Film Calendar February 8 - April 4, 2019
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Comparative Analysis on Faith-Based Filmmaking Sean O'connor Cedarville University, [email protected]
Cedarville University DigitalCommons@Cedarville Communication Faculty Publications Department of Communication 12-11-2015 The rT ee of Life and Courageous: Comparative Analysis on Faith-Based Filmmaking Sean O'Connor Cedarville University, [email protected] Follow this and additional works at: https://digitalcommons.cedarville.edu/ media_and_applied_communications_publications Recommended Citation O'Connor, Sean, "The rT ee of Life and Courageous: Comparative Analysis on Faith-Based Filmmaking" (2015). Communication Faculty Publications. 74. https://digitalcommons.cedarville.edu/media_and_applied_communications_publications/74 This Thesis is brought to you for free and open access by DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in Communication Faculty Publications by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. The Tree of Life and Courageous: Comparative Analysis on Faith-Based Filmmaking A Thesis Presented to the Faculty of School of Communication Arts of Asbury University In Partial Fulfillment Of the Requirements for the Degree Master of Arts by Sean O’Connor December 11, 2015 ii © 2015 Sean Michael O’Connor The U.S. Copyright Act of 2009 protects a thesis with the following clause, “original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device”. iii This thesis has been approved for the School of Communication Arts Dr. Don Simmons, Ph.D., Thesis Advisor Dr. Jim Owens, Ph.D., Dean of School of Communication Arts iv ACKNOWLEDGEMENTS As I reflect on all of those who have encouraged and supported me in the last year as I have pursued my graduate studies, I would first of all like to thank my family. -
Steinway Duo-Art
CHAPTER OFFICERS INTERNATlONAL OFFICERS NO. CALIFORNIA Pres.: Phil McCoy Vice Pres.: Isadora Koff PRESIDENT Sec.: David Fryman Bob Rosencrans Treas.: Bob Wilcox 36 Hampden Rd. Reporter: Sharon Bartlett Upper Darby, PA 19082 SO. CALIFORNIA VICE PRESIDENT Pres.: Francis Cherney Bill Eicher Vice Pres.: Mary Lilien 465 Winding Way Sec.: Greg Behnke Dayton, OH 45429 Treas.: Roy SheIso SECRETARY Reporter: Bill Toeppe Jim Weisenborne TEXAS 73 Nevada St. Pres.: Carole Beckett Rochester, MI 48063 Vice Pres.: Sal Mele AMICA MEMBERSHIP RATES: PUBLISHER Sec/Treas.: Doyle Cassel Tom Beckett Reporter: Kay & Merrill Baltzley Continuing Members: $15 Dues 6817 Cliffbrook Dallas, TX 75240 MIDWEST New Members, add $5 processing fee Pres.: Bennet Leedy MEMBERSHIP SECRETARY Vice Pres.: Jim Prendergast (New memberships and Sec.: Jim Weisenborne mailing problems) Treas.: Alvin Wulfekuhl Bobby Clark Jr Reporter: Molly Yeckley P. O. Box 172 Columbia SC 29202 PHILADELPHIA AREA Pres Mike Naddeo THE AMICA NEWS BULLETIN TREASURER Vice Pres.: John Berry Jack & Mary Riffle Sec. Dick Price Published by the Automatic Musical Instrument Collectors' Association, a non 5050 Eastside Calpella Rd. Treas.: Claire Lambert profit club devoted to the restoration, distribution and enjoyment of musical Ukiah, CA 95482 Reporter: Allen Ford instruments using perforated paper musIc rolls. BOARD REPRESENTATIVES SOWNY (So. Ontario, West NY) Contributions: All subjects of interest to readers of the Bulletin are N. Cal. Howie Koff Pres.: Jeff Depp encouraged and invited by the pUblisher All articles must be received by the S. Cal.: Dick Rigg Vice Pres: Bruce Bartholomew 10th of the preceeding month. Every attempt will be made to publish all artiCles Texas: Wade Newton Sec.: Mike Walter of general interest to AMICA members at the earliest possible time..and at the Phil.: Bob Taylor Treas.: Stella Gilbert Midwest: Bill Eicher Reporter: Jim Brewer discretion of the publisher. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Sampson Theater Market and Feasibility Analysis
Pennsylvania Yankee Theater Company Sampson Theatre Project Market and Feasibility Analysis Shepstone Management Company, Inc. Planning & Research Consultants 100 Fourth Street, Honesdale, PA 18431 570-251-9550 FAX 251-9551 [email protected] www.shepstone.net December, 2010 Pennsylvania Yankee Theater Company - Sampson Theatre Project Market and Feasibility Analysis Table of Contents Page 1.0 Project Background and Description 1-1 2.0 Market Definition and Overview 2-1 3.0 Comparable Projects in Market Area 3-1 4.0 Market Analysis 4-1 4.1 Market Demand Trends 4-1 4.2 Projected Market Activity 4-3 4.3 Projected Capture Rate 4-4 5.0 Financial Feasibility Analysis 5-1 5.1 Prospective Capital Costs 5-1 5.2 Prospective Operating Costs 5-1 5.3 Cash Flow Analysis 5-3 5.4 Required Financing 5-4 6.0 Summary Conclusions