DOCSLIB.ORG

October 18 - November 28, 2019 Your Movie! Now Serving!

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Grab a Brew with October 18 - November 28, 2019 your Movie! Now Serving! 905-545-8888 • 177 SHERMAN AVE. N., HAMILTON ,ON • WWW.PLAYHOUSECINEMA.CA WINNER Highest Award! Atwood is Back at the Playhouse! Cannes Film Festival 2019! - Palme D’or New documentary gets up close & personal Tiff -3rd Runner - Up Audience Award! with Canada’ international literary star! This black comedy thriller is rated 100% on Rotten Tomatoes. Greed and class discrimination threaten the newly formed symbiotic re- MARGARET lationship between the wealthy Park family and the destitute Kim clan. ATWOOD: A Word After a Word “HHHH, “Parasite” is unquestionably one of the best films of the year.” After a Word is Power. - Brian Tellerico Rogerebert.com ONE WEEK! Nov 8-14 Playhouse hosting AGH Screenings! ‘Scorcese’s EPIC MOB PICTURE is HEADED to a Best Picture Win at Oscars!” - Peter Travers , Rolling Stone SE LAYHOU 2! AGH at P 27! Starts Nov 2 Oct 23- OPENS Nov 29th Scarlett Johansson Laura Dern Adam Driver Descriptions below are for films playing at BEETLEJUICE THE CABINET OF DR. CALIGARI Dir.Tim Burton • USA • 1988 • 91min • Rated PG. FEAT. THE VOC HARMONIC ORCHESTRA the Playhouse Cinema from October 18 2019, Dir. Paul Downs Colaizzo • USA • 2019 • 103min • Rated STC. through to and including November 28, 2019. TIM BURTON’S HAUNTED CLASSIC “Beetlejuice, directed by Tim Burton, is a ghost story from the LIVE MUSICAL ACCOMPANIMENT • CO-PRESENTED BY AGH haunters' perspective.The drearily happy Maitlands (Alec Baldwin and Iconic German Expressionist silent horror - routinely cited as one of Geena Davis) drive into the river, come up dead, and return to their the greatest films ever made - presented with live music accompani- Admission Prices beloved, quaint house as spooks intent on despatching the hideous ment by the VOC Silent Film Harmonic, from Kitchener-Waterloo. New York yuppie family which had usurped their property. Special Admission: Playhouse/AGH members $15 • Nonmembers $18 Members/under 12: $8 “The humour unfolds as the horrible Deetzes (Jeffery Jones and The most brilliant example of that dark and twisted film movement Catherine O'Hara) fill the house with revolting avant-garde art, bull- known as German Expressionism, The Cabinet of Dr. Caligari is a Non-Members: $ 12 • Over 65/Students: $9 dozers, and camp interior designers spitting venom; while only their plunge into the mind of insanity that severs all ties with the rational mournful teenage daughter (Winona Ryder) seems either aware of or world. Director Robert Wiene and a team of designers crafted a night- Annual Membership: $10 in tune with the ghostly couple, whose failure to shine in the scare mare realm in which light, shadow and substance are abstracted, a Membership benefits: stakes finally drags them into the arms of Betelgeuse (Michael world in which a demented doctor and a carnival sleepwalker perpe- $4 o regular admission Keaton), a kind of demonic Clint Eastwood of the underworld trate a series of ghastly murders in a small community. OCT 30 Free film guide mailing “Off-the wall humour and some sensational sight gags make the Snack bar combo THE CAMINO VOYAGE movie a truly astonishing piece of work.” - Time Out OCTOBER 26 Dir. Donal O'Ceilleachair • Ireland • 2019 • 97min • Rated STC. THE BIG LEBOWSKI 4 MEN BUILD A BOAT AND SAIL IT 2500KM, HAVING ADVENTURES Dir. Joel and Ethan Coen • USA/UK • 1991 • 116min • Rated 14A. “Early on, writer, poet, adventurer Danny Sheehy says: ‘If you're THE DUDE ABIDES. DRESS UP! sensible all the time you'd never do anything.’ He is a man in his six- The plot of this Raymond Chandler-esque comedy crime caper ties sailing in a small boat from Ireland, along the west coast of from the Coen Brothers pivots around a case of mistaken identity France and down to Santiago with three friends: musician Brendan FRIDAY OCTOBER 18 SATURDAY OCTOBER 19 complicated by extortion, double-crosses, deception, embezzlement, Begley, stonemason Breandan Moriarty and artist Liam Holden. sex, pot (lots of it), and gallons of White Russians. Unemployed '60s “They built the boat themselves and over six weeks in three Mays, 4:45PM •STC• 2:30PM •STC• refugee Jeff "The Dude" Lebowski (Jeff Bridges) grooves into his laid- from 2014 to 2016, they sailed the 2,500km of the different stretches of BRITTANY RUNS back Los Angeles lifestyle. However, the Dude's life takes an alternate the journey. Along the way, they camp, meet people, play music and route the afternoon two goons break into his threadbare Venice, chat. Donal O'Ceilleachair directs what is, as the Camino is intended A MARATHON HUMAN California, bungalow, rough him up, and urinate on his living room to be, much more than just a physical journey. This is the story of an adventure based in Irish traditions and it's a pleasure