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Desperate Housewives a Lot Goes on in the Strange Neighborhood of Wisteria Lane
Desperate Housewives A lot goes on in the strange neighborhood of Wisteria Lane. Sneak into the lives of five women: Susan, a single mother; Lynette, a woman desperately trying to b alance family and career; Gabrielle, an exmodel who has everything but a good m arriage; Bree, a perfect housewife with an imperfect relationship and Edie Britt , a real estate agent with a rocking love life. These are the famous five of Des perate Housewives, a primetime TV show. Get an insight into these popular charac ters with these Desperate Housewives quotes. Susan Yeah, well, my heart wants to hurt you, but I'm able to control myself! How would you feel if I used your child support payments for plastic surgery? Every time we went out for pizza you could have said, "Hey, I once killed a man. " Okay, yes I am closer to your father than I have been in the past, the bitter ha tred has now settled to a respectful disgust. Lynette Please hear me out this is important. Today I have a chance to join the human rac e for a few hours there are actual adults waiting for me with margaritas. Loo k, I'm in a dress, I have makeup on. We didn't exactly forget. It's just usually when the hostess dies, the party is off. And I love you because you find ways to compliment me when you could just say, " I told you so." Gabrielle I want a sexy little convertible! And I want to buy one, right now! Why are all rich men such jerks? The way I see it is that good friends support each other after something bad has happened, great friends act as if nothing has happened. -
Desperate Housewives
Desperate Housewives Titre original Desperate Housewives Autres titres francophones Beautés désespérées Genre Comédie dramatique Créateur(s) Marc Cherry Musique Steve Jablonsky, Danny Elfman (2 épisodes) Pays d’origine États-Unis Chaîne d’origine ABC Nombre de saisons 5 Nombre d’épisodes 108 Durée 42 minutes Diffusion d’origine 3 octobre 2004 – en production (arrêt prévu en 2013)1 Desperate Housewives ou Beautés désespérées2 (Desperate Housewives en version originale) est un feuilleton télévisé américain créé par Charles Pratt Jr. et Marc Cherry et diffusé depuis le 3 octobre 2004 sur le réseau ABC. En Europe, le feuilleton est diffusé depuis le 8 septembre 2005 sur Canal+ (France), le 19 mai sur TSR1 (Suisse) et le 23 mai 2006 sur M6. En Belgique, la première saison a été diffusée à partir de novembre 2005 sur RTL-TVI puis BeTV a repris la série en proposant les épisodes inédits en avant-première (et avec quelques mois d'avance sur RTL-TVI saison 2, premier épisode le 12 novembre 2006). Depuis, les diffusions se suivent sur chaque chaîne francophone, (cf chaque saison pour voir les différentes diffusions : Liste des épisodes de Desperate Housewives). 1 Desperate Housewives jusqu'en 2013 ! 2La traduction littérale aurait pu être Ménagères désespérées ou littéralement Épouses au foyer désespérées. Synopsis Ce feuilleton met en scène le quotidien mouvementé de plusieurs femmes (parfois gagnées par le bovarysme). Susan Mayer, Lynette Scavo, Bree Van De Kamp, Gabrielle Solis, Edie Britt et depuis la Saison 4, Katherine Mayfair vivent dans la même ville Fairview, dans la rue Wisteria Lane. À travers le nom de cette ville se dégage le stéréotype parfaitement reconnaissable des banlieues proprettes des grandes villes américaines (celles des quartiers résidentiels des wasp ou de la middle class). -
The Desperate Housewives Cookbook
(Mobile pdf) The Desperate Housewives Cookbook The Desperate Housewives Cookbook Christopher Styler, Scott S. Tobis ebooks | Download PDF | *ePub | DOC | audiobook #383480 in Books Hyperion 2006-09-26 2006-09-26Original language:EnglishPDF # 1 10.38 x 1.00 x 8.25l, 2.46 #File Name: 1401302777273 pages | File size: 35.Mb Christopher Styler, Scott S. Tobis : The Desperate Housewives Cookbook before purchasing it in order to gage whether or not it would be worth my time, and all praised The Desperate Housewives Cookbook: 2 of 2 people found the following review helpful. Excellent bookBy Mathew L. MorrisonI'm very passionate about