TFF20-Wagga-Wagga PROGRAM Web.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

TFF20-Wagga-Wagga PROGRAM Web.Pdf SUBSCRIBE & SAVE HOW TO BOOK Save 30% and see the entire Online: sff.org.au/ Waggawagga Festival with a subscription, By Phone: 02 8220 6600 or dip into the festival with a In Person: Forum 6 Cinemas 5-Film Flexipass for just $12.50 per film. Forum 6 Cinemas 77 Trail St FULL SUBSCRIPTION Wagga Wagga NSW 2650 BRINGING THE WORLD’S BEST $94.50 Adult $81.00 Concession (02) 6921 6863 CINEMA TO NSW 5-FILM FLEXIPASS $62.50 Adult $57.50 Concession PRESENTED BY SINGLE TICKETS $15.50 Adult $13.50 Concession Sydney Film Festival $11 Kids/Students Phone: 02 8220 6600 Subscriptions are transferable but admit only Email: [email protected] one person per film. Website: sff.org.au/tff Flexipasses must be redeemed prior to the start of the festival. Flexipasses can be redeemed for one ticket per film only. Concessions: unemployed, pensioners & seniors - upon presentation of ID. Cover image: Hearts and Bones All films start at the advertised time. TRAVELLING FILM FESTIVAL VISITS… NT Alice Springs, Darwin, Katherine QLD Bundaberg, Cairns, Mackay, Nambour, Toowoomba, Townsville NSW Huskisson, Newcastle, Port Macquarie, Sawtell, Tamworth, Ulladulla, Wagga Wagga, Wollongong Hearts and Bones TFF AT SEA Sydney to Port Douglas WAGGA WAGGA Distinguished Partner FORUM 6 CINEMAS Travelling Film Festival acknowledges the financial assistance of Screen Australia and Create NSW and distinguished partner Princess Cruises. 6 - 8 MARCH 2020 SCHEDULE OPENING NIGHT: HEARTS AND BONES FRIDAY 6 MARCH 6:00 PM OPENING NIGHT RECEPTION 7:00 PM HEARTS AND BONES (15+) SATURDAY 7 MARCH 12:00 PM HONEYLAND (All Ages) 2:30 PM PHOTOGRAPH (M) 5:00 PM THE FAREWELL (PG) Screens with short film TIES THAT BIND (PG) 7:30 PM PAIN AND GLORY (15+) SUNDAY 8 MARCH 11:00 AM WHEN TOMATOES MET WAGNER (PG) Screens with short film TUNGRUS (PG) 1:30 PM OUT STEALING HORSES (15+) 4:30 PM THE TRUTH (PG) 7:30 PM PORTRAIT OF A LADY ON FIRE (M) FRIDAY 6 MAR 6:00 PM RECEPTION, 7:00 PM FILM Directed by Ben Lawrence | Australia | In English | 107 mins | 15+ SELECTED: SYDNEY FILM FESTIVAL 2019 War photographer Daniel Fisher (Hugo Weaving, Mystery Road, The Matrix STAY IN TOUCH trilogy) returns home to Sydney, and despite his partner’s protests, prepares for yet another hazardous overseas assignment. At the same Keep up to date with program and tour announcements, time, he is organising an upcoming exhibition of his work from the world’s giveaways and more! war zones. South Sudanese refugee, Sebastian (Andrew Luri), living happily in Australia with his wife and young child, learns that the exhibition will /travellingfilmfestival include images of a massacre in his village 15 years earlier. He finds Daniel #travellingfilmfestival and begs him to exclude those photographs. An unlikely friendship develops between the two men, but it is severely tested when Daniel makes a shocking discovery. With powerful performances from Weaving and Luri @travellingfilmfestival portraying men from very different backgrounds who bond over their shared trauma, director Ben Lawrence’s beautifully acted debut feature is an intelligent, morally complex and deeply moving film. Sign up to our eNews or to receive a print program in the post next year at “One of Hugo Weaving’s finest performances on screen.” sff.org.au/tff - SYDNEY MORNING HERALD WHEN TOMATOES HONEYLAND PHOTOGRAPH THE FAREWELL PAIN AND GLORY MET WAGNER SAT 7 MAR 12:00 PM SAT 7 MAR 2:30 PM SAT 7 MAR 5:00 PM SAT 7 MAR 7:30 PM SUN 8 MAR 11:00 AM Directed by Ljubomir Stefanov, Directed by Ritesh Batra I India, USA, Directed by Lulu Wang I USA | In Directed by Pedro Almodóvar I Spain Directed by Marianna Economou Tamara Kotevska I North Macedonia Germany | In Hindi, Gujarati and English, Mandarin, Japanese and | In Spanish with English subtitles | | Greece | In Greek, English and | In Turkish with English subtitles | 87 English with English subtitles | Italian with English subtitles | 115 mins | 15+ French with English subtitles | mins | All Ages 110 mins | All Ages 100 mins | PG NOMINATED: BEST ACTOR, BEST 72 mins | PG NOMINATED: BEST FOREIGN FILM, SELECTED: SYDNEY AND WINNER: BEST ACTRESS, GOLDEN FOREIGN FILM, ACADEMY AWARDS, SELECTED: SFF 2019 BEST DOCUMENTARY OSCARS 2020 SUNDANCE FILM FESTIVALS 2019 GLOBES 2020 GOLDEN GLOBES 2020 In a small rural Greek village, two Filmmakers Stefanov and Kotevska Nawazuddin Siddqui (The Lunchbox, NOMINATED: BEST FOREIGN FILM, Revered filmmaker Pedro Almodóvar cousins run an organic farm, growing filmed Hatidze and her bees over Lion) is Rafi, a street photographer BAFTA 2020 reunites with actor Antonio Banderas, tomatoes with the help of some following their previous highly three years. The 50-something in frenzied Mumbai, snapping Billi (Awkwafina, Crazy Rich Asians, hard-working old ladies – and successful collaborations (The apiarist lives in an isolated cottage improvised portraits for tourists Jumanji 2) is caught between two classical music blasted across the with her frail elderly mother. She at the city’s landmarks. When Skin I Live In), in this personal and fields. Little jars of tomato paste, and countries, not wholly identifying moving film. Filmmaker Salvador seems content to tend her bees and his ailing grandmother—who with American culture or Chinese layered antipasto savoury snacks are make the occasional four-hour trip has always hoped that Rafi would Mallo (Banderas, in one of his very their hallmarks. With no machines traditions. When her beloved finest performances) is suffering to market. One day, a large family start a family—comes to visit, he grandmother’s persistent cough turns for mass production, only weathered from a range of health issues and hands to crank the honey, slice the and their herd of cattle move into scrambles to appease her. A chance out to be terminal, the family decides finds himself in a creative rut. This the otherwise deserted mountain encounter with kind-hearted and it’s better not to tell her the prognosis. tomatoes, and apply each label one artistic limbo leads Salvador to by one. They’re clearly dedicated, valley and her peaceful life is turned lonely Miloni (Sanya Malhotra, Instead, they arrange a quasi-fake reflect on his childhood (raised in upside down. At first, Hatidze Dangal, Badhaai Ho) offers the wedding so the clan can pay their but hampered by marketing poverty by his doting mother - a acumen. With its sunny approach enjoys the company, and willingly perfect opportunity, since she is respects to their beloved matriarch, superb Penelope Cruz), his lovers, shares her special brandy and her happy to play along when Rafi asks without mentioning her illness. In this that’s as laid-back and no-frills as films and past glories. Almodovar’s the villagers themselves, this is a ancient beekeeping ways. But her her to be his pretend companion. smart and funny tale, director Wang latest masterpiece, full of life’s small wonderfully endearing and optimistic trust is betrayed, and all too soon cleverly highlights the cultural and yet absurd moments and exquisite A film based on beautifully resonant documentary. her bees are in jeopardy. Intimate, moments, director Ritesh Batra’s generational differences between East styling, which clearly riffs on his and West and the impact of severed own life, is ultimately a gorgeous “Economou’s passionate approach, humorous and timeless, Honeyland follow up to his festival favourite, The connections and renewed family ties. reflection on cinema, art, family combined with a carefully measured also epitomises the delicate balance Lunchbox, beautifully captures the between humankind and nature. “The comedy ranges from sly verbal and love. balance between the personal thin line between hypothetical and and the general on one hand, and “This bitter and beautiful Sundance- real, longing and nostalgia. wit through borderline broad crowd- “The artful symmetry is an Almodovar pleasing gags, but it’s anchored at hallmark, and his cinematic the local and the universal on the winning doc focuses on a single “A lovely ending, feels like