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Catalogue No. 297 (2017/2018) JOHN BENJAMINS ANTIQUARIAT Visiting address: Klaprozenweg 75g · 1033 nn Amsterdam · The Netherlands Postal address: p.o. box 36224 · 1020 me Amsterdam · The Netherlands tel +31 20 630 4747 · fax +31 20 673 9773 · [email protected] JOHN BENJAMINS ANTIQUARIAT B.V. AMSTERDAM CONDITIONS OF SALE

1. Prices in this catalogue are indicated in EUR. Payment and billing in US-dollars to the Euro equivalent is possible.

2. All prices are strictly net. For sales and delivery within the European Union, VAT will be charged unless a VAT number is supplied with the order. Libraries within the European Community are therefore requested to supply their VAT-ID number when ordering, in which case we can issue the invoice at zero-rate. For sales outside the European Community the sales-tax (VAT) will not be applicable (zero-rate).

3. The cost of shipment and insurance is additional.

4. Delivery according to the Trade Conditions of the NVvA (Antiquarian Booksellers Association of The Netherlands), Amsterdam, depot nr. 212/1982. All goods supplied will remain our property until full payment has been received. At our sole discretion we may require pre-payment on any order.

5. If items are already sold we shall always notify our customers. Unsuccesful orders will be kept on file for the titles requested and we shall requote without obligation if found again.

6. Orders should be addressed to (Please mention the article-identifier [#in brackets]):

John Benjamins Antiquariat B.V. P.O. Box 36224. Klaprozenweg 75G 1020 ME AMSTERDAM The etherlandsN

Phone: +31-20-6304747 e-mail: [email protected] website: antiq.benjamins.com rare Periodicals per foRMANce art, Happenings, flt uxus e c.

Cover illustrations:

FLUE FANDANGOS [#18684] page 29 [#19332] page 24

AVALANCHE SIMON VINKENOOG [#16317] page 12 [#19234] page 97

FILM CULTURE LA MAMELLE [#19319] page 27 [#18074] page 52

Conditions of sale see inside back-cover

Catalogue No. 297 (2017/2018) JOHN BENJAMINS ANTIQUARIAT B.V. AMSTERDAM 13681-17284.tif [#17284] ACTIONS / AGITPOP / DE-COLLAGE / /. BLOOMSDAY 64 - TEXTE/ STANLEY BROWN/ / FRANZ MON/ / . Galerie Loehr, Frankfurt, 26 June 1964. POSTER 123 x 87 cm. Printed on one side. Black on white paper, excellent condition, with only very minor edgewear. EUR 300.00

13203-17243.tif [#17243] ACTIONS / AGITPOP / DE-COLLAGE / HAPPENING / EVENTS / ANTIART /L’ AUTRISME / ART TOTAL / REFLUXUS festival der neuen kunst - 20. Juli 1964 aachen th (= Technische Hochschule). 26 stencilled pages, plus one quarter-page and a green envelope (Vivograph by Tomas Schmitt, intact). Wrappers, 30 x 21 cm, side-stapled. Front-cover with 36 passport- photographs of the participating artists, back-cover blank. Note: This copy has an Original pencil drawing w. directions from the former owner on the This Way Brouwn page. An almost pristine copy of this important document. TOGETHER WITH Poster by (Wolf Vostell and) . “I admire monkey. Ich ehre Affe”. Aachen, 20. Juli 1964. Auditorium Maximum der TH. July 20, 1964. Printed in b/w on off-white stock, oblong (h/w) 59 x84,5 cm. With wear on the edges and somemarginal tears neatly repaired, six pin holes with regular intervals at about 5 cm from the top where the poster had apparently been affixed to a strip, two of which leaving a horizontal tear of ab. 1 cm.; overall still a good copy. EUR 5,000.00 COMBINATION of the Program Stanley Brouwn, , - Organisiert von Valdis Abolins u. and the Poster of this Event: - The , Ludwig Gosewitz, Tomas Schmit - herausgegeben von PROGRAM: Ausgefuehrt von E. Arthur Koepcke, Tomas Schmit, Ben Tomas Schmit und Wolf Vostell. Juli Andersen, , Bazon Brock, Vautier, Wolf Vostell, 1964. Program outlined on page 2,

2 John Benjamins Antiquariat B.V. published (only on the program). This publication appeared on the occassion of a “Festival of New Art” staged at Aachen Technical University on the twentieth anniversary of the attempt to assassinate Hitler on 20 July 1944. The events started after Bazon Brock’s talk on texts by Marx and Hegel “Philosophy is the world turned upside down” and gave his talk while standing on his head. Actions of the artists went on simultaneously, and when Beuys melted blocks of fat on a stove (action titled “Kukei/Akopee – nein!”) gesturing with a copper rod tumult started: right- wing students came on the scene and Beuys was punched hard and his nose bled. The blood from Beuys’ nose led to a famous photograph of the artist with a smudge that looked very like introductory texts by Valdis Abolins. “do it yourself” artwork (VIVOGRAPH), a “Hitler” moustache - Beuys made Eric Andersen: comments in English in English and German, probably a Hitler salute for the camera. Police by and . 2 containing a piece of of carbonpaper then ended the performances. - The pages by Joseph Beuys: (Lebenslauf, and a piece of white paper. (This item is POSTER was designed by (Wolf Vostell Werklauf); Bazon Brock; Stanley often missing as to complete the work and) Nam June Paik. Reproduces several Brouwn; Henning Christansen; Robert the owner was to tear it out and wear it illustrations of Japanese torture scenes Filliou; Ludwig Gosewitz; “Texte in pocket - it is present and unopened and some texts, as collage. Across the postal” f. Emmett Williams; Arthur here; ; Wolf Vostell; image lettering in b/w: - Actions Agit- Koepcke;Tomas Schmit: with intact Emmett Williams; the George Brecht: Prop Dé/collage Happenings Events envelope with printed instructions for a “motor vehicle sundown (event)” is not Anti Art lÁutrisme Art Total Refluxus-

109-19198.tif [#19459] ALFA-BETA. “Laboratorio di critica delle arti visive, di storia delll’arte”. Nos. 1-7/8 (all publ.). Milano, Edizioni Multhipla, Marzo 1975 - Autunno 1976. Original pictorial wrappers with very light wear, still an excellent set, rarely seen complete. 4to; fully illustrated. EUR 2,000.00 Directed by Gino di Maggio, edited by Pasquale Alferj, Giuseppe Galante, Ginannino Malossi, Marco Pesatori, Ginabattista Troppmann. Published by the Gally Multhipla, engaged with Fluxus and Concrete Art and Poetry Movements; contributors include George Brecht, Giannino Malossi, Marco Pesatori, Gianbattista Troppmann, poi anche Carlo Romano, Emina Cevro-Vukovic, Gianni Emilio Simonetti, Wolf Vostell, Pinni Galante, Hanne Bergius, , Mirella Bandini, Achille Bonito Oliva, George Brecht, Giuseppe Chiari, Maciunas, Richter, Vaneigem.

John Benjamins Antiquariat B.V. 3 13756-17452.tif [#17452] ALMA Nos. 1-2 (1er & 2eme trimestre 1967). Liège, 1967. All publ ? 75 pages, loose, in orig. plain portfolio (stamped AL MA on the front and HA HA on the back). EUR 400.00

Direction: Richard Tilian. Contribs.: Robert Filiou, Fredy Jacquet, Sodoyan, Joseph Houiz. “Rorschach” composition by P. J. Dunbar.

14038-18121a.tif [#18121] ANNUAL NEW YORK AVANT GARDE FESTIVAL. (organizer) & Jim McWILLIAMS (designer). Complete set of 19 vintage posters, 1963-1980: one poster for each of the 15 Festivals, and one poster in a different version of Festivals 1,2,8 and 9 (together 19).

1-3: Judson Hall 9: South Street Seaport 4: Central Park 10: Penn Central/Grand Central 5: Staten Island Ferry 11: Shea Stadium 6: Central Park West 12: Gateway National Park 7: East River Island 13: World Trade Center 8: Armory Lex.Av. 14: Charles River Cambridge

All posters in near mint condition. EUR 2,000.00 Between 1963 and 1980 the cellist Charlotte Moorman organised fifteen performance festivals in various locations of New York. Artists and performers include , Nam Jun Paik, Laurie Andersen , , Allen Ginsberg, , Geoff Hendricks, etc.

4 John Benjamins Antiquariat B.V. John Benjamins Antiquariat B.V. 5 13964-17910.tif [#17910] ART BY TELEPHONE Art by Telephone. Chicago, Museum of Contemporary Art 1969. 12˝ LP record. Original black cardboard gatefold cover, text inside. Catalogue to the exhibition at the Museum of Contemporary Art, November 1 - December 14, 1969. Light wear on the sides of the sleeve, otherwise in very good condition.

EUR 800.00 Edited by Jan van der. Marck, Among the featured artists were , George Brecht, Richard Hamilton, Dick Higgins, Ed Kienholz, Sol LeWitt, , Claes Oldenburg, and Wolf Vostell.

456-499.tif [#19200] ART DIMENSION ART. International review of arts. Nos. 1-6. Jan-Sept.1975 - June 1976. Orig illustrated (back) wrappers. 4to; EUR 700.00 Edited by Nino Salerno, Silvia Banotti, Marcello Vittiello, Maria di Bucchianico. Text in English and Italian, many illustrations. Articles on contemporary art and artists, , , fluxus, etc

6 John Benjamins Antiquariat B.V. 14187-18376a.tif [#18376] ART COMMUNICATION EDITION (ACE) later: STRIKE A group of 7 issues (from 12 published). Center for Experimental Art and Communication/Strike Press, Toronto. 1977/78. Tabloid on newsprint. ca 34pp per issue; folded once, edges lightly ragged. - Vol. I Number 5: “Sex and Politics”, “The Last Performance”. Cover: Marina Sieverding. - Vol. I Number 6: Articles by Amerigo Marras, Hervé Fischer, Michael Gibbs a.o.l. Cover and Marina Abramovic. - Vol. I Number 7: “Behaviour”. (The Behaviour Workshop at the Free International University for Creative and Interdisciplinary Research (Caroline Tisdall, Martin New castle, Josef Beuys). This issue has small closed tear. - Vol. I Number 9 (and last): Articles by Peter Byrne, Arrigo Marras, Harley W. Lond a.o. Then becoming STRIKE (the new name for Art Communication Edition). - Vol. II Numbers 1-3 (all published): Tabloid format, (35pp each issue). Offset on newsprint. Vol. II, Number 1: Included in this issue is a survey of “Recordings by Artists” as well as an interesting essay on “Intending Bookness” by John Faichney. Vol. II, Number 2: “Torture, Post-Marxisme, Red Brigades”. Vol. II, Number 3: “Joseph Beuys”, “J.P. Sartre”, “Canada’s KGB”. Chiang Ching. EUR 1,500.00

Alternative art periodical from the Center for Experimental Art and Communication in Toronto. Editors (i.a.): Suber Corley, Bruce Eves, Paul McLellan, Amerigo Marras, Roy Pelletier, Rob Reid. Politics and performance, new media and publications. The content of vol. 2 no 3 caused that the Canadian Government withdrew all financial support and made further publication impossible. (Gwen Allen,236).

