Smash Hits Volume 16

Total Page:16

File Type:pdf, Size:1020Kb

Smash Hits Volume 16 FORTNIGHTLY July 12-25 1979 25p Words to the TOP SINGLES including Good Times Angeleyes If I Had You A«^ Friday's Angels .« >^> .6\A° >° sioirxiEE vV A^" TUBEWAYARMY v?^^ WHO / LPs to be won IAN DUBY # in colour / ) M- Can't Stand Losing You By The Police on A&M Records I you so many times today And I guess it's ail trua — what your girlfriends say TItat you don't ever wanna see me again And your brother's gonna Iclli me — and he's six feet ten I guess you'd call K cowardice But I'm not prepared to go on iiice this I can't I can't I can't stand losing I can't i can't I can't stand losing I can't I can't I can't I can't stand losing you I • • • • • • • • • • • • • • • I can't stand losing you I can't stand losing you n»••••••••••••• • • • • • • • • •••••^• • • i can't stand losing you I see you've sent my letters back And my LP records and they're all scratched I can't see the point in another day When nobody listens to a word I say You can call it lack of confidence But to carry on living doesn't make no sense I can't I can't I can't stand losing Repeat six times I guess this is our last goodbye And you don't care so I won't cry And you'll be sorry when I'm dead And all this guilt will be on your head I guess you'd call it suicide But I'm too full to swallow my pride I can't I can't I can't stand losing Repeat to fade Words and music by Sting. Reproduced by permission Virgin Music SMASH HITS \ , ' ' ^,/ ' \ ' ' \ gbLl'^'' back'""«'=^;*5= . Wt ,afe^ '^ l^ubl-c and W ^ bon'i^fgives " ^ i,\\ ',1 y •;> j^ - - I'l'-V s-'tSr.§i?r>Si pa9®J ^'1^, -- s SMASH HITS 3 Chuck E's In Love By Rickie Lee Jones on Warner Bros. Records How come he don't come and p. I. p. with me Down at the meter no more? How come he turn off the TV And hang that sign on the door Well, we call and we call "How come?" we say Hey, what could make a boy behave this way? Well, he learn all of the lines now And everytime he don't stutter when he talks And it's true, it's true He sure is acquired this kinda cool and inspired sorta jazz when he walk Where's his jacket and his old blue jeans? If this ain't healthy, it is some kinda clean That means that Chuck E's in love Chuck E's in love Chuck E's in love Chuck E's in love don't believe what you're saying to me This is something I gotta see Is he here? I look in the poolhall Is he here? i look in the drugstore Is he here? No, he don't come here no more Well, I'll tell you what — I saw him He was sitting behind us down at the Pantages And whatever it is that he's got up his sleeve hope it isn't contagious What's her name? Is that her there? Oh Christ, I think he's even combed his hair! Is that her? What's her name? Oh it's never gonna be the same That's not her know what's wrong! 'Cos Chuck E's in love With the little girl singing this song Don't you know Chuck E's in love, yeah yeah Chuck E's in love A Angeleyes By Abba on Epic Records I keep thinking about his angeleyes I keep thinking ^^^ Last night I was taking a walk along the river And I saw him together with a young girl And the look that he gave her made me shiver 'Cause he always used to look at me that way And I thought maybe I should Walk right up to her and say It's a game he likes to play f*W»> Chorus Look into his angeleyes One look and you're hypnotized He'll take your heart X' And you must pay the price Look into his angeleyes You'll think you're in paradise And one day you'll find out He wears a disguise Voulez-Vous Don't look too deep into those angeleyes Oh no no no no (crazy about his angeleyes) By Abba on Epic Records I keep thinking about his angeleyes I keep thinking People everywhere Sometimes when I'm lonely I sit and think about him A sense of expectation hanging in the air And it hurts to remember all the good times Giving out a spark When I thought I could never live without him Across the room your eyes are glowing in the dark And I wonder does it have to be the same And here we go again, we know the start, we know the end Every