Studio Dragon Buy (253450 KQ ) (Maintain)
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Cj Enm(035760
August 9, 2018 Result Comment CJ ENM (035760 KS) Decent performance 2Q consolidated operating profit in line at W79.2bn BUY (re-initiate) 3Q consolidated operating profit estimated at W86bn; earnings to stay solid Price (Aug. 8) W236,200 Target Price W270,000 Re-initiate coverage on CJ ENM with a BUY rating and a target price of % variance 14.3% W270,000 HeeJin Park ☎ (82-2) 3772-1562 2Q consolidated operating profit in line at W79.2bn [email protected] CJ ENM posted its first results after the merger on July 1. Consolidated operating profit came in at W79.2bn in 2Q, meeting our forecast of W79.3bn. SeJong Hong ☎ (82-2) 3772-1584 The E&M division delivered solid earnings with sales up 9.2% YoY and operating [email protected] profit up 25% YoY. Broadcasting exceeded expectations with operating profit increasing 22% YoY to W29.2bn. Ad sales growth of 10.2 YoY also turned out better than expected. Music and cinema showed mixed results. The music division KOSPI 2,301.45p posted sales of W66.5bn (+41.1% YoY) and operating profit of W4.2bn (+114% KOSDAQ 783.81p YoY) on strengthening IP (intellectual property) business. By contrast, the Market Cap. W5,179.0bn/ US4,543.0mn cinema/performance division remained in the red with an operating loss of Par Value W5,000 W3.9bn due to stagnant growth of moviegoers and weak line-up. The commerce division (CJ O shopping) registered standalone operating profit of W40.3bn and Outstanding Shares 21.9mn consolidated W33.9bn. -
To Higher Heights
Experience Korea Experience Courtesy of CJ ENM ⓒ To Higher Heights K-drama’s Global Boom Falling For Hallyu Whether by choice or quarantine due to The dramas “Autumn in My Heart” (2000) and COVID-19, homebodies worldwide are discovering “Winter Sonata” (2003) were the initial triggers of gems of Korean dramas, especially on Netflix. From Hallyu, or the Korean Wave. The success formula for “Crash Landing on You” to the “Reply” series, works K-dramas at the time was simply romance; doctors feature themes of warm romance to preternatural fell in love in a medical drama while lawyers did fantasy and gripping crime thrillers, and are apparently in a legal drama. Bae Yong-joon, the lead actor in good enough to make international viewers overlook “Winter Sonata,” grew so popular in East Asia that the nuisance of subtitles. Many K-dramas have also he became the first Korean celebrity to be featured inspired remakes around the world, signaling even in the textbooks of Taiwan and Japan. His nickname grander prospects for the industry. “Yonsama” earned from his Japanese fans cemented his overwhelming popularity. A decade after “Autumn” 30 Experience Korea Experience was broadcast in Korea, the Chinese remake “Fall in Love (一不小心 上你)” came out in 2011. Another K-drama,爱 “I’m Sorry, I Love You” (2004), spurred a Chinese remake as a film and a Japanese one as a series. “Temptation to Go Home (回 家的誘惑),” the 2011 Chinese remake of the 2008 K-drama “Temptation of Wife” (2008), starred Korean actress Choo Ja-hyun as the lead in her China debut. -
Studio Dragon(253450.KQ)
Studio Dragon (253450.KQ) Growing into global titan Company Comment │Apr 29, 2019 Despite the absence of new tent-pole dramas in 1Q19, an improvement in the overall quality of Studio Dragon’s drama productions translated into strong overseas sales and higher ad rates for its captive channels. While the launch of multi-season dramas is to create a short-term cost burden, the move should Buy (maintain) benefit the firm over the mid/long term, backed by the expansion of the global OTT market. Given these positives, we continue to offer the play as TP W135,000 (maintain) our top pick for the content sector. CP (19/04/26) W89,900 Sector Entertainment Kospi/Kosdaq 2,179.31 / 741.00 Market cap (common) US$2,175.84mn Outstanding shares (common) 28.1mn Production capacity strengthening 52W high (’18/07/12) W119,800 The broadcasting of low-cost but high-margin productions (eg, romance dramas) low (’18/05/08) W79,600 usually concentrates in 1Q, as the quarter is a low season for TV ads. But, Average trading value (60D) US$12.42mn Dividend yield (2019E) 0.00% despite the absence new tent-pole dramas in 1Q19 (a factor that dampened the Foreign ownership 3.5% firm’s share price), we note that ad rates for Studio Dragon’s captive channels (such as tvN) increased, which implies that the company’s improved production Major Shareholders CJ ENM & 3 others 74.4% capacity has bolstered the competitiveness of its captive channels. Share perf 3M 6M 12M The firm’s improved production capacity is also translating into higher sales. -
Studio Dragon (253450) Update Fundamental S to Improve in 2020
2019. 10. 31 Company Studio Dragon (253450) Update Fundamental s to improve in 2020 ● The business environment in Korea and overseas is moving favorably for the Minha Choi media industry—eg , OTT platforms are launching around the world, a number of Analyst Korean players are engaging in M&A activity, and terrestrial broadcasters are [email protected] investing more heavily in tent-pole content. These developments should lead to 822 2020 7798 more demand for quality content, which bodes well for content producers in 2020. Kwak Hoin ● Studio Dragon should enjoy greater earnings stability by producing multi-season Research Associate original content for OTT services. It may produce content for both Netflix and new [email protected] global players. Terrestrial broadcasters are also eager to secure quality content. 822 2020 7763 ● Capitalizing on its popular intellectual property and production prowess, the firm has been expanding into new business areas and should see solid top- and bottom-line growth next year. We raise our 12-month target price to KRW88,000. WHAT’S THE STORY? Poised to benefit from sea change in media market: The business environment has been changing quickly at home and abroad. Several global giants are preparing to launch OTT platforms from November, and, in response, Korean OTT service providers are teaming up to boost their competitiveness. Struggling from low viewership ratings, the country’s three terrestrial broadcasters have altered programming lineups and in AT A GLANCE September launched OTT platform Wavve in partnership with SK Telecom—the latter a move that may lead to greater investment in tent-pole dramas. -
The Migrant Surge and the Border Mess
EARNING YOUR TRUST, EVERY DAY. 04.24.21 VOLUME 36 NUMBER 8 THE “IT JUST FEELS NICE AFTER A YEAR OF THIS. … WE’RE ALMOST THROUGH.” —EMERGING FROM A PANDEMIC, P. 38 P. PANDEMIC, A FROM —EMERGING THROUGH.” ALMOST WE’RE … THIS. OF AFTER YEAR NICE A FEELS JUST “IT MIGRANT SURGE AND THE BORDER MESS P. 44 FEATURES 04.24.21 VOLUME 36 NUMBER 8 58 REFUGEES’ GAMBIT Top chess players from Iran are seeking asylum elsewhere, following a long history of chess talent using international events to escape persecution at home by Emily Belz 38 44 52 HOPE AFTER A PANDEMIC BORDER BACKTRACKING COURTING CHRISTIANS Following a year of coronavirus The U.S.-Mexico border isn’t open, In Israel’s battle to form a coalition lockdowns, illness, and death, but a migrant surge and a mishmash government, the spotlight turns to Americans rejoice at a vaccine and of messages and policies ethnic Aramean Christians long little steps back to normal living have created another crisis overlooked by Jewish politicians by WORLD reporters by Sophia Lee by Mindy Belz HOLLIE ADAMS/GETTY IMAGES 04.24.21 WORLD DEPARTMENTS 04.24.21 VOLUME 36 NUMBER 8 5 MAILBAG 6 NOTES FROM THE CEO 68 A scene from the Netflix Korean drama series Crash Landing on You Dispatches Culture Notebook 11 NEWS ANALYSIS 21 MOVIES & TV 65 EDUCATION Major League Baseball’s The Falcon and the VIEWERS foray into voting law Winter Soldier, The Map 67 LIFESTYLE debates of Tiny Perfect Things, CONNECT TO Roe v. Wade, Sound of 68 MEDIA 13 BY THE NUMBERS Metal, The Professor K-DRAMA Broadcasting clean, and the Madman romantic fun, K-drama 14 HUMAN RACE EMOTIONALLY grows in popularity in 26 BOOKS EVEN IF the United States 15 QUOTABLES 28 CHILDREN’S BOOKS THEY DON’T 16 QUICK TAKES Voices 30 Q&A UNDERSTAND Ze’ev Chafets 8 Joel Belz IT ALL. -