John Benjamins Antiquariat B.V. 7 481-17142C.tif [#18069] ART-RITE Nos. 1-21 (all published), New York, 1973-1978, all original issues, printed on newsprint, 4to., in very good to excellent condition, except for moderate mailing marks on no 3. The Number 13 (Alan Suicide) in the 2 versions. No. 16 was never published. EUR 6,000.00

Edited by Edit DeAk, Joshua Cohn, Walter Robinson, with contributions by John Harrington, Edward Pursor, Ela Troyano, , Alan Kaprow, Roger Welch, John Howell, Al Moore, Peter Frank, a.o. Covers by William Wegman, Richard Tuttle, Robert Ryman, Ed Ruscha, Carl Andre, and others of the seventies Conceptual and Minimal Art scene. Detail of the issues: No. 1 (cover Les Levine); No. 2 (William Wegman); No. 3 (Richard Tuttle); No. 4 (Yuri); No. 5 (Christo); No. 6 (Dorothea Rockburne; cover has diagonal fold as issued); No. 7 (Vito Acconci); No. 8 (, with painted flowers as issued); No. 9 (Robert Ryman); No. 10 (Joseph Beuys); No. 11 - 12 (Edward Ruscha); No. 13 (2 issues with alternate Red and Black Covers by Alan Suicide); No. 14 (Carl Andre); No. 15(Rosemary Mayer); No. 17 (Kim MacConnel); No. 18 (Image Bank); No. 19 in collaboration with LAICA Journal (); No. 20 (Demi); No. 21 (single folded sheet with Judy Rifka original cut-out drawing of Humpty Dumpty).

8 John Benjamins Antiquariat B.V. 11813-13019.tif [#15582] ARTZIEN. A Monthly Review of Art in Amsterdam. Nos. 1-28 (all publ.). Amsterdam, Nov.1978-Nov.1982. In original, pictorial wrappers. Illustrated. EUR 1,500.00 Edited by Michael Gibbs. Contributors include : General Idea, Vito Acconci, Reindeer Werk, Al Hansen, Knizak, , Vito Acconci, Davi Det Hompson , Marina Abramovic .A review on exhibitions, galleries, art events, performances, video showings, etc., paying special attention to innovative work of young artists and art galleries in the alternative scene. Michael Gibb. wrote in his introduction: “Artzien will provide a platform, not only for coverage of current exhibitions and events, but also for criticism and debate”. No. 23/24 is a special issue Fluxfest. Initially numbered as vol. 1-3 no. 2 (together 22 issues), then continued as nos. 23/24-28. Most articles in English.Focussing particularly on the marginal and the new, written mostly by artists, and featuring interviews with General Idea, Vito Acconci, Reindeer Werk, Al Hansen, Milan Knizak, and Lawrence Weiner.

535-15169B.tif [#18950] ASPEN. The Magazine in a Box. Nos. 1-10 (complete set) incl. no. 6A. And no. 10 (very rare) New York, 1965- Winter/Spring 1971. All in the original boxes and portfolios. All inserts are present, also those for 6A, (with the rare original mailing envelop present, albeit damaged by the mail and roughly opened). - No 5/6 (the White box) unusually fresh and clean, complete with all the supplements, THE ORIGINAL FILM REEL, the flex-discs, etc. ; - No. 7 (British Box) in fine condition (still flat and undamaged). - No. 10 (Oriental Box) extremely rare, still flat and undamaged as issued. A very good set of Aspen, in this condition, almost impossible find nowadays. EUR 15,000.00

John Benjamins Antiquariat B.V. 9 The first three dimensional magazine, edited by Phyllis Johnson, inspired on the multi-media character of vanguard art of the 60’s: a typical issue contains an assortment of booklets in various sizes and types, reproductions, broadsheets, film-reels, photographs, scrolls, and recordings on flex- discs kept in a box. Aspen is also multi-media in content, in that various arts are represented in each issue; it exemplifies the 1960’s search for a total experience via a breakdown of traditional categories; it is an exuberant, pretentious magazine. Contribs. Include Cage, Ruscha, Duchamp, Finlay, Paik, Burroughs, Oldenburg, John Lennon/Yoko Ono, etc.; each issue had another designer (such as or Quentin Flore). The collation is difficult, and the content of the loose leaf advertising section differs in all sets.

No. 1: designed by George Lois, Tom Courtos, Ralph Tuzzo (tiny scratch to the front)

No. 2: design Frank Kirk.

No. 3: the Fab-issue, designed by Andy Warhol & David Calton (tiny damage to the spine)

No. 4: Marshall McLuhan-issue, designed by Quentin Fiore. (small clean repair to the spine)

10 John Benjamins Antiquariat B.V. No. 5/6: Brian O’Doherty, David Dalton, No. 7 : British Box. comp. by Lynn Letterman; complete with the Mario Amaya, design John 5 flexidisks ( with ). Kosh. This fragile box in unusual This white box in unsual good, clean excellent condition, still flat the condition. Complete with the very rare way it was mailed. film reel: Four Films by Four Artists. Reel of super-8 film, comprising four No. 8: Art/Information/Science, film clips: Hans Richter Rhythm 21. ed. Dan Graham/design George Laszlo Moholy-Nagy Lightplay (excerpt). Maciunas (one item in xerox). Robert Morris and Stan VanDerBeek Light wear on the edges Site (excerpt) Robert Rauschenberg Linoleum (excerpt). No. 9: Dream Weapon, ed. Angus & Hetty MacLise (light soilage to No. 6A: The Judson Manipulations edges) (this issue was distributed only to the subscribers in New York; contents kept No. 10: Devoted to oriental art, design in the mailing original mailing envelope. Nori Sinoto. (this misses sections 13-14, With wear of having been through the as does also the UBU-index, No 14 is mail and opened on one side, but very order form only, we have it in copy) rare).

535-15938.TIF [#16217] ASPEN. The Magazine in a Box. (The original edition and Precursor to Aspen Magazine No. 6A) - MANIPULATIONS. Editor: John Hendricks. New York, Judson Gallery, 1967. One of 500 copies of the precursor to Aspen Magazine No. 6A. Loose materials laid into the original printed folder. A series of works edited by John Hendricks, intact printed envelope (26,5x18,5 cm, cover designed by Ralph Ortiz, in good condition, some wear and small tears on the opening side and lower edges). EUR 2,000.00 This (the original publication of Manipulations) is partly different and contained -in addition to the content of the later re-edition in Aspen No. 6A - also 11 photographic images of the events and 12 objects of printed pieces. Objects and documents relating to the 12 Evenings of Manipulations (destruction art activities) performed at Judson Gallery, Oct. 1967 Consists of a number of loose sheets and object-multiples in paper form by B. Hendricks, J. Toche, A. Kaprow, A. Hansen, G. Hendricks, M. Goldstein, S. Rose, C. Schneemann, L. Picard, J. Yalkut, C. Moorman, K. Jacobs, K. Millet, N.J. Paik, T. Limura and others. Later reissued by Aspen with many items deleted.

John Benjamins Antiquariat B.V. 11 594-16317B.tif [#16317] AVALANCHE Nos. 1-13 (all publ.). New York, Fall 1970 - Summer 1976. Unbound, original pictorial wrappers; sq.4to for the first 8 issues, then tabloid format; numerous illustrations and photographs. Composed as follows: - Nos. 1-8. New York, Fall 1970 - Summer/Fall 1973. In original wrappers, (with the green folder stapled in the middlespread of no 8 complete with contents). All in very good to fine condition. Then became: - Avalanche NEWSPAPER: - Nos. 9-13 (=last published). New York, NY: Center for New Art Activities.1974-Summer 1976. The set in good condition. Covers of the first 8 numbers only lightly worn, all are intact and clean (with the exception of minor staining to Nos. 7 and 8). The more fragile newspapers in generally good to very good condition (as described below). Offered together with this complete set is a copy of the facsimile-edition, with introduction and extras (as described below). EUR 8,500.00

Complete set of this important magazine, published by , edited by Elizabeth Béar. At the time, Sharp was a New York-based art historian and independent curator and Béar an underground magazine editor who had recently moved to New York from . They published the first issue in 1970 and collaborated on 13 issues from 1970 to 1976. They both conducted the interviews and conversations with the artists. Avalanche focused on art from the perspective of artists rather than critics, and investigated new forms of art that were developing in the U.S. and Europe with a radical new media format--probing interviews, extensive use of photography and dynamic layouts. For many artists, publication in Avalanche preceded a one-person gallery or museum show.