and privilege to 7:00PM •STC• rug. Why? Because Jackie Treehorn is owed money by the wife of a NATURE certain Jeff Lebowski. However, the goons grabbed the wrong Jeff get to see people who just do things.” - Irish Independant 4:45PM •STC• Lebowski. The Dude looks up his wealthy namesake, manages to get This is a SPECIAL PRESENTATION through DEMAND FILM. BRITTANY RUNS a replacement for his rug, and meets the millionaire's sexy young Advance tickets can ONLY be purchased through their website for wife Bunny. As events unravel, the Dude gets caught up in the $14.50 plus $1.50 Service charge. We will be selling tickets at the door A MARATHON schemes of Lebowski's daughter, erotic artist Maude, encounters both for $17.00. tickets.demand.film/event/8932 OCT 26 9:00PM“An impressive •14A• achievement, often suggesting an 7:00PM •STC• cops and bad guys, and drifts through an elaborate bowling fantasy expressionist blend of 2001, The Warriors, sequence titled Gutterballs. OCTOBER 31 Blade Runner and Forbidden Planet.”- TimeOut BRITTANY RUNS A MARATHON 9:10PM •R• Dir. Paul Downs Colaizzo • USA • 2019 • 103min • Rated STC. JILLIAN BELL SHINES AS HARD PARTYER CHANGING THIER WAYS THE EXORCIST “Written and directed by first-timer Paul Downs Colaizzo and star- DIRECTOR’S CUT ring Jillian Bell in a performance that defines breakout, Brittany not only goes places you won’t be expecting but it also manages to be AKIRA simultaneously sympathetic and unsentimental, a picture with a Dir. Katsuhiro Ôtomo • Japan • 1988 • 124min • Rated 14A. In Japanese with English subs. laugh-out-loud sense of humor that can be as real as hell. SOON TO BE LIVE ACTION HOLLYWOOD REMAKE! “Colaizzo is an award-winning playwright, and he puts his sharp, “There are certain science-fiction films, such as Blade Runner and on-point dialogue at the service of a story loosely inspired by his best 2001, that are so well realized that they can influence the genre for friend, Brittany, a hard partyer who decided to change her life by tak- decades. Now Akira sits comfortably alongside those other titles, and ing on the New York Marathon. Given this set-up, you might think you offers up something new or missed with every viewing. could guess the rest of Brittany’s story, but you really cannot. “The plot concerns a futuristic neo-Tokyo biker gang whose lives Brittany’s obstacles do not fade away as she sheds pounds, and are impacted after an accidental collision with a secret government- unlooked-for issues of intimacy, trust and belief in self come to the For AGH Film Festival screening information run project dealing with telekinetic powers in children. Style and sub- fore. Her battle is not so much to lose weight as to take control of her visit artgalleryofhamilton.com stance run neck and neck in this thrilling, bold landmark film that just life, and Brittany Runs a Marathon ensures that we’re rooting for her Programs available in the Playhouse lobby refuses to become dated.”- The Guardian OCTOBER 18 & 20 every step of the way. - LA Times OCTOBER 15-20 18 FREE PARKING SPOTS IN PLAYHOUSE LOT NEXT DOOR! PLUS 18 MORE SPOTS ACROSS THE STREET IN MUNICAPAL LOT! I OCT 18 - NOV 28 2019 SEE OCT 18 & 19 LISTINGS ON PAGE ONE MONDAY OCTOBER 21 TUESDAY OCTOBER 22 WEDNESDAY OCTOBER 23 THURSDAY OCTOBER 24 FRIDAY OCTOBER 25 SATURDAY OCTOBER 26 SUNDAY OCTOBER 20 4:45PM •STC• A4 :p4r5oPvMo c•SatTiCv•e exploration of CRISPR's 2:00PM •STC• SPECIAL PRESENTATION See film description 2:45PM •STC• far-reaching gene editing implications THE for ticketing CAMINO info HUMAN V4:15OPM •YSTC•AGE 4:45M •STC• 6:45PM •PG• AGH FILM FESTIVAL HUMANNATURE NATURE 7:00PM •STC• 7:00PM •STC• 7:00PM •STC• 7:00PM •STC• 4:00PM •STC• SYNONYMS 7:15PM •STC• BRITTANY RUNS THE PRICE OF IT MUST THE WHISTLERS AGH FILM FESTIVAL A MARATHON HEATER 7:00PM •STC• EVERYTHING 9:00PM •STC• 9:15PM •14A• 8:55PM •STC• BE HEAVEN SORRY WE SWORD 9:00PM •STC• MISSED YOU 9:00PM •R• DEAD OF TRUST GHOST TOWN 9:00PM •STC• 9:15PM •PG• HUMAN THE EXORCIST ANTHOLOGY MAN ZEPHYR NATURE DIRECTOR’S CUT For AGH Film Fest info visit artgalleryofhamilton.com • Programs avail. in Playhouse lobby SUNDAY OCTOBER 27 MONDAY OCTOBER 28 TUESDAY OCTOBER 29 WEDNESDAY OCTOBER 30 THURSDAY OCTOBER 31 FRIDAY NOVEMBER 1 SATURDAY NOVEMBER 2 2:00PM •STC• 4:40PM •STC• 4:55PM •STC• 2:00PM •STC• 4:45PM •PG• 4:20PM •STC• 1:45PM •STC• ZONTA CLUB OF HAMILTON PRESENTS LUNAFEST 4:00M •STC• AGH FILM FESTIVAL LINDA RONSTADT THE SOUND OF MY VOICE 7:00PM •STC• 4:25PM •STC• ARAB BLUES 6:45PM •STC• 7:00PM •STC• 7:30PM •STC• “Takes us on a rich, nostalgic journey LINDA 7:00PM •STC• 7:00PM •14A• that will be received as a bittersweet RONSTADT AGH FILM FESTIVAL LINDA valentine by old fans and mightintroduce THE SOUND OF MY VOICE DRESS UP! newbies to a remarkable artist who 6:30PM •STC• BEFORE YOU EXPO 67: RONSTADT Feat.
Recommended publications
  • 1 Gateway 100 – Section 26 – Jewish Humor Instructor Irv Epstein

