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The Law, Culture, and Economics of Fashion
THE LAW, CULTURE, AND ECONOMICS OF FASHION C. Scott Hemphill* & Jeannie Suk** INTRODUCTION....................................................................................................... 102! I. WHAT IS FASHION? ............................................................................................. 109! A. Status ........................................................................................................... 109! B. Zeitgeist ....................................................................................................... 111! C. Copies Versus Trends .................................................................................. 113! D. Why Promote Innovation in Fashion? ........................................................ 115! II. A MODEL OF TREND ADOPTION AND PRODUCTION ........................................... 117! A. Differentiation and Flocking ....................................................................... 118! B. Trend Adoption ............................................................................................ 120! C. Trend Production ........................................................................................ 122! III. HOW UNREGULATED COPYING THREATENS INNOVATION ............................... 124! A. Fast Fashion Copyists ................................................................................. 124! B. The Threat to Innovation ............................................................................. 128! 1. Harmful copying .................................................................................. -
Punk · Film RARE PERIODICALS RARE
We specialize in RARE JOURNALS, PERIODICALS and MAGAZINES Please ask for our Catalogues and come to visit us at: rare PERIODIcAlS http://antiq.benjamins.com music · pop · beat · PUNk · fIlM RARE PERIODICALS Search from our Website for Unusual, Rare, Obscure - complete sets and special issues of journals, in the best possible condition. Avant Garde Art Documentation Concrete Art Fluxus Visual Poetry Small Press Publications Little Magazines Artist Periodicals De-Luxe editions CAT. Beat Periodicals 296 Underground and Counterculture and much more Catalogue No. 296 (2016) JOHN BENJAMINS ANTIQUARIAT Visiting address: Klaprozenweg 75G · 1033 NN Amsterdam · The Netherlands Postal address: P.O. BOX 36224 · 1020 ME Amsterdam · The Netherlands tel +31 20 630 4747 · fax +31 20 673 9773 · [email protected] JOHN BENJAMINS ANTIQUARIAT B.V. AMSTERDAM cat.296.cover.indd 1 05/10/2016 12:39:06 antiquarian PERIODIcAlS MUSIC · POP · BEAT · PUNK · FILM Cover illustrations: DOWN BEAT ROLLING STONE [#19111] page 13 [#18885] page 62 BOSTON ROCK FLIPSIDE [#18939] page 7 [#18941] page 18 MAXIMUM ROCKNROLL HEAVEN [#16254] page 36 [#18606] page 24 Conditions of sale see inside back-cover Catalogue No. 296 (2016) JOHN BENJAMINS ANTIQUARIAT B.V. AMSTERDAM 111111111111111 [#18466] DE L’AME POUR L’AME. The Patti Smith Fan Club Journal Numbers 5 and 6 (out of 8 published). October 1977 [With Related Ephemera]. - July 1978. [Richmond Center, WI]: (The Patti Smith Fan Club), (1978). Both first editions. 4to., 28x21,5 cm. side-stapled wraps. Photo-offset duplicated. Both fine, in original mailing envelopes (both opened a bit rough but otherwise good condition). EUR 1,200.00 Fanzine published in Wisconsin by Nanalee Berry with help from Patti’s mom Beverly. -
Reports and Financial Statements As at 31 December 2017
