The Desperate Housewives Cookbook
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Re-Election Open to All Undergrads Former Candidates React with for Students
Undefeated women’s rugby team THE DAILY seeks funds sports Page 7 WEDNESDAY, APRIL 15, 2009 THE STUDENT VOICE EverOF WASHINGTON STATE UNIVERSITY SINCE 1895 greenVol 115 No. 136 LOCAL WSU will offer an online MBA Re-election open to all undergrads Former candidates react with for students. and Hendrickson to re-run. « THERE WERE SO MANY Beginning this fall, the mixed feelings toward another “Jay and I have every intention “I find it completely unfair,” he WSU College of Business to run in the re-election,” he said. said. “They were found guilty of MISTAKES THE J-BOARD will launch a 39-credit decision from the Election Board. “A J-Board verdict will not stop us faulty campaigning, but they are MADE ALONG THE WAY THAT online MBA program. from running.” being allowed to run anyway. That The program will work TAKE AWAY FROM By Dan Warn Other former tickets aren’t as in partnership with WSU’s Evergreen staff is like telling a murderer, ‘You are THEIR CREDIBILITY.» Center for Distance and optimistic. guilty, now go back on the streets.’” Professional Education The Election Board changed its While Jake Bredstrand said En’Wezoh said there are multi- and is accredited by The mind about how the ASWSU re- he is still weighing his options, ple sides to the story, and support- Derick En’Wezoh Association to Advance election will run. Ryan Mulenga and Sarah Driscoll ers of every ticket violated bylaws. Student Regent Collegiate Schools of Instead of its original decision declined to participate in a re- It is possible that his ticket was for En’Wezoh and Hendrickson in Business. -
Desperate Housewives a Lot Goes on in the Strange Neighborhood of Wisteria Lane
Desperate Housewives A lot goes on in the strange neighborhood of Wisteria Lane. Sneak into the lives of five women: Susan, a single mother; Lynette, a woman desperately trying to b alance family and career; Gabrielle, an exmodel who has everything but a good m arriage; Bree, a perfect housewife with an imperfect relationship and Edie Britt , a real estate agent with a rocking love life. These are the famous five of Des perate Housewives, a primetime TV show. Get an insight into these popular charac ters with these Desperate Housewives quotes. Susan Yeah, well, my heart wants to hurt you, but I'm able to control myself! How would you feel if I used your child support payments for plastic surgery? Every time we went out for pizza you could have said, "Hey, I once killed a man. " Okay, yes I am closer to your father than I have been in the past, the bitter ha tred has now settled to a respectful disgust. Lynette Please hear me out this is important. Today I have a chance to join the human rac e for a few hours there are actual adults waiting for me with margaritas. Loo k, I'm in a dress, I have makeup on. We didn't exactly forget. It's just usually when the hostess dies, the party is off. And I love you because you find ways to compliment me when you could just say, " I told you so." Gabrielle I want a sexy little convertible! And I want to buy one, right now! Why are all rich men such jerks? The way I see it is that good friends support each other after something bad has happened, great friends act as if nothing has happened. -
Desperate Housewives
