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October 18 - November 28, 2019 Your Movie! Now Serving!
Grab a Brew with October 18 - November 28, 2019 your Movie! Now Serving! 905-545-8888 • 177 SHERMAN AVE. N., HAMILTON ,ON • WWW.PLAYHOUSECINEMA.CA WINNER Highest Award! Atwood is Back at the Playhouse! Cannes Film Festival 2019! - Palme D’or New documentary gets up close & personal Tiff -3rd Runner - Up Audience Award! with Canada’ international literary star! This black comedy thriller is rated 100% on Rotten Tomatoes. Greed and class discrimination threaten the newly formed symbiotic re- MARGARET lationship between the wealthy Park family and the destitute Kim clan. ATWOOD: A Word After a Word “HHHH, “Parasite” is unquestionably one of the best films of the year.” After a Word is Power. - Brian Tellerico Rogerebert.com ONE WEEK! Nov 8-14 Playhouse hosting AGH Screenings! ‘Scorcese’s EPIC MOB PICTURE is HEADED to a Best Picture Win at Oscars!” - Peter Travers , Rolling Stone SE LAYHOU 2! AGH at P 27! Starts Nov 2 Oct 23- OPENS Nov 29th Scarlett Johansson Laura Dern Adam Driver Descriptions below are for films playing at BEETLEJUICE THE CABINET OF DR. CALIGARI Dir.Tim Burton • USA • 1988 • 91min • Rated PG. FEAT. THE VOC HARMONIC ORCHESTRA the Playhouse Cinema from October 18 2019, Dir. Paul Downs Colaizzo • USA • 2019 • 103min • Rated STC. through to and including November 28, 2019. TIM BURTON’S HAUNTED CLASSIC “Beetlejuice, directed by Tim Burton, is a ghost story from the LIVE MUSICAL ACCOMPANIMENT • CO-PRESENTED BY AGH haunters' perspective.The drearily happy Maitlands (Alec Baldwin and Iconic German Expressionist silent horror - routinely cited as one of Geena Davis) drive into the river, come up dead, and return to their the greatest films ever made - presented with live music accompani- Admission Prices beloved, quaint house as spooks intent on despatching the hideous ment by the VOC Silent Film Harmonic, from Kitchener-Waterloo. -
Cinema, on the Big Screen, with an Audience, Midsommar 6 Something That We Know Quentin Feels As Once Upon a Time In
CinJuly – Ae ugust 2019ma One of the most anticipated films of the summer, Contents Quentin Tarantino’s latest offering is a perfect New Films summer movie. Once Upon a Time in... Hollywood Blinded by the Light 9 o is full of energy, laughs, buddies and baddies, and The Chambermaid 8 the kind of bravado filmmaking we’ve come to love l The Dead Don’t Die 7 from this director. It is also, without a shadow of Ironstar: Summer Shorts 28 l a doubt, the kind of film that begs to be seen in The Lion King 27 a cinema, on the big screen, with an audience, Midsommar 6 something that we know Quentin feels as Once Upon a Time in... Hollywood 10 e passionately about as we do. It is a real thrill to Pain and Glory 11 be able to say Once Upon a Time in... Hollywood Photograph 8 will be shown at DCA exclusively on 35mm. We Robert the Bruce 5 can’t wait to fire up our Centurys, hear the whirr h Spider-Man: Far From Home 4 of the projectors in the booth and experience the Tell It To The Bees 7 magic of celluloid again. If you’ve never seen a film The Cure – Anniversary 13 on film, now is your chance! 197 8–2018 Live in Hyde Park Vita & Virginia 4 Another master of cinema, Pedro Almodóvar, also Documentary returns to our screens with an introspective, tender Marianne & Leonard: Words of Love 13 look at the life of an artist facing up to his regrets Of Fish and Foe 12 and the past loves who shaped him. -
Con-Scripting the Masses: False Documents and Historical Revisionism in the Americas
