Richard Owen's Vertebrate Archetype Author(s): Nicolaas A. Rupke Source: Isis, Vol. 84, No. 2 (Jun., 1993), pp. 231-251 Published by: University of Chicago Press on behalf of History of Science Society Stable URL: http://www.jstor.org/stable/236233 Accessed: 12-11-2015 09:35 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. History of Science Society and University of Chicago Press are collaborating with JSTOR to digitize, preserve and extend access to Isis. http://www.jstor.org This content downloaded from 150.135.211.246 on Thu, 12 Nov 2015 09:35:25 UTC All use subject to JSTOR Terms and Conditions Richard Owen's Vertebrate Archetype By Nicolaas A. Rupke* THE VERTEBRATE ARCHETYPE (from the Greek arkhe, "original," and tupos, "imprinted image") is one of the most fascinating constructs of what has been called the "morphological period" in the history of biology (approximately 1800- 1860). It represented the fullest expression of a belief in the fundamental relatedness, if not of all organisms, at least of all animals with endoskeletons. Moreover, as Darwin scholars have long recognized, the vertebrate archetype provided a direct stepping-stone to the notion of evolutionary ancestors.' To us, the concept of an archetype has echoes from Plato's theory of ideas to Carl Jung's notion of pervasive cultural symbols in our collective unconscious.