Corso di Laurea magistrale in Musicologia e Scienze dello Spettacolo Tesi di Laurea Ai confini della serialità televisiva. Il caso Desperate Housewives Relatore Prof.ssa Valentina Carla Re Correlatori Prof.ssa Francesca Bisutti Prof. Fabrizio Borin Laureando Marta Bernardi Matricola 831546 Anno Accademico 2012 / 2013 2 Santa Marta protettrice delle casalinghe … Anche quelle disperate Ringraziamenti. Si ringrazia mamma e papà per il supporto e l’incoraggiamento a non mollare mai. Irene e Nadia, le mie sorelle perché la vita famigliare senza di loro sarebbe stata a dir poco noiosa. Insieme abbiamo passato dei bellissimi momenti che porterò sempre nel mio cuore. Un grazie anche a Giovanni e alla sua personalità perché riescono sempre a farmi sorridere anche nei momenti di maggior difficoltà. Infine un grazie alla Facoltà di Ingegneria di Trento perché ho capito quello che non avrei mai voluto diventare. 3 4 SOMMARIO INTRODUZIONE p. 7 I. UN QUADRO GENERALE: SULL’INIZIO E SULLA FINE NELLA SERIE SERIALIZZATA p. 13 I.1. SULLA NATURA DELLA SERIE SERIALIZZATA p. 15 I.2. LA COMPLESSITÁ NARRATIVA: CLIFFHANGER, INIZIO EPISODIO, EPISODIO PILOTA, LA CHIUSURA. p. 26 II. DESPERATE HOUSEWIVES. LA SERIE. II.1. L’EPITESTO PUBBLICO: LA GUIDA UFFICIALE DI DESPERATE HOUSEWIVES p. 58 II.2. LA SIGLA p. 71 II.3. L’EPISODIO PILOTA p. 102 II.4.TRA ANTHOLOGY PLOT E RUNNING PLOT, L’IMPORTANZA DEL RACCONTO E DELLE SUE REGOLE p. 135 II.5. IL GRAN FINALE p. 186 APPENDICE p. 321 BIBLIOGRAFIA p. 237 5 6 INTRODUZIONE Negli ultimi anni il panorama televisivo si è profondamente trasformato. I cambiamenti sopraggiunti hanno portato ad una nuova forma di serialità televisiva, di cui Desperate Housewives rappresenta un caso esemplare. -
Dossiers Feministes 17
RECETAS E IDENTIDADES EN WISTERIA LANE. EL UNIVERSO CULINARIO DE BREE VAN DE KAMP1 RECIPES AND IDENTITIES IN WISTERIA LANE. THE CULINARY UNIVERSE OF BREE VAN DE KAMP Nieves Alberola Crespo Universitat Jaume I de Castellón RESUMEN Según Carole Counihan, «la comida es un prisma que absorbe y refleja un ejército de fenómenos culturales». Utilizando como eje central un personaje de la conocida serie televisiva Mujeres desesperadas, Bree Van de Kamp, examino en este ensayo como identidades y comidas se crean y se recrean, se funden y se confunden en el variopinto vecindario de Wisteria Lane dando como resultado una mezcla de culturas en un intento por subvertir/cuestionar lo establecido, lo heredado y abrazar una diversidad de difícil digestión ya que la sociedad estadounidense incongruentemente ha absorbido, digerido y aceptado como propios los platos típicos de diferentes culturas y al mismo tiempo todavía hoy encuentra indigesto más de un plato foráneo. Palabras clave: Mujeres desesperadas, comida, identidad, Bree Van de Kamp, postfeminismo. ABSTRACT According to Carole Counihan, «food is a prism that absorbs and reflects a host of cultural phenomena». Around a core character of Desperate Housewives, Bree Van de Kamp, this essay explores how identities and meals are born and re-born but fused and confused are turning out into a melting pot of cultures LA CULTURA E IDENTIDAD COMIDA DE LAS GÉNERO, COCINAS: within the suburban area of Wisteria Lane. There is an attempt to question whatever is old-established and inherited whilst coping with a diversity of hard digestion in as much as the U.S.A. -
Beyond Postmodern Margins: Theorizing Postfeminist Consequences Through Popular Female Representation
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2008 Beyond Postmodern Margins: Theorizing Postfeminist Consequences Through Popular Female Representation Victoria Mosher University of Central Florida Part of the Women's Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Mosher, Victoria, "Beyond Postmodern Margins: Theorizing Postfeminist Consequences Through Popular Female Representation" (2008). Electronic Theses and Dissertations, 2004-2019. 3605. https://stars.library.ucf.edu/etd/3605 BEYOND POSTMODERN MARGINS: THEORIZING POSTFEMINIST CONSEQUENCES THROUGH POPULAR FEMALE REPRESENTATION by VICTORIA MOSHER B.A. University of Central Florida, 2003 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2008 ©2008 Victoria Mosher iii ABSTRACT In 1988, Linda Nicholson and Nancy Fraser published an article entitled “Social Criticism Without Philosophy: An Encounter Between Feminism and Postmodernism,” arguing that this essay would provide a jumping point for discussion between feminisms and postmodernisms within academia. Within this essay, Nicholson and Fraser largely disavow a number of second wave feminist theories due to their essentialist and foundationalist underpinnings in favor of a set of postmodernist frameworks that might help feminist theorists overcome these epistemological impediments. -
