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Lost Prince,The
THE LOST PRINCE Francis Hodgson Burnett CONTENTS I The New Lodgers at No. 7 Philibert Place II A Young Citizen of the World III The Legend of the Lost Prince IV The Rat V ``Silence Is Still the Order'' VI The Drill and the Secret Party VII ``The Lamp Is Lighted!'' VIII An Exciting Game IX ``It Is Not a Game'' X The Rat-and Samavia XI Come with Me XII Only Two Boys XIII Loristan Attends a Drill of the Squad XIV Marco Does Not Answer XV A Sound in a Dream XVI The Rat to the Rescue XVII ``It Is a Very Bad Sign'' XVIII ``Cities and Faces'' XIX ``That Is One!'' XX Marco Goes to the Opera XXI ``Help!'' XXII A Night Vigil XXIII The Silver Horn XXIV ``How Shall We Find Him? XXV A Voice in the Night XXVI Across the Frontier XXVII ``It is the Lost Prince! It Is Ivor!'' XXVIII ``Extra! Extra! Extra!'' XXIX 'Twixt Night and Morning XXX The Game Is at an End XXXI ``The Son of Stefan Loristan'' THE LOST PRINCE I THE NEW LODGERS AT NO. 7 PHILIBERT PLACE There are many dreary and dingy rows of ugly houses in certain parts of London, but there certainly could not be any row more ugly or dingier than Philibert Place. There were stories that it had once been more attractive, but that had been so long ago that no one remembered the time. It stood back in its gloomy, narrow strips of uncared-for, smoky gardens, whose broken iron railings were supposed to protect it from the surging traffic of a road which was always roaring with the rattle of busses, cabs, drays, and vans, and the passing of people who were shabbily dressed and looked as if they were either going to hard work or coming from it, or hurrying to see if they could find some of it to do to keep themselves from going hungry. -
Financial Statements Summary
3Q 2019 Earnings Release Studio Dragon November 7, 2019 Disclaimer This financial information in this document are consolidated earnings results based on K-IFRS. This document is provided for the convenience of investors only, before the external audit on our 3Q 2019 financial results is completed. The audit outcomes may cause some parts of this document to change. In addition, this document contains “forward-looking statements” – that is, statements related to future, not past, events. In this context, “forward-looking statements” often address our expected future business and financial performance, and often contain words such as “expects”, “anticipates”, “intends”, “plans”, “believes”, “seeks” or “will”. Our actual results to be materially different from those expressed in this document due to uncertainties. 3Q 2019 Earnings Release TABLE OF CONTENTS 1 3Q 2019 Highlights 2 3Q 2019 Operating Performance º Programing º Distribution º Cost 3 Growth Strategies Appendix We Create New Culture 1 3Q 2019 Highlights <Arthdal Chronicles> <Hotel Del Luna> <Miss Lee> <Watcher> <Mr. Temporary> <The Running Mates> <Love Alarm> (1) Programming Distribution Production Revenue Revenue Revenue Trend W131.2bn w60.8bn w60.0bn 13titles (YoY +6.0%) (YoY +24.4%) (YoY -5.4%) (YoY +5 titles) Note (1) Each quarter includes all titles in progress - 4 - We Create New Culture 12 3Q 2019 Operating Performance Summary 3Q19 Revenue (+6.0% YoY) – Hit a record high, driven by diversified business, premium IP, and expanded lineups OP (-49.2% YoY) – Maintained stable fundamentals amid last year’s high-base <Mr. Sunshine> and BEP of <Arthdal Chronices> 4Q19 Aim to reinforce influence via titles incl. -
Studio Dragon (253450) Update Fundamental S to Improve in 2020
2019. 10. 31 Company Studio Dragon (253450) Update Fundamental s to improve in 2020 ● The business environment in Korea and overseas is moving favorably for the Minha Choi media industry—eg , OTT platforms are launching around the world, a number of Analyst Korean players are engaging in M&A activity, and terrestrial broadcasters are [email protected] investing more heavily in tent-pole content. These developments should lead to 822 2020 7798 more demand for quality content, which bodes well for content producers in 2020. Kwak Hoin ● Studio Dragon should enjoy greater earnings stability by producing multi-season Research Associate original content for OTT services. It may produce content for both Netflix and new [email protected] global players. Terrestrial broadcasters are also eager to secure quality content. 822 2020 7763 ● Capitalizing on its popular intellectual property and production prowess, the firm has been expanding into new business areas and should see solid top- and bottom-line growth next year. We raise our 12-month target price to KRW88,000. WHAT’S THE STORY? Poised to benefit from sea change in media market: The business environment has been changing quickly at home and abroad. Several global giants are preparing to launch OTT platforms from November, and, in response, Korean OTT service providers are teaming up to boost their competitiveness. Struggling from low viewership ratings, the country’s three terrestrial broadcasters have altered programming lineups and in AT A GLANCE September launched OTT platform Wavve in partnership with SK Telecom—the latter a move that may lead to greater investment in tent-pole dramas. -