time when I see him Masters of the scene Will it bring back all the pain? How can I forget that name? We've done it all before and now we're back to get some more You know what I mean Repeat chorus Chorus Angeleyes Voulez-vous? take it now or leave it He took my heart and now I pay the price Now is all we get Nothing promised, no regrets Repeat chorus Voulez-vous? ain't no big decision You know what to do I keep thinking La question c'est voulez-vous? (voulez-vous?) I keep thinking about his angeleyes I keep thinking I know what you think I keep thinking about his angeleyes The girl means business so I'll offer her a drink Repeat to fade Looking mighty proud I see you leave your table, pushing through the crowd Words and music by B. Anderson/B. Ulvaeus. I'm really glad you came, you know the rules, you know the game Reproduced by permission Bocu Music Ltd. Master of the scene We've done it all before and now we're back to get some more You know what I mean Repeat chorus And here we go again, we know the start, we know the end /«-* Masters of the scene Wf^ We've done it all before and now we're back to get some more You know what I mean Repeat chorus to fade Words and music by B. Anderson/B. Ulvaeus. Reproduced by permission Bocu Music Ltd. Stranglehold By U.K. Subs on Gem Records One two three Four five lix Gotta do a dance It goes like this Yeah some little girl's gotta hold on me 's only thirteen but oh so sweet Got me down on my knees .pf Gotta stranglehold on me Puts her arms around me like a vice ^*«q 't's oh so painful but nice But I can only take it once or twice Gotta stranglehold on me Gotta stranglehold on me Gotta stranglehold on me Gotta stranglehold on me Stranglehold. Repeat last verse Stranglehold on me Stranglehold on me Gotta strangle on me Stranglehold. Five six seven Eight nine ten .-y %f^ You want some more We'll do it again and music Stranglehold on me Words Stranglehold on me by C. Harper. Stranglehold on me Reproduced by Stranglehold permission Famous/Chappell. plC.PAULSLATTERy Repeat last verse to fade No Class By Motorhead on Bronze Records Shut up, you talk too foud You don't fit in with the crowd I can't believe you exist I crossed you right off my list Too much too soon, you're way out of tune Ho class, no class Way out, you're right out of line No buddy. I can't spare a dime Fade out, baby, that's right No bark and even less bite Your perfect smile betrays your lack of style No class, no class, no class, no class Too late, you can't catch up now You face the wrong way anyhow I know you ain't got the brain To come in out of the rain Too bad no magic — I'm afraid you're merely tragic No class, baby no class, no class, ah no class Words and music by Ian Kilmister, Philip Taylor and Edward Clarke Reproduced^ijiuuuluu byay permission Motormusic Ltd. ILeosong). 6 SMASH HITS t> o JO ^TT ^0nrYpite4 by I xVPo'^ <? 1 • <» o^ gO' o S^ 55.N« . do t * *»oO^ (f ''0 A REASON ROCKPILE TO BE 'EM IN! *»^ ROCKPILE concluded their CHEERFUL knock-out tour with a great IAN DURY and The Blockheads performance at Hammersmith's Palais Dance, but the surprise are releasing a new single this de month, which does NOT appear hit of the evening were The Specials, who got three encores. on the "Do It Yourself" album. Watch out for this mid-Sixties The single is "Reason To Be bluebeat/ska inspired band. Cheerful (Part 3)", and it'll appear They're great to dance to, and on Stiff around the end of the month. sharp dressers too. The end of tour Rockpile party, CRAMPING 1 by the way, drew an amazing IS IT A cross section of liggers, from YOUR . Boomtown Rats Bob Geldof, Pete BIRD, IS IT Briquette and Johnny Fingers (HAIR) (they're always at everything), to .?l STYLE A PLANE. The Clash's Joe Strummer and Costello's Attraction Bruce IN HIS never-ending IN THE wake of the highly Thomas to Zep's Robert Plant impersonation of a Marvel distinctive hairstyles sitting Along with Nick Knox and John Paul Jones (they're comics-type superhero, Phil on top of Debbie Harry and (drums), Brian Gregory never at anything).
