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Cj Enm(035760
August 9, 2018 Result Comment CJ ENM (035760 KS) Decent performance 2Q consolidated operating profit in line at W79.2bn BUY (re-initiate) 3Q consolidated operating profit estimated at W86bn; earnings to stay solid Price (Aug. 8) W236,200 Target Price W270,000 Re-initiate coverage on CJ ENM with a BUY rating and a target price of % variance 14.3% W270,000 HeeJin Park ☎ (82-2) 3772-1562 2Q consolidated operating profit in line at W79.2bn [email protected] CJ ENM posted its first results after the merger on July 1. Consolidated operating profit came in at W79.2bn in 2Q, meeting our forecast of W79.3bn. SeJong Hong ☎ (82-2) 3772-1584 The E&M division delivered solid earnings with sales up 9.2% YoY and operating [email protected] profit up 25% YoY. Broadcasting exceeded expectations with operating profit increasing 22% YoY to W29.2bn. Ad sales growth of 10.2 YoY also turned out better than expected. Music and cinema showed mixed results. The music division KOSPI 2,301.45p posted sales of W66.5bn (+41.1% YoY) and operating profit of W4.2bn (+114% KOSDAQ 783.81p YoY) on strengthening IP (intellectual property) business. By contrast, the Market Cap. W5,179.0bn/ US4,543.0mn cinema/performance division remained in the red with an operating loss of Par Value W5,000 W3.9bn due to stagnant growth of moviegoers and weak line-up. The commerce division (CJ O shopping) registered standalone operating profit of W40.3bn and Outstanding Shares 21.9mn consolidated W33.9bn. -
To Higher Heights
Experience Korea Experience Courtesy of CJ ENM ⓒ To Higher Heights K-drama’s Global Boom Falling For Hallyu Whether by choice or quarantine due to The dramas “Autumn in My Heart” (2000) and COVID-19, homebodies worldwide are discovering “Winter Sonata” (2003) were the initial triggers of gems of Korean dramas, especially on Netflix. From Hallyu, or the Korean Wave. The success formula for “Crash Landing on You” to the “Reply” series, works K-dramas at the time was simply romance; doctors feature themes of warm romance to preternatural fell in love in a medical drama while lawyers did fantasy and gripping crime thrillers, and are apparently in a legal drama. Bae Yong-joon, the lead actor in good enough to make international viewers overlook “Winter Sonata,” grew so popular in East Asia that the nuisance of subtitles. Many K-dramas have also he became the first Korean celebrity to be featured inspired remakes around the world, signaling even in the textbooks of Taiwan and Japan. His nickname grander prospects for the industry. “Yonsama” earned from his Japanese fans cemented his overwhelming popularity. A decade after “Autumn” 30 Experience Korea Experience was broadcast in Korea, the Chinese remake “Fall in Love (一不小心 上你)” came out in 2011. Another K-drama,爱 “I’m Sorry, I Love You” (2004), spurred a Chinese remake as a film and a Japanese one as a series. “Temptation to Go Home (回 家的誘惑),” the 2011 Chinese remake of the 2008 K-drama “Temptation of Wife” (2008), starred Korean actress Choo Ja-hyun as the lead in her China debut. -
The Miscavige Legal Statements: a Study in Perjury, Lies and Misdirection
SPEAKING OUT ABOUT ORGANIZED SCIENTOLOGY ~ The Collected Works of L. H. Brennan ~ Volume 1 The Miscavige Legal Statements: A Study in Perjury, Lies and Misdirection Written by Larry Brennan [Edited & Compiled by Anonymous w/ <3] Originally posted on: Operation Clambake Message board WhyWeProtest.net Activism Forum The Ex-scientologist Forum 2006 - 2009 Page 1 of 76 Table of Contents Preface: The Real Power in Scientology - Miscavige's Lies ...................................................... 3 Introduction to Scientology COB Public Record Analysis....................................................... 12 David Miscavige’s Statement #1 .............................................................................................. 14 David Miscavige’s Statement #2 .............................................................................................. 16 David Miscavige’s Statement #3 .............................................................................................. 20 David Miscavige’s Statement #4 .............................................................................................. 21 David Miscavige’s Statement #5 .............................................................................................. 24 David Miscavige’s Statement #6 .............................................................................................. 27 David Miscavige’s Statement #7 .............................................................................................. 29 David Miscavige’s Statement #8 ............................................................................................. -