- No. 1: Cover photograph of Joseph - No. 2: (Body Works). Cover photograph - No. 3: (Post-Studio ). Cover Beuys, interviews with Carl André, Jan of Bruce Nauman with articles on him, photograph of Barry Le Va. Interview Dibbets, a portrait of Joseph Beuys by and on R. Serra, Y. Klein, V. Acconci, a.o. with David Tremlett and features Shunk-Kender, retrospective of Richard (Fine condition, only light damage to on Jacks (Gordon Matta-Clark), Long (Fine condition, small inobtrusive backcover near spine); contributions by Italo Scanga, George date stamp on back); Trakas and on Barry Le Va (his picture on the cover) (Fine);

12 John Benjamins Antiquariat B.V. - No. 4: (Conceptual Art). Cover rumbles, films, publications, etc. as well photograph of Lawrence Weiner. Jackie as several pages of advertising and the Winsor (interview), Sol LeWitt; Howard more specific contents are: Fried, Alice Aycock, Stanley Brouwn; - No. 9: Issue dedicated to video and Hanne Darboven; Walter De Maria; . Texts by Willoughby (Fine); Sharp, William Wegman, Joseph Beuys - No. 5: (Performance). Cover and Liza Béar, includes interviews with photograph of . Vito Acconci, Keith Sonnier, Richard Contributions Braco Dimitrijevic; Serra, Robert Bell, Willoughby Sharp Joseph Beuys (talking at 5); and Dennis Oppenheim, Boris Wall (interview); Phil Glass; Gruphy. 36 pages. (Untrimmed; very Yvonne Rainer (interview) (Fine) good clean copy). - No 6.: (Vito Acconci). Cover - No. 10: Cover photo Jack Smith. photograph of Vito Acconci and number Contents: Hans Haacke, Manet Project devoted to him (Fine). ‘74; , Kunst bleibt Politik; - No.7: (Humor). Cover Man Ray (the , Dancing at the fence; dog, photo by William Wegman). Stephen Laub, Projections, interview Interview with General Idea. Edward by Willoughby Sharp; Jack Smith, Fear Ruscha, Interview with Van Schley Ritual of Shark Museum; Joel Fisher. (“Different Strokes for Different Folks”, As strong as a spiders web; Terry Fox: search of the miraculous; Meredith which is a green folder, stapled in the Children’s Videotapes (interview); Monk: Invocation/Evocation; Diego middlespread, intact but without the Gordon Matta-Clark: Splitting Cortez: An obvious kind of eyesore. 48 postcard insert), Man Ray, Do you want (interview); The Phil Glass Ensemble pages. (Untrimmed; light damage to the to.. (interview with William Wegman (interview by Willoughby Sharp after spine, tear of ab.5 cm. with small loss of by Liza Béar) (Fine except for slight Music in Twelve Parts performance). 52 image on right side of frontpage). browning of the paper, particularly pages. (Untrimmed; minor spine and toward the spine on the front cover); edgewear; very good clean copy). - No. 8: (Sculpture & Performance). - No. 11: Cover photo Steve Paxton. ADDED TO THIS SET AND Cover Robert Smithson. Exchange ‘73; Contents: Alan Saret. Installation for INCLUDED IN THE PRICE: A Drinking Sculpture, Gilbert & George. Man; Darcy Lange. Videography: Work; Facsimile boxed edition in a limited (Very good, with only very light soilage Joel Shapiro:Torquing; On Kawara: edition of 100 signed and numbered by to front cover). One Million Years (centerfold); Laurie Liza Béar and Willoughby Sharp. Anderson. Confessions of a Street --NEWSPAPERS: (Published by Center Produced by PRINTED MATTER. Talker; Contact Improvisation (Laura for New Art Activities, Inc., New York.) Number 29 of 100. Chapman, Scott Jones, Annette La As detailed below, each issue has several Rocque, Daniel Lepkoff, Steve Paxton, This boxed facsimile edition of pages of general information, messages, Karen Radler, David Woodbury; Steve Avalanche’s complete run reproduces Paxton: Like the Famous Tree (Dialogue the first eight issues individually, and the with Liza Béar). 40 pages. (Untrimmed, final five in a single bound paperback. light browning to centerfold, and closed Accompanied by a certificate signed tear of ab. 5 cm. without loss of image, by both Liza Béar and Willoughby on right margin of front page). Sharp shortly before Sharp’s death in - No. 12: Cover Photo Barbara Dilley. December 2008. The publication is Contents: Robin Winters: Fairly regular 1,016 pages and illustrated throughout; hours; Robert Wilson & Christopher is housed in a heavy duty, laminated, Knowles: Because Why; Alexis Smith: archival box measuring 10.5 x 19.5 Anteroom; Rita Myers: A remote x 2.5 inches. The first eight issues intimacy; Michael McClard: Mumbo measure 9.25 x 9.25 inches and are Jumbo; Barbara Dilley: In the ‘Dancing exact facsimiles of the originals; the Room’; Barbara Dilley Dancing, a subsequent five tabloid-sized issues, now picture autobiography. 40 pages. bound as a single volume measuring (Untrimmed; very good clean copy). 9.25 x 13.5 inches, have been reduced slightly in scale from the original format. - No. 13: Cover photo: “Trial Balance”. Contents: Fitzgibbon:Colleen; Jim Roche:Straight Razor; Reiner Ruthenbeck:Eclipse; : In

John Benjamins Antiquariat B.V. 13 14513-19246c.tif [#19246] BACKWORKS (BACKWÖRKS). Our line of very expensive merchandise.

3 Catalogs (and a prospectus) of BACKWORKS, the bookshop founded by Barbara Moore and co-owned with Jon Hendricks.

-(Catalog A): Was ist Backworks ? Newspaper print, 27x21cm., 32 pages, spine-stapled. Typewritten text and photographs. Closed tear (repaired) on the front page (only in the white margin,no loss of image or text). Date-stamped in right upper corner 11 Jan1977, Or.25. A few small pencil notes in the text, otherwise and excellent clean copy. With errata sheet inserted.

-Catalog No. B. Backworks ? Performance: Photographs of a decade 1959-1969. Offset paper, offset printing, typeset text (on 2 columns) with photographs. 17,5x21.2 cm.; 24 pages. clean copy. With Errata-slip inserted.

- Catalog No. C. Newsprint paper. 43x28,5 cm., 8 pages. Near fine condition (only tiny closed tear in right corner). Horizontal fold for mailing.

-Prospectus, one sheet of white paper, printed recto, verso blank, “Performance: Potographs of a Decade 1959-1969. An Exhibition”. June 9 to July 14. Backworks.488 Greenwich Street, New York, 10013.

EUR 1,500.00 Rare catalogueS with works created by Fluxus and Fluxus associated artists. Through her bookshop Backworks, founded in 1976 and co-owned with Jon Hendricks, Barbara Moore has been a seminal and innovative champion of artists working in alternative mediums. Photographs

14 John Benjamins Antiquariat B.V. 14556-19374o.tif [#19374] BILE A group of 19 (of 25 published) unnumbered and undated issues,including “transparent BILE issue.”Publisher: Bradley Lastname, No Tickee/No Washee Enterprises. Chicago, IL 1978–1984. Red, green, blue, and black offset on white, red, yellow and transparent paper. Staple bound. Edition of 200. 6 issues are numbered and signed by Bradley Lastname in ink on recto. One issue with a postcard signed by Lastname. Very good condition. Mostly ca. 28 x 21,5 cm., but one issue smaller size ( 21,5x17,5 cm ). One issue with “Exquisite Corpse Supplement” (movable transparent paper); One issue is called “Scratch and Sniff”; There is one larger issue transparent paper,unfolding to 43,5x 28, with large insert/Bile Broadside 3 (Charlotte Moorman’s Video Mastectomy) and another issue contains Bile Broadside 4 (on red paper, 40), and one issue smaller 21,5x17,5 cm. Added: three issues with mailed envelopes to Jeffrey Cook EUR 3,500.00

Artist magazine. Edited by Bradley are influenced by or based on Surrealist Lastname. Graphic magazine with themes. Bile has a handmade feeling, illustrations, text, and image collage, some issues with special features added, photocopied and rubberstamped. The e.g.: two issues with a venticular eye titles is based on the mail art magazines glued to the page that blinks open and VILE and FILE, resounding LIFE (Red closes as the issue is moved around. and White logo). Many contributions (cf Allen p.244)

John Benjamins Antiquariat B.V. 15 13266-16422.tif [#16422] BLACK GATE “A Newspaper Dedicated to World-wide Unity and Interest”. . April 1967: Number 1 ( all published). Folded as issued (28x21,5, folding out to a poster). EUR 450.00 Editors: Otto Piene and Aldo Tambellini. A poster-magazine published on occassion of the founding of The Black Gate (Theatre) announcing Program 1: The Proliferation of the Sun by Otto Piene and Blackout by Tambellini in March + April 1967 and future programs with Takahiko Limura, Kosugi and Nam June Paik. Two b+w circular photo portraits of Piene and Tambellini. Extensive biographies. Statement “ Black Gate is an empty room a testing ground for radical experiences. Artists of all media are invited to use it for experimental purposes ...”

12939-15772.tif [#15772] BLACK THEATRE. A periodical of the Black Theatre Movement Nos. 1-6 (all publ.). New York, Ed. New Lafayette Theatre, New York, 1968-1972. Orig. pictorial (self-) wrappers,(27x20,5 cm). (Tiny tears to frontcover of the first number, one page in no 1 torn without textual damage and neatly laid in, but otherwise fine). EUR 400.00 Editor: Ed Bullins, with Roscoe Orman, Marvin X, Georg Ford (illustrations, covers), Maxine Raysor (ills.),Ademola, Ed Sherman (cover art). Issues varying from 32 to 56 pages (incl.wrappers). Contributors (in addition to the editors) Ben Caldwell, Leroi Jones, Woodie Kong, John O’Neal, Obamola Oyedele, Bob McBeth, Wanda Coleman, Sonia Sanchez, and several others.

16 John Benjamins Antiquariat B.V. 80-19253.tif [#19253] BLACK MASK Nos. 1-10 (all publ.). New York, Nov. 1966 - April/May 1968. Original issues; folio; illustrated. Together with the rare 4 page pamphlet: Black Mask, Union Nationale des Etudiants de France/Association Federative Gen. des Etudiants de Strasbourg (Internationale à l’AFGES; “nous et les Provo’s”. Nouvelle. 16-11-66.). Complete set, rare. In very good condition. EUR 3,000.00

Edited by Benn Morea and Ron Hahne. , Heatwave in London, Provo in Morea (‘Art and Revolution’), Ed Clark, One of the publications that formed the Amsterdam, Rebel Worker in Chicago, a.o. Texts by André Breton, Bertrand prelude to the ‘World wide revolution Black Panthers (Lowndes County Russell, H. Arp, Camus (interview), a.o. of youth’ and the student revolts, linked Freedom Organisation). Contributions No. 10 incl. article ‘ ’ by David with the Situationist International in by L. Moholy-Nagy, Dennis Mora, Benn & Stuart Wise

John Benjamins Antiquariat B.V. 17 [#14599] George BRECHT - Notebooks I-V Verlag Walther König, Köln, 1991 - 1997. Notebook I. June - September 1958. pp. 106 Notebook II. October 1958 - April 1959. pp. 168 Notebook III. April 1959 - August 1959. pp. 168 Notebook IV. September 1959 - March 1960. pp. 250 Notebook V. March 1960 - November 1960. pp. 270 Size (h/w): 29,6 x 21,9 cm. EUR 300.00

Spiral-bound facsimiles of Fluxus artist George Brecht’s notes and writings. Colaboration of Dieter Daniels, Hermann Braun, Includes first drafts of Chance Imagery, Project in Multiple Dimensions, etc.