2009 Annual Report
2009 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs PALEYDOCEVENTS ..................................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................15 PALEYDOCFEST .......................................................................................................................................19 PALEYFEST: Fall TV Preview Parties ..........................................................................................................20 PALEYFEST: William S. Paley Television Festival ..........................................................................................21 Robert M. -
Desperate Housewives
Desperate Housewives Titre original Desperate Housewives Autres titres francophones Beautés désespérées Genre Comédie dramatique Créateur(s) Marc Cherry Musique Steve Jablonsky, Danny Elfman (2 épisodes) Pays d’origine États-Unis Chaîne d’origine ABC Nombre de saisons 5 Nombre d’épisodes 108 Durée 42 minutes Diffusion d’origine 3 octobre 2004 – en production (arrêt prévu en 2013)1 Desperate Housewives ou Beautés désespérées2 (Desperate Housewives en version originale) est un feuilleton télévisé américain créé par Charles Pratt Jr. et Marc Cherry et diffusé depuis le 3 octobre 2004 sur le réseau ABC. En Europe, le feuilleton est diffusé depuis le 8 septembre 2005 sur Canal+ (France), le 19 mai sur TSR1 (Suisse) et le 23 mai 2006 sur M6. En Belgique, la première saison a été diffusée à partir de novembre 2005 sur RTL-TVI puis BeTV a repris la série en proposant les épisodes inédits en avant-première (et avec quelques mois d'avance sur RTL-TVI saison 2, premier épisode le 12 novembre 2006). Depuis, les diffusions se suivent sur chaque chaîne francophone, (cf chaque saison pour voir les différentes diffusions : Liste des épisodes de Desperate Housewives). 1 Desperate Housewives jusqu'en 2013 ! 2La traduction littérale aurait pu être Ménagères désespérées ou littéralement Épouses au foyer désespérées. Synopsis Ce feuilleton met en scène le quotidien mouvementé de plusieurs femmes (parfois gagnées par le bovarysme). Susan Mayer, Lynette Scavo, Bree Van De Kamp, Gabrielle Solis, Edie Britt et depuis la Saison 4, Katherine Mayfair vivent dans la même ville Fairview, dans la rue Wisteria Lane. À travers le nom de cette ville se dégage le stéréotype parfaitement reconnaissable des banlieues proprettes des grandes villes américaines (celles des quartiers résidentiels des wasp ou de la middle class). -
Literally, Right Before Aaron
SCREEN MEDIA FILMS PRESENTS LITERALLY, RIGHT BEFORE AARON A RIZK PICTURES PRODUCTION & IS THIS REEL FILM Directed, Written, and Edited by Ryan Eggold Theatrical Release Date: September 29, 2017 Running Time: 101 minutes Rating: Not rated Trailer: https://youtu.be/5zxz7JqyPyY Official Website: www.rightbeforeaaron.com Facebook: www.facebook.com/screenmediafilm Twitter: www.twitter.com/screenmediafilm To Download Materials: https://www.dropbox.com/sh/lb294xlzpd7uv0k/AABUTe- K5qWhBgZlIiOtubh_a?dl=0 Publicity/Press Contact: New York Los Angeles Falco Ink. Prodigy PR [email protected] Alex Klenert, [email protected] [email protected] Hanna Frankel, [email protected] Produced by Cassandra Kulukundis, Ryan Eggold, Alexandra Rizk Keane, Nancy Leopardi, Ross Kohn Co-Produced by Marcus Cole Associate Produced by Sean Rappleyea Starring Justin Long, Cobie Smulders, Ryan Hansen, John Cho, Kristen