DOCSLIB.ORG

Desperate Housewives a Lot Goes on in the Strange Neighborhood of Wisteria Lane

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Desperate Housewives a Lot Goes on in the Strange Neighborhood of Wisteria Lane Desperate Housewives A lot goes on in the strange neighborhood of Wisteria Lane. Sneak into the lives of five women: Susan, a single mother; Lynette, a woman desperately trying to b alance family and career; Gabrielle, an exmodel who has everything but a good m arriage; Bree, a perfect housewife with an imperfect relationship and Edie Britt , a real estate agent with a rocking love life. These are the famous five of Des perate Housewives, a primetime TV show. Get an insight into these popular charac ters with these Desperate Housewives quotes. Susan Yeah, well, my heart wants to hurt you, but I'm able to control myself! How would you feel if I used your child support payments for plastic surgery? Every time we went out for pizza you could have said, "Hey, I once killed a man. " Okay, yes I am closer to your father than I have been in the past, the bitter ha tred has now settled to a respectful disgust. Lynette Please hear me out this is important. Today I have a chance to join the human rac e for a few hours there are actual adults waiting for me with margaritas. Loo k, I'm in a dress, I have makeup on. We didn't exactly forget. It's just usually when the hostess dies, the party is off. And I love you because you find ways to compliment me when you could just say, " I told you so." Gabrielle I want a sexy little convertible! And I want to buy one, right now! Why are all rich men such jerks? The way I see it is that good friends support each other after something bad has happened, great friends act as if nothing has happened. Love isn't enough. Where would we live? Here? With your roommates? The only deco ration in the bathroom is a bong! The only person more selfcentred than me is Carlos; he's so selfcentred he doe sn't even know how selfcentred I am. Bree Van De Kamp Oh, sweetie, they didn't abandon you because you're a whore, they abandoned you because you weren't all that nice to begin with. I'm taking my champagne and ageing eggs and I'm going. This is the way I see it, good friends offer to help in a crisis, great friends don't take no for an answer. Carlos, Gabrielle's husband Deals are meant to be renegotiated. Beating up a second gay guy looks bad. You wanna be a better mother? Do what my mama did, make sacrifices. My mama work ed her fingers to the bone for me. Sister Mary Money can't buy happiness. Father Crowley Don't be angry; be thankful, children are a gift. Reverend Sikes And over the years, we've had so many young people come to our ministry hating t hemselves for their unnatural desires, and within a few months, they've found an inner peace and a tranquillity that is nothing short of miraculous. Edie Of course I believe in evil I work in real estate. [edit] Season One [edit] Pilot Andrew: "I'm saying, do you always have to serve cuisine? Can't we just have foo d? Bree: "Are you doing drugs?" Andrew: "What?" Bree: "Change in behavior is one of the warning signs and you have been as fresh as paint over the last six months. That would explain why you're always locked in the bathroom." Danielle: "Trust me, that is not what he is doing." Andrew: "Shut up." Carlos: "It's business. Tanaka expects everyone to bring their wives." Gabrielle: "Every time I'm around that man, he tries to grab my ass." Carlos: "I made over $200,000 with him last week. If he wants to grab your ass, you let him." Carlos: "At the Donahue party, everyone was talking mutual funds and you found a way to mention you slept with half of the Yankee outfielders." Gabrielle: "I'm telling you, it came up in the context of the conversation." Rex (to Bree): "I'm sick of the bizarre way your hair doesn't move." Rex: "Since when do you make mistakes?" Bree: "What's that supposed to mean?" Rex: "It means that I'm sick of you being so damn perfect all the time. You're t his plastic suburban housewife with her pearls and her spatula who says things l ike 'We owe the Hendersons a dinner.'" Susan: "I just don't know how I'm going to survive this." Mary Alice: "Listen to me. We all have moments of desperation. But if we face th em head on, that's when we find out just how strong we really are." Susan: "Oh, I wouldn't eat that if I were you." Mike: "Why?" Susan: "I made it, trust me. Hey, hey, do you have a death wish?" Mike: "No, I just refuse to believe that anybody can screw up macaroni and chees e." Mike takes a bites of the macaroni, as SUSAN gestures apologetically, smiling Mike: "Oh my God. How did you...it tastes like it's burnt and undercooked." Susan: "Yeah, I get that a lot. Here you go." Danielle: "Why can't we ever have normal soup?" Bree: "Danielle, there is nothing abnormal about basil puree." Danielle: "Just once, couldn't we have a soup that people have heard of? Like, f rench onion or navy bean." Bree: "First of all, your father can't eat onions. He's deathly allergic. And I won't even dignify your navy bean suggestion. (pause) So, how's the osso buco?" Susan: "How would you feel if I used your child support payments for plastic sur gery?" Julie: "You look fine." Susan: "If you could cut back to two meals a day I could get a chemical peel." Julie: "Stop being so nervous, you're just asking him out to dinner. It's no big deal. " Susan: "You're right. (stalling) So, is that your project for school? You know i n 5th grade I made the white house out of sugar cubes." Julie: "Stop stalling and go. Before Mike figures out he can do better." Susan: (gapes at Julie) "Tell me again why I fought for custody of you?" Julie: "You were using me to hurt dad." Susan: "Oh, that's right." [edit] Ah, But Underneath Lady: "Listen, it seems to me like you have some anger management issues." Lynette: "I have four kids under the age of six. I absolutely have anger managem ent issues." Susan: "Julie? Mike Delfino just invited us to dinner Friday night." Julie: "He did? Cool." Susan: "But only I'm going. Because you're gonna come down with something semis erious that requires bedrest and fluids." Gabrielle: "So now you're taking Julie on your dinner date with Mike?" Susan: "Yeah, well, if Edie's gonna be there, I'm gonna need emotional support." Julie: "Dear Diary, Mike doesn't even know I'm alive." Susan: "Shut up." Julie: "If you wanna date him, you're gonna have to ask him out." Susan: "I keep hoping he'll ask me out." Julie: "How's that going?" Susan: "Shouldn't you be making brownies for your nerdy friends?" Gabrielle: "I can't believe she wormed her way in. How did you let her do that?" Susan: "I don't know, I was gonna take her out at the knees, but it all happened so fast." Gabrielle: "Well, you know what you need to do. You need to get there early, spe nd a little time with Mike before little barracuda gets there." Susan: "That's a good idea. Edie will get there at 5:45, which means her breasts will arrive at 5:30, so I should shoot for five." Bree: "It's the age old question. How much do really want to know about our neig hbors?" Gabrielle: "Do you know how bored I was today? I came this close to actually cle aning the house." Edie: "Oh God, look at all these things, all these beautiful things that my exh usbands worked so hard for, burnt to a crisp." [edit] Pretty Little Picture Rex: "So these tennis lessons we're taking. How are we doing?" Bree: "My back hand is improving immensely, but you're still having problems wit h your serve." Rex: "Of course." Paul: "Can I be frank?" Susan: "Of course." Paul: "I don't care what her reasons were. Maybe she was depressed. Maybe she wa s bored. It doesn't matter. She abandoned her husband and her son. And I'll neve r forgive her." Gabrielle: "How was school?" John: "I got an A minus in biology." Gabrielle: "Show me what you you learned." Susan: "Lynette?" Lynette: "I'm in." Bree: "I'll make braised lamb shanks." Lynette: "I'm still in." Zach: "You didn't put in an obituary?" Paul: "I've been busy." Zach: "Maybe when you die, I won't put in an obituary." Susan: "How could we have all forgotten about this?" Lynette: "We didn't exactly forget, it's just usually when the hostess dies that party is off." Bree: "Lynette!" Lynette: "I'm not being flip, I'm just pointing out a reality." Carl: "The heart wants what it wants." Susan: "Well, my heart wants to hurt you, but I can control myself!" Gabrielle: (to Ashley, about kissing) "And some people kiss their friends, it's like a highfive on the lips!" Bree: "Rex cries after he ejaculates." [edit] Who's that Woman? Martha: "I was just thinking of that expression, Ill make mincemeat out of you.