a other, makes for a deeply satisfying beekeeper as though our collective every step by the filmmaker’s direct memento is filled with the intimate, throwback to the old-fashioned big ties to the situation.” indelible moments that made a life. viewing experience.” future hinges on her hives.” screen romances of yore.” -THE HOLLYWOOD REPORTER You can feel his passion for cinema -INDIEWIRE -INDIEWIRE in every frame.” -SCREEN INTERNATIONAL Screens with short film Screens with short film TIES THAT BIND -ROLLING STONE TUNGRUS PORTRAIT OF A OUT STEALING HORSES THE TRUTH LADY ON FIRE SHORT FILMS SUPPORT TFF TIES THAT BIND SUN 8 MAR 1:30 PM SUN 8 MAR 4:30 PM SUN 8 MAR 7:30 PM As a non-profit organization, the Directed by Hans Petter Moland | Directed by Kore-eda Hirokazu | Directed by Céline Sciamma I France Directed by Michael Hudson | Australia Travelling Film Festival exists through Norway | In Norwegian and Swedish France | In French and English with | In French with English subtitles | 12 mins | PG support from you—our audience. Your with English subtitles | 123 mins | M English subtitles | 107 mins | PG 119 mins | M SELECTED: SFF 2019 donations are an investment in the Festival’s future and enable us to keep WINNER: BERLIN FILM SELECTED: VENICE INTERNATIONAL SELECTED: SFF 2019 A young man (Kamil Ellis) is at odds with his single mother (Elaine Crombie), who bringing the best and most important FESTIVAL 2019 FILM FESTIVAL 2019 WINNER: BEST SCREENPLAY, pushes him away with her bullying ways. stories from around the world to Wagga Stellan Skarsgård (Chernobyl, Written and directed by Shoplifters CANNES Screens with feature film Wagga each year. director, Kore-eda Hirokazu, outside Mamma Mia) shines as old Trond, Set in 18th century France, Céline THE FAREWELL Make a tax-deductible donation of his native Japan, this enjoyable a thoughtful yet lonely man who today at sff.org.au/tff/support story brings together iconic Oscar- Sciamma (Girlhood, SFF2014) is prompted to recall a certain returns with this beautifully Norwegian summer that changed nominated actresses Catherine Deneuve and Juliette Binoche.
Recommended publications
  • October 18 - November 28, 2019 Your Movie! Now Serving!
    Grab a Brew with October 18 - November 28, 2019 your Movie! Now Serving! 905-545-8888 • 177 SHERMAN AVE. N., HAMILTON ,ON • WWW.PLAYHOUSECINEMA.CA WINNER Highest Award! Atwood is Back at the Playhouse! Cannes Film Festival 2019! - Palme D’or New documentary gets up close & personal Tiff -3rd Runner - Up Audience Award! with Canada’ international literary star! This black comedy thriller is rated 100% on Rotten Tomatoes. Greed and class discrimination threaten the newly formed symbiotic re- MARGARET lationship between the wealthy Park family and the destitute Kim clan. ATWOOD: A Word After a Word “HHHH, “Parasite” is unquestionably one of the best films of the year.” After a Word is Power. - Brian Tellerico Rogerebert.com ONE WEEK! Nov 8-14 Playhouse hosting AGH Screenings! ‘Scorcese’s EPIC MOB PICTURE is HEADED to a Best Picture Win at Oscars!” - Peter Travers , Rolling Stone SE LAYHOU 2! AGH at P 27! Starts Nov 2 Oct 23- OPENS Nov 29th Scarlett Johansson Laura Dern Adam Driver Descriptions below are for films playing at BEETLEJUICE THE CABINET OF DR. CALIGARI Dir.Tim Burton • USA • 1988 • 91min • Rated PG. FEAT. THE VOC HARMONIC ORCHESTRA the Playhouse Cinema from October 18 2019, Dir. Paul Downs Colaizzo • USA • 2019 • 103min • Rated STC. through to and including November 28, 2019. TIM BURTON’S HAUNTED CLASSIC “Beetlejuice, directed by Tim Burton, is a ghost story from the LIVE MUSICAL ACCOMPANIMENT • CO-PRESENTED BY AGH haunters' perspective.The drearily happy Maitlands (Alec Baldwin and Iconic German Expressionist silent horror - routinely cited as one of Geena Davis) drive into the river, come up dead, and return to their the greatest films ever made - presented with live music accompani- Admission Prices beloved, quaint house as spooks intent on despatching the hideous ment by the VOC Silent Film Harmonic, from Kitchener-Waterloo.