Recommended publications
  • Mow!,'Mum INN Nn
    mow!,'mum INN nn %AUNE 20, 1981 $2.75 R1-047-8, a.cec-s_ Q.41.001, 414 i47,>0Z tet`44S;I:47q <r, 4.. SINGLES SLEEPERS ALBUMS COMMODORES.. -LADY (YOU BRING TUBES, -DON'T WANT TO WAIT ANY- POINTER SISTERS, "BLACK & ME UP)" (prod. by Carmichael - eMORE" (prod. by Foster) (writers: WHITE." Once again,thesisters group) (writers: King -Hudson - Tubes -Foster) .Pseudo/ rving multiple lead vocals combine witt- King)(Jobete/Commodores, Foster F-ees/Boone's Tunes, Richard Perry's extra -sensory sonc ASCAP) (3:54). Shimmering BMI) (3 50Fee Waybill and the selection and snappy production :c strings and a drying rhythm sec- ganc harness their craziness long create an LP that's several singles tionbackLionelRichie,Jr.'s enoughtocreate epic drama. deep for many formats. An instant vocal soul. From the upcoming An attrEcti.e piece for AOR-pop. favoriteforsummer'31. Plane' "In the Pocket" LP. Motown 1514. Capitol 5007. P-18 (E!A) (8.98). RONNIE MILSAI3, "(There's) NO GETTIN' SPLIT ENZ, "ONE STEP AHEAD" (prod. YOKO ONO, "SEASON OF GLASS." OVER ME"(prod.byMilsap- byTickle) \rvriter:Finn)(Enz. Released to radio on tape prior to Collins)(writers:Brasfield -Ald- BMI) (2 52. Thick keyboard tex- appearing on disc, Cno's extremel ridge) {Rick Hall, ASCAP) (3:15). turesbuttressNeilFinn'slight persona and specific references tc Milsap is in a pop groove with this tenor or tit's melodic track from her late husband John Lennon have 0irresistible uptempo ballad from the new "Vlaiata- LP. An air of alreadysparkedcontroversyanci hisforthcoming LP.Hissexy, mystery acids to the appeal for discussion that's bound to escaate confident vocal steals the show.
    [Show full text]
  • Camila Dias Borges
    1 CAMILA DIAS BORGES BELA LUGOSI'S NOT DEAD: O DISCURSO E A REPRESENTAÇÃO DE GÓTICOS NO SITE DE REDE SOCIAL FACEBOOK Pelotas 2014 2 UNIVERSIDADE CATÓLICA DE PELOTAS PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS DISSERTAÇÃO DE MESTRADO Bela Lugosi's Not Dead: O Discurso e a Representação de Góticos no Site de Rede Social Facebook Por Camila Dias Borges Dissertação de Mestrado apresentada ao Programa de Pós-Graduação em Letras, área de concentração Linguística Aplicada, da Universidade Católica de Pelotas, como requisito parcial à obtenção do título de Mestre em Letras. Orientadora: Profa. Dra. Raquel Recuero (PPGL/UCPEL) Linha de Pesquisa: Texto, Discurso e Relações Sociais Pelotas, novembro de 2014. Dados Internacionais de Catalogação na Publicação (CIP) B732b Borges, Camila Dias Bela Lugosi’s not dead: o discurso e a representação de Góticos no site de rede social Facebook. / Camila Dias Borges. – Pelotas: UCPEL, 2014. 158f. Dissertação (mestrado) – Universidade Católica de Pelotas , Programa de Pós-Graduação em Letras, Pelotas, BR-RS, 2014. Orientadora: Raquel Recuero. 1. discurso. 2. representação. 3. subcultura gótica. 4.góticos. 5. sites de redes sociais I. Recuero, Raquel,or . II. Título. CDD 401.41 Ficha catalográfica elaborada pela bibliotecária Cristiane de Freitas Chim CRB 10/1233 3 AGRADECIMENTOS A todos do Programa de Pós-Graduação em Letras da Universidade Católica de Pelotas por terem me acolhido com muito carinho e, principalmente, por terem despertado em mim o interesse pela pesquisa. A todos os professores que, com dedicação, não somente repassaram conhecimento, mas também instigaram questionamentos que muito me auxiliaram no desenvolvimento pessoal. À querida orientadora Raquel, que constantemente amparou a minha reflexão sobre a teoria e os dados, esclarecendo com paciência e atenção as dúvidas de pesquisa.
