DOCSLIB.ORG

Smash Hits Volume 5

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Smash Hits Volume 5 ORTNIGHTLY :ebruary 22-March7 1979 25p HHLft ----- n , vusi 9 ^T^^P mi % mind*'''" 9* ™"«s»:occ PluS ""•-»«'».»4 "',w°" FREEPc £Je*ao- DETAILS INSIDE It is time for you to stop all of your sobbing Yes it's time for you to stop all of your sobbing oh oh oh There's one thing you gotta do To make me still want you Gotta stop sobbing alone, stop sobbing alone Yeh yeh, stop it stop it stop it stop it It is^jme for you to laugh instead of cnft. "':; * « crying | # Yes it's time for you tojaitflh instead ol trying oh oh oh "^*- [here's one thing you go *o rtiake me still want you 'M^J , stop it stop it stop it stop it 7* 4\- i s tear that falls from your e\ . make a me want stop-all your sobbing Uhjuh uh . uh uh uh etc There's one thing you gotta do To make me still want you , And there's one thing you gotta know f To make me want you so / Gotta stop sobbing alone, stop sobbing By The Pretenderf alone » Yeh yeh, stop it stop it stop it stop it on Real Records (Repeat last two lines, with ad libs, to < fade) Words and music by Ray Davies. Reproduced by kind permission Edward Ltd, € Kassner Music 2 SMASH HITS ur nk> *° More enf- /ve< disco ^Ss£S^s?SEsrb0 rs IS/lore&& 'y Fing« olopTbatd1 Sin*"--•i!*' ss^s- ^^S^SSS?*' SMASH HITS 3 V FHf SOUMO OF THE SHBURBS s o« oo*n9 Old man c ts nothing There's SUBURBS SOOND OUhESOBUBBS SeTHE uNO °F s'h1 so t\!?s\ THIS - THIS *& THIS IS S THE Words N**?J!S. ™" THE soi/NO ' SOUND and J- ,' c . music J Ca rro1 Lced by Bep r< issi0n H pe^ kindPnWIUSiC- f* 4 SMASH HITS Here I lie in a lost and lonely part of town Tragedy soul, it's tragedy Held in time in a world of tears I slowly drown When you lose control and you got no cries don't know why Going home I just can't make it all alone When the morning and you I really should be holding you holding you It's hard to bear with no one beside you Loving you loving you You're going nowhere Night and day there's a burning down inside of me let be Tragedy Burning love with a yearning that won't me Down I go and I just can't take it all alone When the feelings gone and you can't go on, it's tragedy I really holding you holding you When the morning cries and you don't know why should be Loving you loving you It's hard to bear with no one to love you You're going nowhere (Repeat Chorus to fade) Words and music by Barry, Robin and Maurice Gibb. Reproduced by Tragedy kind permission RSO/Chappell. By the Bee Gees on RSO Records 4ti" ffv WW "WW* W w- <% ^ /a ^liXH \ *****«*, SMASH HITS 5 ELVIS COSTEUO ELVIS COSTELLO likes to McManus's songs. Perhaps • AT THIS stage Elvis had only The second album, "This keep his past a mystery. even more important, Riviera one solo appearance to his Year's Model", saw Elvis turn This attitude has led saw in Declan's unremarkable credit — supporting The his attentions away from fact-starved journalists to physical appearance the raw Rumour at the Nashville in personal feelings to look guess that he was once material which together they West London on May 27, 1977 outward at the business of everything from an escaped could use to create a new rock — but he was to return to the fashion. His new single "I mental patient to a one-time legend. A legend very much same place three months Don't Want To Go To gagai member of the Sex Pistols. for the '70s. later with The Attractions to a Chelsea" was another 45 The truth is nothing so HANG ON to your hats, now, rather more enthusiastic which leapt out of the radio exciting. 'cos here's where the Costello reception. and took you by the throat. Costello was born and story starts to take off. He If the album didn't convince Small wonder that Elton brought up in Liverpool. His was signed up, put on a wage people that here was a talent John felt embarrassed when real name is Declan by Riviera to allow him to of sizeable proportions then listeners to Capital Radio, the McManus, the son of leave his job in computers but the live shows did. Seven London station, voted him professional dance band still feed his wife and kid, hundred people were locked top male singer of the year. singer Ross McManus. kitted out in some really nasty out of the Nashville, a Elton thought the award He moved to London in his old clothes, given a pair of medium-sized pub, and the should have gone to Elvis late teens, got married, had a ludicrous horn-rimmed specs album entered the LP charts Costello, and said so. Most child and took a job in the and generally made to look in the first week of