,Winterfresh, Airwaves and Hubba Bubba. in dental professionals recommending sugarfree gum Chewing gum consumption in Croatia exceeds to their patients. the amount of 34 million USD and holds 34.8% of the total confectionery market (Nielsen, MAT chewing AM06). In comparison with the past year, the gum companies in the market has witnessed a 3.2% growth, and today, United States, but the industry Wrigley's Orbit is in Croatia a synonym for top was relatively undeveloped. Mr.Wrigley decided that quality chewing gum, holding the leading brand chewing gum was the product with the potential he position in the confectionery category (chocolates had been looking for, so he began marketing it excluded).This product holds 57.4% of the total under his own name. -
Media Technology and the Dissemination of Hate
Fordham University DigitalResearch@Fordham Faculty Publications Jewish Studies 2020 Media Technology and the Dissemination of Hate Fordham University Follow this and additional works at: https://fordham.bepress.com/jewish_facultypubs Part of the History Commons, and the Jewish Studies Commons Recommended Citation Fordham University, "Media Technology and the Dissemination of Hate" (2020). Faculty Publications. 2. https://fordham.bepress.com/jewish_facultypubs/2 This Article is brought to you for free and open access by the Jewish Studies at DigitalResearch@Fordham. It has been accepted for inclusion in Faculty Publications by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected], [email protected]. Media Technology & The Dissemination of Hate November 15th, 2019-May 31st 2020 O’Hare Special Collections Fordham University & Center for Jewish Studies Media Technology and the Dissemination of Hate Highlights from the Fordham Collection November 15th, 2019-May 31st, 2020 Curated by Sally Brander FCRH ‘20 Clare McCabe FCRH ‘20 Magda Teter, The Shvidler Chair in Judaic Studies with contributions from Students from the class HIST 4308 Antisemitism in the Fall of 2018 and 2019 O’Hare Special Collections Walsh Family Library, Fordham University Table of Contents Preface i Media Technology and the Dissemination of Hate 1 Christian (Mis)Interpretation and (Mis)Representation of Judaism 5 The Printing Press and The Cautionary Tale of One Image 13 New Technology and New Opportunities 22 -
Revelation From, Everything That Rises Must Converge by Flannery O’Connor
PHILOSOPHY OF HUMAN EXPERIENCE 2004–05 Revelation From, Everything That Rises Must Converge By Flannery O’Connor The Doctor’s waiting room, which was very small, was almost full when the Turpins entered and Mrs. Turpin, who was very large, made it look even smaller by her presence. She stood looming at the head of the magazine table set in the center of it, a living demonstration that the room was inadequate and ridiculous. Her little bright black eyes took in all the patients as she sized up the seating situation. There was one vacant chair and a place on the sofa occupied by a blond child in a dirty blue romper who should have been told to move over and make room for the lady. He was five or six, but Mrs. Turpin saw at once that no one was going to tell him to move over. He was slumped down in the seat, his arms idle at his sides and his eyes idle in his head; his nose ran unchecked. Mrs. Turpin put a firm hand on Claud's shoulder and said in a voice that included anyone who wanted to listen, "Claud, you sit in that chair there," and gave him a push down into the vacant one. Claud was florid and bald and sturdy, somewhat shorter than Mrs. Turpin, but he sat down as if he were accustomed to doing what she told him to. Mrs. Turpin remained standing. The only man in the room besides Claud was a lean stringy old fellow with a rusty hand spread out on each knee, whose eyes were closed as if he were asleep or dead or pretending to be so as not to get up and offer her his seat.