Studio Dragon (253450) Update Fundamental S to Improve in 2020

Total Page:16

File Type:pdf, Size:1020Kb

Studio Dragon (253450) Update Fundamental S to Improve in 2020 2019. 10. 31 Company Studio Dragon (253450) Update Fundamental s to improve in 2020 ● The business environment in Korea and overseas is moving favorably for the Minha Choi media industry—eg , OTT platforms are launching around the world, a number of Analyst Korean players are engaging in M&A activity, and terrestrial broadcasters are [email protected] investing more heavily in tent-pole content. These developments should lead to 822 2020 7798 more demand for quality content, which bodes well for content producers in 2020. Kwak Hoin ● Studio Dragon should enjoy greater earnings stability by producing multi-season Research Associate original content for OTT services. It may produce content for both Netflix and new [email protected] global players. Terrestrial broadcasters are also eager to secure quality content. 822 2020 7763 ● Capitalizing on its popular intellectual property and production prowess, the firm has been expanding into new business areas and should see solid top- and bottom-line growth next year. We raise our 12-month target price to KRW88,000. WHAT’S THE STORY? Poised to benefit from sea change in media market: The business environment has been changing quickly at home and abroad. Several global giants are preparing to launch OTT platforms from November, and, in response, Korean OTT service providers are teaming up to boost their competitiveness. Struggling from low viewership ratings, the country’s three terrestrial broadcasters have altered programming lineups and in AT A GLANCE September launched OTT platform Wavve in partnership with SK Telecom—the latter a move that may lead to greater investment in tent-pole dramas. Shifts in the market landscape bode well for Studio Dragon, Korea’s leading drama production company. Target price KRW88,000 (32.5%) Producing multi-season original content is positive for earnings stability: Current price KRW66,400 Content is ever more important in the media market. Armed with ample production Market cap KRW1.9t/USD1.6b abilities and production prowess, Studio Dragon should produce more original content Shares (float) 28,095,260 (25.3%) 52 -week high/low KRW114,100/KRW54,000 and enjoy earnings growth next year. Love Alarm , its first original program for Netflix, Avg daily trading KRW6.2b/ aired in August, and its second piece of content, I Am Alone , should be released at year- value (60-day) USD5.2m end or in early 2020. Producing multiple seasons of these dramas would help improve the ONE-YEAR PERFORMANCE stability of its earnings. Studio Dragon may produce more original content for the US 1M 6M 12M streaming giant, and could produce content for other global players that are considering Studio Dragon entering the Korean market. It should see its earnings ratchet up to a higher level, backed -5.4 -26.5 -33.9 (%) by a rising number of dramas produced, greater per-drama investment, and improving Vs Kosdaq -7.0 -12.1 -24.6 (%pts) margins. KEY CHANGES (Continued on the next page) (KRW) New Old Diff SUMMARY FINANCIAL DATA Recommend. BUY BUY 2018 2019E 2020E 2021E Target price 88,000 88,000 0.0% 2019E EPS 1,249 1,103 13.2% Revenue (KRWb) 380 487 597 663 2020E EPS 2,210 1,813 21.9% Operating profit (KRWb) 40 45 71 86 Net profit (adj) (KRWb) 36 35 62 75 SAMSUNG vs THE STREET EPS (adj) (KRW) 1,278 1,249 2,210 2,664 No of estimates 20 EPS (adj) growth (% y-y) 21.7 (2.3) 77.0 20.6 Target price 89,800 EBITDA margin (%) 30.3 26.9 29.3 30.2 Recommendation 4.0 ROE (%) 9.3 8.4 13.3 14.0 BUY ★★★ : 5 / BUY: 4 / HOLD: 3 / SELL: 2 / SELL ★★★ : 1 P/E (adj) (x) 52.0 53.2 30.0 24.9 P/B (x) 4.6 4.3 3.7 3.3 EV/EBITDA (x) 14.9 12.7 9.3 7.8 Dividend yield (%) 0.0 0.0 0.0 0.0 Source: Company data, Samsung Securities estimates Studio Dragon 2019. 