cooking, and Desperate Housewives is my favorite show hands down. I really enjoy thi book; so far the recipes I have made were sucesses and the ones I have not tried look good. Susan's macaroni and cheese was a huge hit at a barbeque I attended, it went in 10 minutes and I was lucky to have gotten a serving for myself. The only problem for me is that this cookbook is not made with college students on budget in mind; I'm desperate to make Bree's Basil Puree, but have yet to get enough basil to make it...I"m getting there though. Excellent addition to any cook's collection.Now I'm ready to have a volume two in this collection, a few things could include Katherine Mayfair' brioche, lemon pie, and her baking. Bob and Lee could be included with recipes for cocktails, and Angie Bolen's Italian family recipes would also be a great addition to the cookbook. -
The Good 5 Cent Cigar (3/2/2012) University of Rhode Island
University of Rhode Island DigitalCommons@URI The Good 5 eC nt Cigar (Student Newspaper) University Archives 3-2-2012 The Good 5 Cent Cigar (3/2/2012) University of Rhode Island Follow this and additional works at: http://digitalcommons.uri.edu/cigar Recommended Citation University of Rhode Island, "The Good 5 eC nt Cigar (3/2/2012)" (2012). The Good 5 Cent Cigar (Student Newspaper). Book 72. http://digitalcommons.uri.edu/cigar/72http://digitalcommons.uri.edu/cigar/72 This Book is brought to you for free and open access by the University Archives at DigitalCommons@URI. It has been accepted for inclusion in The Good 5 Cent Cigar (Student Newspaper) by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. THE UNIVERSITY OF RHODE ISLAND STUDENT NEWSPAPER SINCE 1971 Volume 61 'Just what this country needs ' Friday Issue 68 . www.ramcigar.com . March 2, 2012 The University of Rhode selves." Island Gay-Straight Alliance Sit said he agreed, explaining (GSA) teamed up with the that URI is lucky to have such a BY BRIANNA RESTO Lesbian, Gay, Bisexual, strong support group on campus. Trans gender and Queer (LGBTQ) News Reporter "It's great to have people Center to hold' a rally protesting who are willing to use the univer .harassment and cyberbullying. The University of . Rhode sity slogan, 'Think Big,; not just Island English department ·.is More than 40 students, facul about themselves, but those holding five writing contests ty, and staff came to the "Love is around them," he said. "No man Louder'' rally held in Atrium 1 of that will last throughout most is an island and when one of us of the month of March: the the Memorial Union on gets hurt, it's all of us." Wednesday. -
PERCHÉ SI DISPERA BREE VAN DE KAMP? Amnesia Vivace N.20 – Dicembre 2006 - © FABIO MASSIMO FRANCESCHELLI
PERCHÉ SI DISPERA BREE VAN DE KAMP? Amnesia Vivace n.20 – dicembre 2006 - © FABIO MASSIMO FRANCESCHELLI Perché si Dispera Bree Van De Kamp? Desperate Housewives Di Marc Cherry Produzione Touchstone Television Marcia Cross = Bree Van De Kamp; Teri Hatcher = Susan Mayer; Felicity Huffman = Lynette Scavo; Eva Longoria = Gabrielle Solis; Nicollette Sheridan = Edie Britt; Brenda Strong = Mary Alice Young; Steven Culp = Rex Van De Kamp; James Denton = Mike Delfino; Ricardo Antonio Chavira = Carlos Solis; Mark Moses = Paul Young; Doug Savant = Tom Scavo; Andrea Bowen = Julie Mayer; Cody Kasch = Zach Young; Jesse Metcalfe = John Rowland; Joy Lauren = Danielle Van De Kamp; Shawn Pyfrom = Andrew Van De Kamp "da sinistra: Gabrielle, Susan, Bree, Lynette" Che Desperate Housewives sia uno dei principali successi televisivi delle ultime stagioni è cosa ben nota; è sufficiente una ricerca su google per rendersi conto dell'incredibile numero di siti o di forum dedicati alla serie americana. Più arduo è spiegare tale successo, o meglio, spiegarlo senza ricorrere alle ovvietà. Le ovvietà stanno nel constatare, ad esempio, che è ben scritto: sembrerebbe a prima vista non proporre proprio nulla di nuovo ma in realtà presenta una compiutezza ed una omogeneità raggiunta attraverso la difformitù di generi di cui si avvale, attraverso il trarre elementi dal dramma, dalla commedia, dalla soap opera, dalla satira, dal giallo. È girato con un montaggio serrato ma sostenibile; occhieggia alla sit-com per la prevalenza di scene da interni, di comici equivochi, di intrecci che si risolvono nell'arco della singola puntata, ma se ne distanzia per la presenza costante di un chiaro progetto di vita che dà forma ai personaggi, e che continuamente evolve con il susseguirsi di accadimenti che lasciano tracce almeno sino alla successiva puntata. -