University of Massachusetts Amherst ScholarWorks@UMass Amherst Open Access Dissertations 2-2011 Con-Scripting the Masses: False Documents and Historical Revisionism in the Americas Frans Weiser University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/open_access_dissertations Part of the Comparative Literature Commons Recommended Citation Weiser, Frans, "Con-Scripting the Masses: False Documents and Historical Revisionism in the Americas" (2011). Open Access Dissertations. 347. https://scholarworks.umass.edu/open_access_dissertations/347 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. CON-SCRIPTING THE MASSES: FALSE DOCUMENTS AND HISTORICAL REVISIONISM IN THE AMERICAS A Dissertation Presented by FRANS-STEPHEN WEISER Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment Of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2011 Program of Comparative Literature © Copyright 2011 by Frans-Stephen Weiser All Rights Reserved CON-SCRIPTING THE MASSES: FALSE DOCUMENTS AND HISTORICAL REVISIONISM IN THE AMERICAS A Dissertation Presented by FRANS-STEPHEN WEISER Approved as to style and content by: _______________________________________________ David Lenson, Chair _______________________________________________ -
Never Look Away
NEVER LOOK AWAY An original screenplay by Florian Henckel von Donnersmarck 1. INT. DRESDEN ART MUSEUM – DAY KURT, a small 5-year-old boy with steel grey eyes gazes at the distorted, grimacing faces of soldiers from the hands of Otto Dix, the twisted colors and shapes of Kirchner, Heckel and Schmidt-Rottluff, the bizarre world of Paul Klee. At Kurt's side is his AUNT ELISABETH, an 19 year-old blonde of seductive beauty. They are part of a group of maybe two dozen adults, all ears to a self- confidently eloquent EXHIBITION GUIDE: GUIDE (nodding with regret) Modern art. Yes, ladies and gentlemen. Before the National Socialists took charge, Germany, too, had its share of "modern" art, meaning: something different just about every year - as follows from the word itself. Ironic chuckles from the audience. EXHIBITION GUIDE (CONT'D) But the Germany of National Socialism once again demands a German art which, like the entirety of a nation’s creative values, must be, and shall be, eternal. Bearing no such eternal value for its nation, it can be of no higher value even today. As they stroll past paintings of unconstrained prostitutes, yellow hydrocephalic heads, smirking captains of industry, African-style sculptures… EXHIBITION GUIDE (CONT'D) The German woman is ridiculed and equaled to prostitutes. The paintings appear to confirm this. EXHIBITION GUIDE (CONT'D) The soldier is portrayed either as a murderer or as the victim of senseless slaughter, all this in an attempt to destroy the German people’s deeply rooted respect for a soldier’s bravery. -
Understanding People's Science Movement in India
SUBHASIS SAHOO Assistant Professor Department of Sociology University of Delhi New Delhi 110 021, India e-mail: [email protected] BINAY KUMAR PATTNAIK Professor of Sociology Department of Humanities and Social Sciences Indian Institute of Technology Kanpur Kanpur 208016, India e-mail: [email protected] Understanding People’s Science Movement in India: From the Vantage of Social Movement Perspective It hardly needs emphasis that People’s Science Movements (PSMs) in India have been very unique and such movements are not witnessed yet elsewhere although science popularization / science com- munication movements were witnessed in USA, Europe and Australia. As a study of unique social phenomenon catching up our academic fascination, the paper fi rst tried to characterize the phenom- enon of PSM; second, tried to locate such a phenomenon in its socio-historical contexts. Lastly, the phenomenon is empirically studied through the analysis of fi ve extensive case studies of various types of People’s Science Movement Organizations (PSMOs) from the view point of social movement per- spective, i. e. Resource mobilization theory. Keywords: People’s science movements, Resource mobilizations, Civil society, Intellectual resources, Financial resources, Organizational resources, External Linkages, Ideology. Introduction Sociologically speaking the movement is a collective eff ort in a particular direction to bring change of desired type. Hence, a movement is what moves people toward their de- sired goals. PSM is people moving to achieve their objectives through science (Varma, 2001: 4796–4802). PSM seeks to bring social changes with the help of science. All People’s science movements are some kind of social movements. A social movement is one form of collec- tive behaviour in which large number of people are organized to support or bring about or resist change. -