The Player and the Playing: an Interpretive Study of Richard
DOCUMENT RESUME ED 442 143 CS 510 330 AUTHOR Henry, Mallika TITLE The Player and the Playing: AA Interpretive Study of Richard Courtney's Texts on Learning through Drama. PUB DATE 1999-00-00 NOTE 411p.; Doctoral dissertation, School of Education, New York University. PUB TYPE Dissertations/Theses Doctoral Dissertations (041) EDRS PRICE MFO1 /PC17 Plus Postage. DESCRIPTORS *Drama; *Learning Processes; Metaphors; Qualitative Research; *Scholarship ABSTRACT Using qualitative and interpretive methodologies, this dissertation analyzed Richard Courtney's writings to interpret his basic ideas on learning through drama. It focused on later writings (1989, 1990, 1995, 1997) in which Courtney distilled ideas he had been working on for as many as 30 years. It approached Courtney's texts using dramatistic metaphors which concretized his predominantly abstract writings. These metaphors focused on finding the basic elements of a drama: the setting, the act, the actor, and the Other. Through the lenses afforded by these metaphors, the thesis examined Courtney's wide-ranging, eclectic and often imprecise ideas to distill major themes. Courtney used notions like metaphor, symbol, ritual, Being, mind, perspective, oscillation and quaternity with apparently shifting definitions and loosely circumscribed meanings. It collected and analyzed Courtney's meanings recursively, both distilling Courtney's meanings and expanding them through concrete hypothetical examples. Courtney wrote about drama in abstract terms, using notions he had garnered from other disciplines to describe the process of learning through drama. The final construction that emerged in this dissertation represents the experience of the actor/learner: it is concentric, radiating from a nub which represents the feelings and imagination of the actor. -
Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
Studio Dragon(253450.KQ)
Studio Dragon (253450.KQ) Growing into global titan Company Comment │Apr 29, 2019 Despite the absence of new tent-pole dramas in 1Q19, an improvement in the overall quality of Studio Dragon’s drama productions translated into strong overseas sales and higher ad rates for its captive channels. While the launch of multi-season dramas is to create a short-term cost burden, the move should Buy (maintain) benefit the firm over the mid/long term, backed by the expansion of the global OTT market. Given these positives, we continue to offer the play as TP W135,000 (maintain) our top pick for the content sector. CP (19/04/26) W89,900 Sector Entertainment Kospi/Kosdaq 2,179.31 / 741.00 Market cap (common) US$2,175.84mn Outstanding shares (common) 28.1mn Production capacity strengthening 52W high (’18/07/12) W119,800 The broadcasting of low-cost but high-margin productions (eg, romance dramas) low (’18/05/08) W79,600 usually concentrates in 1Q, as the quarter is a low season for TV ads. But, Average trading value (60D) US$12.42mn Dividend yield (2019E) 0.00% despite the absence new tent-pole dramas in 1Q19 (a factor that dampened the Foreign ownership 3.5% firm’s share price), we note that ad rates for Studio Dragon’s captive channels (such as tvN) increased, which implies that the company’s improved production Major Shareholders CJ ENM & 3 others 74.4% capacity has bolstered the competitiveness of its captive channels. Share perf 3M 6M 12M The firm’s improved production capacity is also translating into higher sales. -
The Visual Staging of Audio Plays
