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Ruínas E Urubus: História Da Ornitologia No Paraná. Período De Natterer, 1 (1820 a 1834) ; Por Fernando C
Hori Cadernos Técnicos 5 RUÍNAS E URUBUS: HISTÓRIA DA ORNITOLOGIA NO PARANÁ PERÍODO DE NATTERER, 1 (1820 a 1834) 1a Edição Fernando C. Straube Hori Consultoria Ambiental Curitiba, Paraná, Brasil Setembro de 2012 © URBEN-FILHO & STRAUBE CONSULTORES S/S LTDA. Ficha catalográfica preparada por DIONE SERIPIERRI (Museu de Zoologia, USP) Straube, Fernando C. Ruínas e urubus: história da ornitologia no Paraná. Período de Natterer, 1 (1820 a 1834) ; por Fernando C. Straube, apresentação de Renato S. Bérnils. – Curitiba, Pr: Hori Consultoria Ambiental, 2012. 241p. (Hori Cadernos Técnicos n. 5) ISBN 978-85-62546-05-1 1. Aves - Paraná. 2. Paraná - Ornitologia. 3. Ornitologia – História. I. Straube, Fernando C. II. Bérnils, Renato S., apresent. II. Título. III. Série. Depósito Legal na Biblioteca Nacional, conforme Decreto n1825, de 20 de dezembro de 1907. Dados internacionais de Catalogação da Publicação (Câmara Brasileira do Livro, São Paulo, Brasil) Capa: Composição com mata de araucária na Lapa (Paraná) (Foto: F.C.Straube), documentos e imagens de autoria de Aimée Adrien Taunay, Michael Sandler, Auguste de Saint-Hilaire e Jean Baptiste Debret, citados no texto. Foto em destaque: urubu-rei (Sarcoramphus papa) de Cassiano “Zapa” Zaparoli Zaniboni (www.zapa.photoshelter.com). 2012 http://www.hori.bio.br HORI CADERNOS TÉCNICOS n° 5 ISBN: 978-85-62546-05-1 CURITIBA, SETEMBRO DE 2012 CITAÇÃO RECOMENDADA Straube, F.C. 2012. Ruínas e urubus: História da Ornitologia no Paraná. Período de Natterer, 1 (1820 a 1834). Curitiba, Hori Consultoria Ambiental. Hori Cadernos Técnicos n° 5, 241+xiii pp. ABERTURA O CENTENÁRIO DA ORNITOLOGIA PARANAENSE “Às minhas viagens ao Paraná, atribuo a importância para que a continuidade do trabalho polonês na América do Sul não seja interrompida. -
The Scientist As Historian: Paulo Vanzolini and Theorigins of Zoology in Brazil
História, Ciências, Saúde - Manguinhos ISSN: 0104-5970 [email protected] Fundação Oswaldo Cruz Brasil Bastos, Francisco Inácio; Romero Sá, Magali The scientist as historian:Paulo Vanzolini and theorigins of zoology in Brazil História, Ciências, Saúde - Manguinhos, vol. 18, núm. 4, octubre-diciembre, 2011, pp. 1021-1038 Fundação Oswaldo Cruz Rio de Janeiro, Brasil Available in: http://www.redalyc.org/articulo.oa?id=386138057004 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative The scientist as historian BASTOS, Francisco Inácio; SÁ, Magali Romero. The scientist as historian: Paulo Vanzolini and the origins of zoology in Brazil. História, Ciências, Saúde – Manguinhos, Rio de Janeiro, v.18, n.4, out.-dez. 2011, p.1021-1038. Abstract The Brazilian Paulo Vanzolini is one of the leading herpetologists worldwide. The scientist as historian: Besides his publications as a zoologist and his activities as a former museum Paulo Vanzolini and the curator and policymaker, Vanzolini pursued a long-life career as a musician origins of zoology in and contributed to many different fields such as biostatistics, Brazil biogeography and the history of science. The paper analyzes his historical contributions to a key chapter of science in Southern O cientista como historiador: America, the legacy of the so-called traveler naturalists. His analyses Paulo Vanzolini e as origens comprise major scientists such as Marcgrave, Spix, von Martius, Wied- da zoologia no Brasil Neuwied, Castelnau, and Agassiz, are informed by re-analyses of original sources and represent an invaluable repository of historical and scientific information. -
The Brazilian Campos in Nineteenth-Century Landscape Art