    [Show full text]
  • Cinema, on the Big Screen, with an Audience, Midsommar 6 Something That We Know Quentin Feels As Once Upon a Time In
    CinJuly – Ae ugust 2019ma One of the most anticipated films of the summer, Contents Quentin Tarantino’s latest offering is a perfect New Films summer movie. Once Upon a Time in... Hollywood Blinded by the Light 9 o is full of energy, laughs, buddies and baddies, and The Chambermaid 8 the kind of bravado filmmaking we’ve come to love l The Dead Don’t Die 7 from this director. It is also, without a shadow of Ironstar: Summer Shorts 28 l a doubt, the kind of film that begs to be seen in The Lion King 27 a cinema, on the big screen, with an audience, Midsommar 6 something that we know Quentin feels as Once Upon a Time in... Hollywood 10 e passionately about as we do. It is a real thrill to Pain and Glory 11 be able to say Once Upon a Time in... Hollywood Photograph 8 will be shown at DCA exclusively on 35mm. We Robert the Bruce 5 can’t wait to fire up our Centurys, hear the whirr h Spider-Man: Far From Home 4 of the projectors in the booth and experience the Tell It To The Bees 7 magic of celluloid again. If you’ve never seen a film The Cure – Anniversary 13 on film, now is your chance! 197 8–2018 Live in Hyde Park Vita & Virginia 4 Another master of cinema, Pedro Almodóvar, also Documentary returns to our screens with an introspective, tender Marianne & Leonard: Words of Love 13 look at the life of an artist facing up to his regrets Of Fish and Foe 12 and the past loves who shaped him.
    [Show full text]
  • Con-Scripting the Masses: False Documents and Historical Revisionism in the Americas
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Open Access Dissertations 2-2011 Con-Scripting the Masses: False Documents and Historical Revisionism in the Americas Frans Weiser University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/open_access_dissertations Part of the Comparative Literature Commons Recommended Citation Weiser, Frans, "Con-Scripting the Masses: False Documents and Historical Revisionism in the Americas" (2011). Open Access Dissertations. 347. https://scholarworks.umass.edu/open_access_dissertations/347 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. CON-SCRIPTING THE MASSES: FALSE DOCUMENTS AND HISTORICAL REVISIONISM IN THE AMERICAS A Dissertation Presented by FRANS-STEPHEN WEISER Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment Of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2011 Program of Comparative Literature © Copyright 2011 by Frans-Stephen Weiser All Rights Reserved CON-SCRIPTING THE MASSES: FALSE DOCUMENTS AND HISTORICAL REVISIONISM IN THE AMERICAS A Dissertation Presented by FRANS-STEPHEN WEISER Approved as to style and content by: _______________________________________________ David Lenson, Chair _______________________________________________
    [Show full text]
  • Anna Magnani
    5 JUL 19 5 SEP 19 1 | 5 JUL 19 - 5 SEP 19 88 LOTHIAN ROAD | FILMHOUSECinema.COM FILMS WORTH TALKING ABOUT HOME OF THE EDINBURGH INTERNATIONAL FILM FESTIVAL Filmhouse, Summer 2019, Part II Luckily I referred to the last issue of this publication as the early summer double issue, which gives me the opportunity to call this one THE summer double issue, as once again we’ve been able to cram TWO MONTHS (July and August) of brilliant cinema into its pages. Honestly – and honesty about the films we show is one of the very cornerstones of what we do here at Filmhouse – should it become a decent summer weather-wise, please don’t let it put you off coming to the cinema, for that would be something of an, albeit minor in the grand scheme of things, travesty. Mind you, a quick look at the long-term forecast tells me you’re more likely to be in here hiding from the rain. Honestly…? No, I made that last bit up. I was at a world-renowned film festival on the south coast of France a few weeks back (where the weather was terrible!) seeing a great number of the films that will figure in our upcoming programmes. A good year at that festival invariably augurs well for a good year at this establishment and it’s safe to say 2019 was a very good year. Going some way to proving that statement right off the bat, one of my absolute favourites comes our way on 23 August, Pedro Almodóvar’s Pain and Glory which is simply 113 minutes of cinematic pleasure; and, for you, dear reader, I put myself through the utter bun-fight that was getting to see Quentin Tarantino’s Once Upon a Time..