Gender Stereotypes in Desperate Housewives
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Croatian Digital Thesis Repository Sveučilište u Zadru Odjel za anglistiku Preddiplomski studij engleskog jezika i književnosti (dvopredmetni) Martina Matijević Gender Stereotypes in Desperate Housewives Završni rad Zadar, 2018. Sveučilište u Zadru Odjel za anglistiku Preddiplomski studij engleskog jezika i književnosti (dvopredmetni) Gender Stereotypes in Desperate Housewives Završni rad Student/ica: Mentor/ica: Martina Matijević Dr. sc. Zlatko Bukač Zadar,2018. Izjava o akademskoj čestitosti Ja, Martina Matijević, ovime izjavljujem da je moj završni rad pod naslovom Gender Stereotyes in Desperate Housewives rezultat mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na izvore i radove navedene u bilješkama i popisu literature. Ni jedan dio mojega rada nije napisan na nedopušten način, odnosno nije prepisan iz necitiranih radova i ne krši bilo čija autorska prava. Izjavljujem da ni jedan dio ovoga rada nije iskorišten u kojem drugom radu pri bilo kojoj drugoj visokoškolskoj, znanstvenoj, obrazovnoj ili inoj ustanovi. Sadržaj mojega rada u potpunosti odgovara sadržaju obranjenoga i nakon obrane uređenoga rada. Zadar, 26. rujan 2018. Table of contents 1 Introduction ......................................................................................................................... 1 2 Desperate Housewives ........................................................................................................ 2 3 Representation -
Desperate Housewives, Miroir Tendu Au(X) Féminisme(S) Américain(S) ?
UNIVERSITÉ FRANÇOIS - RABELAIS DE TOURS ÉCOLE DOCTORALE SCIENCES DE L’HOMME ET DE LA SOCIÉTÉ GROUPE DE RECHERCHE ANGLO-AMÉRICAINE DE TOURS (GRAAT) THÈSE présentée par : Virginie MARCUCCI soutenue le : 27 novembre 2010 pour obtenir le grade de : Docteur de l’Université François - Rabelais Discipline/ Spécialité : Anglais/Civilisation américaine DESPERATE HOUSEWIVES, MIROIR TENDU AU(X) FÉMINISME(S) AMÉRICAIN(S) ? THÈSE dirigée par : M. GUILBERT, Georges-Claude Professeur des Universités, Université François – Rabelais - Tours RAPPORTEURS : Mme ANDREOLLE, Donna Professeur des Universités, Université Stendhal Grenoble III Mme FILLARD, Claudette Professeur des Universités, Université Lumière Lyon II JURY : Mme ANDREOLLE, Donna Professeur des Universités, Université Stendhal Grenoble III Mme FILLARD, Claudette Professeur des Universités, Université Lumière Lyon II Mme FRAU-MEIGS, Divina Professeur des Universités, Université Paris III (Présidente) M. GUILBERT, Georges-Claude Professeur des Universités, Université François-Rabelais Mme MICHLIN, Monica Maître de Conférences, Université Paris IV A Nicolas, qui rend tout possible 1 Remerciements Merci tout d’abord à Monsieur Georges-Claude Guilbert d’avoir accepté de diriger ce travail de recherche, de m’avoir guidée tout au long de ces trois années par ses conseils avisés, de m’avoir encouragée dans les moments de doute et fait découvrir un monde d’idées que je n’imaginais pas. Merci à Mesdames Donna Andréolle, Claudette Fillard, Divina Frau-Meigs et Monica Michlin d’avoir accepté de faire partie de mon jury et de lire ce travail de recherche. Merci aux doctorants du GRAAT pour leur écoute et leurs conseils et merci à mes collègues (parfois compagnons de thèse) Mathias, Romain et Valérie. -
This Is a Test
