Studio Dragon (253450 KQ) Changes to Market Environment to Be Favorable
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Studio Dragon (253450) Update Fundamental S to Improve in 2020
2019. 10. 31 Company Studio Dragon (253450) Update Fundamental s to improve in 2020 ● The business environment in Korea and overseas is moving favorably for the Minha Choi media industry—eg , OTT platforms are launching around the world, a number of Analyst Korean players are engaging in M&A activity, and terrestrial broadcasters are [email protected] investing more heavily in tent-pole content. These developments should lead to 822 2020 7798 more demand for quality content, which bodes well for content producers in 2020. Kwak Hoin ● Studio Dragon should enjoy greater earnings stability by producing multi-season Research Associate original content for OTT services. It may produce content for both Netflix and new [email protected] global players. Terrestrial broadcasters are also eager to secure quality content. 822 2020 7763 ● Capitalizing on its popular intellectual property and production prowess, the firm has been expanding into new business areas and should see solid top- and bottom-line growth next year. We raise our 12-month target price to KRW88,000. WHAT’S THE STORY? Poised to benefit from sea change in media market: The business environment has been changing quickly at home and abroad. Several global giants are preparing to launch OTT platforms from November, and, in response, Korean OTT service providers are teaming up to boost their competitiveness. Struggling from low viewership ratings, the country’s three terrestrial broadcasters have altered programming lineups and in AT A GLANCE September launched OTT platform Wavve in partnership with SK Telecom—the latter a move that may lead to greater investment in tent-pole dramas. -
Cultural Production in Transnational Culture: an Analysis of Cultural Creators in the Korean Wave
International Journal of Communication 15(2021), 1810–1835 1932–8036/20210005 Cultural Production in Transnational Culture: An Analysis of Cultural Creators in the Korean Wave DAL YONG JIN1 Simon Fraser University, Canada By employing cultural production approaches in conjunction with the global cultural economy, this article attempts to determine the primary characteristics of the rapid growth of local cultural industries and the global penetration of Korean cultural content. It documents major creators and their products that are received in many countries to identify who they are and what the major cultural products are. It also investigates power relations between cultural creators and the surrounding sociocultural and political milieu, discussing how cultural creators develop local popular culture toward the global cultural markets. I found that cultural creators emphasize the importance of cultural identity to appeal to global audiences as well as local audiences instead of emphasizing solely hybridization. Keywords: cultural production, Hallyu, cultural creators, transnational culture Since the early 2010s, the Korean Wave (Hallyu in Korean) has become globally popular, and media scholars (Han, 2017; T. J. Yoon & Kang, 2017) have paid attention to the recent growth of Hallyu in many parts of the world. Although the influence of Western culture has continued in the Korean cultural market as well as elsewhere, local cultural industries have expanded the exportation of their popular culture to several regions in both the Global South and the Global North. Social media have especially played a major role in disseminating Korean culture (Huang, 2017; Jin & Yoon, 2016), and Korean popular culture is arguably reaching almost every corner of the world. -
Four New Korean Dramas Coming to Viu in April