release. people agreed with him. computer room at Eizabeth like Buddy Holly on Social Elvis Costello happened so (Incidenally, Costello's fans . Arden Cosmetics. One story Security. quick his audience could now also include Bob Dylan, about him is that he used to He was re-christened Elvis hardly keep up. He'd turn up who's gone out of his way to study fellow passengers on Costello (back then, and do a show completely watch him play.) the train to work, putting remember, the first Elvis was made up of new songs. His "Radio Radio", a biting them into the songs he still alive). He just had to be mind seemed to be racing. He onslaught on the state of the started writing. good to carry it off. wrote and recorded with the airwaves, also hit in a big By nights he played in Elvis was sent into the frenzy of a condemned man way. Here was Radio 1 bands, mainly for an outfit studio to lay down some of and performed these startling playing a record which called Flip City. They were a his songs with American songs like he was drowning. insulted just about everything pleasant, countryish group, group Clover playing On stage he was obsessed, they stood for! Only Costello but low on star quality. back-ups, and with Nick Lowe shooting out put-downs of could get away with it. Flip City broke up and more or as his producer. "Less Than old girlfriends, old bosses, the less gave up. Zero" and "Alison", two record business. Anything AND SO TO "Armed Forces", Declan McManus was of a tracks from these sessions, that got in his way, he just with Elvis bringing a whole different breed however. were released as singles to a savaged it with a couple of new area of subject matter Convinced of his own certain amount of intrigued clever couplets. He told a within range of his beady eye. enormous talent, he started reaction, but it was his writer, "The only emotions I He still shies away from to hawk his songs around dynamite debut album "My understand are guilt and interviews, sometimes gets in every major record company Aim Is True" which signalled revenge". fights with photographers in London, getting shown the that a major new talent had These were the feelings and occasionally, as recently door at every one of them. arrived. which dominated his debut happened in Australia, starts His break came in August By the time the album went album, 10 years of pent-up riots when he refuses to do 1976 when he turned up on on sale Elvis had assembled frustrations bursting into the encores at concerts. the doorstep of Stiff Records. his own band. The light of day. But Elvis Costello Sometimes he seems like a A shoestring company with Attractions. Pub-band veteran didn't just throw mud and spoilt child — trying it on to wacky ideas and big Pete Thomas handled drums, scream. When he aimed, he see how far he has to push ambitions. Stiff had then just Bruce Thomas (no relation) generally hit the target. The people to get a reaction. began operations from from the Sutherland Brothers tightness of the songs The only danger now is that behind a sleazy shop front in & Quiver was the bassist, and and the buzzing urgency of he'll overstretch himself Bayswater. They had about the combo was completed by his melodies kept his anger trying to crack the American fifty quid in the kitty, but a lot Steve Naive from the Royal in check. market. He works at a of faith — and soon they had College of Music. "Watching The Detectives", punishing pace. But he's so Elvis Costello. They shut themselves away a brilliantly constructed song far ahead of his rivals in Jake Riviera, one of Stiff's in a house in Cornwall and with a reggae beat, went to terms of sheer talent that it's founders, was impressed by rehearsed like crazy. No. 15. hard to see him failing now. TRIGGER By David Hepworth 6 SMASH HITS Don't start that talking I could talk all night ^L My mind goes sleepwalking While I'm putting the world to right Called Careers Information Have you got yourself an occupation Chorus ^k K Oliver's army is here to stay Oliver's army are on their way And I would rather be Anywhere else but here today There was a Checkpoint Charlie ^k He didn't crack a smile ^k But it's no laughing party |& When you've been on the Murder Mile Only takes one itchy trigger One more widow, one less white nigger (Repeat chorus) ^k Hong Kong is up for grabs London is full of Abs We could be in Palestine -•-A Over-run by a Chinese line With the boys from the Mersey And the Thames and the Tyne But there's no danger, it's a professional career Though it could be arranged With just a word in Mr.