Load more

Recommended publications
  • Say Yes to the Text
    Journal of Contemporary Rhetoric, Vol. 5, No.1/2, 2015, pp. 42-49. Say Yes to the Text Jennifer Burg In this essay, the author describes her experience as a participant in the reality television show Say Yes to the Dress. She delves into the production aspects of the show and her own feelings of identification with the production staff. She also considers the multiple audiences, both present and not present, in applying for, producing, and par- ticipating in a reality television show. Keywords: Audience, Autoethnography, Bridal Rituals, Femininity, Reality Television, Wedding Rituals Proposal For years when we were single, my best friend Jackie and I would come home from late nights out in NYC, climb into her bed with bowls of cereal, and watch TV until we fell asleep. Our fa- vorites were shows that aired on TLC, and of those we most loved Say Yes to the Dress. We took great pleasure in watching the brides-to-be try on, reject and select their dream dresses in the sparkly showroom of Kleinfeld, in the heart of Manhattan. We critiqued every ensemble, mar- veled at every price point, and added our own snarky commentary to that of the friends and fami- ly who came along to assist the soon-to-be-wed. We scrutinized everything from the tiaras to the toe clips and the whole lot in between. We had our favorite designers, and we knew the Kleinfeld consultants by name. Never did we think that we might actually have the experience that we so often watched: Jackie has two kids and is divorced; I was engaged once years ago, but that didn’t work out.
    [Show full text]
  • JULIETA by Pedro Almodóvar
    JULIETA by Pedro Almodóvar Julieta’s three houses in Madrid, at the three different stages in the story: House 1 is the one she shares with her daughter Antía, after Xoan’s death. 19, Fernando VI, Third Floor. From 1998 to 2006-2007. House 2 is the one to which she moves, after throwing out all the reminders of her daughter. A neutral, ugly neighborhood far from the center. Shortly after, Ava dies and Lorenzo appears in her life. 2006-2007 to 2016. House 3 is in the same building as House 1, 19, Fernando VI, Second Floor. Julieta moves there immediately after her encounter with Beatriz. At that moment she decides to stay in Madrid and not go to Portugal with Lorenzo. From 2016 to the end. 1. MADRID. JULIETA’S HOUSE 2. INT. IN THE MORNING. 2016. SPRING A red fabric fills the screen. Over it appear the opening credits. At first it gives a sensation of stillness, but with the insistence of the shot we discover that the fabric is moving, a slight, rhythmic movement. We discover that the fabric is the front of a dress and that Julieta’s heart is beating inside it. Julieta, an attractive woman of 55, independent and full of determination, a mixture of timidity and daring, fragility and courage. Blond. She is sitting next to a bookcase, surrounded by cardboard boxes, the kind used for moving house. She picks up a sculpture of naked, seated man, with the color and texture of terracotta (some 8 inches high), and wraps it carefully in bubble wrap.
