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P H a N Ê S Journal for Jung History

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P H a N Ê S Journal for Jung History P H A N Ê S JOURNAL FOR JUNG HISTORY Vol 3 • 2020 Mission Statement Phanês: Journal for Jung History (ISSN 2631-6463, online; ISSN 2631-6455, printed) is an annual, peer-reviewed, open-access journal, dedicated to publishing high quality, scholarly articles related to the life and work of C.G. Jung and the wider history of analytical or complex psychology. Phanês publishes original articles that address these topics from a critical perspective. Contributions are accepted in English, French, German and Italian. Editorial Board Ernst Falzeder (University College London), Martin Liebscher (University College London), Christine Maillard (University of Strasbourg), Sonu Shamdasani (University College London). Editorial Team Managing Editor: Gaia Domenici (University College London). Editors: Alessio De Fiori (University of Strasbourg), Matei Iagher (University College London), Armelle Line Peltier (University of Strasbourg—University of Lorraine), Tommaso Priviero (University College London), Florent Serina (University of Strasbourg, Institut des Humanités en Médecine—CHUV, University of Lausanne), Christopher Wagner (University College London), Dangwei Zhou (University College London). Manuscript Submission Information The journal only accepts original, completed manuscripts that are not under review by any other journal or publication. All submissions must be sent electronically to [email protected]. Manuscripts should be submitted as ‘.doc’ files, double spaced and no longer than 10,000 words including references. An abstract of no more than 150 words must be included with the submission. As submissions are blind reviewed, the author’s name, institutional affiliation, word count and the title of the paper should be included on a separate title page. The editors will aim to communicate a decision to the authors as quickly as possible, within three months of submission. Book Review Submission Information The journal will consider unsolicited book reviews of 800-1000 words on topics that are consistent with the Mission Statement. All reviews should be submitted not more than three months after receipt of the book. The editors also welcome suggestions of books for review. Prospective reviewers should contact Matei Iagher at [email protected]. Contact All other enquiries should be directed to the Managing Editor, Gaia Domenici, at [email protected]. Online Version ISSN 2631-6463 Copyright © The Authors, under Creative Common Attribution—NonCommercial—No Derivatives licence (CC BY-NC-ND) to Phanês Press Ltd, 2020. Printed Version ISSN 2631-6455 Copyright © The Authors, under exclusive licence to Phanês Press Ltd, 2020. Apart from dealing for the purposes of research or private study, or review, and only as permitted under the Copyright, Designs and Patent Act 1988, this publication may only be reproduced, stored or transmitted, in any form or by any means, with the prior permission in writing of the Publishers. Enquiries concerning reproduction outside those terms should be directed to Phanês. Illustrations Copyright Diane Finiello Zervas. ‘From the Instinctual to the Cosmic: Jung’s Exploration of Colour in The Red Book, 1915-1929/30’. Figs. 1-2, 4-7, 9. © The Foundation of the Works of C.G. Jung, Zurich. Used with permission of the publisher, W.W. Norton & Company, Inc. All rights reserved. Fig. 3. Jungʼs Astrological Glyphs. © The Foundation of the Works of C.G. Jung, Zurich. Fig. 8. Central Crossing, Mausoleum Galla Placidia, Ravenna (Italy). Free download from: https://www.cepolina.com. Ronald Huggins. ‘What really happened in Ravenna? C.G. Jung and Toni Wolff’s Mosaic Vision‘. Figs. 1-11. © Ronald Huggins. Christian Gaillard. ‘À propos du Libro dei sogni de Federico Fellini. Crash et deuil sur la page. Un curieux problème de datation’. Ill.1-2, courtesy Fondation Fellini pour le cinéma, Sion. Ill. 3-11, courtesy Fondazione Fellini, Rimini. Ill. 12, courtesy Vides produzione/Rai Uno/Collection Christophel/ArenaPAL. Disclaimer The authors, editors and publisher will not accept any legal responsibility for any errors or omissions that may be made in this publication. The publisher makes no warranty, expressed or implied, with respect to the material contained herein. Print on demand options available at: https://phanes.live. Phanês Press is also a member of CrossRef (https://doi.org/10.32724/phanes). PHANÊS Vol 3 • 2020 CONTENTS Foreword i Articles When the Great Mother Met the Harlequin: Jung and Neumann on Art, 1 Archetypes and The Spirit Of The Times Martin Liebscher From the Instinctual to the Cosmic: Jung’s Exploration of Colour in The 25 Red Book, 1915-1929/30 Diane Finiello Zervas What really happened in Ravenna? C.G. Jung and Toni Wolff’s Mosaic 76 Vision Ronald Huggins À propos du Libro dei sogni de Federico Fellini. Crash et deuil sur la 116 page. Un curieux problème de datation Christian Gaillard Book Reviews The Art of C.G. Jung. Edited by the Foundation of the Works of C.G. 163 Jung. Ulrich Hoerni, Thomas Fischer, Bettina