14470-19083a.tif [#19083] BULLSHIT Nos. 01-02 (all publ.). Milano, Multhipla Edizioni, 1991/92. Two numbers, 34,5x49 cm., 8 pages, foldedn (light wear over the fold). EUR 600.00

Edited by Gino Di Maggio & Allan Kaprow (the second issue only Di Maggio. No. 01 [october/november 1991] No. 02 [February/March 1992]. English texts, design by Bruno Trombetti. First number entirely devoted to Kaprow, 7 environments, with texts by him and pictures of his Happenings between 1957 and 1964. The second number dedicated to ( with texts by him), photos by Wolfgang Träger and Fabrizio Garghe.

18 John Benjamins Antiquariat B.V. 1031-16153b.tif [#16153] LES CAHIERS NOIRS DU SOLEIL Nos. 1, 2 & 3 (all publ.) . Paris, Le Soleil Noir, 1967-1970. Original wrappers. (first and second numbers are one of 150 printed on alfa, in original slipcase. All in very good condition, the fragile no 3 in mint condition, as new.

Together with: Handbill (in no 1) announcing the first number, with photocollage and text by Jean-Jacques Lebel, on verso: Des dieux dansent sur leurs propres corps etc., text by Ginsberg……. Commandez, dès aujourd’hui, chez votre libraire, ce numéro spécial sur le LSD. Il a étyé conçu et réalisé,sous la direction de Pierre Bernard, par les jeunes écrivains et artistes de MANDALA: Jean-Claude Bailly, Dominique Boistel, J.-J.Lebel, Lacques Le Nadan, Bernard Nexon, Gérard Rutten…; printed recto/verso in b/w, size 27 x 21 cm.

Together with: POSTER: (42,5 x 24,5 cm, printed in black on white paper) . MANDALA Light Show at the Thalamus, 4,5,6th of June. NOUVEAU! Experience Hallucinogene.

EUR 1,500.00

No. 1: Dossier L.S.D.Mandala, directed by Pierre Bernard (Mandala, Organe int.d’échanges hallucinatoires), contribs. Jean-Claude Bailly, Dominique Boistel, J.Le Nadan, Bernard Nexon, Gerard Rutten; correspondents abroad: Simon Vinkenoog, Miles, Linn House, Lawrence Ferlinghetti. No. 2: La Mort sans Phrase. 15 fev.1968. Cover and ills. by Jacques Monory, including an accordeon-folded original serigraphy by Jacques Monory. No. 3: Internationale Hallucinex. Revue, tract a detruire. Collection of manifestos, folded separate sheets. Manifeste de la generation grise et invisible (William Burroughs, Claude Pelieu, Carl Weisner, with collab. Of Jeff Nuttal, Ed Sanders).

John Benjamins Antiquariat B.V. 19 1091-13591.tif [#18796] CATERPILLAR. (A magazine of the leaf, a gathering of the tribes.). Nos. 1-20 (all publ.). New York, NY, Oct. 1967 - Jul. 1970. Sq. 8vo., original pictorial wrappers, all in very good to near mint condition. EUR 1,500.00

Together 18 issues (8/9 and 15/16 are double) varying in size from 150-300 pp., with illustrations and photographs. Edited & publ. by Clayton Eshleman. contribs. by Paul Blackburn, Robert Duncan, Gary Snyder, Nora Jaffe. (art work, caused a stop on sale), Cid Corman, Jerome Rothenberg, J. MacLow, K. Irby, Allen Ginsberg, Carolee Schneeman, Stan Brakhage, Akutagawa, César Vallejo, Stephen Jonas, etc. Number 20 also counted as volume 5 no. 4; the first issues are particularly scarce as they appeared in a small edition only. Covers by Nancy Spero, , Will Petersen, Michael McClure, Jess, Robert LaVigne, Robert Kelly, Leon Golub, Wallace Berman a.o. The second number with the sexually explicit cover designed by Carolee Schneemann was suppressed and is rare. A note on Carolee Schneeman”s Fuses (cover six stills), Stan Brakhage, Andre Codrescu, Cavafy,Basho, on Thoreau and Charles Ives, Artaud, Robert Duncan.

13577-17106A.tif [#17106] CANBERRA TELEGRAPH. A Capital Idea. Easter Time: newsprint. Opened up this contains The Auckland star Number (1) and Daily Mail, A product of Sunraysia. Mama can also be Dada-Louise Lovely. (only published issue): Tabloid, unpaginated. Mildura (Australia), Mildura Art Center 1977. EUR 300.00

Edited by Terry Reid and Bob Kerr. Newsprint tabloid as an alternative communication listening post and resource pool, with contributions from many Fluxus and mail artists.

20 John Benjamins Antiquariat B.V. 13321-16589B.tif [#16589] D.P.V. - DER POLITISCHE VENTILATOR D.P.V. Der Politische Ventilator. Number 1 (all publ.). Milano, Mauri, 1973. Tabloid size magazine (40,5 x 28,2 cm), 80 pages, illustrated throughout; kept between two card covers (of which the front-cover illustrated, the back cover plain) , held with three copper bolts in the spine. Size: 40,5x28 cm. A fine copy, rare. EUR 2,000.00

Artist periodical directed by Fabio fascism, Jewish related issues and Elisabetta Catalano, Marcella Galassi Mauri, Edited by Achille Mauri, anti-semitism, etc.; This magazine and Marcello Gianvenuti .Contributors Krachmalnicoff. Texts are in Italian, relates on four performances by Fabio include Achille Bonito Oliva, Giorgio contrary to what the title sggests. Mauri. Some of the reproduced texts Pressburger, Elisbetta Rasy, John Francis Tabloid size magazine (40,5 x 28,2 are original contributions, while Lane, Eugenio Battisti, Maurizio Calvesi, cm), 80 pages, illustrated throughout. some where published earlier. The Tullio Catalano, etc. (See: Maffei/ Politically engaged publication with photographs are by Claudio Abate, Peterlini. Riviste d’arte d’avanguardia. forceful contents related to the war, Ennio Antonangeli, Mimmo Capone, pag.88-89)”

14015-18051.tif [#18051] EGOZINE Vol.1 no 1 and vol. 2 no 2 International Edition. Newby/ Hollywood, CA, (later San Geronimo, CA). Summer 1975- 1976. 29,5x13cm., stapled, unpaginated. Offset printing on glossy paper, with numerous photographs. Number 1 is signed by Lambert, numbered 68/1000, with a partly burned play money bill attached to the back cover. It seems that a third issue was published in 1979, of which we have no further record. EUR 900.00 Edited by J. Lambert., with /P-ORRIDGE, Genesis (aka Neil Megson)/ COSSEY Fanny Tutti (aka Christine).Vol. 1 Issue 1: The Cultural Camelion, Art Hoax, The Bon-Bon Era, Fashion: Fetish!, The Post Cultural Era. Vol. 2 Issue 2: L.A. art scene magazine, includes 3 pages on the famous 1976 COUM Transmissions performance at L.A.I.C.A. with photos and a note from Genesis and Cosey. Also a page contributed by the avant-garde Chicano conceptual/performance art group Asco and letters from Cavellini, Jerry Dreva and John J. Baylin. Genesis P-Orridge, born Neil Andrew Megson and later known as Genesis Breyer P-Orridge, Cosey Fanni Tutti born Christine Newby.

John Benjamins Antiquariat B.V. 21 6612-17901.tif DE-COLL/AGE. Bulletin aktueller Ideen.

[#17901] No. 1. , 1962. 14 pp.; wrappers, no dustjacket; 4to. 7 folded pages. Richly illustrated.Printed wrappers. Front cover is wider and folded over the outer edge to create a suitcase-design. Edges and back is somewhat rubbed, back cover with a 5 cm closed tear due to its corner having been stapled shut as this copy was sent in the mail. Back cover with stamps, Drucksache and Probe-Exemplar, remainders from postal stamp, as well as scratch marks from a removed address label. Lacks the black printed extra sheet, though over all a well preserved copy. EUR 1,000.00 The first issue of Vostell’s magazine Décoll/age, printed in June 1962 during the formation of the Fluxus movement and before the Fluxus Festspiele in in October. Contributions by Arthur Köpcke, , Benjamin Patterson, Braun, Nam June Paik, Pera, Wolf Vostell and .

6612-7129.tif

[#15703] No. 3. Cologne, 1962. 96 pp.; wrappers with silkscreened papercovers; 4to. Very light damage to top spine,otherwise fine. EUR 1,000.00 Edited by Wolf Vostell, with work by Christo, Kopeke, Maciunas, Dick Higgins, Patterson, Caspari, Gyorgy Ligeti, La Monte Young, Nam June Paik, J.Voss, , Trowbridge, Vostell, Brecht, Kaprow, Oldenburg, Lebel, Hansen etc. Reviews and photos of the early European Fluxus Concerts.

6612-12189.tif [#19407] No. 4. Special issue “Happenings”. Köln, Jan. 1964. Light spinewear, but on the whole a very good copy. Loosely inserted: paper pouch rubber-stampes “use this brouwn” EUR 1,000.00 Happenings issue with George Brecht, Stanley Brown (a tipped-in rubber-stamped paper-bag multiple), Allan Kaprow, Higgins, Paik, Jean-Jacques Lebel, Tomas Schmit, Claes Oldenburg, Al Hansen a.o. (132) pp. as 33 mostly-2-sided double-page foldouts + (23) pp. Paper covers with dust jacket (4-page ad brochure laid in).