    [Show full text]
  • Scanned Using Scannx OS15000 PC
    OHIO NEWS BUREAU INC. CLEVELAND, OHIO 44115 216/241-0675 COLUMBUS DISPBTCH COLUMBUS, OH, HM CIRC, 284,796 flPR-30-99 ^Night Music’ at ^^lOtterbein a lavish, lovely production By Midiael Grossberg Dispatch Theater Critic Shimmering with beauty, melody Theater review wit, A Little Night Music be­ A UWb NlgM HibIc, Otterbein comes a jeweled music box in the College's student production of deft hands of Otterbein College’s composer-lyricist Stephen Sondheim theater and music departments. ard author Hugh Wheeler’s musical. ' Lavish but unerringly tasteful, Directed by Dennis Romer. lovely but not gaudy, comically .................. Allison Sattinger broad but often delightfully subtle, Madame Armfeldt..... ...... Unda Dorff. the 'co-production ranks with Otter- Fredrik Egeiman ........Christopher Sloan'7 heir’s best spring musicals. Anne Egerman------ Ainanda Wheeler} ■ ■ Night Music is one of the most Cart-Magnus... .............. .Ayler Evan', ■challenging Stephen Sondheim Charlotte...... —... chrisi Carter ij “shows. Yet, Otterbein brings the ™ta............ ........... .... Jen Minter ,1973 Tony winner for best musical to Hennk................ Matthew DeVrienrt ^ftering life with grace, sophistica­ tion md seemingly effortless ease. Send In the bouquets - ..Director Dennis Romer and music Being performed at 8 tonight and ; director Kevin Purcell enhance the Saturday and 2 p.m. Sunday—and 7 wistful romanticism of Sondheim’s 8 p.m. May 6-8—in Cowan Hall, 30 ■< gorgeous score and author Hugh S. Grove Westerville. if. ,\yheeler’s portrait
    [Show full text]
  • Sitcom Spec Script Survey
    Sitcom Spec Script Survey 1. How would you rank yourself in terms of your sitcom writing experience? Response Response Percent Count No experience 20.5% 30 Beginner - understand the basics, but are still fairly 55.5% 81 inexperienced Advanced - written several scripts, but have not yet made any money 21.2% 31 from writing Professional - been paid to write 2.7% 4 answered question 146 skipped question 1 2. How many sitcom spec scripts have you written within the last year? Please only count COMPLETED drafts. Response Response Percent Count 0 - 2 93.8% 136 3 - 5 6.2% 9 6 - 10 0.7% 1 More than 10 0.0% 0 answered question 145 skipped question 2 1 of 18 3. Please list the sitcoms that you've specced within the last year: Response Count 95 answered question 95 skipped question 52 4. How many sitcom spec scripts are you currently writing or plan to begin writing during 2011? Response Response Percent Count 0 - 2 64.5% 91 3 - 4 30.5% 43 5 - 6 5.0% 7 answered question 141 skipped question 6 5. Please list the sitcoms in which you are either currently speccing or plan to spec in 2011: Response Count 116 answered question 116 skipped question 31 2 of 18 6. List any sitcoms that you believe to be BAD shows to spec (i.e. over-specced, too old, no longevity, etc.): Response Count 93 answered question 93 skipped question 54 7. In your opinion, what show is the "hottest" sitcom to spec right now? Response Count 103 answered question 103 skipped question 44 8.
    [Show full text]
  • Wiarnon How Do You Cook Leg of Lamb?
    A A. PAGE TWENTY-F0UR\ i ' THURSDAY, SEPTEMBER 4, 1969 ■ N ilanirlTPBtrr lEtiming fcralii ^ AviNage Dsily Net Press Run 9 m The W e e k M M Thp Weather VFW Auxiliary will hold a An open house will be held for A m 38, U M Cloudy with chance of drizzle About Town rummage sale next Wednesday Mi^ and Mrs. Thomas Albro, GOP Lead 35 Weiss Teaches at the poet home. Members may through Saturday noon. Low to­ formerly of 80 Winter St., on St. Bridget R o s a ^ Society bring articles for sAle to the Manchester • Democrats Course at MCC a s , 4 5 9 night in _the 60s. ’Tom onow’s will have its annual installation meeting Tuesday. Those wish­ Sunday from 2:30 to 8 p.m., at continue to cut Into the R e ­ high in the 7Da. 'v Town Manager Robert Weiss banquet Sept. 16 , at 6:30 p.m. ing to have articles picked up tlve home of their daughter and publican lead in registered,, Manehemter— A City of Pillage Charm started teaching a class la.t at W illie’s Steak House. Reser­ may call Mrs. Florence Plltt of son-ln-Iaw, Mr. and MrSj_ Jack voters, and the GOP margin, 816 Main St. night at Manchester Community VOL. LXXXVm. NO. 286 (TWENTY-FOUR PAGES—TWO SECTIONS) vations will close Monday. The Krafjack, . 100 Meadow Lark as of today,; is dofVn to 35, How do You MANCHESTER, OONN, FRIDAY, SEPTEMBER 5, 1969 / (C A M e m e M s m P li«e M ) College, and will conduct the PRICE TEN CENTS Rev.