‘HONEYMOON FOR ONE’ CAST BIOS NICOLLETTE SHERIDAN (Eve Parker) – Nicollette Sheridan has won a worldwide audience with her past television and film roles. She has exploded on the small screen with her Golden Globe nominated role of Edie Britt, the hilarious and audacious bombshell of Wisteria Lane, on ABC’s hit show “Desperate Housewives.” Sheridan was honored in her native England, receiving the 2006 Glamour Women of the Year Award for Best U.S. TV Actress, adding to her back-to-back 2005-2006 Screen Actors Guild Awards. Born and raised in England, Sheridan discovered a passion for ballet as a small child and studied furiously, broadening her love of the arts as a student at the Arts Educational School in London. In addition to theatre, she nurtured her talents as an avid equestrienne along with a rigorous thirst for reading and a love of Shakespeare. Moving to Los Angeles and being courted to explore her talents was a natural progression. Sheridan became a household name portraying the beautiful, powerful and manipulative Paige Matheson on “Knots Landing.” This led to a myriad of other roles including those in “The People Next Door” with Faye Dunaway, “A Time To Heal” opposite Gary Cole, “Indictment: The McMartin Trial” with James Woods and “Dead Husbands” with John Ritter, along with a special guest appearance on the season finale of “Will & Grace.” Sheridan was first introduced to film audiences in Rob Reiner’s “The Sure Thing” opposite John Cusack, going on to appear in other film comedies such as “Noises Off” opposite Michael Caine, “Spy Hard” opposite Leslie Neilson and “Beverly Hills Ninja” with Chris Farley and Chris Rock. -
History in the Opening Sequence of Desperate Housewives
Power of the intro – Satirical representation of female gender norms and oppression throughout history in the opening sequence of Desperate Housewives Sara Latvala Bachelor’s Thesis English Languages and Literature Faculty of Humanities University of Oulu Autumn 2020 Abstract Desperate Housewives is one of the most popular television series of our time. In the masculine entertainment industry, a show focusing on women has without doubt raised discussion. Past research has focused only on analyzing gender norms in the characters and the plot of the series, even accusing Desperate Housewives of supporting these old-fashioned models. This study obtains a new angle and aims to prove that through portraying norms Desperate Housewives, in fact, aims to break them and reveal society’s harmful gendered power structures. Furthermore, this study will focus on the show’s opening sequence. 21st century’s opening sequences rely on heavy symbolism and hidden meanings to convey the whole message of the show in a few seconds. Thus, the socio-critical agenda of the show can be identified through examining its symbolic opening. Discourse analysis and critical discourse analysis were used to identify rhetorical devices, symbols, metaphors and hidden meanings in the opening. Results show that Desperate Housewives portrays many female gender norms and gender inequality, for example motherhood, housewifery and housekeeping. The results also prove that Desperate Housewives is in fact a highly socio-critical satire that aims to make a mockery out of the old-fashioned gender norms that it seeks to change. Tiivistelmä Täydelliset naiset on yksi aikamme suosituimmista televisio-ohjelmista. Miesvaltaisessa viihdeteollisuudessa täysin naisiin keskittyvä ohjelma herättää kiistämättä keskustelua. -
Desperate Housewives
Etudes genre/ Mémoire de certificat Mai 2007 RÉFLEXION DE FEMMES SUR DES FEMMES ::: ETUDE DE RÉCEPTION DE LA SÉRIE TÉLÉVISÉE DESPERATE HOUSEWIVES Friche Pape Marie-Josée Rue du 23 Juin 11 2800 Delémont - 1 - Etudes genre/ Mémoire de certificat Mai 2007 Table des matières 1. Introduction p.3 2. Résumé p.3 3. Cadre théorique p.4 4. Méthodologie p.8 5. Analyse personnelle p.10 6. Analyse de réception p.14 6.1. Profil des personnes interrogées p. 14 6.2. Analyse de niveau dénotatif p.15 6.3. Analyse de niveau connotatif p.18 6.4. Synthèse p.23 7. Limites du travail p.24 8. Conclusion p.24 9. Bibliographie p.26 10. Annexes p.27 - 2 - Etudes genre/ Mémoire de certificat Mai 2007 1. Introduction Toute production culturelle, que ce soit littéraire, cinématographique ou musicale, s’inscrit dans un contexte social qui lui est propre. Il en est de même pour les productions télévisées, censées refléter notre société contemporaine, l’interroger, la remettre en question. Desperate Housewives a connu et connaît, contre toute attente, un succès phénoménal aussi bien en Europe qu’aux USA. On peut s’interroger sur les raisons de ce succès, puisque le quotidien de cinq femmes au foyer ne semble de prime abord pas des plus passionnants. Qu’apporte une fiction à une réflexion plus large sur le rôle social des femmes dans la société occidentale ? Le public concerné s’approprie-t-il les propos tenus dans la fiction ou au contraire les utilise-t-il pour se distancer de façon critique de l’univers fictionnel, voire de sa propre situation ? La fiction est-elle le miroir exact ou au contraire déformant de la réalité ? Telles sont les questions que nous aborderons dans le présent travail. -