Load more

Recommended publications
  • Thomas Boyd Bruce.I-192 4/6/06 12:45 PM Page Ii
    Bruce.i-192 4/6/06 12:45 PM Page i Thomas Boyd Bruce.i-192 4/6/06 12:45 PM Page ii series on ohio history and culture George W. Knepper, Summit’s Glory Leonard Sweet, Strong in the Broken Places John H. White and Robert J. White Sr., The Island Queen H. Roger Grant, Ohio’s Railway Age in Postcards Frances McGovern, Written on the Hills: The Making of the Akron Landscape Keith McClellan, The Sunday Game: At the Dawn of Professional Football Steve Love and David Giffels, Wheels of Fortune: The Story of Rubber in Akron Alfred Winslow Jones and Daniel Nelson, Life, Liberty, and Property: A Story of Conflict and a Measurement of Conflicting Rights David Brendan Hopes, A Childhood in the Milky Way: Becoming a Poet in Ohio John Keim, Legends by the Lake: The Cleveland Browns at Municipal Stadium Richard B. Schwartz, The Biggest City in America: A Fifties Boyhood in Ohio Thomas A. Rumer, Unearthing the Land: The Story of Ohio’s Scioto Marsh Steve Love, Ian Adams, and Barney Taxel, Stan Hywet Hall & Gardens William F. Romain, Mysteries of the Hopewell: Astronomers, Geometers, and Magicians of the Eastern Woodlands Dale Topping, edited by Eric Brothers, When Giants Roamed the Sky: Karl Arnstein and the Rise of Airships from Zeppelin to Goodyear Millard F. Rogers Jr., Rich in Good Works: Mary M. Emery of Cincinnati Frances McGovern, Fun, Cheap, & Easy: My Life in Ohio Politics, 1949–1964 Larry L. Nelson, editor, A History of Jonathan Alder: His Captivity and Life with the Indians Bruce M.
    [Show full text]
  • Irish Cultural Center of Cincinnati to Hold Green Tie Affair
    Irish Cultural Center November 2013 of Cincinnati to Hold ianohio.com Green Tie Affair Saturday, November 2nd Saw Doctors Leo and Anto Hit the Road … page 2 Irish Cultural Center of Cincinnati Celebrates 4th Anniversary . page 6 Rattle of a Thompson Gun … page 7 Opportunity Ireland . page 9 Home to Mayo. pages 13 - 16 Big Screen to Broadway: Once Comes to Cleveland . page 19 Cover artwork by Cindy Matyi http://matyiart.com 2 IAN Ohio “We’ve Always Been Green!” www.ianohio.com November 2013 Saw Doctors Solo, Leo and Anto Hit the Road a little place back in Ireland where we together quite quickly. So we wanted it tested it out, and got a good response. to be different from anything we’d re- By Pete Roche, Special to the OhIAN of their stepping off the plane, and the And it looks like it worked. But we’ll be corded before. So we used the mandolin, guitarist sounded enthusiastic about tweaking it as we figure it out! which is a very different thing than what The North Coast’s music-loving Irish winding his way through the Midwest OhIAN: Apart from the music, how we’d done before with the Saw Doctors. contingent always turns out in strong in true troubadour fashion. will this tour be different from a Saw And I think that’s important. People are numbers whenever the rock quintet OhIAN: Hello again, Leo! Great to Doctors tour? saying to me it feels like they came to from the little Galway town of Tuam be catching up with you again! So you LEO: It’s going to be a whole new Ireland before we left it, because they’d play our neck of the woods.