    [Show full text]
  • Ouch Podcast
    Ouch Talk Show 21 December 2016 bbc.co.uk/ouch Presented by Damon Rose, Beth Rose and Emma Tracey Punk Therapy EMMA Before we get into this week’s episode of Inside Ouch I just want to tell you about an event Ouch will be holding in early 2017. It’s a live storytelling night and the theme is love and relationships. So, if you have a suitable story that you fancy telling in front of a live audience email it to [email protected]. Maybe you’re blind and your partner snogged someone right in front of you at a party. Or maybe your differences make intimacy a little tricky. All we ask is that you are disabled, that the story is true and that it’s about disability in some way. Bookmark bbc.co.uk/ouch/disability for further details. Now, let’s get back into this week’s episode of Inside Ouch. [Music playing – Christmas as a Punk] What do you when you’ve turned 18 or finished formal education if you’ve got learning disabilities? Electric Umbrella sought a solution and wound up with an amazing Christmas single, and they’re here on a quest to make Christmas As A Punk number one. This is Inside Ouch; I’m Emma Tracey in Edinburgh. In London we have Damon Rose. DAMON Hello. EMMA We have Beth Rose. BETH Hi there. EMMA And we have three members of Electric Umbrella. Hello. BAND Hello! EMMA Awesome. So, we’ve got Tom Billington. TOM Hello. EMMA Used to be in Mohair touring with Razorlight and the The Killers.
    [Show full text]
  • Elvis Presley Music
    Vogue Madonna Take on Me a-ha Africa Toto Sweet Dreams (Are Made of This) Eurythmics You Make My Dreams Daryl Hall and John Oates Taited Love Soft Cell Don't You (Forget About Me) Simple Minds Heaven Is a Place on Earth Belinda Carlisle I'm Still Standing Elton John Wake Me Up Before You Go-GoWham! Blue Monday New Order Superstition Stevie Wonder Move On Up Curtis Mayfield For Once In My Life Stevie Wonder Red Red Wine UB40 Send Me On My Way Rusted Root Hungry Eyes Eric Carmen Good Vibrations The Beach Boys MMMBop Hanson Boom, Boom, Boom!! Vengaboys Relight My Fire Take That, LuLu Picture Of You Boyzone Pray Take That Shoop Salt-N-Pepa Doo Wop (That Thing) Ms Lauryn Hill One Week Barenaked Ladies In the Summertime Shaggy, Payvon Bills, Bills, Bills Destiny's Child Miami Will Smith Gonna Make You Sweat (Everbody Dance Now) C & C Music Factory Return of the Mack Mark Morrison Proud Heather Small Ironic Alanis Morissette Don't You Want Me The Human League Just Cant Get Enough Depeche Mode The Safety Dance Men Without Hats Eye of the Tiger Survivor Like a Prayer Madonna Rocket Man Elton John My Generation The Who A Little Less Conversation Elvis Presley ABC The Jackson 5 Lessons In Love Level 42 In the Air Tonight Phil Collins September Earth, Wind & Fire In Your Eyes Kylie Minogue I Want You Back The Jackson 5 Jump (For My Love) The Pointer Sisters Rock the Boat Hues Corportation Jolene Dolly Parton Never Too Much Luther Vandross Kiss Prince Karma Chameleon Culture Club Blame It On the Boogie The Jacksons Everywhere Fleetwood Mac Beat It
    [Show full text]
  • Songs by Title
    Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay
    [Show full text]
  • Song Pack Listing
    TRACK LISTING BY TITLE Packs 1-86 Kwizoke Karaoke listings available - tel: 01204 387410 - Title Artist Number "F" You` Lily Allen 66260 'S Wonderful Diana Krall 65083 0 Interest` Jason Mraz 13920 1 2 Step Ciara Ft Missy Elliot. 