Ouch Podcast
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Put on Your Boots and Harrington!': the Ordinariness of 1970S UK Punk
Citation for the published version: Weiner, N 2018, '‘Put on your boots and Harrington!’: The ordinariness of 1970s UK punk dress' Punk & Post-Punk, vol 7, no. 2, pp. 181-202. DOI: 10.1386/punk.7.2.181_1 Document Version: Accepted Version Link to the final published version available at the publisher: https://doi.org/10.1386/punk.7.2.181_1 ©Intellect 2018. All rights reserved. General rights Copyright© and Moral Rights for the publications made accessible on this site are retained by the individual authors and/or other copyright owners. Please check the manuscript for details of any other licences that may have been applied and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. You may not engage in further distribution of the material for any profitmaking activities or any commercial gain. You may freely distribute both the url (http://uhra.herts.ac.uk/) and the content of this paper for research or private study, educational, or not-for-profit purposes without prior permission or charge. Take down policy If you believe that this document breaches copyright please contact us providing details, any such items will be temporarily removed from the repository pending investigation. Enquiries Please contact University of Hertfordshire Research & Scholarly Communications for any enquiries at [email protected] 1 ‘Put on Your Boots and Harrington!’: The ordinariness of 1970s UK punk dress Nathaniel Weiner, University of the Arts London Abstract In 2013, the Metropolitan Museum hosted an exhibition of punk-inspired fashion entitled Punk: Chaos to Couture. -
Authenticity, Politics and Post-Punk in Thatcherite Britain
‘Better Decide Which Side You’re On’: Authenticity, Politics and Post-Punk in Thatcherite Britain Doctor of Philosophy (Music) 2014 Joseph O’Connell Joseph O’Connell Acknowledgements Acknowledgements I could not have completed this work without the support and encouragement of my supervisor: Dr Sarah Hill. Alongside your valuable insights and academic expertise, you were also supportive and understanding of a range of personal milestones which took place during the project. I would also like to extend my thanks to other members of the School of Music faculty who offered valuable insight during my research: Dr Kenneth Gloag; Dr Amanda Villepastour; and Prof. David Wyn Jones. My completion of this project would have been impossible without the support of my parents: Denise Arkell and John O’Connell. Without your understanding and backing it would have taken another five years to finish (and nobody wanted that). I would also like to thank my daughter Cecilia for her input during the final twelve months of the project. I look forward to making up for the periods of time we were apart while you allowed me to complete this work. Finally, I would like to thank my wife: Anne-Marie. You were with me every step of the way and remained understanding, supportive and caring throughout. We have been through a lot together during the time it took to complete this thesis, and I am looking forward to many years of looking back and laughing about it all. i Joseph O’Connell Contents Table of Contents Introduction 4 I. Theorizing Politics and Popular Music 1. -
Lita Ford and Doro Interviewed Inside Explores the Brightest Void and the Shadow Self