    [Show full text]
  • Ouch Podcast
    Ouch Talk Show 21 December 2016 bbc.co.uk/ouch Presented by Damon Rose, Beth Rose and Emma Tracey Punk Therapy EMMA Before we get into this week’s episode of Inside Ouch I just want to tell you about an event Ouch will be holding in early 2017. It’s a live storytelling night and the theme is love and relationships. So, if you have a suitable story that you fancy telling in front of a live audience email it to [email protected]. Maybe you’re blind and your partner snogged someone right in front of you at a party. Or maybe your differences make intimacy a little tricky. All we ask is that you are disabled, that the story is true and that it’s about disability in some way. Bookmark bbc.co.uk/ouch/disability for further details. Now, let’s get back into this week’s episode of Inside Ouch. [Music playing – Christmas as a Punk] What do you when you’ve turned 18 or finished formal education if you’ve got learning disabilities? Electric Umbrella sought a solution and wound up with an amazing Christmas single, and they’re here on a quest to make Christmas As A Punk number one. This is Inside Ouch; I’m Emma Tracey in Edinburgh. In London we have Damon Rose. DAMON Hello. EMMA We have Beth Rose. BETH Hi there. EMMA And we have three members of Electric Umbrella. Hello. BAND Hello! EMMA Awesome. So, we’ve got Tom Billington. TOM Hello. EMMA Used to be in Mohair touring with Razorlight and the The Killers.
    [Show full text]
  • EDM (Dance Music): Disco, Techno, House, Raves… ANTHRO 106 2018
    EDM (Dance Music): Disco, Techno, House, Raves… ANTHRO 106 2018 Rebellion, genre, drugs, freedom, unity, sex, technology, place, community …………………. Disco • Disco marked the dawn of dance-based popular music. • Growing out of the increasingly groove-oriented sound of early '70s and funk, disco emphasized the beat above anything else, even the singer and the song. • Disco was named after discotheques, clubs that played nothing but music for dancing. • Most of the discotheques were gay clubs in New York • The seventies witnessed the flowering of gay clubbing, especially in New York. For the gay community in this decade, clubbing became 'a religion, a release, a way of life'. The camp, glam impulses behind the upsurge in gay clubbing influenced the image of disco in the mid-Seventies so much that it was often perceived as the preserve of three constituencies - blacks, gays and working-class women - all of whom were even less well represented in the upper echelons of rock criticism than they were in society at large. • Before the word disco existed, the phrase discotheque records was used to denote music played in New York private rent or after hours parties like the Loft and Better Days. The records played there were a mixture of funk, soul and European imports. These "proto disco" records are the same kind of records that were played by Kool Herc on the early hip hop scene. - STARS and CLUBS • Larry Levan was the first DJ-star and stands at the crossroads of disco, house and garage. He was the legendary DJ who for more than 10 years held court at the New York night club Paradise Garage.
    [Show full text]
  • 'Judas Priest-On Tour' Violators Attacked
    MARCH 18, 1978 VOL. 1, NO. 1 Benefiting FREE San Antonio For Your Austin• Houston Entertainment ~ 'Judas Priest-On Tour' JC 35296 The high priest of heavy rock 'n' roll with their inimitable style grace our shores once again. To change or not to change. That is what a rock and roll band must deal with. A group may develop a success­ ful formula for its music, which leads to personal and/ or commercial contentment. Musicians, upon reach­ ing this point, find their music evolving in a new direction or continuing their successful format. Judas Priest has choosen the security of proven success. Their first two ViolatorsAttacked domestic albums were well See story on page 10 received in this area. With the release of a new album "Stained Class" and • Elvis Costello an upcoming concert March INSIDETHIS • Radio Survey 24 their claim to fame is • Trivia Quiz sound. ISSUE! .-HELLO IT'SUS- / Welcome to It's Onlu Rock and , Muhammad Ali, chicken fried steak, Roll. What are you being welcomed cars with dead batteries, Rocky Hor­ to anyway? ror Picture Show and working over­ It's Only Rock and Roll is a time to afford concert tickets and newspaper/magazine of sorts put out vinyl habits. by a few people who know and love Sound comp'iicated, si1ly, insane, music and believe it's time for a unclear? It is all that and more. semi-intelligent, semi-informed rag Best of all it's fun and we' 11 attanpt about music on the local scene. to write about it: show pictures of Because no one is adequately it and make a meager living from it filling the music news and informa­ as long as it stays complicated, tion void in San Antonio, we decided silly, insane, unclear and fun.