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2016 The Visual Staging of Audio Plays Alex P. Burkart Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Acting Commons, and the Other Theatre and Performance Studies Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/4106 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. The Visual Staging of Audio Plays A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Theatre at Virginia Commonwealth University by Alex Paul Burkart BFA, Webster University, 2008 MFA, Virginia Commonwealth University David Emerson Toney Assistant Professor/Artistic Director, Department of Theatre Virginia Commonwealth University School of the Arts Virginia Commonwealth University Richmond, VA April 18, 2016 Acknowledgment Special thanks to my incredible mentors at TheatreVCU: David Emerson Toney, Dr. Noreen Barnes, David Leong, Ron Keller, and Thomas Cunningham Susan Schuld for giving me the opportunity to stage my first radio play. My family: Emily A. Fisher, Paul and Susan Burkart, Nathan, Tyler, Meg, and Jess My past mentors, who ignited my love for theatrical performance: Doug Finlayson, Kat Singleton, Byron Grant, Steven Woolf, Josh Burton, and Edie Baran Ken Regez for sharing your voice and blazing passion for nostalgia My fellow graduate students, for being the sturdiest of sounding boards. -
Studio Dragon (253450) Update Fundamental S to Improve in 2020
2019. 10. 31 Company Studio Dragon (253450) Update Fundamental s to improve in 2020 ● The business environment in Korea and overseas is moving favorably for the Minha Choi media industry—eg , OTT platforms are launching around the world, a number of Analyst Korean players are engaging in M&A activity, and terrestrial broadcasters are [email protected] investing more heavily in tent-pole content. These developments should lead to 822 2020 7798 more demand for quality content, which bodes well for content producers in 2020. Kwak Hoin ● Studio Dragon should enjoy greater earnings stability by producing multi-season Research Associate original content for OTT services. It may produce content for both Netflix and new [email protected] global players. Terrestrial broadcasters are also eager to secure quality content. 822 2020 7763 ● Capitalizing on its popular intellectual property and production prowess, the firm has been expanding into new business areas and should see solid top- and bottom-line growth next year. We raise our 12-month target price to KRW88,000. WHAT’S THE STORY? Poised to benefit from sea change in media market: The business environment has been changing quickly at home and abroad. Several global giants are preparing to launch OTT platforms from November, and, in response, Korean OTT service providers are teaming up to boost their competitiveness. Struggling from low viewership ratings, the country’s three terrestrial broadcasters have altered programming lineups and in AT A GLANCE September launched OTT platform Wavve in partnership with SK Telecom—the latter a move that may lead to greater investment in tent-pole dramas. -
The Story of Astronomy
www.astrosociety.org/uitc No. 42 - Spring 1998 © 1998, Astronomical Society of the Pacific, 390 Ashton Avenue, San Francisco, CA 94112. The Story of Astronomy Mindy Kalchman University of Toronto Lorne Brown Storyteller It was dark. The night sky hung clear over the tiny city in the valley; the stars awesome in their brilliance. A small group of men stood on the top of the hill, looking across the city and the valley to another hill on the other side, some fifteen kilometers away. There, a similar group had assembled, their lights flickering in the distance. "We're ready," said the leader of the first group, a bearded man with intense eyes. "Check your lantern." What was happening? Was this a covert military operation? A band of thieves and robbers plotting plunder? Actually, it was a scientific experiment. The leader was the great Galileo himself, who would later be denounced for claiming that the Earth revolves around the Sun. The experiment was simplicity itself: a lantern would be uncovered on one hill. Fifteen kilometers away, a second lantern would be uncovered, shining back to the first. Light would have thus traveled thirty kilometers, twice across the valley where the Italian city of Florence nestled. By timing how long it took the light to travel this distance, Galileo could calculate the speed of light. He was going to catch the ghost of the universe! Oral traditions have since time immemorial satisfied generations of children and adults with stories of wonder, fantasy, truth, and mystery. Stories are irreplaceable stimulants for the imagination and an often endless source of entertainment. -
Bay Colt; Ghostzapper