COMES WITH 78 FREE SONGS AND BONUS INTERVIEWS! Issue 75 £5.99 SUMMER Jul-Sep 2016 9 771754 958015 75> EXPLORES THE BRIGHTEST VOID AND THE SHADOW SELF LITA FORD AND DORO INTERVIEWED INSIDE Plus: Blues Pills, Scorpion Child, Witness PAUL GILBERT F DARE F FROST* F JOE LYNN TURNER THE MUSIC IS OUT THERE... FIREWORKS MAGAZINE PRESENTS 78 FREE SONGS WITH ISSUE #75! GROUP ONE: MELODIC HARD 22. Maessorr Structorr - Lonely Mariner 42. Axon-Neuron - Erasure 61. Zark - Lord Rat ROCK/AOR From the album: Rise At Fall From the album: Metamorphosis From the album: Tales of the Expected www.maessorrstructorr.com www.axonneuron.com www.facebook.com/zarkbanduk 1. Lotta Lené - Souls From the single: Souls 23. 21st Century Fugitives - Losing Time 43. Dimh Project - Wolves In The 62. Dejanira - Birth of the www.lottalene.com From the album: Losing Time Streets Unconquerable Sun www.facebook. From the album: Victim & Maker From the album: Behind The Scenes 2. Tarja - No Bitter End com/21stCenturyFugitives www.facebook.com/dimhproject www.dejanira.org From the album: The Brightest Void www.tarjaturunen.com 24. Darkness Light - Long Ago 44. Mercutio - Shed Your Skin 63. Sfyrokalymnon - Son of Sin From the album: Living With The Danger From the album: Back To Nowhere From the album: The Sign Of Concrete 3. Grandhour - All In Or Nothing http://darknesslight.de Mercutio.me Creation From the album: Bombs & Bullets www.sfyrokalymnon.com www.grandhourband.com GROUP TWO: 70s RETRO ROCK/ 45. Medusa - Queima PSYCHEDELIC/BLUES/SOUTHERN From the album: Monstrologia (Lado A) 64. Chaosmic - Forever Feast 4. -
Smash Hits Volume 42
^K^fee ^^'' '-%* # WiTHTl ^•b.„ ULTR Words tert TOPSINGL including ^ Xanadu Whole Lotta Rosle British Way Of Life BOB MARLEY& THE WAIL DEXY'S MIDNIGHT RUNNERS VAPORS in colour :% LPs to be won -x"! I X I j:*^ i_ I--' KING'S CALL July 10-23 1980 Vol 2 No. 14 PhilLynott 4 Avast, hearties — me welcome BRITISH WAY OF LIFE aboard the new Issue of Smash Hits I Pull up a bollard and malce yourself The Chords 4 comfortable. Now then, before certain of you landlubbers start demanding XANADU your rations of Queen, let me tell 'ee, Olivia Jim lad/lass, that certain blackbeards Newton John 5 at ElMi iMusic are witholding stores. JUST ANOTHER DREAM They won't let us use the songs they own (as opposed to the bands that The Professionals 8 EMI Records put out) straight away EMPIRE STATE HUMAN because they thinic it stops you from buying their sheet music. This The Human League 14 accounts for the late appearances here of Darts and The Sex Pistols and CUPID the absence of Queen till, EMI say, around the end of July. That's EMI for The Detroit Spinners 16 you. Never mind — on a brighter note, USE IT UP AND WEAR IT OUT you will find in this issue plenty of other good song words and features Editor Odyssey 16 plus of course our fab video game Ian prize with our crossword competition Cranna JUMP TO THE BEAT and the Jayne County competition on Stacey Lattisaw 19 page 28, with much other goodness Features Editor spread liberally throughout the mag. -
Smash Hits Volume 5
ORTNIGHTLY :ebruary 22-March7 1979 25p HHLft ----- n , vusi 9 ^T^^P mi % mind*'''" 9* ™"«s»:occ PluS ""•-»«'».»4 "',w°" FREEPc £Je*ao- DETAILS INSIDE It is time for you to stop all of your sobbing Yes it's time for you to stop all of your sobbing oh oh oh There's one thing you gotta do To make me still want you Gotta stop sobbing alone, stop sobbing alone Yeh yeh, stop it stop it stop it stop it It is^jme for you to laugh instead of cnft. "':; * « crying | # Yes it's time for you tojaitflh instead ol trying oh oh oh "^*- [here's one thing you go *o rtiake me still want you 'M^J , stop it stop it stop it stop it 7* 4\- i s tear that falls from your e\ . make a me want stop-all your sobbing Uhjuh uh . uh uh uh etc There's one thing you gotta do To make me still want you , And there's one thing you gotta know f To make me want you so / Gotta stop sobbing alone, stop sobbing By The Pretenderf alone » Yeh yeh, stop it stop it stop it stop it on Real Records (Repeat last two lines, with ad libs, to < fade) Words and music by Ray Davies. Reproduced by kind permission Edward Ltd, € Kassner Music 2 SMASH HITS ur nk> *° More enf- /ve< disco ^Ss£S^s?SEsrb0 rs IS/lore&& 'y Fing« olopTbatd1 Sin*"--•i!*' ss^s- ^^S^SSS?*' SMASH HITS 3 V FHf SOUMO OF THE SHBURBS s o« oo*n9 Old man c ts nothing There's SUBURBS SOOND OUhESOBUBBS SeTHE uNO °F s'h1 so t\!?s\ THIS - THIS *& THIS IS S THE Words N**?J!S. -