Bruce Jackson & Diane Christian Video Introduction To
Virtual May 5, 2020 (XL:14) Pedro Almodóvar: PAIN AND GORY (2019, 113m) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Bruce Jackson & Diane Christian video introduction to this week’s film Click here to find the film online. (UB students received instructions how to view the film through UB’s library services.) Videos: “Pedro Almodóvar and Antonio Banderas on Pain and Glory (New York Film Festival, 45:00 min.) “How Antonio Banderas Became Pedro Almodóvar in ‘Pain & Glory’” (Variety, 4:40) “PAIN AND GLORY Cast & Crew Q&A” (TIFF 2019, 24:13) CAST Antonio Banderas...Salvador Mallo “Pedro Almodóvar on his new film ‘Pain and Glory, Penélope Cruz...Jacinta Mallo Penelope Cruz and his sexuality” (27:23) Raúl Arévalo...Venancio Mallo Leonardo Sbaraglia...Federico Delgado DIRECTOR Pedro Almodóvar Asier Etxeandia...Alberto Crespo WRITER Pedro Almodóvar Cecilia Roth...Zulema PRODUCERS Agustín Almodóvar, Ricardo Marco Pedro Casablanc...Doctor Galindo Budé, and Ignacio Salazar-Simpson Nora Navas...Mercedes CINEMATOGRAPHER José Luis Alcaine Susi Sánchez...Beata EDITOR Teresa Font Julieta Serrano...Jacinta Mallo (old age) MUSIC Alberto Iglesias Julián López...the Presenter Paqui Horcajo...Mercedes The film won Best Actor (Antonio Banderas) and Best Rosalía...Rosita Composer and was nominated for the Palme d'Or and Marisol Muriel...Mari the Queer Palm at the 2019 Cannes Film Festival. It César Vicente...Eduardo was also nominated for two Oscars at the 2020 Asier Flores...Salvador Mallo (child) Academy Awards (Best Performance by an Actor for Agustín Almodóvar...the priest Banderas and Best International Feature Film). -
Walpole Public Library DVD List A
Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair, -
Never Look Away German Artist Gerhard Richter (B. 1932) May Not
Never Look Away German artist Gerhard Richter (b. 1932) may not be a household name in the US, but he is renowned in the art world and has been called “the greatest living artist,” conducting, over a 65-year period, an amazingly protean career in every aspect of the visual arts. The beginnings of that career are the inspiration for a new movie, “Never Look Away,” made by director Florian von Donnersmarck. The filmmaker achieved renown with first film “The Lives of Others” (2006) which earned him, at age 33, an Academy Award for Best Foreign Language Film, a category for which he is nominated again this year. An open question for moviegoers approaching von Donnersmark’s film (which he also wrote) is how much does one need to know about the real Richter to appreciate and assess the fictionalized version? The story, a complex one, begins in 1937 with a young Kurt Barnert (standing in for Richter) observing, with a beloved aunt, Elisabeth (Saskia Rosendahl), an exhibition of “degenerate art” mounted by the Nazis in Dresden. However. Elisabeth, a smart and sensitive sort, admires the modernistic works, passing along her taste to her nephew. Later, she is sterilized and killed by the Nazis because she is deemed schizophrenic. Her sterilization is carried out by Professor Carl Seeband (Sebastian Koch), an obstetrician and member of the SS. Switch to post-war Dresden where the young Kurt (Tom Schilling) begins to study painting at the city’s art school and meets and falls for Ellie Seeband (Paula Beer), daughter of the infamous doctor (unknown to Kurt) who has survived the war and become a dutiful, and successful, communist in East Germany. -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard -
Academy Invites 842 to Membership