10. 31 To wield more bargaining power over terrestrial broadcasters: Studio Dragon has been providing dramas to terrestrial broadcasters in accordance with its strategy of platform diversification. It supplied Doctor John and One Spring Night this year, and next year it should provide The King (written by star writer Kim Eunsook; to air in 1H20). Faced with slumping viewership ratings, terrestrial broadcasters have turned more aggressive than ever to secure quality tent-pole dramas. This should give Studio Dragon more bargaining power and result in stronger earnings momentum. Expanding business areas based on popular IP, production capabilities: Studio Dragon recently bought a 20% stake in film production company Movie Rock. These days, the lines between film and drama production are blurring, and popular dramas are being made into films. A good case in point is The Bad Guys: Reign of Chaos , which was made from a Studio Dragon drama of the same name, which aired on OCN in 2014. This industry trend is positive in terms of intellectual property (IP) usage and business area expansion. Earnings to pick up next year: Favorable developments in the business environment should reinforce the bargaining power of content producers and augment their fundamentals. Earnings should keep growing thanks to the production of more dramas, larger investments per drama, and multi-season production. Shares in Studio Dragon have been quite volatile this year due to: 1) poor performances from tent-pole dramas in their early days; and 2) depreciation costs. But earnings should improve next year on greater use of IP and platform diversification. As we change our valuation basis from 2019 to 2020 EBITDA, we revise up our target price from KRW83,000 to KRW88,000 (based on 15.8x 2020 EV/EBITDA). 2 Studio Dragon 2019. 10. 31 Table 1. 3Q preview (KRWb) 3Q18 2Q19 3Q19E Chg (% q-q) Chg (% y-y) Consensus Difference (%) Sales 123.7 128.2 129.6 1.1 4.8 108.0 20.0 Operating profit 21.5 10.8 10.9 1.3 (49.1) 10.3 6.5 Operating margin 17.4 8.4 8.4 0.0 (8.9) 9.5 (1.1) (%, %pts) Pre-tax profit 22.1 11.9 12.1 1.5 (45.4) 12.9 (6.4) Net profit (controlling) 17.3 7.3 8.0 9.7 (53.6) 9.0 (10.4) Source: Company data, WiseFn, Samsung Securities estimates Table 2. Studio Dragon: financial results and forecast (KRWb) 1Q17 2Q17 3Q17 4Q17 1Q18 2Q18 3Q18 4Q18 1Q19 2Q19 3Q19E 4Q19E 2018 2019E 2020E Sales 75.3 62.1 77.5 71.9 79.9 74.3 123.7 101.7 111.8 128.2 129.6 117.7 379.6 487.4 596.8 Programing 26.3 24.1 41.8 39.0 40.7 34.1 48.9 54.4 44.1 58.1 56.4 62.1 178.1 220.6 271.3 Distribution 36.5 26.3 23.3 25.7 32.1 28.8 63.4 37.8 56.2 60.3 61.7 44.6 162.1 222.7 279.3 Other 12.5 11.6 12.4 7.2 7.1 11.4 11.4 9.5 11.5 9.8 11.6 11.0 39.4 44.0 46.2 Gross profit 16.8 12.2 10.7 7.4 13.6 10.6 24.8 6.5 15.0 15.4 15.5 17.7 55.6 63.6 92.2 SG&A costs 2.8 3.3 4.0 4.0 3.0 3.3 3.3 6.0 4.0 4.6 4.6 5.8 15.7 19.0 20.8 Operating profit 14.0 8.9 6.6 3.5 10.7 7.3 21.5 0.4 11.0 10.8 10.9 11.9 39.9 44.6 71.4 Pre-tax profit 13.2 9.0 6.4 1.7 10.8 11.0 22.1 1.7 13.2 11.9 12.1 13.0 45.7 50.2 78.9 Net profit 13.4 2.8 5.7 2.0 7.9 8.9 17.3 1.7 9.2 7.3 8.0 10.6 35.8 35.1 62.1 Gross margin 22.2 19.6 13.9 10.4 17.1 14.3 20.1 6.4 13.4 12.0 12.0 15.0 14.6 13.0 15.4 Operating margin 18.5 14.3 8.6 4.8 13.3 9.9 17.4 0.4 9.9 8.4 8.4 10.1 10.5 9.2 12.0 Net margin 17.8 4.5 7.3 2.8 9.8 12.0 14.0 1.7 8.2 5.7 6.2 9.0 9.4 7.2 10.4 Chg (% y-y) Sales - - -- 6.0 19.6 59.7 41.5 40.0 72.6 4.8 15.7 32.4 28.4 22.4 Programing - - -- 54.5 41.1 17.1 39.5 8.4 70.5 15.3 14.2 35.7 23.9 23.0 Distribution - - -- (12.0) 9.5 172.0 46.9 75.1 109.2 (2.7) 18.0 44.9 37.4 25.4 Other - - -- (43.4) (1.9) (8.3) 33.1 63.1 (14.1) 1.5 15.7 (9.8) 11.5 5.1 Gross profit - - -- (18.6) (12.8) 131.0 (12.9) 9.9 45.1 (37.4) 172.2 17.9 14.5 45.0 SG&A costs - - -- 7.3 0.2 (16.6) 51.9 33.1 40.2 38.2 (4.7) 11.5 21.1 9.7 Operating profit -- -- (23.7) (17.6) 223.0 (87.3) 3.5 47.3 (49.1) 2,603.3 21.0 11.9 59.9 Pre-tax profit (18.2) 23.0 247.7 1.9 22.2 7.6 (45.4) 657.7 51.0 9.9 57.1 Net profit (41.3) 217.4 206.3 (12.6) 17.2 (17.4) (53.6) 504.9 50.3 (1.9) 76.7 Gross margin (23.2) (27.1) 44.7 (38.5) (21.5) (16.0) (40.2) 135.2 (10.9) (10.9) 18.4 Operating margin (28.1) (31.1) 102.3 (91.0) (26.1) (14.7) (51.4) 2,235.9 (8.6) (12.9) 30.6 Net margin (44.6) 165.3 91.9 (38.3) (16.3) (52.2) (55.7) 422.7 13.5 (23.6) 44.3 Source: Company data, Samsung Securities estimates 3 Studio Dragon 2019.
Recommended publications
  • Library Book Resource Guide Resource Library Book
    Library Book Resource Guide Library Book Resource Library Book List Reading Word Reading Reading Word Reading Series Book Classification Lexile* Series Book Classification Lexile* Age Count Level* Age Count Level* Go Facts Autumn NF 6 250 14 620 Go Facts Bread NF 7 300 15 700 Go Facts Cold NF 6 280 15 640 Go Facts Clean Water NF 7 300 16 610 Go Facts Doctor and Dentist NF 6 225 10 510 Go Facts Fuel NF 7 350 17 630 Go Facts Dry NF 6 250 14 660 Go Facts On The Road NF 7 300 15 740 Go Facts Find Your way NF 6 235 Go Facts Planes NF 7 350 17 710 Go Facts Hot NF 6 240 14 700 Go Facts Trains NF 7 300 16 680 Go Facts How Do Birds Fly? NF 6 300 12 570 Go Facts TV Show NF 7 350 17 660 Go Facts Life in Space NF 6 255 10 450 Storylands Clothes and Costumes NF 7 500 10 220 Go Facts Lift Off! NF 6 215 11 440 Storylands Famous Castles NF 7 500 18 850 Go Facts Lions and Tigers NF 6 240 11 570 Storylands Knights and Castles NF 7 500 9 260 Go Facts Natural Wonders NF 6 2000 940 Storylands Behind the Scenes NF 7 100 9 270L Go Facts Penguin Rescue NF 6 255 Storylands Boats and Ships NF 7 500 8 270 Go Facts People Who Help Us NF 6 310 12 490 Storylands Circuses Today NF 7 500 19 890L Go Facts Polar Bears NF 6 255 10 430 Storylands Coming to Land NF 7 500 9 350 Go Facts Spring NF 6 280 15 610 Storylands Dinosaurs NF 7 500 19 540 Go Facts Summer NF 6 230 14 560 Storylands Forest Minibeasts NF 7 500 10 420L Go Facts The Planets NF 6 220 11 410 Storylands Forests NF 7 500 8 Go Facts The Sun’s Energy NF 6 251 12 430 Storylands How to Circus NF 7 90 7 520 Go Facts
    [Show full text]
  • Financial Statements Summary
    3Q 2019 Earnings Release Studio Dragon November 7, 2019 Disclaimer This financial information in this document are consolidated earnings results based on K-IFRS. This document is provided for the convenience of investors only, before the external audit on our 3Q 2019 financial results is completed. The audit outcomes may cause some parts of this document to change. In addition, this document contains “forward-looking statements” – that is, statements related to future, not past, events. In this context, “forward-looking statements” often address our expected future business and financial performance, and often contain words such as “expects”, “anticipates”, “intends”, “plans”, “believes”, “seeks” or “will”. Our actual results to be materially different from those expressed in this document due to uncertainties. 