    [Show full text]
  • Bruce Jackson & Diane Christian Video Introduction To
    Virtual May 5, 2020 (XL:14) Pedro Almodóvar: PAIN AND GORY (2019, 113m) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Bruce Jackson & Diane Christian video introduction to this week’s film Click here to find the film online. (UB students received instructions how to view the film through UB’s library services.) Videos: “Pedro Almodóvar and Antonio Banderas on Pain and Glory (New York Film Festival, 45:00 min.) “How Antonio Banderas Became Pedro Almodóvar in ‘Pain & Glory’” (Variety, 4:40) “PAIN AND GLORY Cast & Crew Q&A” (TIFF 2019, 24:13) CAST Antonio Banderas...Salvador Mallo “Pedro Almodóvar on his new film ‘Pain and Glory, Penélope Cruz...Jacinta Mallo Penelope Cruz and his sexuality” (27:23) Raúl Arévalo...Venancio Mallo Leonardo Sbaraglia...Federico Delgado DIRECTOR Pedro Almodóvar Asier Etxeandia...Alberto Crespo WRITER Pedro Almodóvar Cecilia Roth...Zulema PRODUCERS Agustín Almodóvar, Ricardo Marco Pedro Casablanc...Doctor Galindo Budé, and Ignacio Salazar-Simpson Nora Navas...Mercedes CINEMATOGRAPHER José Luis Alcaine Susi Sánchez...Beata EDITOR Teresa Font Julieta Serrano...Jacinta Mallo (old age) MUSIC Alberto Iglesias Julián López...the Presenter Paqui Horcajo...Mercedes The film won Best Actor (Antonio Banderas) and Best Rosalía...Rosita Composer and was nominated for the Palme d'Or and Marisol Muriel...Mari the Queer Palm at the 2019 Cannes Film Festival. It César Vicente...Eduardo was also nominated for two Oscars at the 2020 Asier Flores...Salvador Mallo (child) Academy Awards (Best Performance by an Actor for Agustín Almodóvar...the priest Banderas and Best International Feature Film).
    [Show full text]
  • Walpole Public Library DVD List A
    Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair,
    [Show full text]
  • Index to Volume 29 January to December 2019 Compiled by Patricia Coward
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard
    [Show full text]
  • 51ST ANNUAL CONVENTION March 5–8, 2020 Boston, MA
    Northeast Modern Language Association 51ST ANNUAL CONVENTION March 5–8, 2020 Boston, MA Local Host: Boston University Administrative Sponsor: University at Buffalo SUNY 1 BOARD OF DIRECTORS President Carole Salmon | University of Massachusetts Lowell First Vice President Brandi So | Department of Online Learning, Touro College and University System Second Vice President Bernadette Wegenstein | Johns Hopkins University Past President Simona Wright | The College of New Jersey American and Anglophone Studies Director Benjamin Railton | Fitchburg State University British and Anglophone Studies Director Elaine Savory | The New School Comparative Literature Director Katherine Sugg | Central Connecticut State University Creative Writing, Publishing, and Editing Director Abby Bardi | Prince George’s Community College Cultural Studies and Media Studies Director Maria Matz | University of Massachusetts Lowell French and Francophone Studies Director Olivier Le Blond | University of North Georgia German Studies Director Alexander Pichugin | Rutgers, State University of New Jersey Italian Studies Director Emanuela Pecchioli | University at Buffalo, SUNY Pedagogy and Professionalism Director Maria Plochocki | City University of New York Spanish and Portuguese Studies Director Victoria L. Ketz | La Salle University CAITY Caucus President and Representative Francisco Delgado | Borough of Manhattan Community College, CUNY Diversity Caucus Representative Susmita Roye | Delaware State University Graduate Student Caucus Representative Christian Ylagan | University
