Catalogue 2010
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Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved. -
The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author -
Here Was Obviously No Way to Imagine the Event Taking Place Anywhere Else
New theatre, new dates, new profile, new partners: WELCOME TO THE 23rd AND REVAMPED VERSION OF COLCOA! COLCOA’s first edition took place in April 1997, eight Finally, the high profile and exclusive 23rd program, years after the DGA theaters were inaugurated. For 22 including North American and U.S Premieres of films years we have had the privilege to premiere French from the recent Cannes and Venice Film Festivals, is films in the most prestigious theater complex in proof that COLCOA has become a major event for Hollywood. professionals in France and in Hollywood. When the Directors Guild of America (co-creator This year, our schedule has been improved in order to of COLCOA with the MPA, La Sacem and the WGA see more films during the day and have more choices West) decided to upgrade both sound and projection between different films offered in our three theatres. As systems in their main theater last year, the FACF board an example, evening screenings in the Renoir theater made the logical decision to postpone the event from will start earlier and give you the opportunity to attend April to September. The DGA building has become part screenings in other theatres after 10:00 p.m. of the festival’s DNA and there was obviously no way to imagine the event taking place anywhere else. All our popular series are back (Film Noir Series, French NeWave 2.0, After 10, World Cinema, documentaries Today, your patience is fully rewarded. First, you will and classics, Focus on a filmmaker and on a composer, rediscover your favorite festival in a very unique and TV series) as well as our educational program, exclusive way: You will be the very first audience to supported by ELMA and offered to 3,000 high school enjoy the most optimal theatrical viewing experience in students. -
LE TEMPS DES NABABS Une Série Documentaire De Florence Strauss Les Films D’Ici Et Le Pacte Présentent
COMMENT PRODUISAIT-ON AVANT LA TÉLÉVISION ? LE TEMPS DES NABABS Une série documentaire de Florence Strauss Les Films d’Ici et Le Pacte présentent COMMENT PRODUISAIT-ON AVANT LA TÉLÉVISION ? LE TEMPS DES NABABS Une série documentaire de Florence Strauss 8 x 52min – France – 2019 – Flat - stéréo À PARTIR DU 12 OCTOBRE SUR CINÉ + CLASSIC RELATIONS PRESSE Marie Queysanne Assistée de Fatiha Zeroual Tél. : 01 42 77 03 63 [email protected] [email protected] SYNOPSIS LISTE DES ÉPISODES Pierre Braunberger, Anatole Dauman, Robert Dorfmann, les frères ÉPISODE 1 : LES ROMANESQUES Hakim, Mag Bodard, Alain Poiré, Pierre Cottrell, Albina du Boisrouvray, Robert et Raymond Hakim - Casque d’Or Jacques Perrin, Jean-Pierre Rassam et bien d’autres… Ils ont toujours André Paulvé - La Belle et la Bête oeuvré dans l’ombre et sont restés inconnus du grand public. Pourtant Alexandre Mnouchkine et Georges Dancigers - Fanfan La Tulipe ils ont produit des films que nous connaissons tous, deLa Grande Henri Deutschmeister - French Cancan vadrouille à La Grande bouffe, de Fanfan la tulipe à La Maman et la putain, de Casque d’or à La Belle et la bête. ÉPISODE 2 : LES TENACES Robert Dorfmann - Jeux interdits Autodidactes, passionnés, joueurs, ils ont financé le cinéma avec une Pierre Braunberger - Une Histoire d’eau inventivité exceptionnelle à une époque où ni télévisions, ni soficas ou Anatole Dauman - Nuit et brouillard autres n’existaient. Partis de rien, ils pouvaient tout gagner… ou bien tout perdre. Ce sont des personnages hauts en couleur, au parcours ÉPISODE 3 : LES AUDACIEUX souvent digne d’une fiction. -
50Annidolcevita.Compressed.Pdf