    [Show full text]
  • Act One Fade In: Int. Studio Backstage
    30 ROCK 113: "The Head and The Hair" 1. Shooting Draft Third Revised (Yellow) 12/13/06 ACT ONE FADE IN: 1 INT. STUDIO BACKSTAGE - NIGHT 1 The show is in full swing. We hear a laugh from inside the studio, then applause and the band kicking in. The double doors burst open and JENNA, dressed as a fat old lady, LIZ, and a QUICK-CHANGE DRESSER enter the backstage chaos from the studio. In the background we see the STAGE MANAGER. STAGE MANAGER We’re back in two minutes! The dresser starts going to work on Jenna; tearing off a wig, casting aside props and jewelry. PETE is there. JENNA (to Liz) So are you gonna ask out the Head? Liz rolls her eyes. PETE The “Head”? LIZ There are these two MSNBC guys we keep seeing around. They just moved offices from New Jersey. We don’t know their names so we call them the Head and the Hair. PETE How come? FLASH BACK TO: 2 INT. ELEVATOR/ELEVATOR BANK - EARLIER THAT DAY 2 Liz and Jenna are on the elevator coming in to work. Two guys get on. One guy is super handsome and has great hair. This is THE HAIR, GRAY. The other guy is cranial and nerdy looking. This is THE HEAD. Liz smiles politely. Jenna gives the Hair a huge grin. GRAY Hey! You guys again. Jenna laughs too hard at this non-joke. 30 ROCK 113: "The Head and The Hair" 2. Shooting Draft Third Revised (Yellow) 12/13/06 JENNA How are things going? Are you settling in okay? GRAY We’re finding our way around.
    [Show full text]
  • Idea Xxviii/2 2016
    Rada Redakcyjna: Mira Czarnawska (Warszawa), Zbigniew Kaźmierczak (Białystok), Andrzej Kisielewski (Białystok), Jerzy Kopania (Białystok), Małgorzata Kowalska (Białystok), Dariusz Kubok (Katowice) Rada Naukowa: Adam Drozdek, PhD Associate Professor, Duquesne University, Pittsburgh, USA Anna Grzegorczyk, prof. dr hab., UAM w Poznaniu Vladimír Leško, Prof. PhDr., Uniwersytet Pavla Jozefa Šafárika w Koszycach, Słowacja Marek Maciejczak, prof. dr hab., Wydział Administracji i Nauk Społecznych, Politechnika Warszawska David Ost, Joseph DiGangi Professor of Political Science, Hobart and William Smith Colleges, Geneva, New York, USA Teresa Pękala, prof. dr hab., UMCS w Lublinie Tahir Uluç, PhD Associate Professor, Necmettin Erbakan Üniversitesi Ilahiyat Fakultesi (Wydział Teologii), Konya, Turcja Recenzenci: Vladimír Leško, Prof. PhDr. Andrzej Niemczuk, dr hab. Andrzej Noras, prof. dr hab. Tahir Uluç, PhD Associate Professor Redakcja: dr hab. Sławomir Raube (redaktor naczelny) dr Agata Rozumko, mgr Karol Więch (sekretarze) dr hab. Dariusz Kulesza, prof. UwB (redaktor językowy) dr Kirk Palmer (redaktor językowy, native speaker) Korekta: Zespół Projekt okładki i strony tytułowej: Tomasz Czarnawski Redakcja techniczna: Ewa Frymus-Dąbrowska ADRES REDAKCJI: Uniwersytet w Białymstoku Plac Uniwersytecki 1 15-420 Białystok e-mail: [email protected] http://filologia.uwb.edu.pl/idea/idea.htm ISSN 0860–4487 © Copyright by Uniwersytet w Białymstoku, Białystok 2016 Wydawnictwo Uniwersytetu w Białymstoku 15–097 Białystok, ul. Marii Skłodowskiej-Curie 14, tel. 857457120 http://wydawnictwo.uwb.edu.pl, e-mail: [email protected] Skład, druk i oprawa: Wydawnictwo PRYMAT, Mariusz Śliwowski, ul. Kolejowa 19, 15-701 Białystok, tel. 602 766 304, 881 766 304, e-mail: [email protected] SPIS TREŚCI WOJCIECH JÓZEF BURSZTA: Homo Barbarus w świecie algorytmów ................................................................................................. 5 ZBIGNIEW KAŹMIERCZAK: Demoniczność Boga jako założenie ekskluzywistycznego i inkluzywistycznego teizmu ..................................