Oral History Interview with Marguerite Van Cook, 2016 September 19-21
Oral history interview with Marguerite Van Cook, 2016 September 19-21 Funded by the Keith Haring Foundation. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Marguerite Van Cook on September 19 and 21, 2016. The interview took place in New York, N.Y., and was conducted by Alex Fialho for the Archives of American Art, Smithsonian Institution. This interview is part of the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project. Marguerite Van Cook and Alex Fialho have reviewed the transcript. Their corrections and emendations appear below in brackets with initials. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview ALEX FIALHO: This is Alex Fialho interviewing Marguerite Van Cook at the Visual AIDS office in New York City, New York, on September 19, 2016, for the Archives of American Art, Smithsonian Institution, card number one. So, Marguerite, let's start at the beginning and spend some time on how you grew up. When and where were you born? MARGUERITE VAN COOK: I was born in Portsmouth, in England, on the South Coast, and I grew up there, and I spent some of my life on the Isle of Wight. My mother—when I was around 12, my mother and her boyfriend got a place in the country on the Isle of Wight, and they used to go there on the weekends. -
Smash Hits Magazine December 1978
1__ M m m U//MKB i 1 B ^ -^ : '«! ^^h im#j L^'*7ii /**J *$ M'W$at*iM': 25p i y L*^^^^^^L^ W H ji.,^ k R?^ \\- fl 1 k words to 2 1 TOP SIN including Instant Replay. DarfH Hurry Up H Elation At Hiirtl- l namOnuaiO* . * T"e d,st, "eco«fe Hanging On The nt el ,f ^ Telephone, Brandy _.^a/bums (A" th^Or Thank You for A . dsinside) TO BE WON Being A Friend A I adio. By Elvis Costello&l Records I was tuning in the shine on the light night dial Doing anything my radio advised With everyone of those late night stations Playing songs bringing tears to my eyes I was seriously thinking about hiding the receiver When the switch broke, 'cos it's old They're saying things that I can hardly believe They really think we're getting out of control Radio is the sound salvation Radio is cleaning up the nation They say you better listen to the voice of reason But they don't give you any choice, cos they think that K's J;-:-, treason So you had better do as you are told You better listen to the radio I want to bite the hand that feeds me I want to bite that hand so badly I want to make them wish they'd never seen me. Some of my friends sit around every evening "MS they worry about the times ahead else Is overwhelmed by indifferen P'dymlse of an early bed r shut up or get cut up t wanna bear about it , .nches on the reel to reel he radio is in the hands of such a tot of fools g to anaesthetise the way you feel adlo is the sound salvation St :j adlo is cleaning up the nation hey say you better listen to the voice of reason ut they don't give yog any choice, 'cos they think th treason ^iKSiisiSS o you had better do as you are told .'ou better listen to the radio - and music by Elvis 2 SMASH HITS Contents MONTHLY December 1978 Vol. -
Smash Hits Volume 12