1 Questo volume nasce dal convegno “Mezzo secolo da La dolce vita”, tenuto a Rimini, al Teatro degli Atti, nei giorni 14 e 15 novembre 2008 Cura editoriale Giuseppe Ricci Traduzioni in inglese Robin Ambrosi Progetto grafico Lorenzo Osti, Mattia Di Leva per D-sign Fotografie Pierluigi (© Reporters Associati / Cineteca di Bologna) © 2009 Edizioni Cineteca di Bologna via Riva di Reno 72 40122 Bologna www.cinetecadibologna.it © 2009 Fondazione Federico Fellini via Nigra 26 47923 Rimini www.federicofellini.it 2 MEZZO SECOLO DI DOLCE VITA a cura di Vittorio Boarini e Tullio Kezich Texts in English and Italian 3 4 INDICE Tullio Kezich Testimone oculare 13 Eyewitness 17 Sergio Zavoli La dolce vita compie cinquant’anni 21 La dolce vita celebrates fifty years 27 Gianfranco Mingozzi Sul set con Fellini 33 On set with Fellini 41 Gianni Rondolino La dolce vita e il cinema degli anni sessanta 49 La dolce vita and the cinema of the sixties 57 Francesco Lombardi Il paesaggio sonoro della Dolce vita e le sue molteplici colonne sonore 65 The sound landscape of La dolce vita and its multiple soundtracks 71 John Francis Lane Fellini e il doppiaggio. L’amara fatica di doppiare in inglese La dolce vita 77 Fellini and dubbing. The bitter struggle to dub La dolce vita in English 83 Irene Bignardi La moda e il costume 89 Fashion and customs 93 Virgilio Fantuzzi L’atteggiamento della Chiesa nei confronti della Dolce vita 97 The Church’s position on La dolce vita 103 5 Maurizio Giammusso Il teatro negli anni della Dolce vita 109 Theatre during the Dolce vita years 113 Gino Zucchini Fellini “psicoanalista”? 117 Fellini a “psychoanalyst”? 123 Fabio Rossi La partitura acustica della Dolce vita. -
Gérard Depardieu, Innocent
gérard depardieu gérard In his proto-memoir Innocent, world-renowned actor Gérard Depardieu Gérard Depardieu reflects on his life as if from afar, like a bird surveying a wide horizon, presenting fervent obser- vations on friendship, cinema, religion, politics, & more. From his early days in the theater and his friendships with Jean Gabin and others to his rise in the cinema, this light, vibrant, but searching book offers us an intimate entry into the thinking process of one of cinema’s most mercurial& impassioned actors. Depardieu also touches upon contro- versial topics such as his relationship with Putin & issues Innocent that have led to skirmishes with the press and public. At bottom, Innocent is less a memoir & more the account of a man in search of faith, the faith that is of an innocent mystic, and includes passages about Depardieu’s explora- tions of Islam, Buddhism, and other religions. Espousing a notion of innocence that calls us to move be- yond dogma and ideology, Depardieu urges us to engage with others with respect, receptivity, and mindfulness. In these combative and divisive times, we believe this is a vital if not necessary book, one that could continue and extend dialogues about questions of faith, politics,& religion. isbn 978–1–940625–24–9 www.contramundum.net INNOCENT Gérard Depardieu INNOCENT translated by rainer j. hanshe Innocent © 2015 Le cherche midi Library of Congress éditeur; translation © 2017 Cataloguing-in-Publication Data Rainer J. Hanshe Depardieu, Gérard, 1948– [ Innocent. English.] First Contra Mundum Press Innocent / Gérard Depardieu ; Edition 2017. translated from the French by All Rights Reserved under Rainer J. -
Exposició 'David Lynch. Somnis: Homenatge a Fellini'
Dossier de premsa ‘David Lynch. Somnis: homenatge a Fellini’ Exposició ‘David Lynch. Somnis: homenatge a Fellini’ Del 6 de febrer al 31 de maig de 2020 1 Dossier de premsa ‘David Lynch. Somnis: homenatge a Fellini’ David Lynch. Somnis: homenatge a Fellini Del 6 de febrer al 31 de maig de 2020 Dotze litografies creades per David Lynch l’any 2018 com a homenatge a la figura de Federico Fellini i, més particularment, a un dels seus films més emblemàtics: Otto e mezzo. Completen l’exposició dotze dibuixos originals fets pel mateix Fellini i procedents de la Fellini Foundation for Cinema. En la mostra es projecta el documental David Lynch: The Art Life (Jon Nguyen, 2016). © Patrice Forest Producció: Creative Stage Amb la col·laboració de: David Lynch Office Fellini