22 John Benjamins Antiquariat B.V. 14084-19412a.tif [#19412] EINDELIJK Nos. 1-7 (all published). (Gent, Belgium). March 1966-April 1967. All issues measuring ca. 28x11 cm, spine stapled, folded A-4 size; stencilled; covers on papers of differing colours. EUR 1,400.00

Belgian Provo journal, published 7 numbers (March 1966-April 1967). Quite rare. Started as a “magazine of ideas”. Founder: Siegfried (Sieg) van de Cruys. Contributors: Erkki Liukku, Armand Sermon, Miel Appelmans, Simon Vinkenoog, Mark Elchardus, Sus van Elzen, Sann Deurinck, Guido Courtois and Guido van Meir. - Issue 2. End of March 1966 : Confiscated, because of the inclusion of a postage stamp with the image of King Boudewijn with the remark that the only legitimate argument for the conservation of the monarchy is the fact that the image of the king revives the hearts of stamp collectors - -Issue 3. May 1966 : has small burn-hole as sign of piro-internationaal. (Outside some brown stains, possibly also purposely made burn stains). -Issue 4 with “New Babylon Game”. - Issue 5.December 1966: has on page 36 acap for a toy-pistol. An “explosive”similar to it was included in the Amsterdam Provo edition (which was then confiscated) - Issue 6 with a thumb print and another toy-cap. -Issue 7. April 1967 Confiscated by the police, because of a pornographic print (a hardly visible bare breast and an anticlerical print)

14308-18679b.tif [#18679] FANATIC Numbers 1-2 (all publ.). Chicago (1980 - 1981). Tabloid size. Some minor wear and toning to covers. EUR 600.00 Rock/Punk Music magazine covering Chicago’s early punk scene along with national acts. Kennerth Anger Interview; Performance Art; Iggy; Bowie;Subterranean Pop, etc.; . Under the editorship of William Levy a.ka. the Talmudic Wizard of Amsterdam (and author of The Virgin Sperm Dancer). The issues feature the impressive design work of Willem de Ridder as well as Levy’s humorous and controversial article on Ian Sommerville’s sex habits. No. 2 Special Low Mindedness Issue.

John Benjamins Antiquariat B.V. 23 7045-19332a.tif [#19332] FANDANGOS. The most important European Art Scandalpaper (also published as Vandangos, Van Tango’s, Phandangos, Fandadangos, Fun-Dango’s.).

Nos. 1-11 (December 1973)-1978 followed by and together with six unnumbered issues (12)-(15), (17). Maastricht, Agora-Studios, n.d.(1980)- 1982. Various sizes. With 2 additions, see below. And with the rare EXTRA - issue, 1973. EUR 14,000.00

An exceptional set of this artist periodical, edited by Ger van Dijck, Raoul Marroquin, Marjo Schumans. Published at the Jan van Eyck Academy in Maastricht in various formats and lay-outs by MAD-Enterprises and Agora-Studio Maastricht. Close to FLUXUS, and of importance for Performance Art and early Video Art on Television. Whereas the earlier issues have the character of an artist publication with varied contributions and collages, the later issues increasingly deal with broadcast, television and Video Art projects, initiated by Raul Marroquin, culminating in the Worlds first T.V. Convention, and The Link, a live interactive satellite linking of The Netherlands with New York and San Francisco.

- No. 1: poster-size sheet, screen-printed - No. 2: poster-sized sheet, printed in in black ink on one side, and entitled green, folded to 16 pages, with pasted “Vandangos” (“..…publishing Projects, collages attached. Dated January 1974. Documentation, Ideas, Commentaries, Contributions by the editors, as well as Activities, with the aim of an overall Hr(e)inn Fridfinsson, Filliou, Thomas communication). [Issue Number/ Niggl, Yoshio Nakajima, Cavellini, Peiter December and year -1973- ]. Containing Post, Silvia van Berkel, Jonathan Ellender, contribs. by Robert Filliou (poem), Filip Francis, J.C.J. VanderHeyden, Jan Hr(e)inn Fridfinnsson (dream), Rod Hendrix (Snow), Servie Janssen, a.o. Summers, Marjo Schumans, Kristian Gudmundsson a.o.

24 John Benjamins Antiquariat B.V. - No. 3: poster-sized sheet printed in - No. 5: Fun-Dangos. Contributors Video. Performances, Projects etc., from: black, folded to 16 pages, with pasted include Michael Gibbs, , Yves de Smet, Michael Druks, Ger van collages attached, no date. Contributors Ulises Carrion, Klaus Groh, Jorge Dijck, Filip Francis, Rod Summers as before, plus: Herbert Walker, Dick Glusberg. Printed in black on blue paper, (photography), ….Yoshio Nakajima, Wesssels (Blue Landscape), Jacques loose leaved, 16 not numbered pages, 44 Wout Vercammen.. ... Maurizio Lizène, Ulissses Caríon, Christiana x 29,5 cm, Maastricht (1975). Nannucci, Kalkmann, Kid Barton (in Berndes, B.G. Leatemla, Kiyokawa, Peter action), Fujiwara Kazumi chi, Video R. Hutchinson,Yves De Smet, Annalies (Made in N.Y.): Nam June Paik (Portrait Klophaus, Anton Verhoeven, Peter of Russel Connor), ...and many others. Adamski, Guillermo Duarte, Klaus Groh, Maastricht, Agora Studio, 1976. etc.

- No. 6: Fandadangos: Anna Banana , Ulises Carrion , Klaus Groh , Clemente Paradin, contains an interview with Iannis Xenakis by M. Allegrini and an interview with Joseph Beuys by M. - No. 8/11: “Fandangos Superb Issue” is Hawley Printed in b/w, front page hand a quadruple issue of 92 pp., profusely - No. 4: VanTangos. Title concept coloured, loose leaved, 16 not numbered ill. with contribs. on photography, film, by Klaus Groh (East European pages, 45 x 30 cm, Maastricht (1975). video, installations, performances, etc., correspondent). Loose leaved. 12 not and interviews with Ulisus Carrion, numbered pages. 45 x 30 cm; Maastricht, Robert Filliou, Mohammed Ali, Costa Autumn/Winter 1974. Contributions Gavras. Maastricht, 1978. include r.f. (“…..yo soy una flor vulnerable y comestible..”), Fernando Gomez, The bay area dadaists, Nikolaus Urban, J. Urban, Yoshio Nakajima, John M. Armleder, Carlo Giovanni Ciatelli, Tina Hittenberger (Photo of Mary Peanut and Ana Banana), h.b. reeskamp, Michael Gibbs, “Do we dare to be happy again?” Script (stills with text) B.Walkers, Laura de Rossi, Rol Summers, Rabi Marroquin; photography Marjo Schumans. - No. 7: The most important Art & Scandal Newspaper in the whole world. 64 pages, of which 8 pages on light green stock , stapled in the spine in illustrated wrappers, Fandangos - No. 12: V.P.R.O Broadcast. Luxemburg. stamped in red over a b/w photograph Grand Prix Exclusive!. 21x15cm, stapled, by on the front-cover 15pp. Offset. Program produced by the (courtesy Nam June Paik) showing Fandangos/Mad Enterprises team: Raul Paik with Joseph Beuys. Interview with Marroquin, Daniel Brun, N.Herrera, Pierre Cardin (by Madeleine Allegrini), Hans Koens, David Garcia, Jaime interview with Michel Cardena (by Davidovich, H.J.Barreto, K.Loffler, Martha Hawley; Willoughby Sharp Michael Bright, Theo van der Aa, Ger performing “Full Womb”. Bay Area van Dijck, Video Heads, L.Baretta, Dadaists. Mad Enterprizes, Fandangos, M.Hennus.

John Benjamins Antiquariat B.V. 25 - No. 15: Fandangos Stereo. Agora Studio 1979. 30,5x21,5 cm., folded sheet. Offset. Juan Marañas issue: Juan Marañas est de retour. Le martyre d’ une ‘epouse delaissee. (Raul Marroquin, Daniel- Marcel Brun, etc.)

- No. 17: (FANDANGOS SPECIAL ON THE LINK). Edited by André Minnaar: The Link. A live interactive satellite cable melodrama”. Maastricht, Agora Studio 1982. 30x21 cm., stapled, in illustrated wrappers. (small defect to back wrapper). - No. 13: World’s First T.V. Convention. Unpaginated (44 pages). Offset. “The Maastricht, Fandangos Foundation Link New York-Amsterdam”. Fictional 1980. Illustrated softcovers (24x17,5 cm.) articles; Daniel Brun, Michael Hanish, 63pp. Glued in the spine, some pages Raul Marroquin, Mans von Stedingk, Jo loosening, but complete and otherwise Willems. Photography Theo van der Aa, fine condition. Offset. “Mad Enterprises Maurice Boyer, Jorgos Chronis, Raul Inc. and Video Heads have the pleasure Gallegos, James Regan (also cover). of inviting you to World’s First Introduction by Josine van Droffelaar. T.V.Convention, an installation by Raul (Note: this program was finally only Marroquin. June 23-27 1980, The Bank, broadcasted in New York, the proposed Haarlemmerstraat 118, Amsterdam.” link with the Amsterdam cable Loosely laid in: Invitation Card. television was not accomplished; see van Mechelen, De Appel, page 287/288)

- EXTRA -ISSUE 1973 ; EXTRA!. 18 nov.’73. Vandangos News-sheet. Redaction: boschstraat 83a maastricht Editors: Anton Verhoeven, Raul Marroquin, Marjo Schumans. Publishers: Agora, maastricht, jan van eyck academy 29,5x21 cm. With 2 perforation holes. Distributed for Great Britain:beau geste press. Stencilled. Shows 6 photo- pictures of Performances: Preparation/ Try out/ Prof.Sarneel with Anton Verhoeven, performed/ The communication game,proposed ny W.Becker, director of Neue Galerie Asschen/Interview for Video with mr. Szenassy and R.Marroquin by Radio - No. 14: Fandangos Extra. On the Omroep Maastricht/Performance by a guard of the World’s First T.V. Convention. Agora museum/ The Telephone to Colombia performed Studio 1980. 21x15cm., stapled, 12pp. by E.M. (Equipo Movimiento) at Bonnefantenmuseum on the opening of the Offset. Printed from typescript, with exhibition Ways of Communication 7 Nov.73. (This communication would take one illustrations. and half hours to connect, but failed to get established) -Additions: MARROQUIN, Raul/SCHUMANS, Marjo. The Adventures of Captain Morgan. Maastricht (NL), published by the artists 1974. 105x165 mm., softcovers, unpaginated. Silkscreen, collages. One of the 50 numbered and signed copies. MARROQUIN, Raul/VERHOEVEN, Paul. Changing personalities. Maastricht (NL), Mad Enterprises 1974. 135x105 mm., stapled, 30pp. Offset.

26 John Benjamins Antiquariat B.V. 7082-19319a.tif [#19319] FILM CULTURE. (Later: America’s Independent Film Magazine). Published every two months.