63899 1000 Miles From Nowhere` Dwight Yoakam 65663 1234 Plain White T's 66239 15 Step Radiohead 65473 18 Til I Die` Bryan Adams 64013 19 Something` Mark Willis 14327 1973` James Blunt 65436 1985` Bowling For Soup 14226 20 Flight Rock Various Artists 66108 21 Guns Green Day 66148 2468 Motorway Tom Robinson 65710 25 Minutes` Michael Learns To Rock 66643 4 In The Morning` Gwen Stefani 65429 455 Rocket Kathy Mattea 66292 4Ever` The Veronicas 64132 5 Colours In Her Hair` Mcfly 13868 505 Arctic Monkeys 65336 7 Things` Miley Cirus [Hannah Montana] 65965 96 Quite Bitter Beings` Cky [Camp Kill Yourself] 13724 A Beautiful Lie` 30 Seconds To Mars 65535 A Bell Will Ring Oasis 64043 A Better Place To Be` Harry Chapin 12417 A Big Hunk O' Love Elvis Presley 2551 A Boy From Nowhere` Tom Jones 12737 A Boy Named Sue Johnny Cash 4633 A Certain Smile Johnny Mathis 6401 A Daisy A Day Judd Strunk 65794 A Day In The Life Beatles 1882 A Design For Life` Manic Street Preachers 4493 A Different Beat` Boyzone 4867 A Different Corner George Michael 2326 A Drop In The Ocean Ron Pope 65655 A Fairytale Of New York` Pogues & Kirsty Mccoll 5860 A Favor House Coheed And Cambria 64258 A Foggy Day In London Town Michael Buble 63921 A Fool Such As I Elvis Presley 1053 A Gentleman's Excuse Me Fish 2838 A Girl Like You Edwyn Collins 2349 A Girl Like
    [Show full text]
  • Put on Your Boots and Harrington!': the Ordinariness of 1970S UK Punk
    Citation for the published version: Weiner, N 2018, '‘Put on your boots and Harrington!’: The ordinariness of 1970s UK punk dress' Punk & Post-Punk, vol 7, no. 2, pp. 181-202. DOI: 10.1386/punk.7.2.181_1 Document Version: Accepted Version Link to the final published version available at the publisher: https://doi.org/10.1386/punk.7.2.181_1 ©Intellect 2018. All rights reserved. General rights Copyright© and Moral Rights for the publications made accessible on this site are retained by the individual authors and/or other copyright owners. Please check the manuscript for details of any other licences that may have been applied and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. You may not engage in further distribution of the material for any profitmaking activities or any commercial gain. You may freely distribute both the url (http://uhra.herts.ac.uk/) and the content of this paper for research or private study, educational, or not-for-profit purposes without prior permission or charge. Take down policy If you believe that this document breaches copyright please contact us providing details, any such items will be temporarily removed from the repository pending investigation. Enquiries Please contact University of Hertfordshire Research & Scholarly Communications for any enquiries at [email protected] 1 ‘Put on Your Boots and Harrington!’: The ordinariness of 1970s UK punk dress Nathaniel Weiner, University of the Arts London Abstract In 2013, the Metropolitan Museum hosted an exhibition of punk-inspired fashion entitled Punk: Chaos to Couture.
    [Show full text]
  • ENDER's GAME by Orson Scott Card Chapter 1 -- Third
    ENDER'S GAME by Orson Scott Card Chapter 1 -- Third "I've watched through his eyes, I've listened through his ears, and tell you he's the one. Or at least as close as we're going to get." "That's what you said about the brother." "The brother tested out impossible. For other reasons. Nothing to do with his ability." "Same with the sister. And there are doubts about him. He's too malleable. Too willing to submerge himself in someone else's will." "Not if the other person is his enemy." "So what do we do? Surround him with enemies all the time?" "If we have to." "I thought you said you liked this kid." "If the buggers get him, they'll make me look like his favorite uncle." "All right. We're saving the world, after all. Take him." *** The monitor lady smiled very nicely and tousled his hair and said, "Andrew, I suppose by now you're just absolutely sick of having that horrid monitor. Well, I have good news for you. That monitor is going to come out today. We're going to just take it right out, and it won't hurt a bit." Ender nodded. It was a lie, of course, that it wouldn't hurt a bit. But since adults always said it when it was going to hurt, he could count on that statement as an accurate prediction of the future. Sometimes lies were more dependable than the truth. "So if you'll just come over here, Andrew, just sit right up here on the examining table.