    [Show full text]
  • Smash Hits Volume 34
    \ ^^9^^ 30p FORTNlGHTiy March 20-Aprii 2 1980 Words t0^ TOPr includi Ator-* Hap House €oir Underground to GAR! SKias in coioui GfiRR/£V£f/ mjlt< H/Kim TEEIM THAT TU/W imv UGCfMONSTERS/ J /f yO(/ WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FILL IN THE COUPON AND RETURN IT TO: HULK POSTER, PO BOXt, SUDBURY, SUFFOLK C010 6SL. I AGE (PLEASE TICK THE APPROPRIATE SOX) UNDER 13[JI3-f7\JlS AND OVER U OFFER CLOSES ON APRIL 30TH 1980 ALLOW 28 DAYS FOR DELIVERY (swcKCAmisMASi) I I I iNAME ADDRESS.. SHt ' -*^' L.-**^ ¥• Mar 20-April 2 1980 Vol 2 No. 6 ECHO BEACH Martha Muffins 4 First of all, a big hi to all new &The readers of Smash Hits, and ANOTHER NAIL IN MY HEART welcome to the magazine that Squeeze 4 brings your vinyl alive! A warm welcome back too to all our much GOING UNDERGROUND loved regular readers. In addition The Jam 5 to all your usual news, features and chart songwords, we've got ATOMIC some extras for you — your free Blondie 6 record, a mini-P/ as crossword prize — as well as an extra song HELLO I AM YOUR HEART and revamping our Bette Bright 13 reviews/opinion section. We've also got a brand new regular ROSIE feature starting this issue — Joan Armatrading 13 regular coverage of the independent label scene (on page Managing Editor KOOL IN THE KAFTAN Nick Logan 26) plus the results of the Smash B. A. Robertson 16 Hits Readers Poll which are on Editor pages 1 4 and 1 5.
    [Show full text]
  • BRUCE THOMAS PUMPS IT up with ELVIS COSTELLO by Dan Forte Guitar Player March 1987
    BRUCE THOMAS PUMPS IT UP WITH ELVIS COSTELLO by Dan Forte Guitar Player March 1987 EVERYTHING ABOUT ELVIS Costello -his intelligent and prolific songwriting, impassioned singing, horn-rimmed visual image, ever-changing stylistic jaunts,even his anti-hero guitar playing -is so all-pervasive that his trio of sidemen, the Attractions, seems all but anonymous. (A magazine that just named Costello artist.of the year for 1986 only three years earlier misidentified the members of the Attractions in a photo caption.) But if Elvis is to be commended for his stylistic daring, the Attractions deserve equal praise for their ability to follow him down every idiomatic path, with their original fire and indelible individualism intact. Of all of Costello's talents, perhaps his strongest suit is as bandleader - not only for keeping a group together for a decade, but for choosing the musicians he did to make up his backing band. The Attractions have been together since 1977, in which time they've recorded 11 albums (plus a Best Of collection) since Elvis' debut, My Aim Is True. And night after night they have proved that at least one band (coincidentally virtually the only surviving band) from England’s punk era can play and always could. After recording his auspicious debut with uncredited backing from the American band Clover (including guitarist John McFee, currently with Southern Pacific), Declan "Elvis Costello" MacManus settled on piamst Steve Nieve, drummer Pete Thomas, and (no relation) bassist Bruce Thomas, after aluditioning, in the bassist's, words "hundreds of guys who couldn't tune up or put the guitar on right." The group's first effort, This Year's Model, not only squelched any fears of a,sophomore jinx; it kicked in with more muscle than Aim and signaled the arrival of a distinct new collective musical personality.
    [Show full text]
  • Finding Aid to the Historymakers ® Video Oral History with Johnny Pate
    Finding Aid to The HistoryMakers ® Video Oral History with Johnny Pate Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Pate, Johnny Title: The HistoryMakers® Video Oral History Interview with Johnny Pate, Dates: September 30, 2004 Bulk Dates: 2004 Physical 5 Betacame SP videocasettes (2:29:11). Description: Abstract: Jazz bassist and music arranger Johnny Pate (1923 - ) formed the Johnny Pate Trio and Combo, and was house bassist for Chicago’s The Blue Note. Johnny Pate’s bass solo on “Satin Doll” is featured on the album "Duke Ellington Live at The Blue Note," and he has collaborated with Curtis Mayfield, produced the Impressions’s hits “Amen,” “We’re A Winner” and “Keep On Pushin’.” and arranged for B.B. King, Gene Chandler and Jerry Butler. Pate was interviewed by The HistoryMakers® on September 30, 2004, in Las Vegas, Nevada. This collection is comprised of the original video footage of the interview. Identification: A2004_188 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Jazz bassist, rhythm and blues arranger John W. Pate, Sr., “Johnny Pate,” was born December 5, 1923 in blue collar Chicago Heights, Illinois. Pate took an interest in the family’s upright piano and learned from the church organist who boarded with them. He attended Lincoln Elementary School, Washington Junior High and graduated from Bloom Township High School in 1942. Drafted into the United graduated from Bloom Township High School in 1942. Drafted into the United States Army, Pate joined the 218th AGF Army Band where he took up the tuba and played the upright bass in the jazz orchestra.