'f m r ll y S^HGIMG 1^ BOVSVCEEPbo-i. ^^^"^.ords inside) jlJJSSS ! i ; it »dont*" ;;i.> '. ,i * ' twice j C?o^us '•"*''' -il''' ^^ ••"» . .- t * .d UP 1 w \\l\ ) all revveo :; ' ' ,•' 1 f words p^'roducedbVP , ;:^ Mus'C- oval :: v*an*^° :. don't -;- I 1' » "" - - «P - revved - ,tt :" :: . 1 ' i'! -. you" ; ; ^ :_, ] j 1 - _ 1 '"- 1- ' 1 1 ^ \:\ : V ' ' 1. 2 SMASH HITS pages i\3ve VS^OV pages Ae/^'^ ceo^^' ^^ ?ag®S Ops.xarts page . ' \ 1 •^\ :0^0! ^o^ ^ _; \ le'^J}^ w/ ;vo^ ^ > ; -- / (->'' ^^ifi^^^kx.!-,v--^.4^.w SMASH HITS 3 >^\'>x-,?V:T'Vc?7'.'>i ^'^ll ll//.UV/> V>^^ i'/« '//: C-^v- r. /. A ai-/ '''"^''.^1^^^:?;^V X X 7=?- ',i^-/ '/Avx-^ 3. t^-o*' >v^- ^"4 7 ,,rf»'' t'(r ..nvv'^xN//;.-^ 'V' = ^v':-?i\\«^^ •'Ill "•:$\\ ^ ^'i/<: ^ ^' :;:.»»- -^ ,.-^] 'w <**^ \\=>~-l >»'xii >^ '^/, \y//^ i\y, ''^m-' ^MMi#?^#^fv]'f/^ :*.\\; mmmmmm^Mmm// 1-<> ^ \'ll^<< \V=:,;\'t^^^ifi^is:^M»fi^-i|\>,VC-iS (<'/^/X=>>V:^\\V>' ==//»rrr^v//- iW^ii^ miy. »s^'^i]\xm^^'^"•//iK „ By David Bowie onw\RCA Records Heaven loves ya The clouds part for ya Nothing stands In your way Wt/S^ ^IhhH^^^H^H^ When you're a boy HH^^ ^..^—^^^^ 1^ Clothes always fit ya Life is a pop of the c^erry ^^^ JmM^^Hl^ jsfsf SH^^^k When.you're a ' '^^^adi^H boy „ ;'''i -'p: ^^^^^^^k ' ERST ^ ""''' A < "''^ ^HffiBilJBH^BB^^M When you're a boy • ;SMk You can wear a uniform 4P sH ° When you're a boy ^^^H Other ^^I^HB boys check you out You get a girl These are your favourite things When you're a boy "^ ^n^^^^^^^^^l^^^^S^^^S Chorus Roys ^^ Boys ' „ Boys keep swinging H^^Bp ^if ^i^fl , Boys always work it out ' ^HkH '" Uncage the colours Unfurl the flag Luck just kissed you hello B|;.:'.L When you're a boy They'll never clone ya You're always first on the line When you're a boy When you're a boy You can buy a home of your own When you're a boy Learn to drive and everything You'll get your share When you're a boy Repeat chorus Words 3nd music by David Bowie and Brian Eno. -
Press, Calling for Rock to Be a Force Against Racism
FEATURING RED SAUNDERS THE CLASH POLY STYRENE ROGER HUDDLE STEEL PULSE SHAM 69 KATE WEBB TOM ROBINSON ALIEN KULTURE SYNOPSIS Britain, late-1970s. Punk is exploding. The country is deeply divided over immigration. The National Front, a far-right and fascist political party, is gaining strength as politicians like Enoch Powell push a xenophobic agenda. Outraged by a racist speech from Eric Clapton, music photographer Red Saunders writes a letter to the music press, calling for rock to be a force against racism. NME, Melody Maker, and Sounds all publish the letter. Flooded with responses, Red discovers many share his views. Teaming up with like-minded creatives Roger Huddle, Kate Webb, Syd Shelton and Australian graphic designer Ruth Gregory, the team bands together to create Rock Against Racism (RAR) and a fanzine, Temporary Hoarding. Speaking directly to the youth, Temporary Hoarding reports stories and issues that the mainstream British media ignores, like immigration, the Catholic side of the Northern Ireland confict, and the police’s controversial “suspected persons” (sus) powers. They give a voice to the voiceless. The National Front begins to strike back, committing acts of violence against RAR supporters and petrol-bombing their HQ. Despite this, RAR spreads virally across the UK and into Europe, becoming a grassroots youth movement. The Clash, Steel Pulse, Tom Robinson and other top bands of the day jump on board. White Riot is a moment in time when music changed the world. When a generation challenged the status quo. It’s Woodstock meets the March on Washington, punk-style. DIRECTOR’S STATEMENT I began making White Riot as I was curious about the rise of the far right in the late 1970s. -
Catalog-14.Pdf
Mare Booksellers Catalog 14 [email protected] (603)742-1229 marebooksellers.com . Intro filler here (you probably wouldn’t able to tell from this catalog) And, we don’t usually sell show fliers, especially those from the 1980s* *we’ve got nothing against the 1980s, really [email protected] (603)742-1229 marebooksellers.com [1] New York Dolls Morrissey, Steven. Babylon Books. London: no date (1981). Illustrated wraps. 48 pp., including covers. Black and white photos throughout. GOOD condition. Small area of scuffing to the upper front cover, with a tiny hole worn through. Minor toning, staining, foxing and soiling. Small dampstain on the center fore edge. $350.00 [email protected] (603)742-1229 marebooksellers.com [2] 48 Thrills No. 6. Thrills, Adrian et al (authors). Adrian Thrills, Publisher. Essex, UK: no date, 1977. 