Nos. 1-79 (all publ.). New York, January 1955-1996. Original pictorial wrappers, varying sizes from 8vo to 4to; with numerous illustrations and photographs. With occasional minor damage to the covers (see below), but in good to very good overall condition. An excellent complete set of this important magazine has become very difficult to find and to assemble. EUR 10,000.00

The complete set of this important avant-garde and experimental cinema magazine, ed. by Jonas and Adolfas Mekas, with George Maciunas the Lithuanian FLUXUS artist. Together with P. Adams Sitney, Hollis Melton. Contribs. by Orson Welles, Hans Richter, Erich von Stroheim, Lotte Eisner, John Gilchrist, Joseph von Sternberg, Joris Ivens, Robert Hughes, Luis Bunuel, Jean-Luc Godard, Mich. Antonioni, Anais Nin, Seymour Stern, Truffaut, James Broughton, etc. etc. Among the special issues are no. 30 on Stan Brakhage This issue devoted to a work by filmmaker Stan Brakhage entitled Metaphors on Vision. A very good copy in corrogated cardboard covers designed by fluxus artist George Maciunas. Obi present and in very good condition with a few small chips at edges).

- No. 36 on D. W. Griffith(ed. by Simon Stern). - No. 62 (1978) is A Guide to Independent Film and Video, ed. - No. 43: Special Issue : Expanded Arts” NewYork, NY, 1966. by Hollis Melton (Anthology Film Archives, 1976). Tabloid, (designed by George Maciunas),12pp. - Nos. [72-75] is The Legend of Maya Deren..., by Vévé A. - No. 45 Guest-edited by Gerard Malanga, designed and Clark, et al. (here present in the Book edition). produced by George Macunias. A Warhol-themed issue Maciunas designed nos. 14-18,30 and 43-45. (Gwen Allen, p. featuring film stills, interviews with members of his circle, 260) and contributions by Mac Low, Wieners, Malanga, and many others. The set is in excellent condition. - Nos. 50-51 on Hollywood blacklisting. Detail of some (minor) shortcomings: no. 16 spine split; nos. 22/23, 24, 35 have small library stickers on the spine; no.30 - Nos. 56-7 on Leni Riefenstahl. small chips to top of wraparoundand faint fold to first 20 - No. 61 on James Broughton, and nos. [72-5] on Maya Deren. pages; no. 36 small damage to inside frontpage as result of Many issues were designed by George Maciunas, the attempt to remove an ex-libris; nos. 37 and 65/66 have some instigator of Fluxus, including the very scarce Brakhage issue damage to backcover; no. 67/69 has an old price sticker on bound in soft corrugated board with a die-cut hole (over the front. Brakhage’s eye), and the equally sought-after Warhol issue.

John Benjamins Antiquariat B.V. 27 28 John Benjamins Antiquariat B.V. 14312-18684g.tif [#18684] FLUE. Franklin Furnace Archive Vol. 1 no 1 through Vol. 6 no 2 (all published). New York, NY, Franklin Furnace Archive 1980/89. EUR 5,000.00 Edited by Martha Wilson. Rare complete set.

Vol. I, #1, First Edition: Tabloid, 12pp. Offset. Artist/ Designers: Conrad “Artists’ Books”, by Clive Phillpot, Flexidisk (plastic 45 rpm record insert) and other material related to the Chicago show.

Vol. I, #2, Dutch Treat: Photographs of artists and info on “De Appel in the Big Apple” performance art festival curated by Wies Smals; plus Franklin Furnace news.

Vol. I, #3: Tabloid format on newsprint. Designer: Barbara Kruger

Vol. I, #4: Tabloid format, 8pp. Offset. Designer: Carla Liss. Interview with Wies Smals of De Appel.

Vol. I, #5: Tabloid format. Designer Richard McGuire, cover photo of by Paula Court.

Vol. II, #1: Tabloid. Editor: Deborah Drier. Designed by John Copoulos. Cover by Louise Lawler. Update on the Collection/International Mail Art” by Jill Medvedow.

John Benjamins Antiquariat B.V. 29 Vol. II, #2: 280x215 mm., stapled, 34pp. Offset. Editor Deborah Drier. Designed by John Copoulos.

Vol. II, #3/4. L.A./London: Sex, Performance & the 80’s: 280x215 mm., stapled, 53pp. Offset.

Vol. III; #1, Special Issue on Artists Books, Archives and Collections: 270x210 mm., stapled, 32pp. Offset. Editors: Buzz Spector and Tony Whitfield.

Vol. III, #2, Multiples by Latin American Artists: 280x215 mm., stapled, 46pp. Offset.

Vol. IV, #1/ 2, Cubist Prints/Cubist Books: 230x205 mm., softcovers, 128pp. Offset. Design: Erika Rothenberg. V, #2, The International Flue: Poster. Designer: Carol Sun.

Vol. IV, #3/4, Mail Art Then and Now: 270x210 mm., Vol. VI, #1, The Concrete Flue: Poster yellow and black. Designer: stapled, 56pp. Offset. Curator/Editor Ronny Cohen. Carol Sun.

Vol. V, #1: Poster (folded: 140x215 mm.). Offset, purple Vol. VI, #2 (and last), The Avant-Garde Book 1900-1945: 215x140 inkVol. mm., stapled, unpaginated. Offset.

30 John Benjamins Antiquariat B.V. 13714-17346.tif [#17346] Flug/fluxBLATTzeitung Number 13. Art workers coalition New York (guerilla art action group) manifeste comminiques statements flugblatter und andere materialen. (Albrecht D. ed.). Stuttgart: reflection press, n.d. Quarto, un paginated, 64 pages printed on right hand side. illustrated wrappers. Held together with black plastic spine clip. EUR 200.00 Completely mimeographed issue of the Flug/fluxBLATTzeitung. With manuscript of the ‘guerrilla art action group’ signed (in print) jon hendricks, poppy johnson and jean toche.

13191-19458.tif [#19458] FLUXUS ccV TRE. Second edition, reprint: FLUXUS MAGAZINE ccV TRE. New York 1964-1970. 9 issues. Reprint of the original Milano, Flash Art, King Kong International fluxus, 1975(?), size53,5x 43,5; each number 4 pages. In publishers boards with title tickets, and publishers original adhesive tapes. EUR 1,000.00 Founded and directed by George Brecht. Fluxus Editorial Council for Fluxus, GeorgecMaciunas editor. 9 isses published between1964 and 1970. Nos. 5 and 7 on coloured paper as was the original. No. 9 entirely dedicated to Yoko Ono. The reprint has now become rather rare.

14590-19454A.tif [#19454] FLUXSHOE & Add end A 1972-1973 Devon, Beau Geste Press. 144p. 29,5:21 cm. Exhibition catalogue and large envelop (35,5:23,5 cm.) with addenda (30 items) to the exhibition. EUR 500.00 Contributions by Joseph Beuys, George Brecht, Henri Chopin, Robert Filliou, Dick Higgins, Yoko Ono, Ben Vautier, Wolf Vostell, and others. The addenda was intended as a supplement to the catalogue. Includes the poster designed by Chris Webb, for the Fluxshoe show, and a reproduced American dollar bill.

14418-18925.tif [#18925] FRONT Vol. 1 No. 3, March 1976. San Francisco: La Mammelle. Tabloid size, 8 pages. Illustrated front page. (Stamp in red “sample”) EUR 200.00 Edited by C.E. Loeffler and Mary Stofflet. On page one text with photo describing Terry Fox’s work “Timbre”, performed at Mountais Theatre, Mt. Tamalpais, 3:00 PM March 13, 1976. Furthermore announcements of video works by , Paul Mccarthy, Robert Cumming, John Baldessari, William Wegman, Les Levine etc.

John Benjamins Antiquariat B.V. 31 13093-17150.tif FUCK YOU:. A Magazine of the Arts.

[#17150] No. 5, vol. 8, March 1965. The “Third Anniversary cutting edge technology than the other photo-reproductive Mad Motherfucker Issue! Cover by ANDY processes he used in his art such as traditional silkscreening. WARHOL !! From his evil Couch movie”, being an The images used in his Thermofax series are also more transgressive, reflecting his fascination with the cultural original thermofax print. New York, Fug Press. 76 taboos, evinced by his cover art for Fuck You. sheets, mimeographed on various colour paper, with the thermofax front cover (which has three

small chips, see image) still attached. Side-stapled; 13093-17941.tif last 20 pages stapled upside down, last text page [#17941] pulled loose from the staples, otherwise in very No. 5 vol. 9 (Number 13 and LAST PUBLISHED of good condition. (27,8x21,5 cm). the whole numbering). June/July 1965. 46 pages, EUR 5,000.00 mimeographed on various coloured paper, A highly sought after issue, scarce with the fragile side-stapled. In near-fine condition (a few faint stains Thermofax original cover by Andy Warhol. The artwork on the back wrapper. This number is complete with features a still from Warhol’s banned Couch Movie, featuring Factory regulars Gerard Malanga, Rufus Collins, 46 pages. Some copies have an additional 5 pages by and Kate Helicser. Illustrated throughout with line David Henderson, but these are not with this copy) drawings by Sanders. EUR 1,500.00 In 1964, Warhol and Gerard Malanga began experimenting The very rare last issue of infamous Fuck You! Magazine with the new Thermofax technology. One direction these published by Ed Sanders. Fuck You the magazine of Grass- experiments took were collaborations with New York -Smuggling. Contributions by Joe Brainard, Pindar, Tom avant-garde poets, including Ron Padgett’s book 2/2 Stories Veitch, Harry Fainlight, Gilbert Sorrentino, John Wieners, Van for Andy Warhol published by C Press. The Thermofax, Buskirk, Szabo, Taylor Mead, Robert Kelly, Lenore Kandel, like the silkscreen, provided another way for Warhol to Al Fowler, Janine Pommey, Ted Berrigan (reviews Norman distance himself from artistic creation and introduce Mailer’s An American Dream). Superman cartoon by Joe the machine into his creative process. Warhol’s use of Brainard on page 1, Sanders’s Peace Eye Bookstore was raided the Thermofax however represented a rawer and more in January 1966 and he was prosecuted on obscenity charges.