Four new Korean dramas coming to Viu in April Viu-ers can enjoy simulcast, first-on-Viu and exclusive Korean drama series in April including Great Real Estate, Taxi Driver, Dark Hole and Summer Guys PCCW (SEHK:0008) – HONG KONG/SINGAPORE, March 23, 2021 – Viu, PCCW’s leading pan-regional OTT video streaming service, presents its exciting Korean content lineup for April, featuring four drama series for Viu-ers to enjoy. New titles include Great Real Estate, Taxi Driver, Dark Hole and Summer Guys. First-on-Viu, supernatural drama Great Real Estate will premiere in April. The series follows Hong Ji Ah, the owner of a real estate agency who has a special ability. Not only does she have beauty and brains but she can also see spirits and exorcise them. Hence, her agency focuses on acquiring troubled properties to flip a profit from them. She meets Oh In Bum, a quick-witted con-artist who does not believe in the existence of ghosts, but uses them to scam others out of their wealth. Jang Na Ra, known for An Empress’ Dignity and V.I.P., plays Hong Ji Ah. The series, directed by PD Park Jin Suk (School 2017), also stars lead singer of K-pop boy band CN Blue, Jung Yong Hwa. Also first-on-Viu, Taxi Driver will premiere in April and tells the story of Kim Do Ki, a Navy Officer whose life changes when his mother is murdered by a serial killer. Although he may seem like your typical taxi driver, Kim Do Ki works for the Rainbow Taxi Company, which helps provide revenge for victims whom the justice system has failed. -
Studio Dragon(253450.KQ)
Studio Dragon (253450.KQ) Re-rating is on the way Although Covid-19 effects have reduced Studio Dragon’s room for top-line Company Comment │Oct 12, 2020 growth via diversification of its programming platforms, we draw attention to stronger margins amid intensified competition among global OTTs. The stiffer ※ Refer to page 2 for competition is to boost production studios’ bargaining power and spur expansion ESG index/event tables of the global content market. We maintain Studio Dragon as our sector top pick. Buy (maintain) TP (12-mth) W110,000 (maintain) Pay attention to strengthening bargaining power and widening margins CP (20/10/08) W85,000 Sector Media/entertainment We maintain a Buy rating on Studio Dragon, continuing to suggest it as our Kospi/Kosdaq 2,391.96 / 871.62 sector top pick in respect of: 1) its increased bargaining power; and 2) intact Market cap (common) US$2,074.5mn expectations towards re-rating in response to global content market expansion. Outstanding shares (common) 28.1mn We view the firm’s recent sale of global broadcasting rights for Jirisan to iQIYI 52W high (’20/07/08) W92,500 as evidencing the emergence of OTT operators in possession of both abundant low (’19/10/10) W65,000 funding power to counter Netflix and a willingness to secure content in Asia. Average trading value (60D) US$18.3mn Accordingly, content producers are set to enjoy increased bargaining power. Dividend yield (2020E) 0.00% Meanwhile, with the company currently in talks with both Apple and HBO Max Foreign ownership 9.2% regarding global market original productions, we see opportunities for further Major Shareholders expansion into the global content market. -
Share House Japanese Drama Ep 6 Eng Sub Kdrama Jdrama Streaming in English Subtitle
Share House Japanese Drama Ep 6 Eng Sub kdrama jdrama streaming in english subtitle. As you read in the title, I'm subbing this drama as I got the news last month (last month, I thought this drama will be airing on 25/03 instead 25/04 x'D so I keep waiting for the raws, ended up realized the month tho hahahaha) with the pair that I shipped in Bungaku Shoujo (I ship but I don't watch *facepalm*). Your website Kdramastv. Orphan Lyra's world is changed forever by her long-absent uncle's return from the north. Start-Up (2020) Episode 6 English sub on Myasiantv. The following Share House no Koibito Episode 6 English SUB has been released. Watch latest asian dramas with english subtitles free at Kissasian. (We recommend the former, although it will take a little extra concentration to keep up with the captions. Upload, livestream, and create your own videos, all in HD. 1 Biography 1. Always Have, Always Will (2021) Episode 26 English SUB. 6 Summary: Sypnosis : Yuuji Kazami is a transfer student who has just been admitted into Mihama Academy. The 24: Season Six DVD Collection was. Major William Cage finds himself thrown into a time loop-forcing him to live out the same combat over and over, alongside Special Forces warrior Rita Vrataski. Подтвердить метки. The ranking is based on the average Nielsen TV ratings of the dramas’ episodes during the said period. With our Responsive Design you can watch the Episodes on your mobile phone, tablet, laptop…etc. It premiered on June 2, 2013. -