3Q 2019 Earnings Release TABLE OF CONTENTS 1 3Q 2019 Highlights 2 3Q 2019 Operating Performance º Programing º Distribution º Cost 3 Growth Strategies Appendix We Create New Culture 1 3Q 2019 Highlights <Arthdal Chronicles> <Hotel Del Luna> <Miss Lee> <Watcher> <Mr. Temporary> <The Running Mates> <Love Alarm> (1) Programming Distribution Production Revenue Revenue Revenue Trend W131.2bn w60.8bn w60.0bn 13titles (YoY +6.0%) (YoY +24.4%) (YoY -5.4%) (YoY +5 titles) Note (1) Each quarter includes all titles in progress - 4 - We Create New Culture 12 3Q 2019 Operating Performance Summary 3Q19 Revenue (+6.0% YoY) – Hit a record high, driven by diversified business, premium IP, and expanded lineups OP (-49.2% YoY) – Maintained stable fundamentals amid last year’s high-base <Mr. Sunshine> and BEP of <Arthdal Chronices> 4Q19 Aim to reinforce influence via titles incl.
    [Show full text]
  • BHM 1998 Feb.Pdf
    TTABLEABLE OFOF CONTENTSCONTENTS MAGAZINE COMMITTEE A Message From the President.......................................................... 1 Features OFFICER IN CHARGE The Show’s New Footprint ........................................................ 2 J. Grover Kelley CHAIRMAN Blue Ribbon Judges ..................................................................... 4 Bill Booher Impact of Pay-Per-View — Now and in the Future ................... 6 VICE CHAIRMAN Taking Stock of Our Proud Past ............................................... 8 Bill Bludworth EDITORIAL BOARD 1998 Attractions & Events.......................................................... 10 Suzanne Epps C.F. Kendall Drum Runners.............................................................................. 12 Teresa Lippert Volunteer the RITE Way............................................................... 14 Peter A. Ruman Marshall R. Smith III Meet Scholar #1.................................................................... 15 Constance White Committee Spotlights COPY EDITOR Larry Levy International .................................................................................. 16 REPORTERS School Art ...................................................................................... 17 Nancy Burch Gina Covell World’s Championship Bar-B-Que ....................................... 18 John Crapitto Sue Cruver Show News and Updates Syndy Arnold Davis PowerVision Steps Proudly Toward the Future.......................... 19 Cheryl Dorsett Freeman Gregory Third-Year
    [Show full text]
  • Hey Guys. and Welcome Back to Another Episode of the Ride. This Is Nicole
    Hey guys. And welcome back to another episode of the ride. This is Nicole. And this is Jillian. And today we got to sit down and talk to Elaine Bogan, who is a director over at Dreamworks. And she is coming out with her first feature film called Spirit Untamed, which, um, you know, if you grew up in the early two thousands or you were raising kids, then, uh, you've probably seen the original spirit stallion of the Cimarron. I know that it was a fan favorite of mine when I was a kid. I remember going to the movie theaters and seeing it. And, um, but now they're coming out with a new movie and it is headed to theaters this week. So by the time this podcast comes out, it'll actually have been in theaters over the weekend. It came out June 4th. Um, but I was so excited that they came out with a new film. And, uh, you know, now my friend's kids who they're raising are, are getting to, you know, experience the same thing that I kind of did when I was a kid. And I got to go to the theater. And see, um, you know, spirit in, in the big screen. And so, uh, Jillian and I actually got to watch the film a little earlier. Um, and so Jillian, what did you think of the film loves it? I, I thought that the overall storyline of showing a girl and the bond with her horse and how impactful that can be was, was very well done.