Download Article
Advances in Social Science, Education and Humanities Research, volume 307 1st Social and Humaniora Research Symposium (SoRes 2018) The Reception Audience of the Woman’s Beauty in Korean Drama Endri Listiani Deddy Mulyana, Edwin Rizal Communication department Communication Department Universitas Islam Bandung Universitas Padjadjaran Bandung, Indonesia Sumedang, Indonesia [email protected] [email protected], [email protected] Ahmad Mulyana Communication Department Universitas Mercu Buana Jakarta, Indonesia [email protected] Abstract—Standardization is conveyed through the media, certain lifestyle is then born. The lifestyles portrayed by which is often able to manipulate someone as a form that must be Korean dramas have been followed by teenagers. They imitate followed by the audience. Therefore, this research aims to what they see, starting from the hairstyle to the clothes of explore the concepts of beauty in the minds of the Korean drama Korean celebrities [1]. The same thing has happened in viewers. This study uses a qualitative method, with an audience Indonesia. reception approach. Data collection techniques are: in-depth interviews, field observations and literature studies. The result is Every day people see a lot of information from a variety of that people choose to consume drama by considering the different media. With the development of technology, people storyline, filling their free time, actors and cinematography. Most easily consume a lot of media at once. Stanley Baran and of the informants stated that their actors were beautiful and Dennis Davis in West and Turner, argue that "the media has wanted to be like them. There are also people who are willing to become a major tool in which we have all experienced or save their money to buy makeup and clothes made in Korea so studied many aspects through the world around us" [2]. -
Studio Dragon Corporation
Studio Dragon Corporation (253450 KQ ) Look beyond temporary setback Media 1Q18 review: Below-consensus earnings due to one-off factors Results Comment For 1Q18, Studio Dragon posted consolidated revenue of W79.9bn (+6% YoY; all growth figures hereafter are YoY) and operating profit of W10.7bn (-23.7%), missing April 30, 2018 consensus estimates (revenue of W86.8bn and operating profit of W14.5bn) by 7.9% and 26.4%, respectively. Earnings disappointed, due to: 1) high base effects from last year’s hit drama, Goblin (which contributed 42.2% of annual operating profit in 2017); 2) lackluster licensing revenue, due to negative externalities (e.g., Me Too movement, (Maintain) Buy PyeongChang Olympics); and 3) a slowdown in other revenues, due to a void in talent management left by key artists (although product placement earnings were within the Target Price (12M, W) 110,000 normal range). Programming revenue expanded to W40.7bn (+54.5%), in line with the consensus. Share Price (04/27/18, W) 87,400 Licensing revenue declined to W32.1bn (-12.0%), as brisk sales to Netflix (estimated at W10bn) were offset by negative external factors. We believe non-Netflix exports and Expected Return 26% domestic VOD sales were sluggish, due to temporary factors, including sudden cast/storyline changes and the Pyeongchang Olympics. Other revenues (product placement, talent management, original soundtracks, etc.) fell to W7.1bn (-43.4%), mainly OP (18F, Wbn) 59 due to key artists’ hiatus. Considering the volatile nature of talent management, we think Consensus OP (18F, Wbn) 70 it is safe to assume the decline in other revenues is a temporary issue. -
The Definitive Guide to the Downfall of P&W