Hip No. Consigned by De Meric Sales, Agent 1 Bay Filly Harlan . Storm Cat Harlan’s Holiday . {Country Romance {Christmas in Aiken . Affirmed Bay Filly . {Dowager February 5, 2013 Tiznow . Cee’s Tizzy {Favoritism . {Cee’s Song (2009) {Chaste . Cozzene {Purity By HARLAN’S HOLIDAY (1999), [G1] $3,632,664. Sire of 9 crops, 56 black type wnrs, $45,751,850, 3 champions, including Shanghai Bobby ($1,857,- 000, Breeders’ Cup Juv. [G1], etc.) and Into Mischief [G1] ($597,080), Majesticperfection [G1], Pretty Girl [G1] (to 3, 2014), Willcox Inn [G2] ($1,015,543), Mendip [G2] ($895,961), Summer Applause ($814,906). 1st dam FAVORITISM, by Tiznow. Unraced. This is her first foal. 2nd dam Chaste, by Cozzene. 4 wins at 4 and 5, $193,952, 3rd Ballston Spa Bree- ders’ Cup H. [G3]. Sister to Call an Audible. Dam of-- Golubushka. Winner at 3, 9,500 euro in France. Total: $12,751. 3rd dam PURITY, by Fappiano. Winner at 3 and 4, $35,335. Dam of 8 winners, incl.-- Chaste. Black type-placed winner, see above. Call an Audible. 3 wins at 3 and 4, $147,453, 3rd Molly Pitcher Breeders’ Cup H. [G2] (MTH, $33,000). Producer. Mexicali Rose. Winner at 2, $24,240. Dam of 6 winners, including-- Baileys Beach. 8 wins, 2 to 5, $177,515, 3rd Maryland Juvenile Cham- pionship S.-R (LRL, $5,500). 4th dam DAME MYSTERIEUSE, by Bold Forbes. 10 wins in 19 starts at 2 and 3, $346,245, Black-Eyed Susan S.-G2, Bonnie Miss S., Holly S., Treetop S., Forward Gal S., Old Hat S., Mademoiselle S., 2nd Acorn S.-G1, Spec- tacular Bid S., 3rd Ashland S.-G2. -
Wormwood Review
OH WORMIE, YOU'VE TURNED SEVENTEEN... The Wormwood ReviewVolume 5,Number 1IssueSeventeenEditor: MarvinMalone ArtEditor: A.SypherGuest editor,this issue:Allen DeLoachNew YorkRepresentative: HaroldBriggs1965, Wormwood ReviewPress The poets and poems in this anthology are repre sentative of the diverse activity reverberating at the Cafe Le Metro on New York's Lower East Side. Being a center of poetry, rather than a school, Le Metro nur tures the most vital facet of the creative arts: the right and the opportunity to present the created without any form of censorship or pre-judgment. Le Metro not only has the importance of having completely open and permissive readings, but presents, one night a week, a feature reader. Each of the feature readers has either previously obtained recognition in the field of writing, or has shown definite, noticeable growth in that di rection. Since the first of these readings in February of 1963, a random choice of writers that have made an appearance is Gilbert Sorrentino, Joel Oppenheimer, Diane diPrima, Gregory Corso, Denise Levertov, John Weiners, Lawrence Ferlinghetti, LeRoi Jones, Brion Gyson, William Burroughs, etc. The list could continue, and then be added to a similar list of prominent poets who frequently participate in the weekly open readings. However, it is not the elite who profit through the Cafe Le Metro movement. It is the neophytes, shaping their thoughts and molding their voices, who profit mainly through the - availability of associations with poets, such as alien Ginsberg, who always manage to give the extra minutes asked of them. Let it suffice to say that Le Metro offers to any person on any level what he comes for honestly,pri marily because its patrons have made it that way and because its patrons, would like to keep it that way. -
Nchor Newspapers
Rhode Island College Digital Commons @ RIC The Anchor Newspapers 12-9-1954 The Anchor (1954, Volume 27 Issue 04) Rhode Island College of Education Follow this and additional works at: https://digitalcommons.ric.edu/the_anchor Recommended Citation Rhode Island College of Education, "The Anchor (1954, Volume 27 Issue 04)" (1954). The Anchor. 185. https://digitalcommons.ric.edu/the_anchor/185 This Book is brought to you for free and open access by the Newspapers at Digital Commons @ RIC. It has been accepted for inclusion in The Anchor by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. NCHOR Vol. XXVII, No.~,.;;:==;._.--- RHODE ISLAND COLLEGE OF EDUCATION December 9, 1954 1 PROFESSORSFLASH THERE IS A NEED CHANGE! by Louise Hass an TAKE LEAVE Word has been received from Rhode Island College of Education has made vast progress during During the next semester we the editors of Who's Who Among STUNT NIGHT the hundred years of its existence. The College was once a mere idea Students in American Universities in the minds of educators. During a forty year period these men and shall be missing some of the fam- will be held women struggled to make a dream a reality. A Normal Department iliar faces of our faculty. Prof. and Colleges that eight students Frank E. Greene and Dr. Helen January 14, 1955 was established at Brown University in 1850. Funds were appropriated have been accepted to represent appro E. Scott intend to spend the semes for a Normal School in Providence in 1854. In 1857 when the the College of Education in the Henry Barnard Auditorium ter in study.