    [Show full text]
  • The World's Show, 1851, Or, the Adventures of Mr. and Mrs
    I < ' ' 6 i-o / Digitized by the Internet Archive in 2017 with funding from Getty Research Institute https://archive.org/details/worldsshow1851or00mayh ^0 mt (S’SS.m : on -n ft mrnfrTTTK^LLuj *t^P^YfTYfTTfM TTTTTjif 111 Hli)HOR, IthfAdvInturesvi V AND M TS SANDBOYS AND FAMILY,, ;0 CAME UP TO TOENJOY THEMSEEVEiS. AND TO SEE THE GREAT BY HENMYMA¥H E.W/MEDI GEORCECrUBCS MANIC. LONDON: GEORGE NEWBOLD, 303 & 304, STRAND, Vv.C. — LIST OF ILLUSTRATIONS DESIGNED AND ETCHED BY GEORGE CRUIKSHANK. ALL THE WORLD GOING TO THE GREAT EXHIBITION Frontispiece LOOKING FOR LODGINGS 54 LONDON CRAMMED AND MANCHESTER DESERTED 2 PLATES . 59 THE OPERA BOXES DURING THE TIME OF THE GREAT EXHIBI- TION 117 THE OPENING OF THE GREAT BEE-HIVE 136 THE FIRST SHILLING DAY 153 SOME OF THE DROLLERIES OF THE GREAT EXHIBITION ... 160 ODDS AND ENDS, IN, OUT, AND ABOUT THE GREAT EXHIBITION . 162 DISPERSION OF THE WORKS OF ALL NATIONS 238 ludia Proof impressions of the above Ten Plates may be had, all printed on paper of uniform size (23^ by 17^ inches), quite perfect, and free from folds, price 15s. per set. ENGRAVINGS. THE CHEAPEST HOUSE FOR ENGRAVINGS OF EVERY DESCRIPTION is GEORGE NEWBOLD’S, 303 & 304, STRAND, LONDON, W.C. (back of st. mart’s chukch.) A Clearance Sale Catalogue, 54 Svo pp., Post Free on receipt of Four Stamps. ; ; 1851 : OB, THE ADVENTURES OF MR. AND MRS. CURSTY SANDBOYS. CHAPTER I. ‘ 1 Come, Nicliol, and gi’e us thy cracks, I seed te gang down to the smiddy, I’ve fodder’d the naigs and—the nowt, And wanted to see thee ’at did e.