    [Show full text]
  • Man Arrested in Joint Operation
    FOOD Queso dip so good you might just cry with happiness C4 SERVING SOUTH CAROLINA SINCE OCTOBER 15, 1894894 WEDNESDAY, SEPTEMBER 5, 2018 $1.00.00 Man arrested in joint operation Manning suspect sought in 3-county crime iff’s Office, grand Monday after a deputy with iff’s Office were able to arrest larceny over Clarendon County Sheriff’s Smith, whom authorities con- spree charged with attempted murder $10,000 by Man- Office received information sidered armed and dangerous, ning Police De- that placed Smith in that area. without incident and recover BY SHARRON HALEY began on Aug. 24, according partment and at- Law enforcement officers a vehicle that Smith had re- Special to The Sumter Item to Clarendon County Sheriff’s tempted armed with Clarendon County Sher- portedly stolen on Aug. 24. Office. SMITH robbery and at- iff’s Office and Manning Po- “There was outstanding co- MANNING — A 27-year-old Lamont Michael-Bryant tempted murder lice Department along with operation of multiple agencies Manning man was arrested Smith has been charged with by West Columbia assistance from the State Law working together that led to a Monday after leading authori- breach of trust/obtaining Police Department. Enforcement Division, North quick and peaceful resolution ties across a three-county goods under false pretenses Smith was arrested in the Charleston Police Department area on a crime spree that by Clarendon County Sher- North Charleston area on and Charleston County Sher- SEE ARREST, PAGE A8 Volunteers clean veterans’ gravesites during Decorate the Decorated event ‘I serve for my family.
    [Show full text]
  • An Interdisciplinary Journal of Undergraduate Research
    Knighted An Interdisciplinary Journal of Undergraduate Research 2021 Issue 4 Table of Contents Table of Contents………………………………………………………………………………….1 Introduction Welcome, Editorial Board, Mission, Submission Guidelines…………………………….2 Shakespeare’s Socioeconomics of Sack: Elizabethan vs. Jacobean as depicted by Falstaff in Henry IV, Part I, Christopher Sly in The Taming of the Shrew, and Stephano in The Tempest…………………………………………………………………………….Sierra Stark Stevens…4 The Devil Inside……...……………………………………………………...Sarah Istambouli...18 Blade Runner: The Film that Keeps on Giving…………………………..………Reid Vinson...34 Hiroshima and Nagasaki: A Necessary Evil….……………………..…………….Peter Chon…42 When Sharing Isn’t Caring: The Spread of Misinformation Post-Retweet/Share Button ……………………………………………………………...…………………Johnathan Allen…52 Invisible Terror: How Continuity Editing Techniques Create Suspense in The Silence of the Lambs…………………………………………………………………………..……..Garrentt Duffey…68 The Morality of Science in “Rappaccini’s Daughter” and Nineteenth- CenturyAmerica…………………………………………………………………Eunice Chon…76 Frederick Douglass: The Past, Present, and Future…………………………...Brenley Gunter…86 Identity and Color Motifs in Moonlight………………………………..................Anjunita Davis…97 Queerness as a Rebel’s Cause……………….………………………….Sierra Stark Stevens…108 The Deadly Cost of Justification: How the Irish Catholic Interpretation of the British Response to “Bloody Sunday” Elicited Outrage and Violence, January–April 1972……Garrentt Duffey…124 Steve Biko and the Black Consciousness Movement: How Young Students
    [Show full text]
  • 'Perfect Fit': Industrial Strategies, Textual Negotiations and Celebrity
    ‘Perfect Fit’: Industrial Strategies, Textual Negotiations and Celebrity Culture in Fashion Television Helen Warner Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Film and Television Studies Submitted July 2010 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author's prior, written consent. Helen Warner P a g e | 2 ABSTRACT According to the head of the American Costume Designers‟ Guild, Deborah Nadoolman Landis, fashion is emphatically „not costume‟. However, if this is the case, how do we approach costume in a television show like Sex and the City (1998-2004), which we know (via press articles and various other extra-textual materials) to be comprised of designer