Schaal, Dana Delany, Peter Gallagher, Lea Thompson, and Luis Guzmán SYNOPSIS After Adam (Justin Long) gets a call from his ex-girlfriend Allison (Cobie Smulders) telling him she is getting married, Adam realizes he is just not ready to say goodbye. Against the advice of his best friend Mark (John Cho), Adam decides to drive back home to San Francisco to attend the wedding in hopes of convincing himself and everyone else, including her charming fiancé Aaron (Ryan Hansen), that he is truly happy for her. After a series of embarrassing, hilarious, and humbling situations, Adam discovers the comedy in romance, the tragedy of letting go and the hard truth about growing up. RYAN EGGOLD, DIRECTOR STATEMENT The disparity between the fantasy of love and the reality of relationships has always fascinated me. -
Superwoman Vs the Desperate Housewife”
Exemplar for internal assessment resource English for Achievement Standard 91475 Superwoman vs The Desperate Housewife” "Desperate Housewives" aren’t just found on Wisteria Lane in Television City. They can be found in every walk of life as the result of social change over the last four decades. Forty years ago feminism was at a peak. Frustrated, bitter women wanted all the same rights as men, including being able to go out into the workforce instead of being slotted into the role of traditional housewife. Early feminists, Betty Friedan, Gloria Steinem, and New Zealander Sue “its not your penis we envy - it’s your freedom,” Kedgley paved the way for new generations of women, making them believe that they could be Superwoman and have it all, run a household, look after their children, spend time with their hubby and friends as well as have a successful career. But some would say this just set women up for a fall in the future. And they’re right. Today, more and more women are deciding that while it is possible to juggle all these factors, it‘s simply too difficult. Being Superwoman doesn’t mean that women achieve at a super high level across the board, impressing everyone with their “amazing powers” with a quick flick of their red cape and toss of their tiara topped hair. No, it means difficult choices have to be made: women can’t neglect their children but they can’t neglect their job either, not if they want that promotion. Guilt comes naturally to women. If they aren't being 'Superwoman', they feel guilty. -
The Road to Wisteria Lane Christine Estabrook ’73 on a Life in Acting and ‘Desperate Housewives’ from Taverntavern to Tenor Music Man Reverend Doctor Grandma
OSWEGOOSWEGOALUMNI ASSOCIATION OF THE STATE UNIVERSITY OF NEW YORK AT OSWEGO VOL. 31, NO. 1 SPRING 2005 The Road to Wisteria Lane Christine Estabrook ’73 on a life in acting and ‘Desperate Housewives’ From TavernTavern to Tenor Music Man Reverend Doctor Grandma Your sunset is waiting . Come home to Oswego for REUNION CLASSES: 1930 1935 1940 1945 1950 1955 1960 1965 1974 1975 1976 1980 1995 1999 2000 2001 There’s only one place to reconnect with classmates, see favorite professors and rediscover your For the most up-to-date information on Reunion 2005, own younger self — check out the Web site at all under a world-class www.oswego.edu/alumni/reunion/ sunset. That’s Reunion 2005 at Oswego. Don’t miss Register online, watch for registration materials in the out on all the fun! mail or call the Reunion Hotline at 315-312-5559 Pass It On! hances are, someone helped you on your way to an Oswego degree. Maybe it was a parent, a relative or an Canonymous benefactor. Won’t you pass along the benefits of an Oswego education? Please consider donating to The Fund for Oswego so that generations of young people can benefit from the same great education you had. It’s a perfect way to honor the memory of those who made your own success possible. For more information, contact the Office of University Development at 315-312-3003 or go online to www.oswego.edu/giving/ Office of University Development • 100 Sheldon Hall, Oswego, NY 13126 • Phone: 315-312-3003 • Fax: 315-312-6389 • www.oswego.edu/giving/ Dr. -