Separate Financial Consolidated Financial Introduction Statements Statements I Reports and Financial Statements as at 31 December 2017 Reports and Financial Statements as at 31 December 2017 This document has been translated into English for the convenience of the readers. In the event of discrepancy, the Italian language version prevails. Contents Introduction 5 Separate Financial Statements as at 31 December 2017 15 Consolidated Financial Statements as at 31 December 2017 249 Corporate Directory 352 Introduction Corporate Offcers 6 Organisational Framework 7 Letter to the Shareholders 8 Financial Highlights 12 Separate Financial Consolidated Financial Introduction 6 Statements Statements Corporate Offcers Board of Directors Chairperson Monica Maggioni Directors Rita Borioni Arturo Diaconale Marco Fortis Carlo Freccero Guelfo Guelf Giancarlo Mazzuca Paolo Messa until 1 June 2017 Franco Siddi until 6 September 2017 as of 6 September 2017 Board Secretary Nicola Claudio Anna Rita Fortuna Board of Statutory Auditors Chairperson Biagio Mazzotta Standing Auditors Anna Maria Magro Roberto de Martino Alternate Auditors Pietro Floriddia M.M. Assunta Protopapa General Manager until 6 June 2017 as of 9 June 2017 Antonio Campo Dall’Orto Mario Orfeo External Auditor PricewaterhouseCoopers Separate Financial Consolidated Financial Introduction Statements Statements 7 Organisational Framework (short form) Chairperson Board of Directors of the Board Supervisory Internal Board Audit Head Offce(1) Editorial Area (2) Chief Digital Offcer (3) Chief Technology (4) Offcer Chief Financial Offcer (5) Finance & Planning Chief Operations Offcer Corporate TV Production e Support (6) Subsidiaries Rai Cinema Rai Com Rai Pubblicità Rai Way (1) Includes, inter alia, Governance and the Corporate Secretariat, covering the General Manager’s Staff and the Board & Corporate Secretary. -
Relazione Della Corte Dei Conti
SENATO DELLA REPUBBLICA XVIII LEGISLATURA Doc. XV n. 189 RELAZIONE DELLA CORTE DEI CONTI AL PARLAMENTO sulla gestione finanziaria degli Enti sottoposti a controllo in applicazione della legge 21 marzo 1958, n. 259 RAI-RADIOTELEVISIONE ITALIANA Spa (Esercizio 2017) Comunicata alla Presidenza il 18 luglio 2019 SEZIONE DEL CONTROLLO SUGLI ENTI DETERMINAZIONE E RELAZIONE SUL RISULTATO DEL CONTROLLO ESEGUITO SULLA GESTIONE FINANZIARIA DELLA RAI RADIOTELEVISIONE ITALIANA S.P.A. 2017 Relatore: Consigliere Piergiorgio Della Ventura Ha collaborato per l’istruttoria e l’elaborazione dei dati la dott.ssa Giada Giannetti Determinazione n. 89/2019 SEZIONE DEL CONTROLLO SUGLI ENTI nell'adunanza del 16 luglio 2019; visto l’art 100, secondo comma, della Costituzione; visto il testo unico delle leggi sulla Corte dei conti approvato con regio decreto 12 luglio 1934 n.1214; viste le leggi 21 marzo 1958 n. 259 e 14 gennaio 1994 n. 20; visto il decreto del Presidente della Repubblica in data 20 luglio 1961 con il quale la Rai Radiotelevisione Italiana S.p.A., è stata sottoposta al controllo della Corte dei conti, ai sensi dell’art. 2 della legge 21 marzo 1958, n. 259; visto il d.p.c.m. 10 marzo 2010 con il quale la Rai S.p.A. è stata sottoposta al controllo della Corte dei conti ai sensi dell’articolo 12 della richiamata legge n. 259 del 1958; visto il bilancio di esercizio della società suddetta, relativo all’anno 2017, nonché le annesse relazioni del Consiglio di amministrazione e del Collegio sindacale, trasmessi alla Corte dei conti in adempimento dell’art. -
Light Is Right
JOHN GALLIANO’S DAY IN COURT COAST The designer’s trial on charges of public insult takes place TO COAST today in Paris. PACK YOUR BAGS FOR THE TRIPS AHEAD. Page 2 ITS TIME FOR U.S. TRADE SHOWS. SECTION II LATEST DESIGNER DEAL H&M Goes Va-Va-Voom With Versace WEDNESDAY, JUNE 22, 2011 ■ WOMEN’S WEAR DAILY ■ $3.00 WWD By ALESSANDRA ILARI MILAN — Donatella Versace is going fast-fashion. The designer is the latest to link with H&M for a limited edition collection that launches Nov. 17 in 300 stores worldwide, as well as online. The line will include women’s, men’s and children’s wear as well as, for the fi rst time in a designer collaboration, some homeware. Light Is The collection will be based on heritage Versace designs, particularly the Miami print made famous by her late brother Gianni. “The moment is right to be rehashing iconic Versace pieces, I can feel it in the air,” mused Donatella Versace in an exclusive interview. “H&M represents an amazing connection to a broader cus- tomer base and to a younger audience that loves Right Versace but can’t afford to buy it. This is especially exciting and stimulating for me.” MILAN — Upbeat fashions The sexy, colorful, printed and down-to-the-last- have been the dominant stud Versace collection that she is preparing for H&M story in Milan: approachable is likely to generate the same mayhem as the retail- er’s past designer collaborations by the likes of Karl shapes, a vibrant array of Lagerfeld, Alber Elbaz, Stella McCartney, Roberto prints and cheerful, bright Cavalli and Jimmy Choo. -