Foundation for Cinema Amb el suport de: Cineteca Nazionale, com a part de la celebració de Fellini 100, promogut pel Ministeri de Cultura italià amb motiu del centenari del naixement de Fellini. Istituto Italiano di Cultura Barcellona Consolato Generale d’Italia Barcellona 2 Dossier de premsa ‘David Lynch. Somnis: homenatge a Fellini’ Fellini vist per Lynch L’exposició ‘David Lynch. Somnis: homenatge a Fellini’, que es pot veure a la Filmoteca de Catalunya del 6 de febrer al 31 de maig de 2020, presenta una dotzena de litografies del director nord-americà inspirades en ‘Otto e mezzo’. © Item éditions - DL La mostra, que també inclou dotze dibuixos de Federico Fellini, complementa la retrospectiva que celebra el centenari del naixement del director italià. Actes de la inauguració de l’exposició ‘David Lynch. -
Amarcord Fellini L'escac Ha Fet 25 Anys Polska 2020 Fantasmagories
gener 2020 programa 01 núm. 95 Amarcord Fellini L’ESCAC ha fet 25 anys Polska 2020 Fantasmagories del desig L3 (Liceu) Biblioteca de Passat i futur. La filosofia de la Fil- Catalunya 02 c/ de l’Hospital moteca es concreta, aquesta arren- Plaça de Amarcord Fellini Sant Augustí cada del 2020, amb la commemora- Gran ció del centenari de Federico Fellini Teatre del Plaça Reial 12 Liceu i dels 25 anys de l’ESCAC. Del mes- La Rambla L’ESCAC c/ d’En Robador tre italià repassem tota la seva obra, ha fet 25 anys c/ de la Unió però també el llegat que impregna c/ de Sant Pau c/ Espalter una exposició sobre Otto e mezzo de 16 Rambla del Raval David Lynch, un dels grans cineastes Polska 2020 contemporanis. 21 c/ del Marqués de Barberà Els realitzadors sorgits de l’ESCAC Fantasmagories c/ Nou de la Rambla ens mostren, també, que la seva del desig feina és la millor confirmació d’una gran aposta de futur. Revisem, d’al- 25 tra banda, la producció polonesa re- Cineclubisme: El públic cent i tornen les Fantasmagories del s’organitza desig, mentre segueixen els cicles Con- servatori sobre Icíar Bollaín, el cineclubisme i 30 Liceu l’animació. Il·lusions L2 i L3 (Paral·lel) immortals: animació Celebrem el Gaudí d'Honor amb per a adults Filmoteca de Catalunya L2 (Paral·lel) Francesc Betriu i vinculem l’humo- Dues sales de cinema L3 (Liceu i Paral·lel) rista Valentí Castanys amb el cinema 34 Exposicions i recordem, finalment, la figura de Icíar Bollaín 21, 59, 88, 91 Biblioteca especialitzada D20, D50 Peter Fonda. -
Keeping Apuleius in the Picture a Dialogue Between Buñuel’S Discreet Charm of the Bourgeoisie and the Metamorphoses of Apuleius
Keeping Apuleius In The Picture A dialogue between Buñuel’s Discreet Charm of the Bourgeoisie and The Metamorphoses of Apuleius PAULA JAMES Open University UK Summary This article explores common motifs and narrative strategies which appear in the work of the second century CE Latin author, Apuleius, and the twentieth century Spanish film director Luis Buñuel. The use of narration to delay nutri- tion is a vital starting point for the comparative analysis. The focus of both these ‘texts’ makes them appropriate (though in some senses arbitrary) an- chors in what could eventually and fruitfully develop into a wide-ranging dis- cussion: i.e. the extent and significance of culinary metaphors in literary and cinematic narratives within a broad cultural spectrum. Uses and abuses of food and food consumption in both Apuleius and Buñuel intensify the bizarre at- mospheres of the stories. By means of diversionary and supernatural tales my chosen storytellers encourage their audiences to embrace credulity and to question the reality of appearances and consequently they subvert faith in the real world. In their hands magic and the surreal is an experimental strategy for producing a deeper insight into custom and society, not so much a message as an experience for the reader and the viewer, and one which shakes compla- cency about the solidity of social structures and physical forms. Introduction (trailer) Nihil impossibile arbitror sed utcumque fata decreverint, ita cuncta mor- talibus provenire. nam et mihi et tibi et cunctis hominibus multa usu ve- nire mira et paene infecta, quae tamen ignaro relata fidem perdant. (Apuleius’ hero, Lucius, Met.1.20) 186 PAULA JAMES ‘ “Well,” I said, “I consider nothing to be impossible. -