    [Show full text]
  • The Story of Astronomy
    www.astrosociety.org/uitc No. 42 - Spring 1998 © 1998, Astronomical Society of the Pacific, 390 Ashton Avenue, San Francisco, CA 94112. The Story of Astronomy Mindy Kalchman University of Toronto Lorne Brown Storyteller It was dark. The night sky hung clear over the tiny city in the valley; the stars awesome in their brilliance. A small group of men stood on the top of the hill, looking across the city and the valley to another hill on the other side, some fifteen kilometers away. There, a similar group had assembled, their lights flickering in the distance. "We're ready," said the leader of the first group, a bearded man with intense eyes. "Check your lantern." What was happening? Was this a covert military operation? A band of thieves and robbers plotting plunder? Actually, it was a scientific experiment. The leader was the great Galileo himself, who would later be denounced for claiming that the Earth revolves around the Sun. The experiment was simplicity itself: a lantern would be uncovered on one hill. Fifteen kilometers away, a second lantern would be uncovered, shining back to the first. Light would have thus traveled thirty kilometers, twice across the valley where the Italian city of Florence nestled. By timing how long it took the light to travel this distance, Galileo could calculate the speed of light. He was going to catch the ghost of the universe! Oral traditions have since time immemorial satisfied generations of children and adults with stories of wonder, fantasy, truth, and mystery. Stories are irreplaceable stimulants for the imagination and an often endless source of entertainment.
    [Show full text]
  • Bay Colt; Ghostzapper
    Hip No. Consigned by De Meric Sales, Agent 1 Bay Filly Harlan . Storm Cat Harlan’s Holiday . {Country Romance {Christmas in Aiken . Affirmed Bay Filly . {Dowager February 5, 2013 Tiznow . Cee’s Tizzy {Favoritism . {Cee’s Song (2009) {Chaste . Cozzene {Purity By HARLAN’S HOLIDAY (1999), [G1] $3,632,664. Sire of 9 crops, 56 black type wnrs, $45,751,850, 3 champions, including Shanghai Bobby ($1,857,- 000, Breeders’ Cup Juv. [G1], etc.) and Into Mischief [G1] ($597,080), Majesticperfection [G1], Pretty Girl [G1] (to 3, 2014), Willcox Inn [G2] ($1,015,543), Mendip [G2] ($895,961), Summer Applause ($814,906). 1st dam FAVORITISM, by Tiznow. Unraced. This is her first foal. 2nd dam Chaste, by Cozzene. 4 wins at 4 and 5, $193,952, 3rd Ballston Spa Bree- ders’ Cup H. [G3]. Sister to Call an Audible. Dam of-- Golubushka. Winner at 3, 9,500 euro in France. Total: $12,751. 3rd dam PURITY, by Fappiano. Winner at 3 and 4, $35,335. Dam of 8 winners, incl.-- Chaste. Black type-placed winner, see above. Call an Audible. 3 wins at 3 and 4, $147,453, 3rd Molly Pitcher Breeders’ Cup H. [G2] (MTH, $33,000). Producer. Mexicali Rose. Winner at 2, $24,240. Dam of 6 winners, including-- Baileys Beach. 8 wins, 2 to 5, $177,515, 3rd Maryland Juvenile Cham- pionship S.-R (LRL, $5,500). 4th dam DAME MYSTERIEUSE, by Bold Forbes. 10 wins in 19 starts at 2 and 3, $346,245, Black-Eyed Susan S.-G2, Bonnie Miss S., Holly S., Treetop S., Forward Gal S., Old Hat S., Mademoiselle S., 2nd Acorn S.-G1, Spec- tacular Bid S., 3rd Ashland S.-G2.
    [Show full text]
  • Wormwood Review
    OH WORMIE, YOU'VE TURNED SEVENTEEN... The Wormwood ReviewVolume 5,Number 1IssueSeventeenEditor: MarvinMalone ArtEditor: A.SypherGuest editor,this issue:Allen DeLoachNew YorkRepresentative: HaroldBriggs1965, Wormwood ReviewPress The poets and poems in this anthology are repre­ sentative of the diverse activity reverberating at the Cafe Le Metro on New York's Lower East Side. Being a center of poetry, rather than a school, Le Metro nur­ tures the most vital facet of the creative arts: the right and the opportunity to present the created without any form of censorship or pre-judgment. Le Metro not only has the importance of having completely open and permissive readings, but presents, one night a week, a feature reader. Each of the feature readers has either previously obtained recognition in the field of writing, or has shown definite, noticeable growth in that di­ rection. Since the first of these readings in February of 1963, a random choice of writers that have made an appearance is Gilbert Sorrentino, Joel Oppenheimer, Diane diPrima, Gregory Corso, Denise Levertov, John Weiners, Lawrence Ferlinghetti, LeRoi Jones, Brion Gyson, William Burroughs, etc. The list could continue, and then be added to a similar list of prominent poets who frequently participate in the weekly open readings. However, it is not the elite who profit through the Cafe Le Metro movement. It is the neophytes, shaping their thoughts and molding their voices, who profit mainly through the - availability of associations with poets, such as alien Ginsberg, who always manage to give the extra minutes asked of them. Let it suffice to say that Le Metro offers to any person on any level what he comes for honestly,pri­ marily because its patrons have made it that way and because its patrons, would like to keep it that way.