MEDIA CONTACT [email protected] July 1, 2019 FOR IMMEDIATE RELEASE ACADEMY INVITES 842 TO MEMBERSHIP LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 842 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. The 2019 class is 50% women, 29% people of color, and represents 59 countries. Those who accept the invitations will be the only additions to the Academy’s membership in 2019. Six individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership. New members will be welcomed into the Academy at invitation-only receptions in the fall. The 2019 invitees are: Actors Adewale Akinnuoye-Agbaje – “Suicide Squad,” “Trumbo” Yareli Arizmendi – “A Day without a Mexican,” “Like Water for Chocolate” Claes Bang – “The Girl in the Spider’s Web,” “The Square” Jamie Bell – “Rocketman,” “Billy Elliot” Bob Bergen – “The Secret Life of Pets,” “WALL-E” Bruno Bichir – “Crónica de un Desayuno,” “Principio y Fin” Claire Bloom – “The King’s Speech,” “Limelight” Héctor Bonilla – “7:19 La Hora del Temblor,” “Rojo Amanecer” Juan Diego Botto – “Ismael,” “Vete de Mí” Sterling K. Brown – “Black Panther,” “Marshall” Gemma Chan – “Crazy Rich Asians,” “Mary Queen of Scots” Rosalind Chao – “I Am Sam,” “The Joy Luck Club” Camille Cottin – “Larguées,” “Allied” Kenneth Cranham – “Maleficent,” “Layer Cake” Marina de Tavira – “Roma,” “La Zona (The -
Product Guide
AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.comGUIDEGUIDE AFM AT YOUR FINGERTIPS – THE PDA CULTURE IS HAPPENING! THE FUTURE US NOW SOURCE - SELECT - DOWNLOAD©ONLY WHAT YOU NEED! WHEN YOU NEED IT! GET IT! SEND IT! FILE IT!© DO YOUR PART TO COMBAT GLOBAL WARMING In 1983 The Business of Film innovated the concept of The PRODUCT GUIDE. • In 1990 we innovated and introduced 10 days before the major2010 markets the Pre-Market PRODUCT GUIDE that synced to the first generation of PDA’s - Information On The Go. • 2010: The Internet has rapidly changed the way the film business is conducted worldwide. BUYERS are buying for multiple platforms and need an ever wider selection of Product. R-W-C-B to be launched at AFM 2010 is created and designed specifically for BUYERS & ACQUISITION Executives to Source that needed Product. • The AFM 2010 PRODUCT GUIDE SEARCH is published below by regions Europe – North America - Rest Of The World, (alphabetically by company). • The Unabridged Comprehensive PRODUCT GUIDE SEARCH contains over 3000 titles from 190 countries available to download to your PDA/iPhone/iPad@ http://www.thebusinessoffilm.com/AFM2010ProductGuide/Europe.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/NorthAmerica.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/RestWorld.doc The Business of Film Daily OnLine Editions AFM. To better access filmed entertainment product@AFM. This PRODUCT GUIDE SEARCH is divided into three territories: Europe- North Amerca and the Rest of the World Territory:EUROPEDiaries”), Ruta Gedmintas, Oliver -
The Summer Issue
GFQ3_18_Druckvorlage.qxp_Layout 1 25.07.18 14:47 Seite 1 GFQ GERMAN FILMS QUARTERLY THE SUMMER ISSUE IN LOCARNO Concorso internazionale GERMANY. A WINTER’S TALE by Jan Bonny Piazza Grande WHAT DOESN’T KILL US by Sandra Nettelbeck Concorso Cineasti del presente ALL GOOD by Eva Trobisch IN VENICE In Competition NEVER LOOK AWAY by Florian Henckel von Donnersmarck DIRECTORS Angela Schanelec & Robert Schwentke PRODUCERS Schiwago Film ACTOR Bjarne Mädel ISSUE 3-2018 GFQ3_18_Druckvorlage.qxp_Layout 1 25.07.18 14:47 Seite 2 CONTENTS GFQ 3-2018 18 20 23 24 26 28 29 30 32 35 36 36 2 GFQ3_18_Druckvorlage.qxp_Layout 1 25.07.18 14:47 Seite 3 GFQ 3-2018 CONTENTS IN THIS ISSUE PORTRAITS NEW DOCUMENTARIES LIFE IN THE TIME OF NO BELONGING DEFENDER OF THE FAITH A portrait of director Angela Schanelec .......................................... 4 Christoph Röhl ................................................................................. 34 AT HOME IN TWO WORLDS DIE GEHEIMNISSE DES SCHÖNEN LEO A portrait of director Robert Schwentke ......................................... 6 THE SECRETS OF HANDSOME LEO Benedikt Schwarzer .............. 34 HANDS ON PRODUCERS STILLER KAMERAD A portrait of Schiwago Film .............................................................. 8 SILENT COMRADE Leonhard Hollmann .......................................... 35 IN SEARCH OF NEW CHALLENGES SUNSET OVER MULHOLLAND DRIVE A portrait of actor Bjarne Mädel ....................................................... 10 Uli Gaulke .........................................................................................