    [Show full text]
  • Felix Issue 504, 1979
    THE NEWSPAPER OF IMPERIAL COLLEGE UNION Friday, November 9th, 1979 Issue No. 533 EXEC EXHAUSTED AFTER 8 MONTHS OF CONTROVERSY FELIX EDITOR DISPUTE FINALLY SETTLED COLIN PALMER RATIFIED Gary Dearmer speaking at the UGM Photo by Colin Palm, BRIGHTON 79 ICU LEADS THE WAY a driver's view An opportunity to drive in the London to On Wednesday afternoon, the Union's 'Death Brighton Veteran Car Run is a unique to British Education' Coffin led the NUS march experience, and I feel privileged to have been outside the Department of Education and given the opportunity to drive Boanerges in Science. At this stage the NUS Exec were this annual event. The build-up to 4 playing ultra callous by ordering Union banners November was nerve-racking to say the least, not to be raised. Yet earlier they had amongst, and preparations had been in hand for a good almost chaos, sanctioned a march along the two months. Waking up at 6am to a cold and pavements from Malet Street without full police wet day did nothing to subdue my spirits so I approval. Thus, as the 400 strong demo passed dressed in what I thought would be necessary the DES there were no placards and no banners, to keep out the cold, and then doubled it. a feature of any successful demo. After a final check at the garage, we loaded up To applause and clapping the coffin was the car and set off for Hyde Park, along with brought out from Waterloo tube entrance direct Sir Hugh Ford, the Guilds Motor Club from IC and across the road.
    [Show full text]
  • Coventry Music Articles by Pete Clemons
    CoventryCoventry MusicMusic ArticlesArticles byby PetePete ClemonsClemons Home Index to this Site Hobo A to Z of Coventry Bands Hub to Hobo Coventry Music Sites Cov Hits Pt 1 Cov Hits Pt 2 Trev's Gig Diary 1971 Trev's Diary Pt2 Whatz On Guides Songs from the Coventry Underground Trev Teasdel's Creative and Archive sites 317,227 WEDNESDAY, JANUARY 29, 2014 ABOUT ME Stuart Colman - Cataracts / Beat Preacher / Carribeans / author Pete Clemons takes a look at the musical career of one of the early Coventry R & B musicians, from his early days in the Beat Preachers to being an author and much more. Published Coventry Music Scene recently in the Coventry Telegraph. Archive Hobo was a Coventry music fanzine and venue prior to Two Tone mid 1970's, edited by Trev Teasdel. This archive of the Coventry Music Scene spans several Blogspots. Click this link or check the top post for the other parts - Folk - Umbrella Club - Gigs - Venues - Whos Who etc. View my complete profile BLOG ARCHIVE ► 2021 (34) ► 2020 (61) ► 2019 (48) ► 2018 (52) ► 2017 (58) ► 2016 (34) ► 2015 (14) ▼ 2014 (27) ► November (2) ► October (1) ► September (3) ► August (1) ► July (2) ► June (2) ► May (3) ► April (4) ► March (2) ► February (3) ▼ January (4) Stuart Colman - Cataracts / Beat Preacher / Carrib... Glam Rock Bands in Coventry 1970's Monty Python's First Live Performance - Belgrade T... Music Scene Still Buzzing ► 2013 (41) ► 2012 (23) Preacher, author, producer. FOLLOWERS Pete Clemons BORN in Harrogate during 1944 Ian Stuart Colman moved to Rugby after leaving school in 1961 where he gained an apprenticeship as a draughtsman with AEI (Associated Electrical Industries).