    [Show full text]
  • 57Th New York Film Festival September 27- October 13, 2019
    57th New York Film Festival September 27- October 13, 2019 filmlinc.org AT ATTHE THE 57 57TH NEWTH NEW YORK YORK FILM FILM FESTIVAL FESTIVAL AndAnd over over 40 40 more more NYFF NYFF alums alums for for your your digitaldigital viewing viewing pleasure pleasure on onthe the new new KINONOW.COM/NYFFKINONOW.COM/NYFF Table of Contents Ticket Information 2 Venue Information 3 Welcome 4 New York Film Festival Programmers 6 Main Slate 7 Talks 24 Spotlight on Documentary 28 Revivals 36 Special Events 44 Retrospective: The ASC at 100 48 Shorts 58 Projections 64 Convergence 76 Artist Initiatives 82 Film at Lincoln Center Board & Staff 84 Sponsors 88 Schedule 89 SHARE YOUR FESTIVAL EXPERIENCE Tag us in your posts with #NYFF filmlinc.org @FilmLinc and @TheNYFF /nyfilmfest /filmlinc Sign up for the latest NYFF news and ticket updates at filmlinc.org/news Ticket Information How to Buy Tickets Online filmlinc.org In Person Advance tickets are available exclusively at the Alice Tully Hall box office: Mon-Sat, 10am to 6pm • Sun, 12pm to 6pm Day-of tickets must be purchased at the corresponding venue’s box office. Ticket Prices Main Slate, Spotlight on Documentary, Special Events*, On Cinema Talks $25 Member & Student • $30 Public *Joker: $40 Member & Student • $50 Public Directors Dialogues, Master Class, Projections, Retrospective, Revivals, Shorts $12 Member & Student • $17 Public Convergence Programs One, Two, Three: $7 Member & Student • $10 Public The Raven: $70 Member & Student • $85 Public Gala Evenings Opening Night, ATH: $85 Member & Student • $120 Public Closing Night & Centerpiece, ATH: $60 Member & Student • $80 Public Non-ATH Venues: $35 Member & Student • $40 Public Projections All-Access Pass $140 Free Events NYFF Live Talks, American Trial: The Eric Garner Story, Holy Night All free talks are subject to availability.
    [Show full text]
  • WIFF-2019-Program-FULL-1.Pdf
    HOW TO WIFF 2 TICKET INFO 3 WHERE TO WIFF 4 WIFF VILLAGE/WIFF ALLEY 5 WHO WE ARE 6-7 SALUTE TO OUR SPONSORS 8-21 SPECIAL THANKS 22 A MESSAGE FROM VINCENT 23 A MESSAGE FROM LYNNE 24 A MESSAGE FROM THE MAYOR 25 FESTIVAL FACTS 26-27 MIDNIGHT MADNESS 28 SPECIAL SCREENINGS 29 WIFF PRIZE IN CANADIAN FILM 30 MARK BOSCARIOL 48-HOUR FLICKFEST 31 WIFF LOCAL 32 WOMEN OF WIFF 33 HOTDOCS SHOWCASE 34 SPOTLIGHT ON ARCHITECTURE 35 LES FILMS FRANCOPHONES 36 IN CELEBRATION OF MUSIC 37 TRIXIE MATTEL 38 LGBTQ2+ 39 SPOTLIGHT AWARD 40 TAKE IT FROM VINCENT 41 OPENING NIGHT FILM 42 CLOSING NIGHT FILM 43 FILM SYNOPSES 44-127 SCREENING CALENDAR 128-137 INDEX BY COUNTRY 138-139 1. PICK YOUR FILMS Films and showtimes can be found online at windsorfilmfestival.com, in the program book or at the box office. Film synopses are listed by title in alphabetical order, with their countries of origin noted. 2. TYPES OF TICKETS If you plan on seeing several films, consider a festival pass for an unlimited movie experience. Show your valid student card for discounted single tickets or festival passes. If you want to catch a show with a large group of 20+, our group sales packages will help you save. If tickets are sold out in advance a limited number of standby tickets will be available at the venue just before showtime. 3. BUY YOUR TICKETS Online – Purchase through your phone or computer by visiting our website. Print them off at home or bring them up on your mobile device.