Macalester College DigitalCommons@Macalester College English Honors Projects English Department 5-3-2010 The efinitD ive Guide to the Downfall of P&W Alice M. Anigacz Macalester College, [email protected] Follow this and additional works at: http://digitalcommons.macalester.edu/english_honors Part of the Other Arts and Humanities Commons Recommended Citation Anigacz, Alice M., "The efinitD ive Guide to the Downfall of P&W" (2010). English Honors Projects. Paper 15. http://digitalcommons.macalester.edu/english_honors/15 This Honors Project - Open Access is brought to you for free and open access by the English Department at DigitalCommons@Macalester College. It has been accepted for inclusion in English Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Economics Department Honors Projects Macalester College Year The Definitive Guide to the Downfall of P&W Alice M. Anigacz Macalester College, [email protected] This paper is posted at DigitalCommons@Macalester College. http://digitalcommons.macalester.edu/economics honors projects/1 Macalester College April 25th, 2010 The Definitive Guide to the Downfall of P&W Alice M. Anigacz Advisor: Professor Peter Bognanni Abstract: This honors thesis is a fictional work that tells of the downfall of P&W DNA. It utilizes multiple narrators, including a blonde bombshell, a deceptive recent P&W hire, and a rabbit, to show how a combination of flawed personalities led to the demise of a corrupt DNA testing company. The plot mostly follows Aaron Kelley, a P&W-agent- cum-detective, who is attempting to avenge his partner’s death by taking down gubernatorial candidate Lyle Saunders. -
Raw Whispers © Edition-4, 20.09.2020
© 0 Raw Whispers © Edition-4, 20.09.2020 Accepting the harsh brushstrokes of life and keeping alive good memories? -Rinchen Angmo 1 RAW WHISPERS I Edition 4 Pieces 1. Seasaw -Prerna 3 2. Summer of 2020 -Shumzin 4 3. Composed under a Cloudy August Sky -Samson 5-6 Haokip 4. Questions without Answers And other Random 7-9 Thoughts -Harsahej Mann 5. Paradox of Existence -Tavishi Agarwal 10 6. The Smeraldo Garden -Anushka Saha 11 7. That Latent Goodness in Us -Sonam Angmo 12 8. gluttonous clutches -Bidisha Dam 13 9. It kills your happiness -Aastha Sarraf 14 10. Trace the trail of raindrops -Mehak Talwar 15 11. Faces -Prerna Kejriwal 16 12. Is it a rendition of my heart -Sonam Chhomo 17-18 13. Must we give in? -Poorvi 19 14. Continental GT -Samson Haokip 20-21 15. I carry my heart -Saanvi Hissaria 22 16. The light you see -Aastha Sarraf 23 17. A story of three people -Rinchen Angmo 24-27 18. Thank you 28 2 RAW WHISPERS I Edition 4 Seasaw Within me, a deep sea I swim up but go down Light at the end Seems almost within reach. Not for long Will I be alone. The sea is me And I the sea. No divisions, No limits. I am infinite. The sea one day Will be as free as me. Store is closed today But I still go to shops Wanting to capture water, End up catching drops. Today is the last day It shall be closed. I'll be a loyal customer Till my last breath. -
Cultural Production in Transnational Culture: an Analysis of Cultural Creators in the Korean Wave
International Journal of Communication 15(2021), 1810–1835 1932–8036/20210005 Cultural Production in Transnational Culture: An Analysis of Cultural Creators in the Korean Wave DAL YONG JIN1 Simon Fraser University, Canada By employing cultural production approaches in conjunction with the global cultural economy, this article attempts to determine the primary characteristics of the rapid growth of local cultural industries and the global penetration of Korean cultural content. It documents major creators and their products that are received in many countries to identify who they are and what the major cultural products are. It also investigates power relations between cultural creators and the surrounding sociocultural and political milieu, discussing how cultural creators develop local popular culture toward the global cultural markets. I found that cultural creators emphasize the importance of cultural identity to appeal to global audiences as well as local audiences instead of emphasizing solely hybridization. Keywords: cultural production, Hallyu, cultural creators, transnational culture Since the early 2010s, the Korean Wave (Hallyu in Korean) has become globally popular, and media scholars (Han, 2017; T. J. Yoon & Kang, 2017) have paid attention to the recent growth of Hallyu in many parts of the world. Although the influence of Western culture has continued in the Korean cultural market as well as elsewhere, local cultural industries have expanded the exportation of their popular culture to several regions in both the Global South and the Global North. Social media have especially played a major role in disseminating Korean culture (Huang, 2017; Jin & Yoon, 2016), and Korean popular culture is arguably reaching almost every corner of the world. -