The Brazilian Campos in Nineteenth-Century Landscape Art André S. Bailão Summary The mosaic of tropical grasslands, savannahs, and woodlands in the Brazilian Highlands, commonly called campos in the early nineteenth century and Cerrado nowadays, was depicted by European traveling artists and naturalists following new modes of visualization in arts and sciences, in dialogue with Alexander von Humboldt. Illustrations in travel albums presented landscapes following sensorial experiences from the journeys and physiognomic and phytogeographic features studied in the field. They document the transformations of the territory by the advancing settler colonization, with a strong focus on cattle ranching, hunting, and burning of the grasslands. Traveling naturalists and artists took advantage of the opening of Brazilian borders in 1808 by the Portuguese Crown, which moved to Rio de Janeiro during the Napoleonic Wars. They were interested in describing, botanizing, and collecting in a country that remained mostly unknown outside the Portuguese Empire. Most travelers remained on the coast, especially in Rio de Janeiro, which resulted in multiple accounts and images of the surrounding rainforests and coastal landscapes. The inner Highlands (planalto) of Central Brazil were more difficult to reach due to long distances and travel conditions but some visited the mining districts, where the coastal rainforests (Mata Atlântica) change into drier vegetations as people advance towards the interior. Bailão, André S. “The Brazilian Campos in Nineteenth-Century Landscape Art.” Environment & Society Portal, Arcadia (Spring 2021), no. 15. Rachel Carson Center for Environment and Society. doi:10.5282/rcc/9279. Print date: 07 June 2021 17:37:06 Map of the Cerrado ecoregion as delineated by the World Wide Fund for Nature (WWF). -
Louis Agassiz
Louis Agassiz From Wikipedia, the free encyclopedia Jean Louis Rodolphe Agassiz (May 28, Louis Agassiz 1807—December 14, 1873) was a Swiss-American zoologist, glaciologist, and geologist, the husband of educator Elizabeth Cabot Cary Agassiz (married in 1850), and one of the first world-class American scientists. Contents 1 Early life and education 2 Early work 3 Proposal of an ice age 4 Relocation to the United States 5 Legacies 6 Racial classification scheme and racism Louis Agassiz 7 Works Born May 28, 1807 8 Sources Haut-Vully, Switzerland 9 References 10 External links Died December 14, 1873 (aged 66) Cambridge, Massachusetts Nationality American Early life and education Fields Zoology Further information: Agassiz family Louis Agassiz was born in Môtier (now part of Haut-Vully) in the canton of Fribourg, Switzerland. Educated first at home, then spending four years of secondary school in Bienne, he completed his elementary studies in Lausanne. Having adopted medicine as his profession, he studied successively at the universities of Zürich, Heidelberg and Munich; while there he extended his knowledge of natural history, especially of botany. In 1829 he received the degree of Doctor of Philosophy at Erlangen, and in 1830 that of doctor of medicine at Munich. Moving to Paris he fell under the tutelage of Alexander von Humboldt and Georges Cuvier, who launched him on his careers of geology and zoology respectively. Until shortly before this time he had paid no special attention to the study of ichthyology, which soon afterwards became the great occupation of his life, if not the one for which he is most remembered in the modern day. -
Richard Owen's Vertebrate Archetype Author(S): Nicolaas A
Richard Owen's Vertebrate Archetype Author(s): Nicolaas A. Rupke Source: Isis, Vol. 84, No. 2 (Jun., 1993), pp. 231-251 Published by: University of Chicago Press on behalf of History of Science Society Stable URL: http://www.jstor.org/stable/236233 Accessed: 12-11-2015 09:35 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. History of Science Society and University of Chicago Press are collaborating with JSTOR to digitize, preserve and extend access to Isis. http://www.jstor.org This content downloaded from 150.135.211.246 on Thu, 12 Nov 2015 09:35:25 UTC All use subject to JSTOR Terms and Conditions Richard Owen's Vertebrate Archetype By Nicolaas A. Rupke* THE VERTEBRATE ARCHETYPE (from the Greek arkhe, "original," and tupos, "imprinted image") is one of the most fascinating constructs of what has been called the "morphological period" in the history of biology (approximately 1800- 1860). It represented the fullest expression of a belief in the fundamental relatedness, if not of all organisms, at least of all animals with endoskeletons. Moreover, as Darwin scholars have long recognized, the vertebrate archetype provided a direct stepping-stone to the notion of evolutionary ancestors.' To us, the concept of an archetype has echoes from Plato's theory of ideas to Carl Jung's notion of pervasive cultural symbols in our collective unconscious. -
^Jbrar Harvaf Univers I