    1 Gateway 100 – Section 26 – Jewish Humor Instructor Irv Epstein

    Gateway 100 – section 26 – Jewish Humor Instructor Irv Epstein Office Hours:Tuesday, Thursday: 1:00 – 3:30 pm and by appointment. Office Telephone: 556-3098 Home Telephone: 454-7937 e-mail: [email protected] Course Rationale All instructors who teach gateway seminars are committed to the teaching of critical thinking through the writing process. We will attempt to accomplish that goal in this course through learning about Jewish humor. Our explorations will focus upon the nature and social functions of humor, the ways in which humor can be used to express religious and cultural values, and how in analyzing humor, we can gain a better understanding of issues of identity, assimilation and acceptance, issues that confront many immigrant groups. Course Goals 1. Students will develop those critical thinking skills involved in the process of argumentation that include: constructing thesis statements, analyzing premises and conclusions, evaluating evidence, and weighing completing claims. 2. Students will react to different forms of writing that represent different fields of study including oral history, social theory, the social sciences, and literature. 3. Students will through the processes of peer review and large group interaction, evaluate each other’s writing for the purposes of expediting self-improvement in the writing process. 4. Students will analyze, compare, and contrast visual images as represented in various films. 5. Students will examine the nature of laughter, definitions of the “comedic,” and will evaluate the cultural and universal characteristics of Jewish humor. 6. Students will gain an appreciation for the nature of the Jewish immigrant experience in North America, and will be able to identify values that are relevant to that experience in comedic situations.
  • The Art of Adaptation