The Good 5 Cent Cigar (3/2/2012) University of Rhode Island
University of Rhode Island DigitalCommons@URI The Good 5 eC nt Cigar (Student Newspaper) University Archives 3-2-2012 The Good 5 Cent Cigar (3/2/2012) University of Rhode Island Follow this and additional works at: http://digitalcommons.uri.edu/cigar Recommended Citation University of Rhode Island, "The Good 5 eC nt Cigar (3/2/2012)" (2012). The Good 5 Cent Cigar (Student Newspaper). Book 72. http://digitalcommons.uri.edu/cigar/72http://digitalcommons.uri.edu/cigar/72 This Book is brought to you for free and open access by the University Archives at DigitalCommons@URI. It has been accepted for inclusion in The Good 5 Cent Cigar (Student Newspaper) by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. THE UNIVERSITY OF RHODE ISLAND STUDENT NEWSPAPER SINCE 1971 Volume 61 'Just what this country needs ' Friday Issue 68 . www.ramcigar.com . March 2, 2012 The University of Rhode selves." Island Gay-Straight Alliance Sit said he agreed, explaining (GSA) teamed up with the that URI is lucky to have such a BY BRIANNA RESTO Lesbian, Gay, Bisexual, strong support group on campus. Trans gender and Queer (LGBTQ) News Reporter "It's great to have people Center to hold' a rally protesting who are willing to use the univer .harassment and cyberbullying. The University of . Rhode sity slogan, 'Think Big,; not just Island English department ·.is More than 40 students, facul about themselves, but those holding five writing contests ty, and staff came to the "Love is around them," he said. "No man Louder'' rally held in Atrium 1 of that will last throughout most is an island and when one of us of the month of March: the the Memorial Union on gets hurt, it's all of us." Wednesday. -
PERCHÉ SI DISPERA BREE VAN DE KAMP? Amnesia Vivace N.20 – Dicembre 2006 - © FABIO MASSIMO FRANCESCHELLI
PERCHÉ SI DISPERA BREE VAN DE KAMP? Amnesia Vivace n.20 – dicembre 2006 - © FABIO MASSIMO FRANCESCHELLI Perché si Dispera Bree Van De Kamp? Desperate Housewives Di Marc Cherry Produzione Touchstone Television Marcia Cross = Bree Van De Kamp; Teri Hatcher = Susan Mayer; Felicity Huffman = Lynette Scavo; Eva Longoria = Gabrielle Solis; Nicollette Sheridan = Edie Britt; Brenda Strong = Mary Alice Young; Steven Culp = Rex Van De Kamp; James Denton = Mike Delfino; Ricardo Antonio Chavira = Carlos Solis; Mark Moses = Paul Young; Doug Savant = Tom Scavo; Andrea Bowen = Julie Mayer; Cody Kasch = Zach Young; Jesse Metcalfe = John Rowland; Joy Lauren = Danielle Van De Kamp; Shawn Pyfrom = Andrew Van De Kamp "da sinistra: Gabrielle, Susan, Bree, Lynette" Che Desperate Housewives sia uno dei principali successi televisivi delle ultime stagioni è cosa ben nota; è sufficiente una ricerca su google per rendersi conto dell'incredibile numero di siti o di forum dedicati alla serie americana. Più arduo è spiegare tale successo, o meglio, spiegarlo senza ricorrere alle ovvietà. Le ovvietà stanno nel constatare, ad esempio, che è ben scritto: sembrerebbe a prima vista non proporre proprio nulla di nuovo ma in realtà presenta una compiutezza ed una omogeneità raggiunta attraverso la difformitù di generi di cui si avvale, attraverso il trarre elementi dal dramma, dalla commedia, dalla soap opera, dalla satira, dal giallo. È girato con un montaggio serrato ma sostenibile; occhieggia alla sit-com per la prevalenza di scene da interni, di comici equivochi, di intrecci che si risolvono nell'arco della singola puntata, ma se ne distanzia per la presenza costante di un chiaro progetto di vita che dà forma ai personaggi, e che continuamente evolve con il susseguirsi di accadimenti che lasciano tracce almeno sino alla successiva puntata.