RARE Periodicals Performance ART, Happenings, Fluxus Etc
We specialize in RARE JOURNALS, PERIODICALS and MAGAZINES rare PeriodicAlS Please ask for our Catalogues and come to visit us at: per fORMANcE ART, HappENINgS, http://antiq.benjamins.com flT UxUS E c. RARE PERIODICALS Search from our Website for Unusual, Rare, Obscure - complete sets and special issues of journals, in the best possible condition. Avant Garde Art Documentation Concrete Art Fluxus Visual Poetry Small Press Publications Little Magazines Artist Periodicals De-Luxe editions CAT. Beat Periodicals 297 Underground and Counterculture and much more Catalogue No. 297 (2017/2018) JOHN BENJAMINS ANTIQUARIAT Visiting address: Klaprozenweg 75G · 1033 NN Amsterdam · The Netherlands Postal address: P.O. BOX 36224 · 1020 ME Amsterdam · The Netherlands tel +31 20 630 4747 · fax +31 20 673 9773 · [email protected] JOHN BENJAMINS ANTIQUARIAT B.V. AMSTERDAM CONDITIONS OF SALE 1. Prices in this catalogue are indicated in EUR. Payment and billing in US-dollars to the Euro equivalent is possible. 2. All prices are strictly net. For sales and delivery within the European Union, VAT will be charged unless a VAT number is supplied with the order. Libraries within the European Community are therefore requested to supply their VAT-ID number when ordering, in which case we can issue the invoice at zero-rate. For sales outside the European Community the sales-tax (VAT) will not be applicable (zero-rate). 3. The cost of shipment and insurance is additional. 4. Delivery according to the Trade Conditions of the NVvA (Antiquarian Booksellers Association of The Netherlands), Amsterdam, depot nr. 212/1982. All goods supplied will remain our property until full payment has been received. -
Sexiness with Humor: Those Things Are Normal for Me”
”Sexiness with humor: those things are normal for me” Undersökning av kvinnlig och manlig maskerad i några utav David LaChapelles bilder Nina Danielsson Kandidatuppsats 15 hp, Konstvetenskap 61-90 Högskolan i Halmstad Sektionen för Humaniora HT-2008 Handledare: Helen Fuchs Sammanfattning David LaChapelle gör bilder som ofta är ganska provocerande i sitt uttryck eftersom de ofta föreställer mer eller mindre avklädda kvinnor och män i sexuellt laddade situationer. Syftet med denna uppsats är att undersöka ett par av LaChapelles bilder ur ett genusperspektiv med utgångspunkt i konstvetaren Norman Brysons text “Géricault and ”Masculinity”. I denna text diskuterar Bryson detta med manlig och kvinnlig maskerad genom att bland annat hävda att även männen är utsatta för den manliga betraktarens blick. Detta med framställningen av kvinnligt och manligt är själva grunden för denna uppsats. Med hjälp av Norman Brysons teorier gällande manlig och kvinnlig maskerad undersöker jag hur LaChapelle använder sig av denna maskerad, samt hur han använder sig av stereotypa roller för kvinnor och män. Jag undersöker också vem som är objekt för en betraktares blick och varför. Det jag kommer fram till är att LaChapelle i allra högsta grad använder sig av de stereotypa roller som finns och att han iscensätter en manlig och en kvinnlig maskerad genom att använda kulturellt betingade grepp för vad som anses vara kvinnligt och manligt. LaChapelle överdriver manligt och kvinnligt i sina iscensättningar och tar dem ett steg längre vilket gör dem skämtsamma eller lustfyllda. Hans bilder kan verka vulgära och provocerande vid en första anblick men efter att ha tittat noggrannare uppfattas de som mer humoristiska och med ett mångtydigt innehåll. -
From the Love Ball to Rupaul: the Mainstreaming of Drag in the 1990S