    The Art of Adaptation

    Ritgerð til M.A.-prófs Bókmenntir, Menning og Miðlun The Art of Adaptation The move from page to stage/screen, as seen through three films Margrét Ann Thors 301287-3139 Leiðbeinandi: Guðrún Björk Guðsteinsdóttir Janúar 2020 2 Big TAKK to ÓBS, “Óskar Helps,” for being IMDB and the (very) best 3 Abstract This paper looks at the art of adaptation, specifically the move from page to screen/stage, through the lens of three films from the early aughts: Spike Jonze’s Adaptation, Alejandro González Iñárritu’s Birdman, or The Unexpected Virtue of Ignorance, and Joel and Ethan Coen’s O Brother, Where Art Thou? The analysis identifies three main adaptation-related themes woven throughout each of these films, namely, duality/the double, artistic madness/genius, and meta- commentary on the art of adaptation. Ultimately, the paper seeks to argue that contrary to common opinion, adaptations need not be viewed as derivatives of or secondary to their source text; rather, just as in nature species shift, change, and evolve over time to better suit their environment, so too do (and should) narratives change to suit new media, cultural mores, and modes of storytelling. The analysis begins with a theoretical framing that draws on T.S. Eliot’s, Linda Hutcheon’s, Kamilla Elliott’s, and Julie Sanders’s thoughts about the art of adaptation. The framing then extends to notions of duality/the double and artistic madness/genius, both of which feature prominently in the films discussed herein. Finally, the framing concludes with a discussion of postmodernism, and the basis on which these films can be situated within the postmodern artistic landscape.
  • December 2019

    December 2019

    Vol. 11 december 2019 — issue 12 issue iNSIDE: ‘10s roundup - OK BOOMER - HOW TO LEAVE A CONCERT - SALACIOUS VEGAN CRUMbS - DRUNK DETECTIVE STARKNESS - ANARCHY FROM THE GROUND UP - places to poo - STILL NERDY - small bizness Saturday - ASK CREEPY HORSE - record reviewS - concert calendar Ok boomer It is amazing to me how quick the Inter- net is to shoot down some ageist, gener- ational bullshit in a way that completely 979Represent is a local magazine crawls under the skin of old people. I am referring to the “OK Boomer” memes flying around these days. The for the discerning dirtbag. comment refers to Baby Boomers, the septuagenarian generation whose cultural and economic thumb we have Editorial bored lived under my entire life. As a solid Gen X’er I have been told that I was really born too late, that everything cool Kelly Menace - Kevin Still that could possibly happen already happened in the ‘60s Art Splendidness and too bad for me because I wasn’t there. Boomers Katie Killer - Wonko Zuckerberg single handedly made casual sex cool, had the rad drugs, had the best rock & roll, and their peace and love Print jockey changed the world. Too bad for you, ’70s kid. You get to Craig WHEEL WERKER grow up under Reagan, high interest rates, single parent latchkey homes, the destruction of pensions, the threat of nuclear annihilation, “Just Say No”, doing a drug once Folks That Did the Other Shit For Us could get you hooked for life, and having sex once could CREEPY HORSE - MIKE L. DOWNEY - JORGE goyco - TODD doom you to death.
  • The French New Wave and the New Hollywood: Le Samourai and Its American Legacy

    The French New Wave and the New Hollywood: Le Samourai and Its American Legacy

    ACTA UNIV. SAPIENTIAE, FILM AND MEDIA STUDIES, 3 (2010) 109–120 The French New Wave and the New Hollywood: Le Samourai and its American legacy Jacqui Miller Liverpool Hope University (United Kingdom) E-mail: [email protected] Abstract. The French New Wave was an essentially pan-continental cinema. It was influenced both by American gangster films and French noirs, and in turn was one of the principal influences on the New Hollywood, or Hollywood renaissance, the uniquely creative period of American filmmaking running approximately from 1967–1980. This article will examine this cultural exchange and enduring cinematic legacy taking as its central intertext Jean-Pierre Melville’s Le Samourai (1967). Some consideration will be made of its precursors such as This Gun for Hire (Frank Tuttle, 1942) and Pickpocket (Robert Bresson, 1959) but the main emphasis will be the references made to Le Samourai throughout the New Hollywood in films such as The French Connection (William Friedkin, 1971), The Conversation (Francis Ford Coppola, 1974) and American Gigolo (Paul Schrader, 1980). The article will suggest that these films should not be analyzed as isolated texts but rather as composite elements within a super-text and that cross-referential study reveals the incremental layers of resonance each film’s reciprocity brings. This thesis will be explored through recurring themes such as surveillance and alienation expressed in parallel scenes, for example the subway chases in Le Samourai and The French Connection, and the protagonist’s apartment in Le Samourai, The Conversation and American Gigolo. A recent review of a Michael Moorcock novel described his work as “so rich, each work he produces forms part of a complex echo chamber, singing beautifully into both the past and future of his own mythologies” (Warner 2009).
  • Cinema, on the Big Screen, with an Audience, Midsommar 6 Something That We Know Quentin Feels As Once Upon a Time In