    [Show full text]
  • Disco Top 15 Histories
    10. Billboard’s Disco Top 15, Oct 1974- Jul 1981 Recording, Act, Chart Debut Date Disco Top 15 Chart History Peak R&B, Pop Action Satisfaction, Melody Stewart, 11/15/80 14-14-9-9-9-9-10-10 x, x African Symphony, Van McCoy, 12/14/74 15-15-12-13-14 x, x After Dark, Pattie Brooks, 4/29/78 15-6-4-2-2-1-1-1-1-1-1-2-3-3-5-5-5-10-13 x, x Ai No Corrida, Quincy Jones, 3/14/81 15-9-8-7-7-7-5-3-3-3-3-8-10 10,28 Ain’t No Stoppin’ Us, McFadden & Whitehead, 5/5/79 14-12-11-10-10-10-10 1,13 Ain’t That Enough For You, JDavisMonsterOrch, 9/2/78 13-11-7-5-4-4-7-9-13 x,89 All American Girls, Sister Sledge, 2/21/81 14-9-8-6-6-10-11 3,79 All Night Thing, Invisible Man’s Band, 3/1/80 15-14-13-12-10-10 9,45 Always There, Side Effect, 6/10/76 15-14-12-13 56,x And The Beat Goes On, Whispers, 1/12/80 13-2-2-2-1-1-2-3-3-4-11-15 1,19 And You Call That Love, Vernon Burch, 2/22/75 15-14-13-13-12-8-7-9-12 x,x Another One Bites The Dust, Queen, 8/16/80 6-6-3-3-2-2-2-3-7-12 2,1 Another Star, Stevie Wonder, 10/23/76 13-13-12-6-5-3-2-3-3-3-5-8 18,32 Are You Ready For This, The Brothers, 4/26/75 15-14-13-15 x,x Ask Me, Ecstasy,Passion,Pain, 10/26/74 2-4-2-6-9-8-9-7-9-13post peak 19,52 At Midnight, T-Connection, 1/6/79 10-8-7-3-3-8-6-8-14 32,56 Baby Face, Wing & A Prayer, 11/6/75 13-5-2-2-1-3-2-4-6-9-14 32,14 Back Together Again, R Flack & D Hathaway, 4/12/80 15-11-9-6-6-6-7-8-15 18,56 Bad Girls, Donna Summer, 5/5/79 2-1-1-1-1-1-1-1-2-2-3-10-13 1,1 Bad Luck, H Melvin, 2/15/75 12-4-2-1-1-1-1-1-1-1-1-1-2-2-3-4-5-5-7-10-15 4,15 Bang A Gong, Witch Queen, 3/10/79 12-11-9-8-15
    [Show full text]
  • Register of Entertainers, Actors and Others Who Have Performed in Apartheid South Africa
    Register of Entertainers, Actors And Others Who Have Performed in Apartheid South Africa http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.nuun1988_10 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org Register of Entertainers, Actors And Others Who Have Performed in Apartheid South Africa Alternative title Notes and Documents - United Nations Centre Against ApartheidNo. 11/88 Author/Creator United Nations Centre against Apartheid Publisher United Nations, New York Date 1988-08-00 Resource type Reports Language English Subject Coverage (spatial) South Africa Coverage (temporal) 1981 - 1988 Source Northwestern University Libraries Description INTRODUCTION. REGISTER OF ENTERTAINERS, ACTORS AND OTHERS WHO HAVE PERFORMED IN APARTHEID SOUTH AFRICA SINCE JANUARY 1981.