Korea Morning Focus
July 22, 2019 Korea Morning Focus Company News & Analysis Major Indices Close Chg Chg (%) Shinhan Financial Group (055550/Buy/TP: W60,000) KOSPI 2,094.36 27.81 1.35 Key strength lies in business portfolio and risk management KOSPI 200 274.55 3.88 1.43 KOSDAQ 674.06 8.91 1.34 Sector News & Analysis Turnover ('000 shares, Wbn) Media (Overweight) Volume Value Both CJ ENM and Studio Dragon have sold off, but CJ ENM will be the first to KOSPI 386,118 4,198 KOSPI 200 85,703 2,956 rebound KOSDAQ 743,056 3,950 Market Cap (Wbn) Economy & Strategy Update Value BOK Monitor KOSPI 1,396,345 A timely rate cut; Additional rate cuts unlikely in the near future KOSDAQ 231,950 KOSPI Turnover (Wbn) Buy Sell Net Foreign 1,243 1,112 131 Institutional 1,169 831 338 Retail 1,719 2,183 -463 KOSDAQ Turnover (Wbn) Buy Sell Net Foreign 364 385 -21 Institutional 186 167 19 Retail 3,383 3,380 3 Program Buy / Sell (Wbn) Buy Sell Net KOSPI 1,099 876 224 KOSDAQ 324 352 -27 Advances & Declines Advances Declines Unchanged KOSPI 661 183 51 KOSDAQ 880 331 79 KOSPI Top 5 Most Active Stocks by Value (Wbn) Price (W) Chg (W) Value Samsung Electronics 46,800 700 373 Foosung 10,700 -450 286 KODEX Leverage 12,410 355 259 Hynix 76,800 2,100 200 KODEX 200 Futures 7,340 -225 178 Inverse 2X KOSDAQ Top 5 Most Active Stocks by Value (Wbn) Price (W) Chg (W) Value Kukil Paper 4,430 560 180 Dongjin Semichem 15,800 200 134 Soulbrain 66,000 -3,000 116 A-Jin Industry 3,310 -40 109 CMG Pharm. -
Philippines US$28.7M Revenue in 2018, Accumulated Loss Tops $378M
9-22 September C NTENT 2019 www.contentasia.tv l www.contentasiasummit.com NBC orders Sky Castle pilot U.S. breakthrough for Korea’s JTBC U.S. network NBC has ordered a pilot based on Korean series Sky Castle from Korean network JTBC/Drama House and local indie production company HB Entertainment. A network spokesman in the U.S. said the pilot was in develop- ment under the auspices of Berlanti Pro- ductions in association with Warner Bros Television, and was not a series order. The full story is on page 2 Singapore’s Toggle ups short-form Flix Snip deal adds 29 titles, pushes domestic content barriers Nine-month old global short-form con- tent service, Flix Snip, has rolled out in Asia in partnership with Singapore’s Me- diacorp, streaming 29 international titles with themes that put Mediacorp among the country’s most progressive broad- casters. The full story is on page 3 ContentAsia Summit Thanks to our partner StarHub Ch 434 Who said what... NOW AVAILABLE & who was there FOR ALL ASIAN TERRITORIES! The 11th ContentAsia Summit wrapped at the end of August with one clear mes- sage: Life has never been better for Asian storytellers. Here’s some of what was said. There’s more in our Mipcom issue, out in gustoworldwidemedia.com gustotv.tv [email protected] early October. C NTENTASIA 9-22 September 2019 9-22 September 2019 Page 2. Page 2. NBC orders Sky Castle pilot U.S. breakthrough for Korea’s JTBC NBCUniversal has ordered a pilot based on Korean series Sky Castle from Korean network JTBC/Drama House and local in- die production company HB Entertainment. -
C NTENT 4-17 May 2020 L