    Cinema, on the Big Screen, with an Audience, Midsommar 6 Something That We Know Quentin Feels As Once Upon a Time In

    CinJuly – Ae ugust 2019ma One of the most anticipated films of the summer, Contents Quentin Tarantino’s latest offering is a perfect New Films summer movie. Once Upon a Time in... Hollywood Blinded by the Light 9 o is full of energy, laughs, buddies and baddies, and The Chambermaid 8 the kind of bravado filmmaking we’ve come to love l The Dead Don’t Die 7 from this director. It is also, without a shadow of Ironstar: Summer Shorts 28 l a doubt, the kind of film that begs to be seen in The Lion King 27 a cinema, on the big screen, with an audience, Midsommar 6 something that we know Quentin feels as Once Upon a Time in... Hollywood 10 e passionately about as we do. It is a real thrill to Pain and Glory 11 be able to say Once Upon a Time in... Hollywood Photograph 8 will be shown at DCA exclusively on 35mm. We Robert the Bruce 5 can’t wait to fire up our Centurys, hear the whirr h Spider-Man: Far From Home 4 of the projectors in the booth and experience the Tell It To The Bees 7 magic of celluloid again. If you’ve never seen a film The Cure – Anniversary 13 on film, now is your chance! 197 8–2018 Live in Hyde Park Vita & Virginia 4 Another master of cinema, Pedro Almodóvar, also Documentary returns to our screens with an introspective, tender Marianne & Leonard: Words of Love 13 look at the life of an artist facing up to his regrets Of Fish and Foe 12 and the past loves who shaped him.
  • Con-Scripting the Masses: False Documents and Historical Revisionism in the Americas

    Con-Scripting the Masses: False Documents and Historical Revisionism in the Americas

    University of Massachusetts Amherst ScholarWorks@UMass Amherst Open Access Dissertations 2-2011 Con-Scripting the Masses: False Documents and Historical Revisionism in the Americas Frans Weiser University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/open_access_dissertations Part of the Comparative Literature Commons Recommended Citation Weiser, Frans, "Con-Scripting the Masses: False Documents and Historical Revisionism in the Americas" (2011). Open Access Dissertations. 347. https://scholarworks.umass.edu/open_access_dissertations/347 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. CON-SCRIPTING THE MASSES: FALSE DOCUMENTS AND HISTORICAL REVISIONISM IN THE AMERICAS A Dissertation Presented by FRANS-STEPHEN WEISER Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment Of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2011 Program of Comparative Literature © Copyright 2011 by Frans-Stephen Weiser All Rights Reserved CON-SCRIPTING THE MASSES: FALSE DOCUMENTS AND HISTORICAL REVISIONISM IN THE AMERICAS A Dissertation Presented by FRANS-STEPHEN WEISER Approved as to style and content by: _______________________________________________ David Lenson, Chair _______________________________________________
  • Presseinformation Cinedom Zeigt Depeche Mode Konzertfilm „Spirits in the Forest“ Mit Kinoexklusivem Bonusmaterial

    Presseinformation Cinedom Zeigt Depeche Mode Konzertfilm „Spirits in the Forest“ Mit Kinoexklusivem Bonusmaterial