MCZ SPIXIANA 29 193-197 München, Ol. November 2006 ISSN 0341-835^JBRAR JAN 1 2 HARVAF Zum 225. Geburtstag des Begründers der ZSM: UNIVERS Spix und der Aufbruch der Zoologie in die Moderne Thomas Heinzeller Heinzeller, T. 225"^ (2006): To celebrate the birthday of J. B. Ritter von Spix, founder of the ZSM: his role in the scientific controversies of his time. - Spixiana 29/3: 193-197 225 years ago, Johann Baptist Spix was born in Höchstadt/Aisch. He made rapid advances in zoology, and when he died in Munich, after a life span of only 45 years, he had become no less than one of Europe's leading zoologists. Initially he was deeply influenced by F. W. SchelUng's natural philosophy. Some years later french empiricists like G. Cuvier brought him back down to earth. In a very Short period he compiled several important comprehensive studies, e.g. on the microarchitecture of seastars, sponges, leeches or on the formation of the cranium, he established the Munich Zoological Collections as a modern scientific Institution and, last but not least, he organized an extremely fruitful 3-year expedition to Brazil. During this voyage he contracted a chronic tropical disease which permitted him only a few years to elaborate the scientific Output of this travel. The fundamen- tal questions of his age - chronologically Spix worked in the period after C. v. Linne and before Ch. Darwin - were those of a natural System and of species" de- scent. Obviously these were also Spix" themes and it"s safe to say that he would have given meaningful answers to them if he had been allowed to work for a few more years than were begrudged to him. -
Johann Natterer Und Seine Ornithologischen Entdeckungen in Brasilien, 1817-1835
© Biologiezentrum Linz/Austria; download unter www.biologiezentrum.at JOHANN NATTERER UND SEINE ORNITHOLOGISCHEN ENTDECKUNGEN IN BRASILIEN, 1817-1835 HERBERT SCHIFFTER m jähre 1817 wurde Erzherzogin Leopoldine, Tochter Kai- nahm Johann bald eigene Reisen in Gebiete der Monarchie I ser Franz I. von Österreich, mit dem Kronprinzen und spä- und kehrte mit reichem Material aus Ungarn und Italien nach teren Kaiser von Brasilien, Dom Pedro I., vermählt. Das war Wien zurück. Karl von Schreibers kannte daher die Fähigkei- der Anlaß für den naturbegeisterten Kaiser, eine Expedition ten des jungen Natterer und hatte keine Bedenken, ihn als Lei- nach Brasilien auszustatten, deren Zweck es war, noch uner- ter der geplanten Expedition vorzuschlagen (FITZINGER 1868). forschte Gebiete dieses Landes zu bereisen, Sammlungen für An dieser sollten zur Präparation der Tiere und Pflanzen noch die Hof-Naturaliencabinete anzulegen und lebende Tiere und der Wiener Naturalien-Händler Mathias Unterholzer (dessen Pflanzen für die Menagerie in Schönbrunn und die botani- Verpflichtung vom Kaiser aber nicht genehmigt wurde), der schen Gärten nach Wien zu senden. Mit der Organisation Gärtner und Botaniker Heinrich Wilhelm Schott und der k.k. wurde der seit 1806 einge- Hofjäger Dominik Sochor teil- setzte Direktor des Hof-Natu- nehmen. Weiters wurden vom raliencabinets, Karl von Kaiser der Expedition Dr. Schreibers, betraut. Dieser Johann Christian Mikan, Pro- schlug Johann Natterer als fessor für Botanik an der Prager Leiter der Brasilienexpedition Universität, derebendort "sup- vor. Johann Natterer, dessen plierende Professor der allge- Todestag sich am 17. Juni meinen Naturgeschichte" Dr. 1993 zum 150sten mal jährt, Johann Emanuel Pohl sowie wurde am 9. 11. 1787 in die Maler Johann Buchberger Laxenburg als Sohn des "kai- und Thomas Ender zugeteilt. -
The Connectenedness of Archives: Museums in Brazil and Europe a Conexão Dos Arquivos: Museus No Brasil E Na Europa
The Connectenedness of Archives: Museums in Brazil and Europe A conexão dos arquivos: museus no Brasil e na Europa Manuela Fischer Ethnologisches Museum, Staatliche Museen zu Berlin – Preußischer Kulturbesitz, Germany [email protected] Adriana Muñoz Världskulturmuseet (The Museum of World Culture), Göteborg, Sweden https://orcid.org/0000-0001-9645-5015 [email protected] Abstract: The destruction of the collections at the Museu Nacional in Rio de Janeiro, which had hosted indigenous material culture gathered over two centuries, spotlighted the impor- tance of early Amazonian collections in European museums. The circulation of objects and knowledge in the 19th and the early 20th century is part of a history of interactions within global