C NTENT 4-17 May 2020 www.contentasia.tv l www.contentasiasummit.com JTBC drama busts Sky Castle record A World of Married Couple becomes Korea’s highest-rated cable drama JTBC drama A World of Married Couple broke cable ratings records this week- end, ending Sky Castle’s 15-month reign. With four episodes to go, the 16-episode prime-time Fri/Sat series hit nationwide ratings of 24.332% (AGB Nielsen) on Sat- urday (2 May). Sky Castle ended its run on 1 Feb 2019 with a high of 23.779%. A World of Married Couple is based on BBC drama Doctor Foster. The full story is on page 6 & 7 q Producers scramble after Hooq liquidation Production houses sit tight on Hooq Mauritius Producers across the region and rights holders around the world are holding a collective breath for the next move by Hooq Mauritius, which holds the bulk of the content/IP contracts signed for failed Asian streaming platform Hooq. Overwhelming sentiment is that the en- tity will follow the Singapore-registered Hooq Digital Pte Ltd into liquidation. But until it does, hope springs eternal. The full story is on page 5 q PLUS • Industry pays tribute to Tetsu Uemura • Free-flow TV for SG migrant workers • Top shows in Thailand and what’s most in demand in India... & a whole lot more. 4-17 May 2020 page 2. C NTENTASIA 4-17 MaY 2020 Page 3. Thai streaming mins up Free-flow TV for S’pore migrant workers 6% for April; Netflix tops Media co’s step in to entertain workers on lockdown mins, True ID tops MAUs Media companies across Singapore are sages from Hollywood and Bollywood Netflix was Thailand’s top VOD service in providing free entertainment to Singa- along with daily talk shows for workers April by streaming minutes, with second pore’s one-million strong community of on Radio Masti and projects with local place going to the Thai operation of migrant workers hit hard by Covid-19. -
Growth Strategy
Investor Relations 2020 December 2020 Disclaimer This financial information in this document are consolidated earnings results based on K-IFRS. This document is provided for the convenience of investors only, before the external audit on our 3Q 2020 financial results is completed. The audit outcomes may cause some parts of this document to change. In addition, this document contains “forward-looking statements” – that is, statements related to future, not past, events. In this context, “forward-looking statements” often address our expected future business and financial performance, and often contain words such as “expects”, “anticipates”, “intends”, “plans”, “believes”, “seeks” or “will”. Our actual results to be materially different from those expressed in this document due to uncertainties. Investor Relations 2020 TABLE OF CONTENTS I Studio Dragon at a Glance II 3Q 2020 Earnings Release III Growth Strategy Appendix I Studio Dragon at a Glance 1. Highlights 2. Comprehensive Studio 3. Studio Dragon at a Glance 4. Studio Centered Industry Change 5. No.1 Studio in Korea We Create New Culture 1 Highlights (1) (1) (1) (2) PRODUCTION REVENUE GROWTH OVERSEAS REVENUE CREATORS 28titles 23% 34% 230People +4.1%P +45.5% +51.4% +72People +42Titles 46.8 230 166 160.4 14.4 42.7 124 110.2 158 9.5 2018 2019 2018 2019 2018 2019 2018 3Q20 2018 3Q20 Sales Proportion Overseas Revenue Non-captive Revenue No. of Creators Library Sales (%) (Wbn) (Wbn) (people) (titles) Note (1) As of 2019, (2) As of 3Q 2020 5 | Investor Relations 2020 – I. Studio Dragon at a Glance We Create New Culture I.2 Comprehensive Studio 6 | Investor Relations 2020 – I. -
Company Update
2019. 11. 8 Company Studio Dragon (253450) Update A steady performance in 3Q Minha Choi ● Studio Dragon’s 3Q operating profit of KRW10.9b (down 49% y-y) met consensus Analyst and our forecasts. The decline in operating profit was expected given: 1) a high [email protected] 822 2020 7798 base from the sale of Mr. Sunshine copyright overseas; and 2) Arthdal Chronicles’ limited contribution. Sales to non-captive clients are on the rise. Kwak Hoin ● Research Associate Notably, Studio Dragon is producing more dramas on distribution channel [email protected] diversification, and its business area expansion is accelerating. 822 2020 7763 ● We raise our target price to KRW94,000 on solid 2020 earnings prospects. WHAT’S THE STORY? 