FROM THE LOVE BALL TO RUPAUL: THE MAINSTREAMING OF DRAG IN THE 1990S by JEREMIAH DAVENPORT Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Music CASE WESTERN RESERVE UNIVERSITY August, 2017 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of Jeremiah Davenport candidate for the degree of PhD, Musicology. Committee Chair Daniel Goldmark Committee Member Georgia Cowart Committee Member Francesca Brittan Committee Member Robert Spadoni Date of Defense April 26, 2017 *We also certify that written approval has been obtained for any proprietary material contained therein. 2 Acknowledgements Thank you from the bottom of my heart to everyone who helped this dissertation come to fruition. I want to thank my advisor Dr. Daniel Goldmark, the Gandalf to my Frodo, who has guided me through the deepest quandaries and quagmires of my research as well as some of the darkest times of my life. I believe no one understands the way my mind works as well as Daniel and I owe him a tremendous debt of gratitude for helping me find the language and tools to write about my community and the art form I love. I also want to thank Dr. Georgia Cowart for helping me find my voice and for her constant encouragement. I am grateful to Dr. Francesca Brittan for her insights that allowed me to see the musicologist in myself more clearly and her unwavering support of this project. I also would like to thank Dr. Robert Spadoni for expanding my analytical skills and for constantly allowing me to pick his brain about drag, movies, and life. -
Fashions of a Decade: the 1970S
The 1970s_4C 9/27/06 6:43 PM Page 1 Fashions of a Decade The1970s The 1970s_4C 9/27/06 6:43 PM Page 3 Fashions of a Decade The 1970s Jacqueline Herald The 1970s_Text.p4-ok.pdf 2007-11-10 1:27:04 The 1970s_4C 9/27/06 6:43 PM Page 4 C M Y CM MY CY CMY K The 1970s_4C 9/27/06 6:43 PM Page 5 Contents Introduction 6 1 Tough Guys 28 2 Nostalgia 32 3 Black is Beautiful 36 4 Glamour 40 5 Dressed to Clash 44 6 Trash Culture 48 7 Disco Kings and Queens 52 8 The Rebirth of Style 56 Chronology 60 Glossary 62 Further Reading 63 Acknowledgments 63 Index 64 The 1970s_4C 9/27/06 6:43 PM Page 6 6 The 70s It was writer Tom Wolfe who dubbed the seventies the “Me Decade.” The problem was, lots of “Me’s” were fighting for a piece of the action. Politically extremist and fundamentalist groups committed acts of terrorism. In terms of dress, fashion magazines declared, “Anything goes.” No rules applied any more. Nostalgia and an interest in traditional cultures of the developing world were elements that ran through the decade, from radical chic to punk. Retro .Grease, one of several fifties nostalgia styles were promoted by films like The Great Gatsby (1974), in which Mia Farrow movies. John Travolta’s greased forelock of and Robert Redford wore twenties-style clothes, and the American TV show hair is authentic enough, although the large Happy Days, based on the popular film American Graffiti, which centered on shirt collar and cut of his draped jacket and fifties teenagers. -
Senior Project
Lakeshore High School Senior Project 1 Senior Project Overview National Standard Incorporating traditional and performance based teaching and curricula strategies that merge with a foundation of strong basic knowledge and skills requiring a real world application, Senior Project is a challenging, student-driven, teacher-guided culminating program. Senior Project high schools require seniors to competently complete each of the following related 4 P's: 4 P's of the Project: Paper, Portfolio, Product, and Presentation ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ Paper Seniors select an approved topic and write a research paper; successful completion is required for graduation. During this phase, the skills applied include things such as knowledge acquisition, information/media literacy, validation, credibility and variety of sources, sorting, and selecting appropriate information, writing skills, research skills, and 21st Century technology skills. Because students choose their own topics, Senior Project papers are as diverse as the students’ interests (e.g., censorship in public education, effective online marketing strategies, robotic prosthetics, effective solutions related to the homeless). ÷ ÷ ÷ ÷ ÷ ÷ ÷ Portfolio Before the judges listen to a senior’s presentation, they review the senior’s portfolio, a collection of process pieces as well as the final showcase of the student’s completed Senior Project work. While the portfolio is used by the judges to help guide their questioning, it is also often a valued document that students take as they exit high school. Comprehensive Senior Project portfolios contain models that can be used in the job and college application process. ÷ ÷ ÷ ÷ ÷ ÷ ÷ Product During the product phase, students apply the knowledge gained during their research by defining, designing, and producing a related product. -