32 John Benjamins Antiquariat B.V. 14035-18111d.tif [#18111] GANG Nos 1, 2, 3. (All published). Rio de Janeiro, (September 1980)-September 1981. 21,7 (later 22)x16,7 cm., printed paper covers, partly published by xerox, stapled in the spine. Text in Portuguese. Together with the Manifesto Ponô (the Porn Manifesto) on double page signed by Cairo Assis Trindade, Euardo Kac, Mano Melo, Tanussi Cardoso, Claufe Rodrigues. Small ink spot on the front cover, to number “2”, otherwise very good condition. EUR 2,000.00

Artist magazine, edited by Eduardo Kac, Kairo (Cairo Assis Trindade) and others as follows: - GANG (1) “Quem Da Nossa Gang Nao Tem Medo”. (September 1980).(16+4)pp. Rio de Janeiro, Brazil, (1980). Unspecified edition size. Contributions by Eduardo Kac, Kairo (Cairo Assis Trindade) and others. Includes, loose, a double page: the Manifesto Ponô (the Porn Manifesto) signed by Cairo Asssis Trindade, Euardo Kac, Mano Melo, Tanussi Cardoso, Claufe Rodrigues. This Manifesto was read in public at Cinelândia Place, Rio de Janeiro, in September 1980. - GANG 2. April 29, 1981. (16)pp. Rio de Janeiro, Brazil, 1981. Edition of 1.000 unnumbered, but probably not all actually issued. Contributions by Eduardo Kac, Leila Miccolis, Cairo Assis Trindade,Bráulio Tavares, Teresa Jardim, Siegbert, Hélio Lete, and others. - GANG 3. September 1981. (16) pp. Rio de Janeiro, Brazil, 1981. Unspecified edition of probably around 200. Contributions by Eduardo Kac, Glauco Mattoso, Paulo Leminski, Cairo Assis Trindade, Teresa Jardim, Siegbert, Bráulio Tavares,Alberto Harrigan, Leila Miccolis, and others. Note: Eduardo Kac is a contemporary American artist internationally recognized for his interactive net installations and his bio-art. Kac was born in 1962, in Rio de Janeiro, Brazil.

John Benjamins Antiquariat B.V. 33 14567-19396.tif [#19396] GRUPPO ‘70 Settanto. Firenze, Officie Grafiche Parretti [1965]. Poster (50x35 cm) b/w on newsprint. Manifesto del Terzo Festival del Gruppo’70 -gruppo fiorentino di poesia visiva- presso la Galleria La Vigna Nuova e la Galleria Numero. Maggio-Luglio 1965. Right and left upper corner missing. One horizontal and one vertical fold,lightly rubbed without loss of text, fragile paper, one tear of ab. 3 cm,repaired with tape,without loss of text, and one closed tear, also small marginal imperfections, without loss of text. EUR 900.00 Manifest of the Florentine visual poetry group ‘70 “Gruppo ‘70 Settanto”which had its origins in 1963.. Richly illustrated with photogaphs. Participants: Gius.Chiari, Duick Higgins, Philip Corne, John Cage, Nam June Paik (Robot Opera), Wolf Vostell, Nanni Balestribni, Bazon Brock Yoko Ono,Achille Bonito Oliva, Lamnerto Pignotti, Ed.Snaguinetti, E.Isgro, Steliomaria Martin, Lucia Marcucci, Adriano Spatola etc.

14520-19262.tif [#19262] HAPPENING (POSTER). CATASTROPHE Expositions et manifestations organisés par Raymond Corder et Jacques Lebel, du 27 Nov. au 13 Dec. 1962, pour conjurer l’esprit de Catastrophe, vous êtes cordialement invités à assister au Happening. J. Gabriel, J.-Lebel et Ferró. Galérie Raymond Cordier. 71,5 x 46 cm., printed in red (CATASTROPHE) AND black on a beige background. Small damages to 3 corners, small closed tear on the top and bottom and a few small inobtrusive waterstains, otherwise in very good clean condition. EUR 2,000.00

34 John Benjamins Antiquariat B.V. 14488-19150.tif [#19150] HAPPENING -(POSTER). Living Peinture Vivante Poster (96x63 cm) by Anton Kothuys & Simon Posthuma.(1964). Donderdagavond 16 Juli 9 uur, Galerie “Uit de Kunst” Amsterdam.Folded to 31x24cm. Printed in Red and Black on beige. In very good fresh condition, unused (only small closed tear to upper margin). Some slight offsetting of ink which must have occurred during the printing process. EUR 1,500.00 (Ravi Dhankar Appel Presley BoulezLittle Stevie Coltrane, Vinkenoog, De la Montagne, Beatles, Dolphy, Van Gasteren, Bach Fats Domino,Hitler,Rameau Coleman, etc.; Opname Louvan Gasteren; Genodigden: Paul Paulus V Prins Bernard etc.

7427-19097a.tif [#19097] HAPPENING NEWS The first number (of 6 published) mimeographed/photocopied in blue, in a very small edition, with original artwork stapled under plastic covers, produced and published in Antwerp September 1965 by Panamarenko, Hugo Heyrman, Wout Vercammen and occasionally Yoshio Nakajima, - (Blue issue): WHAT’S HAPPENING. 16 pages. 4to. Very rare. EUR 1,300.00

Published by Panamarenko and others from the Antwerp Happening Scene. According to the Bibliography included in Happening & Fluxus, Materialien, Koelnischer Kunstverein 1970, there were 6 issues published, nos. 3-6 under a different title (Milkyways).

John Benjamins Antiquariat B.V. 35 13324-16604A.tif [#16604] HI RED CENTER. (Poster, Fluxus, ). Bundle of Events / Hi-Red-Center a newspaper. New York, Fluxus, 1965. (56 x 43 cm). Poster. EUR 1,800.00 Edited by (= Mrs. Nam-June- Paik), copyright 1965 by Fluxus. On the front the map of central Tokyo, with 21 locations of Fluxus performances, with dates (varying dates in 1962,1963 and 1964) and names of performers, with explanatory texts in English. On verso photographs of the events (collaboration of Takamatu. Nakanishi, Kazakura, Akasegawa). The group ‘Hi-Red-Center’was founded by Akasegawa Genpei, with and , active in the organisation of happenings, mail-art projects etc., with contacts to Yoko Ono, Nam-June Paik, John Cage and Sam Francis.

7485-8058A.tif [#16988] HIGH PERFORMANCE. The Performance Art Quarterly. Nos. 1-76 (all publ.) Los Angeles / Santa Monica, 1978-97. With special issue The Verdict and the Violence, Summer 1992. Original pictorial wrappers. Only 3 issues in photocopy (see below). No. 29 without the flexidisk, otherwise all issues in good to excellent condition. No. 23 (The Record) is an Album of 2 LP records, in the original sleeve (sides a bit bumped). EUR 2,500.00 Edited and published by Linda Frye Burnham. The oldest and most important magazine on performance (art & workshops), happenings, body art and feminist art activities (Lesbian Art Project, Feminist Art Workers, The Waitresses, etc.). With features on Rachel Rosenthal, Chris Burden, , John Cage, Diamanda Galas, Chris Burden, Laurie Anderson, David Wojnarowics, James Luna, Allen Kaprow and many others. Photography: Charles Christopher Hill, Francis Shishim, John Duncan, Barbara Smith, Paul Vellick, Megan Williams, a.o. Issue no. 23 is an album of 2 LP records; Issue 1 in partial photocopy. Issues 3 and 58/59 are in good quality photoreprint.

36 John Benjamins Antiquariat B.V. 7523-12261A.tif [#19188] HITWEEK (and ALOHA) -HITWEEK; (No. 1) thru the end of year 4 (last publ.). Amsterdam 17 Sept.1965 - 25 April 1969 (all published, 189 issues, complete set). Then continued as -ALOHA. Years 1-5 (all and last publ. Tog. 156 issues). Amsterdam, 9 Mei 1969-26 April 1974. Unbound, original issues as published, tabloïd size, on newsprint. Numerous illustrations and photographs. All issues in good condition. Innovative design and lay-out by Willem de Ridder a.o. With two rare window stickers EUR 8,000.00 Complete as offered here a very rare set of the foremost pop- and underground magazine of the ‘60s and ‘70s in The Netherlands, with groundbreaking original new design (Willem de Ridder). This has not been on the market as a complete set for many years. Organ of the ‘youth rebellion’, with strong ties to the Provo-movement and Kabouters / Orange Free State, founded by Willem de Ridder and

Peter Muller. Contribs. Contributions a.o by Anthon Beeke, André van der Louw, Cor Jaring, Evert Geradts, Ewald Vanvught, Ed van der Elsken, Harry Buckinx, Hans Plomp, Herman Pieter de Boer, Hans Verhagen, Jan Cremer, Jan Donkers, Josje Leeger, Koos Zwart, Laurie Langenbach, Lennaert Nijgh, Luud Schimmelpennink, Marijke Koger, Haasbroek, Peter Schröder, Pim Oets, Robert Crumb, Richter Roegholt,Rogier Proper, Frits Boer, Bernard Holtrop, Willem, Simon Vinkenoog, Thom Jaspers, Theo van den Boogaard, Wim de Bie, Wim Noordhoek, Wouter van Oorschot, Yoko Ono and many others. HITWEEK published as follows: - 1st year no. 1 (17 september 1965) - no. 53 (16 september 1966) : - 2nd year no. 1 (23 september 1966) - no. 52 (15 september 1967) ; - 3rd year no 1 (22 september 1967 - no. 52 (13 september 1968) ; - 4th year no. 1 (20 september 1968) - no. 32 (25 april 1969), Amsterdam, 1965-1969, continued as: ALOHA. Years 1-5 (all and last publ.). Amsterdam, 9 Mei 1969-26 April 1974. Each year 26 numbers, except Year 1-2 which has 52 numbers. Unbound, original issues as published, tabloïd size, on newsprint. Numerous illustrations and photographs. All issues in good condition.

John Benjamins Antiquariat B.V. 37 13137-18847a.tif [#18847] Bart HUGES Suikergoed & marsepein. Amsterdam, Barbara Huges, 1968. 4to, (4), 24 pages, stencilled on recto only, original clothbacked wrappers of textured card, with mounted, handcoloured illustration and holograph title in handwritten lettering with a marker pen (very light soilage to the back wrapper) TOGETHER WITH: Another copy of this work, the second expanded edition with a typographically pinted frontcove in red, green and blue on textured card, taped spine, 34 pages, printed on recto only. (back cover lightly soiled). EUR 2,200.00 A self-published treatise on trepanation by a member of the Dutch Provo who had experienced the act firsthand. On January 6, 1965, Huges famously self-trepanated himself in a square in Amsterdam, drilling into his own head with a (Black & Decker ?) drill. Huges had studied as a medical student, where he developed the belief that since mankind began to walk upright our heads have been starved of oxygen; he believed that by trepanning, one could achieve a permanent high, bringing his actions into the psychedelic trajectory and influencing a select cadre of auto-trepanationists who have sought freedom from the boundaries of the skull. Very rare documents.