    Presseinformation Cinedom zeigt Depeche Mode Konzertfilm „Spirits in the forest“ mit kinoexklusivem Bonusmaterial • Wegen starker Nachfrage: Konzertfilm wird in drei Vorstellungen gezeigt • Preisgekrönter Regisseur Anton Corbijn dokumentiert besondere Augenblicke der Global Spirit Tour • Dokumentation mit Live-Impressionen und emotionalen Fan-Geschichten Köln, 18. November 2019 – Der Kölner Cinedom präsentiert in drei Vorstellungen den Konzert- und Dokumentarfilm „Spirits in the forest“ der britischen Synthie-Pop-Band Depeche Mode. Diese finden am 21.11. (20 Uhr), 24.11. (17 Uhr) und als Zusatztermin am 26.11. (20 Uhr) statt. Depeche Mode haben 2017 und 2018 im Rahmen ihrer „Global Spirit Tour“ insgesamt 115 Shows gespielt und sind vor über drei Millionen Fans weltweit aufgetreten. Den Abschluss der Tournee bildeten die Konzerte in der Berliner Waldbühne. „Spirit in the Forest“ ist damit eine Anspielung auf den englischen Namen der Berliner Waldbühne – Forest Stage. Die einzigartigen Auftritte der Band in der deutschen Hauptstadt wurden dabei filmisch von dem preisgekrönten Regisseur Anton Corbijn, der die Band langjährig begleitete, festgehalten. In seinem Film zeigt der Niederländer zudem sechs Fans und ihre emotionalen Geschichten zu Depeche Mode. „Depeche Mode gehören seit Jahrzehnten zu den erfolgreichsten Bands der Welt. Deshalb wollten wir den Konzertfilm unbedingt im Cinedom zeigen. Aufgrund der hohen Nachfrage, bieten wir eine weitere Vorstellung an, damit auch jeder Fan die Chance erhält, die wunderbare Musik und die außergewöhnlichen Live-Shows dieser Band zu feiern“ sagt Cinedom-Geschäftsführer Ralf Schilling. Tickets sind wie gewohnt an der Kinokasse oder online erhältlich. ___________________________________________________________________________________ Kontakt: Cinedom Kinobetriebe GmbH, Im MediaPark 1, 50670 Köln Über den Cinedom Der Cinedom ist ein Multiplex-Kino in der Kölner Innenstadt und wurde 1991 eröffnet.
  • 1,000 Films to See Before You Die Published in the Guardian, June 2007

    1,000 Films to See Before You Die Published in the Guardian, June 2007

    1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation.
  • Jim Thompson's Oklahoma

    Jim Thompson's Oklahoma

    Smithsonian Channel: Original Programming in HD and On D... http://www.smithsonianchannel.com/site/smithsonian/show_sou... Search The Darkest Guidebook Ever? Before Jim Thompson became the dean of American noir novelists with classics like The Killer Inside Me (soon to be a major motion picture with Kate Hudson and Casey Affleck) and The Grifters, he grew up in a place where life mirrored pulp. Born in Oklahoma in 1914, by his twenties Thompson had bounced around Oklahoma towns, worked as a West Texas oil hand, and procured booze and women to hotel guests as a bellboy. In the 1930s, as the Great Depression deepened, Thompson was struggling to avoid poverty by writing about the outlaws, bad cops and wild spaces of Oklahoma. First he wrote for the pulps – Master Detective, True Detective, and more. But when he couldn’t eke out a living for his family with the pay from those magazines, Thompson took a job writing for the tours section of the WPA guide to Oklahoma. Gradually his writing skills made him invaluable and he worked his way up to become the guide’s main editor. The result may be one of the darkest guidebooks ever. Thompson kicked off a chapter about local folklore with an account of an Oklahoman who "ran amuck on a visit to town and, in the course of a few minutes, killed a representative of each of five races." Retracing his steps with the WPA guidebook is like getting a Coen Brothers' tour of the Blood Simple or No Country for Old Men. It opens your eyes to a side of America that Thompson saw for real before he made it up.
  • Anna Magnani

    Anna Magnani

    5 JUL 19 5 SEP 19 1 | 5 JUL 19 - 5 SEP 19 88 LOTHIAN ROAD | FILMHOUSECinema.COM FILMS WORTH TALKING ABOUT HOME OF THE EDINBURGH INTERNATIONAL FILM FESTIVAL Filmhouse, Summer 2019, Part II Luckily I referred to the last issue of this publication as the early summer double issue, which gives me the opportunity to call this one THE summer double issue, as once again we’ve been able to cram TWO MONTHS (July and August) of brilliant cinema into its pages. Honestly – and honesty about the films we show is one of the very cornerstones of what we do here at Filmhouse – should it become a decent summer weather-wise, please don’t let it put you off coming to the cinema, for that would be something of an, albeit minor in the grand scheme of things, travesty. Mind you, a quick look at the long-term forecast tells me you’re more likely to be in here hiding from the rain. Honestly…? No, I made that last bit up. I was at a world-renowned film festival on the south coast of France a few weeks back (where the weather was terrible!) seeing a great number of the films that will figure in our upcoming programmes. A good year at that festival invariably augurs well for a good year at this establishment and it’s safe to say 2019 was a very good year. Going some way to proving that statement right off the bat, one of my absolute favourites comes our way on 23 August, Pedro Almodóvar’s Pain and Glory which is simply 113 minutes of cinematic pleasure; and, for you, dear reader, I put myself through the utter bun-fight that was getting to see Quentin Tarantino’s Once Upon a Time..
  • Bruce Jackson & Diane Christian Video Introduction To