Kaufmann. Translated from German by Paul David Young and Christopher John Murray. New York / London: W. W. Norton & Company, 2019 Reviewed by Gaia Domenici Craig E. Stephenson. Ages of Anxiety: Jung’s Types as Inspiration for 168 Poetry, Music, and Dance. New Orleans, Louisiana, USA: Spring Journal Books, 2016 Reviewed by Steven Herrmann C. G. Jung. Dream Symbols of the Individuation Process: Notes of C.G. 171 Jung’s Seminars on Wolfgang Pauli’s Dreams. Edited by Suzanne Gieser. Princeton University Press, 2019. Reviewed by Christopher Wagner Gaia Domenici. Jung’s Nietzsche: Zarathustra, The Red Book, and 176 ‘Visionary Works’. With a Foreword by Sonu Shamdasani. Cham: Palgrave Macmillan, 2019 Reviewed by Tommaso Priviero On Theology & Psychology. The Correspondence of C.G. Jung and Adolf 180 Keller. Edited by Marianne Jehle-Wildberger. Translated by Heather McCartney with John Peck. Philemon Series. Princeton: Princeton University Press 2020 Reviewed by Martin Liebscher https://doi.org/10.32724/phanes.2020 FOREWORD hanês will soon be entering its fourth year of existence and, for the first time, we have decided to take a thematic approach. Following the publication of C. G. Jung’s Liber Novus, the exhibitions that have been held exhibiting Liber Novus Ptogether with some of Jung’s visual works (Rubin Museum, New York, Hammer Museum, Los Angeles, Library of Congress, Washington D.C., Rietberg Museum, Zurich, Musee Guimet, Paris, Bodmer Museum, Geneva and the Venice Biennale), and the more recent appearance of the Foundation’s volume on The Art of C. G. Jung (2019), we wanted to further explore and revisit in an original way the theme of the relationship between analytical (or complex) psychology and artistic creativity. To this end, Phanês 3 (2020), brings together four different approaches to our given theme: those of a historian, an art historian, a theologian, and a psychoanalyst (the last one in French). Phanês thus wishes to mark once again its commitment to welcoming contributions from scholars with diverse backgrounds and in languages other than English—granted Jung is handled from a rigorous, historical perspective. First, Martin Liebscher (UCL, Department of German), in ‘When the Great Mother Met the Harlequin: Jung and Neumann on Art, Archetypes and The Spirit Of The Times,’ explores Jung’s ambivalent relationship with Modernism, and tries to answer the question as to why, differently from Jung, Erich Neumann was able to welcome Modernism wholeheartedly. The second article, ‘From the Instinctual to the Cosmic: Jung’s Exploration of Colour in The Red Book, 1915-1929/30’ by Diane Finiello Zervas (IGAP), is entirely dedicated to Jung’s exploration of, and reflection upon colour while going through his Red Book experience. As the paper shows both through a historical analysis and via several reproductions of images from The Red Book, such exploration is crucial in shaping Jung’s later colour symbolism, as it appears in his published works. In ‘What really happened in Ravenna? C.G. Jung and Toni Wolff’s Mosaic Vision’, Ronald Huggins (Th.D, formerly professor of New Testament and Greek at Midwestern Baptist Theological Seminary, Kansas City, Missouri, and professor of Historical and Theological Studies at Salt Lake Theological Seminary, Salt Lake City, Utah) reconstructs the famous Ravenna episode, and shows how what Jung claimed to have seen there was actually real, albeit mis-recalled and misinterpreted. The article is also accompanied by pictures taken by the author, aimed at conducting the reader in this reconstruction of the notorious episode. The fourth article, ‘À propos du Libro dei sogni de Federico Fellini. PHANÊS Vol 3 • 2020 ii Crash et deuil sur la page. Un curieux problème de datation’, by Christian Gaillard (Société Française de Psychologie Analytique, former president of the International Association for Analytical Psychology, and former professor at the École nationale supérieure des Beaux-Arts de Paris), analyses the Italian filmmaker’s Libro dei sogni (Book of Dreams) and brings out fascinating connections with Jung’s Red Book. Once again, the article is beautifully illustrated with reproductions from Libro dei sogni and with other visual elements. As a relatively new intellectual sub-discipline, the scope, the methods, the very definition of Jung History continue to grow. As editors of Phanês, we think that the thematic approach is perhaps the best way to reflect on the plurivalent relationships between psychology, history, and the meaning of Jung’s legacy that are at the core of the journal’s mission. The fact that Jung’s theories, ideas and methods continue to be relevant today is abundantly clear from the most cursory examination of the course of world events, from the destruction of the environment to the global pandemic and the responses generated by these events. As we plot a course forward through the storms, it becomes ever more important to think about our own conceptual tools and about where they come from and how they have arrived here. Our hope is that Jung History can bring something of value to our collective introspection.
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