The Lost Prince
The Lost Prince Francis Hodgson Burnett **The Project Gutenberg Etext of The Lost Prince, by Burnett** #4 in our series by Francis Hodgson Burnett Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. The Lost Prince by Francis Hodgson Burnett January, 1996 [Etext #384] **The Project Gutenberg Etext of The Lost Prince, by Burnett** *****This file should be named lprin10.txt or lprin10.zip****** Corrected EDITIONS of our etexts get a new NUMBER, lprin11.txt. VERSIONS based on separate sources get new LETTER, lprin10a.txt. We are now trying to release all our books one month in advance of the official release dates, for time for better editing. Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so. -
The Story of Astronomy
www.astrosociety.org/uitc No. 42 - Spring 1998 © 1998, Astronomical Society of the Pacific, 390 Ashton Avenue, San Francisco, CA 94112. The Story of Astronomy Mindy Kalchman University of Toronto Lorne Brown Storyteller It was dark. The night sky hung clear over the tiny city in the valley; the stars awesome in their brilliance. A small group of men stood on the top of the hill, looking across the city and the valley to another hill on the other side, some fifteen kilometers away. There, a similar group had assembled, their lights flickering in the distance. "We're ready," said the leader of the first group, a bearded man with intense eyes. "Check your lantern." What was happening? Was this a covert military operation? A band of thieves and robbers plotting plunder? Actually, it was a scientific experiment. The leader was the great Galileo himself, who would later be denounced for claiming that the Earth revolves around the Sun. The experiment was simplicity itself: a lantern would be uncovered on one hill. Fifteen kilometers away, a second lantern would be uncovered, shining back to the first. Light would have thus traveled thirty kilometers, twice across the valley where the Italian city of Florence nestled. By timing how long it took the light to travel this distance, Galileo could calculate the speed of light. He was going to catch the ghost of the universe! Oral traditions have since time immemorial satisfied generations of children and adults with stories of wonder, fantasy, truth, and mystery. Stories are irreplaceable stimulants for the imagination and an often endless source of entertainment. -
Wormwood Review
OH WORMIE, YOU'VE TURNED SEVENTEEN... The Wormwood ReviewVolume 5,Number 1IssueSeventeenEditor: MarvinMalone ArtEditor: A.SypherGuest editor,this issue:Allen DeLoachNew YorkRepresentative: HaroldBriggs1965, Wormwood ReviewPress The poets and poems in this anthology are repre sentative of the diverse activity reverberating at the Cafe Le Metro on New York's Lower East Side. Being a center of poetry, rather than a school, Le Metro nur tures the most vital facet of the creative arts: the right and the opportunity to present the created without any form of censorship or pre-judgment. Le Metro not only has the importance of having completely open and permissive readings, but presents, one night a week, a feature reader. Each of the feature readers has either previously obtained recognition in the field of writing, or has shown definite, noticeable growth in that di rection. Since the first of these readings in February of 1963, a random choice of writers that have made an appearance is Gilbert Sorrentino, Joel Oppenheimer, Diane diPrima, Gregory Corso, Denise Levertov, John Weiners, Lawrence Ferlinghetti, LeRoi Jones, Brion Gyson, William Burroughs, etc. The list could continue, and then be added to a similar list of prominent poets who frequently participate in the weekly open readings. However, it is not the elite who profit through the Cafe Le Metro movement. It is the neophytes, shaping their thoughts and molding their voices, who profit mainly through the - availability of associations with poets, such as alien Ginsberg, who always manage to give the extra minutes asked of them. Let it suffice to say that Le Metro offers to any person on any level what he comes for honestly,pri marily because its patrons have made it that way and because its patrons, would like to keep it that way. -
Ascot Racecourse & World Horse Racing International Challengers