and Recommendations 6-1 Appendices: A - ESRI Market Data B - Comparable Project Information C - Other Background Data and Information Shepstone Management Company Table of Contents Planning & Research Consultants Pennsylvania Yankee Theater Company - Sampson Theatre Project Market and Feasibility Analysis 1.0 Project Background and Description The Pennsylvania Yankee Theater Company (PYTCO) is a non-profit theater group located in Penn Yan, NY. It owns the Sampson Theater building located at the corner of East Elm Street and Champlin Avenue, which was donated to it in 2004. The Sampson Theatre, constructed in 1910 and operated as a theater until 1930, was listed on the National Register of Historic Places in 2009. PYTCO began a renovation of the building with a grant-funded roof replacement that has now been completed and seeks to fully restore the building for use, once again, as a theater and as a community cultural and conference center. -
Roger Ebert's
The College of Media at Illinois presents Roger19thAnnual Ebert’s Film Festival2017 April 19-23, 2017 The Virginia Theatre Chaz Ebert: Co-Founder and Producer 203 W. Park, Champaign, IL Nate Kohn: Festival Director 2017 Roger Ebert’s Film Festival The University of Illinois at Urbana–Champaign The College of Media at Illinois Presents... Roger Ebert’s Film Festival 2017 April 19–23, 2017 Chaz Ebert, Co-Founder, Producer, and Host Nate Kohn, Festival Director Casey Ludwig, Assistant Director More information about the festival can be found at www.ebertfest.com Mission Founded by the late Roger Ebert, University of Illinois Journalism graduate and a Pulitzer Prize- winning film critic, Roger Ebert’s Film Festival takes place in Urbana-Champaign each April for a week, hosted by Chaz Ebert. The festival presents 12 films representing a cross-section of important cinematic works overlooked by audiences, critics and distributors. The films are screened in the 1,500-seat Virginia Theatre, a restored movie palace built in the 1920s. A portion of the festival’s income goes toward on-going renovations at the theatre. The festival brings together the films’ producers, writers, actors and directors to help showcase their work. A film- maker or scholar introduces each film, and each screening is followed by a substantive on-stage Q&A discussion among filmmakers, critics and the audience. In addition to the screenings, the festival hosts a number of academic panel discussions featuring filmmaker guests, scholars and students. The mission of Roger Ebert’s Film Festival is to praise films, genres and formats that have been overlooked. -
Never Look Away
NEVER LOOK AWAY An original screenplay by Florian Henckel von Donnersmarck 1. INT. DRESDEN ART MUSEUM – DAY KURT, a small 5-year-old boy with steel grey eyes gazes at the distorted, grimacing faces of soldiers from the hands of Otto Dix, the twisted colors and shapes of Kirchner, Heckel and Schmidt-Rottluff, the bizarre world of Paul Klee. At Kurt's side is his AUNT ELISABETH, an 19 year-old blonde of seductive beauty. They are part of a group of maybe two dozen adults, all ears to a self- confidently eloquent EXHIBITION GUIDE: GUIDE (nodding with regret) Modern art. Yes, ladies and gentlemen. Before the National Socialists took charge, Germany, too, had its share of "modern" art, meaning: something different just about every year - as follows from the word itself. Ironic chuckles from the audience. EXHIBITION GUIDE (CONT'D) But the Germany of National Socialism once again demands a German art which, like the entirety of a nation’s creative values, must be, and shall be, eternal. Bearing no such eternal value for its nation, it can be of no higher value even today. As they stroll past paintings of unconstrained prostitutes, yellow hydrocephalic heads, smirking captains of industry, African-style sculptures… EXHIBITION GUIDE (CONT'D) The German woman is ridiculed and equaled to prostitutes. The paintings appear to confirm this. EXHIBITION GUIDE (CONT'D) The soldier is portrayed either as a murderer or as the victim of senseless slaughter, all this in an attempt to destroy the German people’s deeply rooted respect for a soldier’s bravery. -
Anna Magnani