Fashion Capitals Firstly, Fashion Capital
FASHION CAPITALS Fashion is every where but the trends just not gather every where. The fashion trends are mostly acquired in major fashion cities worldwide. What is “In” depends on the newest and hottest trends that brought by its fashion cities globally. Beyond those fashion trends that brought to us by the major fashion cities, it confides the culture and origin of its trends that firmly introduce to us by well known fashion designers or designer clothing brands. The scope of this Submission by us, Delwin Arikatt and Neha Modi, is to introduce to you the tribute of every fashion city on the blooming network of fashion industry worldwide. It is the network of fashion that invades the real fashion lifestyle of every fashionista in their fashion statements. This is to overwhelm the differences of every trends that introduced to us by every fashion designers in the said fashion industry. The 4 major fashion cities in the world –London, New York, Paris, Milan, covers the scope of fashion world in its network, workers, and products. The trends that specifically innovates in rebirth of these major fashion cities who grant an extra sensational aspect of our fashion lifestyle. Fashion culture in every cities are the greater aspect of fashion trends worldwide. Its the glorious contribution ever made by these major fashion cities which implicates their tribute into the transitions of every fashion generation worldwide. Like in designer clothing industry, these major fashion cities conclave its brands of designer clothes. The network of designer clothing brands in these fashion cities reflects as booming networks because of the fashion houses through out the vicinity of the cities. -
The Glamour of Italian Fashion: Since 1945 Free
FREE THE GLAMOUR OF ITALIAN FASHION: SINCE 1945 PDF Sonnet Stanfill | 288 pages | 23 Mar 2015 | V & A Publishing | 9781851777761 | English | London, United Kingdom The Glamour of Italian Fashion by Sonnet Stanfill Milanese ready-to-wear is a relative newcomer to the fashion world, compared to Parisian haute couture and London tailoring, but how did it achieve its status? The dresses, suits, separates and accessories that fill this large exhibition cover a year period. The show is not designed to be encyclopaedic, but The Glamour of Italian Fashion: Since 1945 to reveal the stories behind the glitz. Fashion show in Sala Bianca Photo by G. Evening dress of silk —8Roberto Capucci. Another highlight The Glamour of Italian Fashion: Since 1945 this section is the paisley coat made for Maria Callas by Biki. The American market allowed Italian fashion to expand, contributing to the s shift from haute couture to ready-to-wear, and from Florence to Milan. Some of these, for example Elio Fiorucci, are still household names in UK fashion, while the show shines new light on lesser-known figures such as Walter Albini. A great strength of the exhibition is the presence of material samples and original designs alongside finished pieces, which give a greater insight into the creative process. Silk from Como, leather from Tuscany and wool from Biella are internationally recognised. The room dedicated to the s ready-to-wear shows the role these played in the industrialisation of Italian fashion. While Matteo Renzi, the Italian Prime Minister, The Glamour of Italian Fashion: Since 1945 felt at home in this exhibition due to the amount of material on loan from Florence, one hopes that the focus on the Italian fashion industry may encourage some measures to support young Italian designers who could join the ranks of those exhibited here.