11 ¾ by 8 ¼ inches. Single stapled format. 8 leaves, printed on single sides only. Poorly reproduced black and white photos throughout. A fanzine created to offer an alternative to mainstream music magazines, relying on spontaneity, often reflected in production quality. Adrian Thrills would later become a professional music journalist (see Triggs, p. 59 for previous information). With very short pieces on The Boys, The Rezillos, The Wailers and a lengthy interview with former Sex Pistols producer Dave Goodman. Last page a pin up photo of the Buzzcocks. Extra page of a Boys album review included, not original to the piece, and most likely a copy of a copy. Damn! GOOD condition. Minor toning along the extremities. Diagonal center crease present. Light rusting to the staple. -
Smash Hits Volume 35
April 3-16 1980 30p ! Words to the [OP SINGLES includinfr Talk Of The Town Night Boat To Cairo Turn It On Again puByciiW dlajidiiJI«yI3 JLA ti^Ri^flii^ !'. :' t.' Sex Pistols LPs to be WO! T 1 i I 1 1 J/|LJ \ ) 1 L lOcc. NewAlbum. 'LOOK HEAR'. This is going to worry you all day. Album: 9102 505 ni;irk(;tori by phonogram Cassette: 7231 303 2 SMASH HITS .-""^ \L April 3-16 1980 Vol 2 No.7 LET'S DO ROCK STEADY Greetings, oh ye of impeccable The Bodysnatchers 4 taste and faultless judgement MISSING WORDS who have selected Smash Hits to be your guide and companion for TheSelecter 4 the next fortnight! (Can we get off NIGHT BOAT TO CAIRO our knees now? Ta.) Regular readers will know that we've got Madness 5 all the usual news, features and NO ONE DRIVING chart songwords, but we'd also Foxx 8 just like to point out that this John issue we've also secured TALK OF THE TOWN exclusive chats with Gary Numan 15 and Public Image, while Stewart The Pretenders Copeiand brings to an end our MY PERFECT COUSIN features on the individual Police The Undertones 15 members. There's also another chance to have a crack at winning STOMP a mini-TV with our crossword, The Brothers Johnson 19 plus a one-off opportunity to grab Managing Editor yourself a Jam double single and Nick Logan MY WORLD autographed photo! {That's on Secret Affair 24 page 28.) We expect you've Editor noticed by now that there's a free Ian Cranna KING badge on the front cover. -
By Vivien Goldman
PERFORMERS The Clash By Ira Bobbins — e j b — ITH THE SUDDEN the point of punk so hard that it death o f Joe stuck. Forever. Loads of young Strummer on toughs have professed them H jle c e m b e r 22, selves ready for whaddya-got re Wi t 02, the story of the Clash final bellion, but the Clash didn’t just ly came to an abrupt end. In fact, Sell and succumb to chaos; the the Last Gang in Town, as they Clash lived it. Full time. For sev called themselves in a song, had en years the band made huge cre packed it in some twenty years ative leaps, despite (more likely earlier, drained of the high ideals thanks to) the entropy, much of and united purpose that had fu it self-induced, of its existence. At eled some of the most fervent, a time when the record industry exhilarating and provocative was still dubious about, if not rock & roll ever made, No mat downright hostile to, punk, the ter. What the Clash consistent Clash - Joe Strum ly showed willful mer (vocals, gui disregard for the tar), Mick Jones Strangeness of its (guitar, vocals), position: Paul Simonon + The band’s (bass, vocals! and third British sin alternating drum gle, “Complete mers Nicky “Top Control,” was a vi per” Headon and tuperative 1977 Terry Chimes - achieved was far attack on CBS Records for releas greater than what it left on tape ing the Clash’s second 45. or burned in the memories of + A year later, the group those who saw the band on shelved punk for th|Ifingle stage.