5 JUL 19 5 SEP 19 1 | 5 JUL 19 - 5 SEP 19 88 LOTHIAN ROAD | FILMHOUSECinema.COM FILMS WORTH TALKING ABOUT HOME OF THE EDINBURGH INTERNATIONAL FILM FESTIVAL Filmhouse, Summer 2019, Part II Luckily I referred to the last issue of this publication as the early summer double issue, which gives me the opportunity to call this one THE summer double issue, as once again we’ve been able to cram TWO MONTHS (July and August) of brilliant cinema into its pages. Honestly – and honesty about the films we show is one of the very cornerstones of what we do here at Filmhouse – should it become a decent summer weather-wise, please don’t let it put you off coming to the cinema, for that would be something of an, albeit minor in the grand scheme of things, travesty. Mind you, a quick look at the long-term forecast tells me you’re more likely to be in here hiding from the rain. Honestly…? No, I made that last bit up. I was at a world-renowned film festival on the south coast of France a few weeks back (where the weather was terrible!) seeing a great number of the films that will figure in our upcoming programmes. A good year at that festival invariably augurs well for a good year at this establishment and it’s safe to say 2019 was a very good year. Going some way to proving that statement right off the bat, one of my absolute favourites comes our way on 23 August, Pedro Almodóvar’s Pain and Glory which is simply 113 minutes of cinematic pleasure; and, for you, dear reader, I put myself through the utter bun-fight that was getting to see Quentin Tarantino’s Once Upon a Time.. -
12 Big Names from World Cinema in Conversation with Marrakech Audiences
The 18th edition of the Marrakech International Film Festival runs from 29 November to 7 December 2019 12 BIG NAMES FROM WORLD CINEMA IN CONVERSATION WITH MARRAKECH AUDIENCES Rabat, 14 November 2019. The “Conversation with” section is one of the highlights of the Marrakech International Film Festival and returns during the 18th edition for some fascinating exchanges with some of those who create the magic of cinema around the world. As its name suggests, “Conversation with” is a forum for free-flowing discussion with some of the great names in international filmmaking. These sessions are free and open to all: industry professionals, journalists, and the general public. During last year’s festival, the launch of this new section was a huge hit with Moroccan and internatiojnal film lovers. More than 3,000 people attended seven conversations with some legendary names of the big screen, offering some intense moments with artists, who generously shared their vision and their cinematic techniques and delivered some dazzling demonstrations and fascinating anecdotes to an audience of cinephiles. After the success of the previous edition, the Festival is recreating the experience and expanding from seven to 11 conversations at this year’s event. Once again, some of the biggest names in international filmmaking have confirmed their participation at this major FIFM event. They include US director, actor, producer, and all-around legend Robert Redford, along with Academy Award-winning French actor Marion Cotillard. Multi-award-winning Palestinian director Elia Suleiman will also be in attendance, along with independent British producer Jeremy Thomas (The Last Emperor, Only Lovers Left Alive) and celebrated US actor Harvey Keitel, star of some of the biggest hits in cinema history including Thelma and Louise, The Piano, and Pulp Fiction. -
The Nunn Organ Collection
Carousel Organ, Issue No. 32 — July, 2007 The Nunn Organ Collection Bill Nunn hen I met Diane, she had a small collection of porce- ing Ragtime Calliope. I thought, “If it’s not too expensive…” lain carousel music boxes she received as birthday Well, I had a lot of fun with that calliope, repairing it and adding Wand Christmas gifts. For the next few years I contin- drums and a glockenspiel. That fall we went to see someone ued the tradition, once buying a music box with the name Looff who was selling a Parker carousel with a Wurlitzer 125 trumpet and a date of 1910. I thought “there is more to this than just a band organ. Seeing that organ was love at first sight, but the box that plays music.” So I searched for and found a book on owner was leaving for Florida for the winter. I thought about the history of carousel animals. We read about the talented that organ all winter and when he came back I bought one immigrant carvers and the different carousel companies and Parker carousel horse in pieces, the 125 organ and a carving styles. We were hooked. We said “someday we will get Wellershaus organ in pieces. We put the Wurlitzer 125 in the a real antique carousel horse.” A year later, at a garage sale, house and if you went outside to listen, the volume was just Diane found a little Herschell Spillman horse with no legs or about right. Diane’s dad came to see our new acquisition and ears. -
Stan and Ollie'