The Implications of Female American Ideals Presented in Popular Television and Advertising
Union College Union | Digital Works Honors Theses Student Work 6-2012 The mplicI ations of Female American Ideals Presented in Popular Television and Advertising Siobhan Matty Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the American Material Culture Commons Recommended Citation Matty, Siobhan, "The mpI lications of Female American Ideals Presented in Popular Television and Advertising" (2012). Honors Theses. 859. https://digitalworks.union.edu/theses/859 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. The Implications of Female American Ideals Presented in Popular Television and Advertising By Siobhan Genevieve Matty Submitted in Partial Fulfillment Of the Requirements for Graduation In the Department of American Studies UNION COLLEGE March, 2012 Contents Abstract…………………..…………………..…………………..…………………..…….iii-vii Chapter One: Introduction…………………..…………………..…………………..……………………....1-6 Chapter Two: Literature Review…………..…………………..…………………..……..…7-22 Chapter Three: American Beauty …………..…………………..…………………..…..…23-41 Chapter Four: Sexuality, Love, and Relationships ……………..…………………..…..…42-74 Chapter Five: Work, Family, and Parenting ……………..…………………..……………75-98 Chapter Six: Conclusion………………………………………………………………………………...99-103 Bibliography………………………………………………………………………..........104-105 ii ABSTRACT Matty, Siobhan Genevieve The Implications of Female American Ideals Presented in Popular Television and Advertising My thesis examines the ways in which media and popular television reinforce stereotypes of femininity. Throughout the chapters, I assess whether or not various outlets of media leave space for improvement. For television series, I have focused on Desperate Housewives and Weeds. The two series incorporate several important aspects of the female American experience and lifestyle. -
Retrograde Returns of the American Housewife: Reimagining an Old Character in a New Millennium Ruth Emelia Wollersheim University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations December 2015 Retrograde Returns of the American Housewife: Reimagining an Old Character in a New Millennium Ruth Emelia Wollersheim University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Film and Media Studies Commons, Gender and Sexuality Commons, and the United States History Commons Recommended Citation Wollersheim, Ruth Emelia, "Retrograde Returns of the American Housewife: Reimagining an Old Character in a New Millennium" (2015). Theses and Dissertations. 1094. https://dc.uwm.edu/etd/1094 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. RETROGRADE RETURNS OF THE AMERICAN HOUSEWIFE: REIMAGINING AN OLD CHARACTER IN A NEW MILLENNIUM by Ruth Wollersheim A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee December 2015 ABSTRACT RETROGRADE RETURNS OF THE AMERICAN HOUSEWIFE: REIMAGINING AN OLD CHARACTER IN A NEW MILLENIUM by Ruth Wollersheim The University of Wisconsin-Milwaukee, 2015 Under the Supervision of Professor Patrice Petro This dissertation explores the immensely popular return of the housewife character in the twenty-first century. From films like The Stepford Wives (2004), to television dramas like Desperate Housewives (2004-2012) and The Good Wife (2009- ), to reality shows like Wife Swap (2004- ), Bravo’s The Real Housewives franchise (2006- ), Basketball Wives (2010- ), Mob Wives (2011- ), and most recently on the blogosphere with personalities like The Pioneer Woman, Ree Drummond, the housewife character has reentered our imaginations on a mass scale.