    [Show full text]
  • Nchor Newspapers
    Rhode Island College Digital Commons @ RIC The Anchor Newspapers 12-9-1954 The Anchor (1954, Volume 27 Issue 04) Rhode Island College of Education Follow this and additional works at: https://digitalcommons.ric.edu/the_anchor Recommended Citation Rhode Island College of Education, "The Anchor (1954, Volume 27 Issue 04)" (1954). The Anchor. 185. https://digitalcommons.ric.edu/the_anchor/185 This Book is brought to you for free and open access by the Newspapers at Digital Commons @ RIC. It has been accepted for inclusion in The Anchor by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. NCHOR Vol. XXVII, No.~,.;;:==;._.--- RHODE ISLAND COLLEGE OF EDUCATION December 9, 1954 1 PROFESSORSFLASH THERE IS A NEED CHANGE! by Louise Hass an TAKE LEAVE Word has been received from Rhode Island College of Education has made vast progress during During the next semester we the editors of Who's Who Among STUNT NIGHT the hundred years of its existence. The College was once a mere idea Students in American Universities in the minds of educators. During a forty year period these men and shall be missing some of the fam- will be held women struggled to make a dream a reality. A Normal Department iliar faces of our faculty. Prof. and Colleges that eight students Frank E. Greene and Dr. Helen January 14, 1955 was established at Brown University in 1850. Funds were appropriated have been accepted to represent appro­ E. Scott intend to spend the semes­ for a Normal School in Providence in 1854. In 1857 when the the College of Education in the Henry Barnard Auditorium ter in study.
    [Show full text]
  • New Age, Vol. 9, No. 7, June 15, 1911
    Vol. IX. No. 7. THURSDAY,JUNE 15, 1911 THREEPENCE. PAGE PAGE NOTES OF THE WEEK..................... 145 L’AFFAIRESERGE-BABIN. From the French of Alfred Capus 156 POLITICALGEOMETRY. By E. S. Hole ............ 146 AN ETHIOPIANSAGA. By Richmond Haigh ......... 157 FOREIGNAFFAIRS. By S. Verdad ............... 147 L’AFFAIREGREAVES. By Walter Sickert ......... 159 TORYDEMOCRACY. By J. M. Kennedy 148 ............ BOOKS AND PERSONS. By Jacob Tonson ......... 160 RINGINGDOWN THE CURTAIN. By Kosmo Wilkinson 149 ...... CZARDAS:A Fragment. From the Polish of Przerwa- PAGESFROM A BOOK OF SWELLS:The Lady Paramount. By Tetmajer ........................ 161 1’. H. S. Escott ..................... 150 THEREAL WAGNER: An Unrecorded Incident. By Leighton PARISAS A PLEASURERESORT. By Vincent O’Sullivan ... 161 J. Warnock ..................... 151 LETTERSTO THE EDITOR PROM Thomas Short, Percy W. THEREBUILDING OF THE THEATRE. By Huntly Carter ... 152 Carlisle, William Poel, Wordsworth Donisthorpe, Beatrice DYONISOSMEDITATES. By A. E. Randall ......... 153 Hastings, W. E. Burghardt Dubois, Algernon Herveg UNEDITEDOPINIONS : East and West ............ 154 Bathurst, Gustav Hübener, Cicily Fairfield, E. H. Visiak, AMERICANNOTES. By Juvenal ............... 155 R. C. Hall, Dr. C. J. Whitby, Criticus ......... 163 Subscriptions to the NEW AGE are at the following ‘It is well known that optimism of this character is rates :- only possible to people who either wilfully, or by some Great Britain. Abroad. defect of intellectual vision, fail to see or realise dis- agreeable facts. They suffer, that is, from partial blind- One Year ... ... 15 0 17 4 ness or shortsightedness. Both diseases are to be found Six Months.. ... 76 8 8 at this moment among the supporters of Mr. Lloyd Three Months ... 39 4 4 George’s Insurance Bill, and in an aggravated form in SPECIALNOTE.--All communications, whether re- Mr.