'Stan and Ollie' A Screenplay By Jeff Pope Stan and Ollie - Goldenrod Revisions 20.04.17 1 BLACK. UNDER THIS this we hear a conversation. HARDY (V.O.) ... so Madelyn turned up. LAUREL (V.O.) Madelyn turned up? HARDY (V.O.) Completely out of the blue. Haven’t seen her in fifteen years... 1INT. DRESSING ROOM/ROACH LOT/STUDIO - DAY 1 Oliver HARDY leans against the door to a dressing room, worried expression, talking to his friend Stan LAUREL. Both are in their late-40s, (at the peak of their movie careers), but to begin with we have no real clue as to who they are, where they are or what they do. They are just two guys in cheap suits talking to each other. HARDY lights up a cigarette as he talks. HARDY There she was, all gussied up on the front door step. And that’s something I never thought I’d see again. LAUREL picks up a boot (the right one) with a large hole in the sole. Using a knife he levers off the heel. LAUREL What’d she want? HARDY Twenty thousand bucks. LAUREL Twenty thousand? HARDY Fifteen years of back alimony. I ** said ‘what alimony? When we broke ** up I gave you whatever money I had ** and you took the car.’ We both ** agreed that was that. LAUREL Jeez even Mae wasn’t after that much - and she wanted me to pay for a chauffeur. It’s because our faces ** are plastered all over town. ** Probably some lawyer’s bright idea. ** LAUREL levers off the other heel. -
GSH/Newsletter 5/99
VOL. 33, NO. 9 NEWSLETTER MAY 1999 Technical Breakfast the corresponding Wiener filters and the output seismic phase errors are I N S I D E Applying Relative Entropy smaller. Spectrum Deconvolution Speaker biography: GSH Meetings _______________ John F. Parrish received a B.S. Date: Thursday degree in physics (1964) from Loyola GSH Technical Breakfast, May 13, 1999 University of Los Angeles, then M.S. May 13 ......................................................... 1 Time: 7:00 a.m. breakfast, and Ph.D. degrees in physics (1966 & 7:45 a.m. Upcoming Meetings ..................................... 1 1969) from Massachusetts Institute of presentation, Technology. After working for Hughes 8:15 to 8:30 a.m. SIPES Continuing Education Seminar ......... 3 Aircraft Company, Ground Systems Q&A Group, as a radar engineer and for Reservoir Geophysics SIG ........................... 6 Place: CGG, Park Row, NASA, ERC, as an infrared Houston, Texas. 1999 GSH Annual Meeting .......................... 7 spectroscopist, he joined Shell Cost: No cost Development Company as a 1999 SEG Annual Meeting ........................ 13 Reservations: by noon Monday, geophysicist in 1969. He has worked April 5. Code 607 Worldwide Technology Forum .................... 15 on diverse projects within Shell Oil Company, serving as party-chief, John F. Parrish inventor, future-ologist, supervisor of Shell E&P Technology Company Articles and Comments _______ geophysical programming, and flying A theoretical exposition of doctor. His current interests include minimum relative entropy spectrum Review of Visualization Conference ............. 4 3D deconvolution, quantitative signal deconvolution (REDCON) was processing for seismic imaging, and Geo Events Calendar Info .......................... 11 presented in November 1997 at the interference and noise suppression. Legislative Up-date .................................... 12 67th Annual International Meeting of the Society of Exploration Houston - Geosciences: Geophysicists. -
An Obligation to Do One's Best by Dana Smessaert May 2020
An Obligation to do One’s Best by Dana Smessaert May 2020 Director of Thesis: Angela Wells Major Department: School of Art and Design An Obligation to do One's Best is an exploration of myth and reality at home in a small southern town. The artist is calling into question whose history we are referencing when it comes to art, economics, and culture. In these liminal landscapes, the viewer/spectator becomes a collaborator in the mythos of racism in the Southern narrative—the denial of not only its racist past but also the strides of the Civil Rights protests. The research explores the agency of history and cultural capital through a site-specific installation with images, video, sculpture, and sound. Creating a liminal landscape of the American South through physical and metaphysical readings of its trauma, history, and understanding the “...south as a noun that behaves like a verb.”1 The South is entwined with history, politics, economics, and racism, a link that can never be severed, this paper consorts with classic literature, history, cinema, demographics, and philosophy. The American South, the house, the name, and the family's history are complicated and seemingly transparent to those on the outside. However, the stories of those who live here still exist in the space between myth and reality. 1 Romine, Scott. The Real South: Southern Narrative in the Age of Cultural Reproduction. Baton Rouge: Louisiana State University Press, 2008. An Obligation to do One’s Best A Thesis Presented to the Faculty of the School of Art and Design East