    [Show full text]
  • Marti's Movies Make Music Keith Drums up a New Interviewee Mr
    October 2019 October 111 In association with "AMERICAN MUSIC MAGAZINE" ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK At the recent soiree at Gerry’s, Shaunny Longlegs tries out his novel microphone stand © Nigel Bewley while Rockin’ Gerry sticks with the tried and trusted manual method. (Keith Woods available for mic stand © Nigel Bewley hire at reasonable rates) Marti’s movies make music Keith drums up a new interviewee Mr Angry reviews a radio comedy show We “borrow” yet more stuff from Nick Cobban Jazz Junction, Soul Kitchen, Blues Rambling And more.... 1 The September issue (#151) of American Music Magazine has plenty for Woodies to enjoy. First and foremost is Keith Woods’ interview with rockabilly favourite and bass-player Billy Harlan. There is an introduction by Woody Dominique Anglares and the interview is accompanied by vintage photos as well as a session discography. Another main feature is on Little Richard’s role model Billy Wright, the Atlanta blues and R&B singer – this accompanied by lots of photos, clippings from Billboard and Cashbox, label shots in colour, and definitive session and record discographies. The magazine also includes an in-depth article on Nashville songwriter and performer Royce Porter, whilst the instrumentals series continues for lovers of the genre, and then add to this an essay by Kaye Garren, one of the members of The Heathens whose acetate recorded at the Sun studio in 1956 has recently been issued on 45rpm. As well as the label shots, the colour section includes photos of Waylon Jennings, Jessie Colter and Willie Nelson when they visited Sweden in 1970.
    [Show full text]
  • Songs by Title
    Songs by Title Title Artist Versions Title Artist Versions #1 Crush Garbage SC 1999 Prince PI SC #Selfie Chainsmokers SS 2 Become 1 Spice Girls DK MM SC (Can't Stop) Giving You Up Kylie Minogue SF 2 Hearts Kylie Minogue MR (Don't Take Her) She's All I Tracy Byrd MM 2 Minutes To Midnight Iron Maiden SF Got 2 Stars Camp Rock DI (I Don't Know Why) But I Clarence Frogman Henry MM 2 Step DJ Unk PH Do 2000 Miles Pretenders, The ZO (I'll Never Be) Maria Sandra SF 21 Guns Green Day QH SF Magdalena 21 Questions (Feat. Nate 50 Cent SC (Take Me Home) Country Toots & The Maytals SC Dogg) Roads 21st Century Breakdown Green Day MR SF (This Ain't) No Thinkin' Trace Adkins MM Thing 21st Century Christmas Cliff Richard MR + 1 Martin Solveig SF 21st Century Girl Willow Smith SF '03 Bonnie & Clyde (Feat. Jay-Z SC 22 Lily Allen SF Beyonce) Taylor Swift MR SF ZP 1, 2 Step Ciara BH SC SF SI 23 (Feat. Miley Cyrus, Wiz Mike Will Made-It PH SP Khalifa And Juicy J) 10 Days Late Third Eye Blind SC 24 Hours At A Time Marshall Tucker Band SG 10 Million People Example SF 24 Hours From Tulsa Gene Pitney MM 10 Minutes Until The Utilities UT 24-7 Kevon Edmonds SC Karaoke Starts (5 Min 24K Magic Bruno Mars MR SF Track) 24's Richgirl & Bun B PH 10 Seconds Jazmine Sullivan PH 25 Miles Edwin Starr SC 10,000 Promises Backstreet Boys BS 25 Minutes To Go Johnny Cash SF 100 Percent Cowboy Jason Meadows PH 25 Or 6 To 4 Chicago BS PI SC 100 Years Five For Fighting SC 26 Cents Wilkinsons, The MM SC SF 100% Chance Of Rain Gary Morris SC 26 Miles Four Preps, The SA 100% Pure Love Crystal Waters PI SC 29 Nights Danni Leigh SC 10000 Nights Alphabeat MR SF 29 Palms Robert Plant SC SF 10th Avenue Freeze Out Bruce Springsteen SG 3 Britney Spears CB MR PH 1-2-3 Gloria Estefan BS SC QH SF Len Barry DK 3 AM Matchbox 20 MM SC 1-2-3 Redlight 1910 Fruitgum Co.
    [Show full text]