    Bruce Jackson & Diane Christian Video Introduction To

    Virtual May 5, 2020 (XL:14) Pedro Almodóvar: PAIN AND GORY (2019, 113m) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Bruce Jackson & Diane Christian video introduction to this week’s film Click here to find the film online. (UB students received instructions how to view the film through UB’s library services.) Videos: “Pedro Almodóvar and Antonio Banderas on Pain and Glory (New York Film Festival, 45:00 min.) “How Antonio Banderas Became Pedro Almodóvar in ‘Pain & Glory’” (Variety, 4:40) “PAIN AND GLORY Cast & Crew Q&A” (TIFF 2019, 24:13) CAST Antonio Banderas...Salvador Mallo “Pedro Almodóvar on his new film ‘Pain and Glory, Penélope Cruz...Jacinta Mallo Penelope Cruz and his sexuality” (27:23) Raúl Arévalo...Venancio Mallo Leonardo Sbaraglia...Federico Delgado DIRECTOR Pedro Almodóvar Asier Etxeandia...Alberto Crespo WRITER Pedro Almodóvar Cecilia Roth...Zulema PRODUCERS Agustín Almodóvar, Ricardo Marco Pedro Casablanc...Doctor Galindo Budé, and Ignacio Salazar-Simpson Nora Navas...Mercedes CINEMATOGRAPHER José Luis Alcaine Susi Sánchez...Beata EDITOR Teresa Font Julieta Serrano...Jacinta Mallo (old age) MUSIC Alberto Iglesias Julián López...the Presenter Paqui Horcajo...Mercedes The film won Best Actor (Antonio Banderas) and Best Rosalía...Rosita Composer and was nominated for the Palme d'Or and Marisol Muriel...Mari the Queer Palm at the 2019 Cannes Film Festival. It César Vicente...Eduardo was also nominated for two Oscars at the 2020 Asier Flores...Salvador Mallo (child) Academy Awards (Best Performance by an Actor for Agustín Almodóvar...the priest Banderas and Best International Feature Film).
  • Recognising Talent in Fiction, Film and Art

    Recognising Talent in Fiction, Film and Art

    EMERGING VOICES RECOGNISING TALENT IN FICTION, FILM AND ART SUPPORTED BY: Emerging Voices 2015 Today we celebrate the voices of tomorrow. OppenheimerFunds and the Financial Times would like to congratulate the 2015 Emerging Voices Awards winners and say thank you to all the writers, filmmakers and artists in emerging markets who continue to inspire us every day. Art, Cristina Planas Fiction, Chigozie Obioma Film, Yuhang Ho For more information about the Emerging Voices Awards, visit emergingvoicesawards.com and join the conversation with #EmergingVoices. ©2015 OppenheimerFunds Distributor, Inc. FOREWORD ‘THESE AWARDSFULFILLED ALL THE ORD HOPESWEHAD WHENWESTARTED’ REW FO hy aset of awards for artists, Elif Shafak and Alaa Al Aswany, celebrated film-makers and writers from novelists from Turkey and Egypt respectively, emerging market countries? debating the nature of literature, we knew we When Justin Leverenz, director were privileged to be present. Wof emerging market equities at In the art category, the judges were most OppenheimerFunds, approached the Financial impressed by Lima-based Cristina Planas, Times with the idea, we were intrigued. whose work took in environmental, politicaland The FT has long been following the rise to religious themes. The tworunners-up, Fabiola prominence of those countries challenging the MenchelliTejeda, wholives in Mexico City, and financial, strategic and political dominance Pablo Mora Ortega, born in Medellín, Colombia, of the hitherto wealthyworld. What did their submitted strikingly different works. Menchelli artists have to teach us? This would be a Tejeda’s photographs showedthe interaction chance to find out. of light and shadow. Ortega’s installation, It would be disingenuous not to pointout sculptures and video showedwhat he called “the that there were financial motivations too.