Ascot Racecourse & World Horse Racing International Challengers Press Event Newmarket, Thursday, June 13, 2019 BACKGROUND INFORMATION FOR ROYAL ASCOT 2019 Deirdre (JPN) 5 b m Harbinger (GB) - Reizend (JPN) (Special Week (JPN)) Born: April 4, 2014 Breeder: Northern Farm Owner: Toji Morita Trainer: Mitsuru Hashida Jockey: Yutaka Take Form: 3/64110/63112-646 *Aimed at the £750,000 G1 Prince Of Wales’s Stakes over 10 furlongs on June 19 – her trainer’s first runner in Britain. *The mare’s career highlight came when landing the G1 Shuka Sho over 10 furlongs at Kyoto in October, 2017. *She has also won two G3s and a G2 in Japan. *Has competed outside of Japan on four occasions, with the pick of those efforts coming when third to Benbatl in the 2018 G1 Dubai Turf (1m 1f) at Meydan, UAE, and a fast-finishing second when beaten a length by Glorious Forever in the G1 Longines Hong Kong Cup (1m 2f) at Sha Tin, Hong Kong, in December. *Fourth behind compatriot Almond Eye in this year’s G1 Dubai Turf in March. *Finished a staying-on sixth of 13 on her latest start in the G1 FWD QEII Cup (1m 2f) at Sha Tin on April 28 when coming from the rear and meeting trouble in running. Yutaka Take rode her for the first time. Race record: Starts: 23; Wins: 7; 2nd: 3; 3rd: 4; Win & Place Prize Money: £2,875,083 Toji Morita Born: December 23, 1932. Ownership history: The business owner has been registered as racehorse owner over 40 years since 1978 by the JRA (Japan Racing Association). -
Praise for Black & White
praise for black & white “Set in Durham, NC, Shiner’s powerful and affecting sixth novel...explores civil rights, race relations and ‘progress’ in that city over the past half century....Shiner weaves Michael’s, Robert’s and Ruth’s stories into a stunning tapestry that captures the hopes, dreams, greed, bigotry, ambitions and betrayals that shaped their destinies and those of our country.” —Publishers Weekly “Lewis Shiner’s latest, Black & White, is killer. Strong charac- ters, suspenseful situations, and tremendous insight. A novel that doesn’t flinch from social issues, and is so gracefully written it makes you want to weep. Should not be missed. Lewis Shiner is the real deal, and this is his finest work.” — Joe R. Lansdale, author of The Bottoms “Shiner, with exhaustive research, uses the story of Hayti and urban renewal as the setting for a compelling novel that is part detective story, part novel of psychological discovery, and, most important, a story about the complex relationships that African-Americans and white people share.” —Cliff Bellamy inThe Durham Herald-Sun “A near-perfect novel—steeped in important political and societal issues, neatly wrapped in the trimmings of a mystery story. With Black & White, Lewis Shiner ascends to a literary realm previously reserved for the likes of Michael Chabon and Jonathan Lethem.” —Rick Klaw in The Austin Chronicle “Black & White, Lewis Shiner’s long-awaited return to the novel, is social realism so urgent and committed as to be an act of witnessing. Like books by Richard Price and George -
Semester to Wrap up on Musical Note
Volume 83 Number 12 Northwestern College, Orange City, IA December 10, 2010 Hays granted Exhibit brings competition, appreciation BY KATE WALLIN NW Student Art Exhibit, which event.” experience. We’re trying too hard to prestigious CONTRIBUTING WRITER opened this week in Dordt’s The joint exhibit is a tradition be meaningful and artsy sometimes. As finals week approaches, Campus Center Art Gallery. The 12 years in the making. Every year, Not to imply that art shouldn’t be acceptance the end of the semester brings exhibit, open daily from 8 a.m. to 10 over 50 pieces of student art are serious, but sometimes we have the always-expectant stress and p.m., offers a wide range of pieces submitted for consideration by a to step back a bit and make fun BY KATI HENG overwhelming schedules. Hours from all mediums and boasts a panel of student jurors. A team of of ourselves or we’ll get too self- OPINION EDITOR in the library, sleepless nights and unique atmosphere crafted by three NW jurors reviewed Dordt’s absorbed; therefore, octopus.” Senior Greta Hays has been excessive amounts of caffeinated students for students. submissions, while a group from Drawing pieces from different selected for a prestigious arts courage are reason enough to make Professor Rein Vanderhill said, Dordt selected NW’s contributions mediums, the show includes management internship at the us consider getting away, if only for “The students are totally on their to the show. paintings, drawings, mixed Kennedy Center in Washington, a short while. own when they make the selections “The pieces I entered were the media, printmaking, photography, D.C. -
King George VI & Queen Elizabeth Stakes (Sponsored by QIPCO)