systems. Epistemological, political, social and economic aspects shaped the collec- tions, following shifting interests related to scientific endeavors, colonization or extractivism, just to name the more common ones. The agents involved in the collecting in the South American Lowlands were scholars from different disciplines, settlers, politicians and traders linked by global interests. The close relationship of the then Museum für Völkerkunde in Berlin and the Göteborgs Museum in Gothenburg with the Museu Nacional and other Brazilian institutions since the 1880s is striking, as they mutually engaged in the exchange of objects for major exhibitions and enriched the scientific exchange of knowledge, by sending and interchanging collections. Today, these objects stored in Berlin as well as in Gothenburg, could be incorporated into the reconstruction of the Museu Nacional, or directly could be put in dialogue with communities in the 21st century. These collections were gathered with many purposes; however, from the beginning in Berlin with Adolf Bastian, and in Gothen- burg with Erland Nordenskiöld, the idea of an archive for the future was a primal one. -
THE NAUTILUS 118(2):71-87, 2004 Page 71
THE NAUTILUS 118(2):71-87, 2004 Page 71 The South American Mollusca of Johann Baptist Ritter von Spix and their publication by Johann Andreas Wagner Robert H. Cowie Nestor J. Cazzaniga Matthias Glaubrecht Center for Conservation Research and Departamento de Biologia, Bioquimica Museum fur Naturkunde Training y Farmacia Humboldt-Universitat zu Berlin University of Hawaii Universidad Nacional del Sur. San Institut fur Systematische Zoologie 3050 Maile Way, Gilmore 408 Juan 670 D-10115 Berlin Honolulu, HI 96822 USA (8000) Bahfa Blanca GERMANY [email protected] ARGENTINA [email protected] [ica/./.aii(«'cribu.edu.ar ABSTRACT varian Academy of Sciences in Munich and, less than six months later, on April 24, 1811, following orders from Dr. Johann Baptist Ritter von Spix collected Mollusca in South die king, the Academy made him curator, and thus, di- America from 1817 to 1820. After his return to Europe he rector of these collections. During the period 1808-1811 completed the plates, including their legends, and brief diag- Spix traveled not only in France but also in Raly and noses for a monograph on the taxa he had collected, but died in 1826 before the main text was written. Dr. Johann Andreas Switzerland. In 1811, he published his major work, Ges- Wagner was enlisted to complete the monograph, which he chichte und Beurtheilung oiler Systeme in der Zoologie did, and it was published in 1827. In total, 64 gastropod and [ = History and evaluation of all systems in zoology] (xiv 20 bivalve taxa were illustrated. In developing the monograph + 710 p., Achrag'sche Buchhandlung, Niirnberg). -
Gymnodactylus Geckoides Spix, 1825, Phyllodactylidae) from the Zoologische Staatssammlung München, Germany
Herpetology Notes, volume 10: 89-99 (2017) (published online on 01 March 2017) Identity and history of an odd, old gecko (Gymnodactylus geckoides Spix, 1825, Phyllodactylidae) from the Zoologische Staatssammlung München, Germany Herbert Rösler1, Frank Glaw2 and Hinrich Kaiser3,* Abstract. We describe a gecko specimen that was initially catalogued in the Zoologische Staatssammlung München, Germany, under the name Gymnodactylus marmoratus, a species now known as Cyrtodactylus marmoratus from Java, Indonesia. A close inspection revealed that this very old specimen (catalogue number ZSM 245/0) is actually a member of the South American species Gymnodactylus geckoides. Intensive research of historic documents initially appeared to indicate that the specimen could be a lost Spix syntype, yet ultimately we were unable to pinpoint the specimen’s origin. Nevertheless, its provenance in the early part of the 19th Century makes for an intriguing historical herpetological anecdote that once again underlines the importance of active research in historical natural history collections. Keywords. Phyllodactylidae, Gymnodactylus geckoides, Spix, Leuchtenberg, Brazil, gecko. Introduction use for this taxon. The species identification on the jar label differs by the species authority, which is listed The herpetological catalogue of the Zoologische using another author, as “Gymnodactylus marmoratus Staatssammlung München, Germany (ZSM) shows (Fitz.)” (Fig. 3). The abbreviation “Fitz.” references under the accession number ZSM 245/0 a gecko listed the Austrian herpetologist Leopold Josef Fitzinger as “Gymnodact. marmoratus (Kuhl)” with locality (1802–1884). In the following paragraphs, we describe “Java” (Fig. 1). The corresponding original entry into this rather mysterious specimen, check the initial the collection’s permanent card index catalogue, in identification, and report on our attempts to trace its the same handwriting, was initially identical to that in origin and its history. -