La Cultura Italiana
LA CULTURA ITALIANA FEDERICO FELLINI (1920-1993) This month’s essay continues a theme that several prior essays discussed concerning fa- mous Italian film directors of the post-World War II era. We earlier discussed Neorealism as the film genre of these directors. The director we are considering in this essay both worked in that genre and carried it beyond its limits to develop an approach that moved Neoreal- ism to a new level. Over the decades of the latter-half of the 20th century, his films became increasingly original and subjective, and consequently more controversial and less commercial. His style evolved from Neorealism to fanciful Neorealism to surrealism, in which he discarded narrative story lines for free-flowing, free-wheeling memoirs. Throughout his career, he focused on his per- sonal vision of society and his preoccupation with the relationships between men and women and between sex and love. An avowed anticleric, he was also deeply concerned with personal guilt and alienation. His films are spiced with artifice (masks, masquerades and circuses), startling faces, the rococo and the outlandish, the prisms through which he sometimes viewed life. But as Vincent Canby, the chief film critic of The New York Times, observed in 1985: “What’s important are not the prisms, though they are arresting, but the world he shows us: a place whose spectacularly grand, studio-built artificiality makes us see the interior truth of what is taken to be the ‘real’ world outside, which is a circus.” In addition to his achievements in this regard, we are also con- sidering him because of the 100th anniversary of his birth. -
Lddlo Numero 02.Pdf
page 1 mensuel Revue culturelle à tendance musicale… Actualité non exhaustive, enthousiasmes et fulgurances. Quelques fondus polyvalents se répandent sur le Web et activent le bouche à oreille en vous mettant le doigt dans l’œil. à emporter ou à consommer sur place édito sommaire Un ami avouait récemment qu’il suffisait qu’on lui dise chroniques « écoute ça, lis ça, je t’ai reconnu, tu vas adorer » pour cd/dvd/spectacles lui couper l’envie de s’y intéresser. rdv manqué reprise du mois Personne ne détient la vérité absolue quant à la qua- “viens papy que j’t’explique...” lité d’une chanson ou d’un spectacle. A chacun son la porte ouverte histoire et son propre ressenti. Comment expliquer interrogations écrites que « Caravane » de Raphaël en fait pleurer certains dis-moi qui tu suis au doigt et à l’oeil d’émotion et en agacera d’autres ? Que les résultats violon d’ingres des victoires de la musique seront toujours décevants rencontres bien que votés par un nombre dit représentatif ? interview décryptée le jeu de la barbichette Notre vocation première est d’attirer l’attention sur ce les insolites qui nous touche, c’est pourquoi Le doigt dans l’œil décryptage dirait plutôt « Ne nous faîtes pas confiance, faîtes vous reportage votre propre opinion ». histoire de ... La fille de la chèvre le doigt dessus sur les ondes Le point de vue d’EricMie l’air du temps par ignatus VICTOIRE DE LA MUSIQUE ! ... les doigts de la main la rédaction dans ce numéro : François Morel, La Grande Sophie, Chanson en Allemagne, Alain Chamfort, Pierre Barouh, Dave, Claire Diterzi, Franck Monnet, Thiéfaine, Jacques Higelin, Chraz, Nano, Chanson Plus Bifluorée, Marie Cherrier, Camille, Jamait, Pierre Perret, Ukulélé Club de Paris, Tom Novembre, Nina Morato, Henri Salvador, Emmanuel Donzella, Lo’Jo, Pierre Richard, Evasion, Ray Lamontagne, Michèle Bernard, Emilie Simon, Gainsbourg, Diam’s, Les Tit’Nassels, Albin de la Simone, Bastien Lallemant, JipéNataf, Bertrand Belin,.. -
Hofstra University Film Library Holdings
Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987.