    [Show full text]
  • MIZELL, Alfonce and Freddie Perren
    Howard University Digital Howard @ Howard University Manuscript Division Finding Aids Finding Aids 10-1-2015 MIZELL, Alfonce and Freddie Perren MSRC Staff Follow this and additional works at: https://dh.howard.edu/finaid_manu Recommended Citation Staff, MSRC, "MIZELL, Alfonce and Freddie Perren" (2015). Manuscript Division Finding Aids. 136. https://dh.howard.edu/finaid_manu/136 This Article is brought to you for free and open access by the Finding Aids at Digital Howard @ Howard University. It has been accepted for inclusion in Manuscript Division Finding Aids by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. ALFONCE MIZELL AND FREDDIE PERREN COLLECTION Collection 72-1 Prepared & Revised by: Greta S. Wilson June 1980 ----------------------------------------------------------------- -------------- Scope Note The musical scores of Alfonce Mizell and Freddie Perren were presented to Moorland Spingarn Research Center on December 3, 1971. The seventeen scores, which were written and arranged primarily for the popular singing group, the "Jackson Five" are contained in one box measuring l/2 linear foot. Also contained in this box is a flyer and one photograph ----------------------------------------------------------------- MIZELL.Alfonce.FreddiePerren.TXT[11/13/2014 12:27:26 PM] -------------- - 2 - Series Description Series A Musical Scores Box 72-1 Popular music arranged and composed by Mizell and Perren for the singing group, "The Jackson Five"(* indicates material composed by them) Series B Broadside Box 72-1 One xerox copy of a flyer from the Howard University Jazz Institute announcing a class taught by Alfonce Mizell on the history of Jazz Series C Photograph Box 72-1 One photograph of members of "The Corporation", Deke Richards, Freddie Perren and Fonce Mizell, accepting awards at Broadcast Music Inc.
    [Show full text]
  • Insights Course 1
    Insights Course 1 RATKAISUT Verkkojulkaisu Elina Karapalo Paula Keltto Mark Kilmer Päivi Kuusivaara Teijo Päkkilä Annukka Suonio 1. painos © 2016 Elina Karapalo, Paula Keltto, Mark Kilmer, Päivi Kuusivaara, Teijo Päkkilä, Annukka Suonio ja Kustannusosakeyhtiö Otava Oy Toimitus: Kaija Kaasinen Ulkoasua: Sari Inandik Taitto: Olli-Matti Hallikainen Kopiointiehdot Teos on suojattu tekijänoikeuslailla (404/61). Tämän verkkoaineiston muokkaaminen on sallittua. Aineiston tulostaminen, kopiointi, välittäminen tai muu jatkokäyttö sellaisenaan tai muokattuna edellyttää kuitenkin oikeudenomistajan tai Kopiosto ry:n lupaa. Muokkausoikeus ei koske kuvia tai kuvitusta. Kopiosto ry myöntää verkkoaineiston tulostamiseen, kopiointiin ja kopioiden käyttöön lupia. Sähköisten julkaisujen tulostaminen ja tulosteiden valokopiointi on sallittu luvan mukaisesti. Opetus- ja kulttuuriministeriö on hankkinut muun muassa peruskouluille, lukioille ja ammatillisille oppilaitoksille luvan valokopioida ja tulostaa julkaisuja opetus- ja tutkimuskäyttöä varten. Lisätietoja luvista kopiosto.fi ISBN: 978-951-1-30628-3 Tno: 0HXS INSIGHTS COURSE 1 RATKAISUT My English, your English our English 2 1. Ready, set, go 4 2. My first apartment 8 3. The Scoop 11 4. Refugee Boy 14 5. I love Finland 17 6. The First Amendment 21 7. Nobody should have to sit alone 25 8. To love and leave 28 Grammar 30 2 My English, your English, our English Question 16, p. 9 Tapescript Jock and Jimmy were walking along a street in London. Jock looked in one of the shop windows and saw a sign that caught his eye. The sign read, "Suits £5.00 each, shirts £2.00 each, trousers £2.50 per pair". Jock said to his pal, "Look at the prices! We could buy a whole lot of these and when we get back home we could make a fortune.
    [Show full text]