    [Show full text]
  • Cultural Production in Transnational Culture: an Analysis of Cultural Creators in the Korean Wave
    International Journal of Communication 15(2021), 1810–1835 1932–8036/20210005 Cultural Production in Transnational Culture: An Analysis of Cultural Creators in the Korean Wave DAL YONG JIN1 Simon Fraser University, Canada By employing cultural production approaches in conjunction with the global cultural economy, this article attempts to determine the primary characteristics of the rapid growth of local cultural industries and the global penetration of Korean cultural content. It documents major creators and their products that are received in many countries to identify who they are and what the major cultural products are. It also investigates power relations between cultural creators and the surrounding sociocultural and political milieu, discussing how cultural creators develop local popular culture toward the global cultural markets. I found that cultural creators emphasize the importance of cultural identity to appeal to global audiences as well as local audiences instead of emphasizing solely hybridization. Keywords: cultural production, Hallyu, cultural creators, transnational culture Since the early 2010s, the Korean Wave (Hallyu in Korean) has become globally popular, and media scholars (Han, 2017; T. J. Yoon & Kang, 2017) have paid attention to the recent growth of Hallyu in many parts of the world. Although the influence of Western culture has continued in the Korean cultural market as well as elsewhere, local cultural industries have expanded the exportation of their popular culture to several regions in both the Global South and the Global North. Social media have especially played a major role in disseminating Korean culture (Huang, 2017; Jin & Yoon, 2016), and Korean popular culture is arguably reaching almost every corner of the world.
    [Show full text]
  • Semester to Wrap up on Musical Note
    Volume 83 Number 12 Northwestern College, Orange City, IA December 10, 2010 Hays granted Exhibit brings competition, appreciation BY KATE WALLIN NW Student Art Exhibit, which event.” experience. We’re trying too hard to prestigious CONTRIBUTING WRITER opened this week in Dordt’s The joint exhibit is a tradition be meaningful and artsy sometimes. As finals week approaches, Campus Center Art Gallery. The 12 years in the making. Every year, Not to imply that art shouldn’t be acceptance the end of the semester brings exhibit, open daily from 8 a.m. to 10 over 50 pieces of student art are serious, but sometimes we have the always-expectant stress and p.m., offers a wide range of pieces submitted for consideration by a to step back a bit and make fun BY KATI HENG overwhelming schedules. Hours from all mediums and boasts a panel of student jurors. A team of of ourselves or we’ll get too self- OPINION EDITOR in the library, sleepless nights and unique atmosphere crafted by three NW jurors reviewed Dordt’s absorbed; therefore, octopus.” Senior Greta Hays has been excessive amounts of caffeinated students for students. submissions, while a group from Drawing pieces from different selected for a prestigious arts courage are reason enough to make Professor Rein Vanderhill said, Dordt selected NW’s contributions mediums, the show includes management internship at the us consider getting away, if only for “The students are totally on their to the show. paintings, drawings, mixed Kennedy Center in Washington, a short while. own when they make the selections “The pieces I entered were the media, printmaking, photography, D.C.
    [Show full text]