    [Show full text]
  • Mayor De San Andres University School of Humanities and Education Sciences Department of Linguistics and Languages
    MAYOR DE SAN ANDRES UNIVERSITY SCHOOL OF HUMANITIES AND EDUCATION SCIENCES DEPARTMENT OF LINGUISTICS AND LANGUAGES THESIS LINGUISTIC RESOURCES EMPLOYED BY THE POLITICAL PARTY M.A.S. AS A STRATEGY IN VERBAL GOVERNMENT PROPAGANDA TO BRING FORWARD A DOMINANT DISCURSIVE IDEOLOGY IN THE BOLIVIAN SOCIETY A thesis presented for the requirements of Licenciatura Degree SUBMITTED BY: Eugenio Walter Ajoruro Alanoca SUPERVISOR: Elizabeth Rojas Candia, Ph.D. LA PAZ – BOLIVIA 2020 MAYOR DE SAN ANDRES UNIVERSITY SCHOOL OF HUMANITIES AND EDUCATION SCIENCES DEPARTMENT OF LINGUISTICS AND LANGUAGES THESIS LINGUISTIC RESOURCES EMPLOYED BY THE POLITICAL PARTY M.A.S. AS A STRATEGY IN VERBAL GOVERNMENT PROPAGANDA TO BRING FORWARD A DOMINANT DISCURSIVE IDEOLOGY IN THE BOLIVIAN SOCIETY © 2020 Eugenio Walter Ajoruro Alanoca A thesis presented for the requirements of Licenciatura Degree. ………………………………………………………………………………………………… ………………………………………………………………………………………………… ………………………………………………………………………………………………… Head of Department: Lic. Maria Virginia Ferrufino Loza Supervisor: Elizabeth Rojas Candia Ph.D. Committee: Lic. Maria Virginia Coronado Conde Committee: M.Sc. Roberto Quina Mamani Date………………………………………... / 2020 i ABSTRACT This research aims to examine five government propaganda developed by the Ministry of Communication in July and August 2017 in Bolivia. The analysis is focused on Fairclough’s (1995) model of Critical Discourse Analysis, contending that there is a close link across text, discourse practice, and socio-cultural practice. It also employs Walton´s (1997) observation of Propaganda by using Discourse Analysis as a method which claims that propaganda is an art of persuasion and re-education of the audience, even of manipulating the social attitude encouraged by specific objectives. Likewise, the research analysis takes van Dijk´s (1998) ideological structures, which, according to him, are being developed to legitimate power or social inequality.
    [Show full text]
  • 16 May 2021 Spanishfilmfestival.Com
    20 APRIL - 16 MAY 2021 SPANISHFILMFESTIVAL.COM SPANISH FILM FESTIVAL SPANISHFILMFEST SPONSORS THANK YOU TO OUR GENEROUS SPONSORS PRESENTED BY NAMING RIGHTS PARTNER CULTURAL PARTNERS OFFICIAL BEER PARTNER HOTEL PARTNERS SUPPORTING PARTNERS CATERING PARTNERS 2 SPONSORS 2 REEL LATINO OPENING NIGHT Ema .................................................. 33 Go Youth! .......................................... 34 Rosa’s Wedding .............................. 4-5 Spider ............................................... 35 ARGENTINIAN NIGHT The Adopters ..................................... 36 CONTENTS Heroic Losers ................................. 6-7 The Good Intentions ........................... 37 The Moneychanger ............................ 38 YOUNG AT HEART presents White on White .................................. 39 Bye Bye Mr. Etxebeste! ................... 8-9 SESSIONS AND TICKETING CENTREPIECE MELBOURNE/SYDNEY While at War ................................ 10-11 Ticket Information .............................. 40 Melbourne Session Times ............. 41-45 SPECIAL EVENTS Sydney Session Times ................... 46-49 Latigo .......................................... 12-13 Wishlist ........................................ 14-15 CANBERRA Ticket Information .............................. 50 SPECIAL PRESENTATION Session Times .............................. 51-52 A Thief’s Daughter ............................. 17 BYRON BAY REEL ESPAÑOL Ticket Information .............................. 53 Cross the Line ...................................
    [Show full text]