3Q review: Consolidated 3Q results from Studio Dragon show sales of KRW131.2b (up 6.1% y-y) and operating profit of KRW10.9b (down 49.2% y-y), meeting consensus (which recently declined) and our forecasts. The y-y drop in profit came as no surprise given: 1) a high base from the sale of Mr. Sunshine copyright overseas; and 2) a lackluster contribution from Arthdal Chronicles. The company diversified its drama distribution channels—ie, by providing three dramas to non-captive clients—and booked sales of tent- pole dramas in the quarter. AT A GLANCE Distribution channel expansion leads to more drama production: This year, Studio Dragon has supplied three dramas to non-captive customers—namely, Love Alarm (its first original program for Netflix), and One Spring Night and Doctor John (to terrestrial broadcasters). It should further diversify distribution channels next year, Target price KRW94,000 (20.1%) driving up the number of dramas it produces. -
Media/Entertainment Fleeting Vs
Media/Entertainment Fleeting vs. enduring changes Overweight (Maintain) COVID-19 is accelerating changes in media consumption At its core, the media/entertainment industry hinges on how long and to what extent Industry Report its content can capture user interest ( quantitative exposure and engagement vs. willingness to pay). The costs paid by users can take a variety of forms (ad views, pay- March 23, 2020 per-view, subscription fees, product/ticket purchases, fan club membership fees, etc.), with the total outlay ultimately determ ined by the benefits or value provided by the content in question. COVID-19 has driven drastic lifestyle changes, leading people to avoid public places Mirae Asset Daewoo Co., Ltd. and large gatherings and spend more time at home. Media consumption is increasing, and barriers to new kinds of media experiences are decreasing. New media are no [Media ] longer the exclusive domain of early adopters. Against this backdrop , the value of content/specific formats has undergone rapid changes that would have otherwise Jeong -yeob Park taken place over a significant period of time. Against this backdrop, we believe it is +822 -3774 -1652 important to differentiate which of the unfolding changes in media consumption are [email protected] fleeting and which will endure after the outbreak is over. Bottom line: Amid the accelerating rise of new media, the business environment for entertainment stocks with high valuations should improve further even after the outbreak subsides. We think stocks that have become more expensive t han peers during the current market dip—i.e., Studio Dragon (253450 KQ/Buy/TP: W112,000/CP: W75,800) and YG Entertainment (122870 KQ/Buy/TP: W40,000/CP: W21,350)—continue to merit attention. -
CJ ENM (035760 KQ ) Strong and Flexible Content Leader
CJ ENM (035760 KQ ) Strong and flexible content leader Media Initiate coverage with Buy and TP of W310,000 Company Report We initiate our coverage on CJ ENM with a Buy rating and target price of W310,000. In order to derive our target price, we applied the sum-of-the-parts (SOTP) method by April 3, 2019 summing up the values of the media (W1.9tr; CJ E&M previously), and commerce (W1.1tr; CJ O Shopping previously) businesses, as well as equity holdings (W3.75tr). In our view, shares of CJ ENM, which was created via the merger CJ E&M and CJ O (Initiate) Buy Shopping in July 2018, have entered a recovery phase. We believe that year 2019 will mark the begin ning of operating profit contribution of the media business (broadcasting, film, music) exceeding 50% (versus 38.6% in 2018), which is highly likely to drive a Target Price (12M, W) 310,000 valuation rerating going forward. It is also encouraging that CJ ENM is now positioned to finance its content investments - which will likely show a steady increase to support Share Price (04/03/19, W) 236,500 strong revenue and operating profit growth (an estimated CAGR of 9.8% and 20.9% over the next two years) - with increased cash flows (pre-merger CJ O Shopping). Expected Return 31% Strong content player remains resilient in face of platform changes Changes in content platforms and competition among different platforms will continue OP (19F, Wbn) 385 going forward; technological advances usher in the evolution of content distribution Consensus OP (19F, Wbn) 377 platform, leading to constant ch anges in content delivery channels and business models.