Systematics, History and Biodiversity Conservation Relationships from the Assembly of a Freshwater Fish Species Topotypes Collection
Systematics, history and biodiversity conservation relationships from the assembly of a freshwater fish species topotypes collection Oliveira, Alexandre Kannebley de Biologist, Department of Environmental Sciences, Federal University of São Carlos, Brazil [email protected] Garavello, Julio Cesar Professor, Department of Ecology and Evolutionary Biology, Federal University of São Carlos, Brazil [email protected] Abstract Specimens collected in the type locality of species, called topotypes, are of great value for taxonomic and systematics studies, mainly if the type material is much old, lost, or in bad condition to be analyzed. Additionally, topotypes may provide information through the application of modern techniques in biological studies, as those that incorporate molecular or fine anatomical data. In this report, we discuss the possibility to connect systematics, history and biodiversity conservation from the collection of freshwater fish species topotypes in the upper Paraná River basin, southeastern Brazil. This ecoregion of Neotropical fish fauna has been researched since the beginning of 19th century, when European naturalists traveled collecting specimens that served to the species descriptions. Surprisingly, after about 200 years of biological studies, there are still novel taxa (genus and species) to be described in the basin. Much of the type series of the species described from the mid-19th century to the beginning of the 20th were housed in Europeans or north American museums. Those series were frequently compounded by one or few specimens and, in many cases, are currently lost or in bad handling conditions. In this scenario, topotypes collections are welcome to develop studies about fish systematics and diversity conservation, providing also the access to historical information of biological studies in Brazil. -
INSCRIPTIONS of SOME HISTORICALLY KNOWN PERSONS in POSTOJNSKA JAMA Podpisi Nekaterih Znanih Zgodovinskih Osebnosti V Postojnski Jami
COBISS: 1.01 INSCRIPTIONS OF SOME HISTORICALLY KNOWN PERSONS IN POSTOJNSKA JAMA Podpisi nekaterih znanih zgodovinskih osebnosti V Postojnski jami Stephan Kempe1 & Hans-Peter Hubrich1 Abstract UDC 551.435.84:003.071(497.471) Izvleček UDK 551.435.84:003.071(497.471) Stephan Kempe & Hans�Peter Hubrich: Inscriptions of some Stephan Kempe & Hans�Peter Hubrich: Podpisi nekaterih historically known persons in Postojnska jama znanih zgodovinskih osebnosti v Postojnski jami Imenski rov (Rov starih podpisov), the Old Cave (Stara jama), Imenski rov oz. Rov starih podpisov, je edini del Postojnske was the only part of Postojnska jama known for several centu- jame, ki je bil poznan pred odkritjem notranjih delov leta 1818. ries until 1818 when Luka Čeč discovered the access to the in- Članek opisuje dokumentiranje približno 400 starih podpisov ner parts of the cave. Here we documented ca. 400 inscriptions. iz Postojnske jame in100 podpisov iz Predjame. Približno 19 About 100 more were also recorded in the historic part of Pred- podpisov, kar je manj kot 5% vseh, pripada znanim zgodovin- jama Cave. From these signatures we correlated 19 with inde- skim osebnostim. Od teh je zanesljivih 15, medtem ko je ide- pendently historically known persons, less than 5% of the total. ntiteta podpisnikov Bellegarde, Kotze, Mihanovć in Karl von The correlation is firm for 15 names, but only tentative for Belle- Zur vprašljiva. Najstarejši znani podpisnik je Johan Melchior garde, Kotze, Mihanović and Karl von Zur. The oldest one is that Ott(o), slikar, ki je služil Johanu Antonu Eggenberškemu of Johann Melchior Ott(o) of 1642, a painter in the service of (1610-1649), takratnemu lastniku postojnskega gradu.