clothes? Once onscreen, are the clothes in Sex and the City to be interpreted as „costume‟, rather than „fashion‟? To be sure, it is important to tease out precise definitions of key terms, but to position fashion as the antithesis of costume is reductive. Landis‟ claim is based on the assumption that the purpose of costume is to tell a story. She thereby neglects to acknowledge that the audience may read certain costumes as fashion - which exists in a framework of discourses that can be located beyond the text. This is particularly relevant with regard to contemporary US television which, according to press reports, has witnessed an emergence of „fashion programming‟ - fictional programming with a narrative focus on fashion.
    [Show full text]
  • Emma Dornerus Breaking Maxims in Conversation a Comparative
    Institutionen för kultur och kommunikation Emma Dornerus Breaking maxims in conversation A comparative study of how scriptwriters break maxims in Desperate Housewives and That 70’s Show Engelska C-uppsats Datum/Termin: Höstterminen 2005 Handledare: Michael Wherrity Karlstads universitet 651 88 Karlstad Tfn 054-700 10 00 Fax 054-700 14 60 [email protected] www.kau.se Table of contents 1. INTRODUCTION AND AIM ............................................................................................. 1 2. BACKGROUND...................................................................................................................2 2.1 PRAGMATICS ..................................................................................................................... 2 2.2 GRICE ................................................................................................................................3 2.2.1 Implicature ................................................................................................................ 4 2.2.2 The Cooperative Principle ........................................................................................ 4 2.2.3 Conversational maxims............................................................................................. 5 2.2.3.1 The maxim of quantity............................................................................................ 5 2.2.3.2 The maxim of quality.............................................................................................. 5 2.2.3.3 The maxim of
    [Show full text]
  • Re-Election Open to All Undergrads Former Candidates React with for Students
    Undefeated women’s rugby team THE DAILY seeks funds sports Page 7 WEDNESDAY, APRIL 15, 2009 THE STUDENT VOICE EverOF WASHINGTON STATE UNIVERSITY SINCE 1895 greenVol 115 No. 136 LOCAL WSU will offer an online MBA Re-election open to all undergrads Former candidates react with for students. and Hendrickson to re-run. « THERE WERE SO MANY Beginning this fall, the mixed feelings toward another “Jay and I have every intention “I find it completely unfair,” he WSU College of Business to run in the re-election,” he said. said. “They were found guilty of MISTAKES THE J-BOARD will launch a 39-credit decision from the Election Board. “A J-Board verdict will not stop us faulty campaigning, but they are MADE ALONG THE WAY THAT online MBA program. from running.” being allowed to run anyway. That The program will work TAKE AWAY FROM By Dan Warn Other former tickets aren’t as in partnership with WSU’s Evergreen staff is like telling a murderer, ‘You are THEIR CREDIBILITY.» Center for Distance and optimistic. guilty, now go back on the streets.’” Professional Education The Election Board changed its While Jake Bredstrand said En’Wezoh said there are multi- and is accredited by The mind about how the ASWSU re- he is still weighing his options, ple sides to the story, and support- Derick En’Wezoh Association to Advance election will run. Ryan Mulenga and Sarah Driscoll ers of every ticket violated bylaws. Student Regent Collegiate Schools of Instead of its original decision declined to participate in a re- It is possible that his ticket was for En’Wezoh and Hendrickson in Business.
    [Show full text]