The Evolution of Fandom Culture of K-Drama Navrachana University
Dissertation On THE EVOLUTION OF FANDOM CULTURE OF K-DRAMA Submitted in partial fulfilment of the requirement of BA Journalism & Mass Communication program of Navrachana University during the year 2018-2021 By MIRA ERDA Semester VI 18165007 Under the guidance of Prof. VARSHA NARAYANAN NAVRACHANA UNIVERSITY Vasna - Bhayli Main Rd, Bhayli, Vadodara, Gujarat 391410 NAVRACHANA UNIVERSITY Vasna - Bhayli Main Rd, Bhayli, Vadodara, Gujarat 391410 Certificate Awarded to MIRA ERDA This is to certify that the dissertation titled “The Evolution of Fandom Culture of K-Drama” has been submitted in partial fulfilment for the requirement of the Degree of Bachelor of Arts in Journalism and Mass Communication program of Navrachana University. CERTIFICATE This is to certify that the dissertation titled, “The Evolution of Fandom Culture of K-Drama” prepared and submitted by MIRA ERDA of Navrachana University, Vadodara in partial fulfilment of the requirements for the degree of Bachelor of Arts in Journalism and Mass Communication program is hereby accepted. Place: Vadodara Date: 01 -05-2021 Dr. Robi Augustine Prof Varsha Narayanan Program Chair Project Supervisor Accepted in partial fulfilment of the requirements for the degree of Bachelor of Arts in Journalism and Mass Communication. DECLARATION I hereby declare that the dissertation titled “The Evolution of Fandom Culture of K-Drama” is an original work prepared and written by me, under the guidance of Prof. Varsha Narayanan, Project Supervisor, Journalism and Mass Communication program, Navrachana University in partial fulfilment of the requirements for the degree of Bachelor of Arts in Journalism and Mass Communication. This thesis or any other part of it has not been submitted to any other University for the award of other degree or diploma. -
THE ST. JOHNS NEWS. Mm
THE ST. JOHNS NEWS. VOLUME XXI—NO. 23 •T. JOHm. mCH^ THUS8DAT AFTERNOOW,—JANUARY 13, 1910. TEN PAGES. OHBDOLLARA KPOLEMESnflOFFBB MSOUTV FaWtllM Wit mm •'<>*« am isTiTifiE IT FK IN C.AtTCiHT IN DRYINCi R( iMl NilURrHI XHVNM&G WIU. (tfVK HRMTHKIID FMn?imiN. i mnanEss DHMIiTTBG At the regular moashljr iMMtaaaa aad MAN <*RA.NrK AT Mm. tmMW A.ND RVnjMNCs IMtMJ social meelliMl of the Womea'a Racial IM»AIUI Of' Ml PKRVUHHIM HKIJ) ZbysMlo. the Polish alant. arho Iff liAROBl For soma Hms last night savernl UK* NorwRHRrANDiiia .-ama to tlMa c>»ua*ry to "sat" Prank peopis notlesd what they took to b# ovKR THiH wnam. Tl MRUAV Al LNODK. Inc. the members entartalnad aa thnir yir THUt Gotch. the t-hamplon wresdler of the guests, their husbands, hrothars or aisam lostting from the Hand Lmui - world. Is to be In Detroit on the Shth I sweethearts and a most enjoynhls sir- . dry on Higham otrset. Mr. Goodrich, where he will take un U.iner s and lening was spent. An Interesting lit- the proprietor had loTt the building MeaRsr. both pood men. the aame erary and rousicai program waa amll but a abort time bofore. MMK w W mMI DUPKHHS ■( ■: niRlK. ffFOIT 10 GMIBi carrted out. a number of the gantle- An Inveetlgatlon proved that amoks RUHK g IIK IRmBn Ashed K he arould give Penby a . men making short addreasss. fkipper instead of steam w«a w4iat had at --------------- ! iry.he said with a sneer that he wonJd. I waa served In the dining room, and tracted attention and an alarm waa Not only that, hut he says he arlll ptve ' the fe—t was followed by a eodal time turned In.