King George VI & Queen Elizabeth Stakes (Sponsored by QIPCO) Ascot Racecourse Background Information for the 65th Running Saturday, July 25, 2015 Winners of the Investec Derby going on to the King George VI & Queen Elizabeth Stakes (Sponsored by QIPCO) Unbeaten Golden Horn, whose victories this year include the Investec Derby and the Coral-Eclipse, will try to become the 14th Derby winner to go on to success in Ascot’s midsummer highlight, the Group One King George VI & Queen Elizabeth Stakes (Sponsored by QIPCO), in the same year and the first since Galileo in 2001. Britain's premier all-aged 12-furlong contest, worth a boosted £1.215 million this year, takes place at 3.50pm on Saturday, July 25. Golden Horn extended his perfect record to five races on July 4 in the 10-furlong Group One Coral- Eclipse at Sandown Park, beating older opponents for the first time in great style. The three-year-old Cape Cross colt, owned by breeder Anthony Oppenheimer and trained by John Gosden in Newmarket, captured Britain's premier Classic, the Investec Derby, over 12 furlongs at Epsom Downs impressively on June 6 after being supplemented following a runaway Betfred Dante Stakes success at York in May. If successful at Ascot on July 25, Golden Horn would also become the fourth horse capture the Derby, Eclipse and King George in the same year. ËËË Three horses have completed the Derby/Eclipse/King George treble in the same year - Nashwan (1989), Mill Reef (1971) and Tulyar (1952). ËËË The 2001 King George VI & Queen Elizabeth Stakes saw Galileo become the first Derby winner at Epsom Downs to win the Ascot contest since Lammtarra in 1995. -
Stud Book 2012
LIBRO GENEALOGICO CAVALLI DI PURO SANGUE INGLESE Vol. XXXV STUD BOOK THOROUGHBRED HORSES Vol. XXXV A.S.S.I. - AREA GALOPPO UFF. STUD BOOK VIA CRISTOFORO COLOMBO, 283/A 00147 ROMA - ITALY TEL.: +3906518971 - FAX: +390651897456 – E – MAIL : [email protected] AVVERTENZE ------------- Il Volume XXXV del Libro Genealogico (Stud Book) dei Cavalli di Puro Sangue Inglese nati in Italia ed importati, comprende notizie riguardanti il periodo compreso tra il 16 luglio 2011 al 15 luglio 2012. La raccolta dei dati e la compilazione del volume sono state curate dall’A.S.S.I. - Area Galoppo presso cui sono depositati i documenti riguardanti i cavalli di puro sangue inglese, nati in Italia ed importati. Roma, luglio 2012 II INDICE DELLE SEZIONI REGOLAMENTO DELL’AGENZIA ........................................................................................................... IV LEGENDA..................................................................................................................................................XVI ELENCO DELLE ABBREVIAZIONI DELLO STUD BOOK DI RIFERIMENTO.............................. XVII ANALISI STATISTICA .............................................................................................................................XIX INDICE ALFABETICO .............................................................................................................................. XX ELENCO PULEDRI NATI SECONDO L’ORIGINE PATERNA................................................................ 1 ELENCO PULEDRI NATI SECONDO -
Festival-Of-Colour-Program.Pdf
1 2 3 THEATRE THANKS TO OUR SPONSORS AND SUPPORTERS “Red Leap Theatre’s GOLD SPONSORS MAJOR astonishing, evocative GRANTS tribute to Janet Frame’s iconic 1957 novel, Owls Do Cry, is sure to KNOWLEDGE join the roster of the PARTNER great works of New Zealand theatre.” SILVER SPONSORS - Theatreview “Red Leap have BRONZE taken Frame’s desire SPONSORS for the liberation of imagination and fully honoured it with their work, taking it to a HARDWARE MEDIA ACCOMMODATION GATEWAY PARTNER PARTNER PARTNERS PARTNERS place where it need not be tamed.” - Pantograph Punch FESTIVAL HELARD HOUSE Red Leap Theatre presents PARTNERS LIMITED LOCAL Owls Do Cry SUPPORTING Lion Foundation BUSINESS FUNDERS Callis Trust Directed by Malia Johnston PARTNERS Creative Communities Queenstown Lakes Beloved New Zealand author Janet Frame’s landmark novel is Some of Aotearoa’s best creative minds have come together from District Council brought to life on stage by the iconic theatre company Red Leap. a love of literature to explore and respond to the themes of her Filled with fierce heart and visual splendour, Red Leap’sOwls Do novel, of resilience through struggle and of living life with open BENEFACTORS Cry made its world premiere in Frame’s childhood hometown of hands and hearts. They bring with Anonymous, Penny Deans & Andrew Gawith, Kate & Ant Howard, & Louise Kane, Annis Somerville & Peter Rollo, Peter & Jane Wardell, Peter Öamaru, followed by a sell-out season in Tämaki Makaurau. them the treasure of books and George & Kay Horsburgh, Rob & Jean Johnstone, Alison & Peter O’Brien, & Fay Robertson, Trevor Scott & Diana McLachlan, Judith & Ian Shawe, the pleasure of reading.