14573-19408.tif [#19408] Bart HUGES Leerboek van het hersenbloedvolume. FIT, PO Box 10458, Amsterdam, printed in blue with colour illustrations. 12 x 18,5 cm.; 110 pp + wrappers. (wrappers lightly soiled). EUR 600.00

38 John Benjamins Antiquariat B.V. 14574-19409.tif [#19409] Bart HUGES Brieven aan dfe Supermens. Stichting Onafhankelijk Denken. Amsterdam. 1982. 236 pp., Plain cover. EUR 200.00

14571-19399a.tif [#19399] Bart HUGES. Book with the hole. Autobiography. Translation and elaboration by Joe Mellen and Amanda Feilding. 1972. Amsterdam, F.I.T. (Foundation for Independent Thinking). 321 pages. 18,2x12 cm. Original edition. Some pages loosening and cover somewhat soiled and corners a little bumped, but a complete copy including the unnumbered page 294a Taboomaster) printed in colour. A very rare book. (With dedication by Simon Vinkenoog who had used this as a gift for a friend). EUR 2,000.00 Nice association copy, as Vinkenoog was co-organiser of the happening “Stoned in the streets”, when the trepanation was made public. Vinkenoog was associated with Huges by his marriage to Barbara Mohr, Huges former wife. Pages 1-240: The Autobiography. P.241:Poem “If Nothing”; p. 250: The castle; p. 86: The Trial ; p. 309: The Congress.

John Benjamins Antiquariat B.V. 39 13283-16479D.tif [#19362] Bart HUGES. (Happening Stoned in the Streets). “The Mechanism of Brainbloodvolume (‘BBV’)” (also known as “Homo Sapiens Correctus”)

Rare collection of 4 different versions of the SCROLL OF BART HUGES: - The ORIGINAL VERSION IN DUTCH, together with translations: - The version in ENGLISH - The version in GERMAN (full size) - The reduced size version in GERMAN, as follows: a) Amsterdam / Antwerpen, Bart Huges. 1964, First Edition - Limited. Homo Sapiens Correctus: the So Called Scroll of Bart Huges.) in Dutch. 286 cm length, 41,5 cm width. - 10 drawings, handcoloured with feltpen by Huges. One long sheet of paper. This copy is SIGNED and numbered by Bart Huges: nummer 8 voor Toon Gallee (a physician, friend) of Huges in red felttippen. Scroll in parts waterstained and has light damages to the paper: 3 tears of ca 5 cm and a few minor ones. However on the top left side corner misses a 15 X 15 cm triangle infecting the first letters of the text. b) Bart Huges “Homo sapiens correctus” - (The Mechanism of brain Blood Volume). (Amsterdam, 1964), PUBLISHED IN THE FORM OF A SCROLL, text around 10 illustrations, titles in red felttippen, illustrations handcoloured in yellow, red and blue feltpen with text around the ilustrations, with signature at the lower end of the scroll: “Amsterdam, Bart Huges” and the notice “Made in prison. Copy rights fl.100.000,” - c) Der Fall der Menschheit: Text in german translation. 2.54 x 38 cm. Small defect left upper corner, and left bottom. No Loss of text. At the bottom: No signature but printed: Copyright. Bart Huges, Nov. 1962, Amsterdam. - d) Das Ego. Der Grosse Mechanismus: abbreviated german text. Scroll: Size 1.16x 38 cm. Bart Huges, Copyright, Nov. 1965. Amsterdam. EUR 10,000.00

Famous document from the 1960s.’The experiences after this psychedelic in the Streets’ in Amsterdam, 1965. Scroll of Bart Huges’. (The man who hallucinating experiment are recorded Hugo Bart Huges (also Hughes) (April peirced his head with a dentist’s drill, in this scroll, which is illustrated 23, 1934 . September 12, 2004) was Huges advocates the creation of an by ‘scientific’ images, which are a Dutch librarian and proponent of altered state of mind concurrent with handcoloured. The ‘third eye’ was trepanation. He attended medical the use of LSD and marihuana.) His revealed during a Happening “Stoned school at the University of Amsterdam,

40 John Benjamins Antiquariat B.V. but was refused a degree due to his advocacy of marijuana use. In 1964 he published “The Mechanism of Brainbloodvolume (‘BBV’)” (also known as “Homo Sapiens Correctus”) a scroll in which he proposed that trepanation could be used to enhance brain functionality by balancing the proportion of blood and cerebral spinal fluid. Hughes believed that, when mankind began to walk upright, our brains drained of blood and that trepanation allowed the blood to better flow in and out of the brain, causing a permanent “high.”. Using an electric drill, Huges drilled a hole in his skull on 6 January 1965.[ His experiences after this psychedelic hallucinating experiment are recorded in this scroll, which is illustrated by ‘scientific’ images, which are handcoloured. The ‘third eye’ was revealed during a Happening “Stoned in the Streets’ in Amsterdam, 1965.

John Benjamins Antiquariat B.V. 41 13283-19418.tif [#19418] Bart HUGES. (Happening Stoned in the Streets). “The Mechanism of Brainbloodvolume (‘BBV’)” (also known as “Homo Sapiens Correctus”)

File of documents related to the Trepanation happening. - stencilled open letter to Prof. Ariëns Kappers, 23 aug. 1965 (in dutch and in french transl.), - together with small booklet “Waarheid en Werkelijkheid/ Truth and Reality”. Arcadia Pers, Bloemendaal 1965. Printing the text of the open letter. - stencilled open letter to Prof. P.C. Kuiper, head of the psychiatric clinic where Huges was unvoluntarily interned after the trepanation. - copy of 2 letters from George De Roo, (one to Jacques Lebel) - 12 clippings from (partly Belgian) newspapers reporting on the trepanation Happening. - copy of the Belgian weekly “Zondagmorgen” with 8 full pages containing many photographs reporting on Bart Huges and the Trepanation (The Third Eye). -handwritten memo (Martin van Ameongen) on the tv presentation by Willem Duys (24/7/1965). EUR 200.00

14459-19062.tif [#19062] Aat VELDHOEN (Bart HUGES). Print Bart Huges. Early rotaprint by Aad Veldhoen of BART HUGES with bandaged head with blood along his cheeks, after performing the self trepanation. 13,7x 167,3. Signed in pencil and numbered 2/10. RARE. EUR 1,000.00

42 John Benjamins Antiquariat B.V. 7568-17401.tif [#19296] L’HUMIDITÉ Nos. 1-25 (all publ). Paris, déc. 1970 - printemps 1978. 4to; unbound, original pictorial wrappers; numerous illustrations No.14/15 is a copy of the De-Luxe edition with additional artwork (see below), cover green, contained in a slipcase. EUR 4,000.00 An international periodical, the first issue printed in the Netherlands, later issues printed in Italy -’Une revue italienne en langue française’-, then printed in France, edited by Jean-François Bory, Janus Chodorowicz, Georges Unglik, Léonardo Nunez, René Baudouin (who later became the editor), Giovani Lista, Thierry Agullo, Arthur Hubschmid, Jean-Claude Silbermann, Danièle Boon, Chantal Petithory, Gilles Plazy, and others. Ties to Surrealism, Dada and (no. 2 reprints Futurist Manifestos), Body-Art, Concrete Poetry, Biennales of Paris, etc.; No. 8 contains a gramophone-record by “Exorcisme”; special issues on Ben Vautier, Jean François Bory, Italy, the painter A.F. Demarle, Fabrizio Plezzi, Arman, Hervé Fischer (Hygiène de l’Art), no. 14/15 is a double-issue on literature; articles by Arturo Schwarz on Dada, interviews with artists (e.g. Giorgio de Chirico, posters of Mieczyslaw Berman, Meret Oppenheim, Niki de Saint-Phalle, etc.). No 14/15 Luxe: with original artwork added: one of 30 signed copies each 30 with 6 signed originals:Une gravure originale de Jean Claude Silbermann, un gisant d’Alexandre Bonnier, une fiche tecnique de Thierry Agullo, une serigraphie de Tino Stefanoni, un machin de Manfred Mohr, un essuie-mains “hygiene de l árt”d’Hervé Fisher. Complete with the two inserts in issue 8 (Bernard Heidsieck floppy disc & Ben Vautier envelope, whose contents were different in each copy) and the signed lithograph insert by Herve Fischer in no.21.

14250-18517a.tif [#18517] IDENTITÉS Nos. 1-14 (all published). Aix-en-Provence, Nice, juin 1962 - hiver- printemps 1966. Together 11 physical issues (3 double issues), 50x33 cm, varying from 4 to 10 pages, all in good condition (only no 5 light soilage and split spine). An extremely rare periodical, EUR 4,000.00 Founded by the painter Marcel Alocco, with Régine Aizertin-Robin. 1962 : 1, juin / 2, sept.-oct. / 3, nov.-déc.- 1963 : 4, avril-mai / 5, hiver.- 1964 : 6, printemps / 7-8, été-automne.- 1965 : 9, hiver / 10, printemps / 11-12, été- automne.- 1966 : 13-14, hiver-printemps. Title suggested by Aizertin, based on a poem by Eluard, dedicated to Dora Maar (“feministe”). Initially a predominantly literary journal (Jean-Pierre Charles, Daniel Biga, Richard Laszlo, Daniel Karm, on Robbe-Grillet, Jean Pastureau, Daniel Reynaud, Renaud Matignon, Serge Bec etc.) the interest and scope widens significantly after the transfer to Nice. In No. 7/8 begins the collaboration of BEN VAUTIER (Une lettre de Ben) and a full-page poster-like supplement, typographically designed wit Ben’s handwriting in the middle”Je soussigné Ben Vautier, déclare authentique oeuvre d’art l’ABSENCE D’ART, 1/10/63”: Ben’s contribution from then on in all the issues and a general interest for

John Benjamins Antiquariat B.V. 43 “Architecture dépaysée”, Ernest Pigeon. An interest in Fluxus: George Brecht “Conversation avec Ben et Alocco”. No. 13/14 devoted to “La musique de la Vie”, with “l’ Événement happening”, with text by Jean-Jacques Lebel. Also contribution by John Cage (conversation with Michel Kirbyand Richard Stechner). A feature on the Young Japanese Poetry (Tajiro Amazawa, Takahido Okada, Makoto Oaka, and Robert Filiou (“Bruits FLUXUS. Robert Filiou,George Brecht, recto only), with 4 texts by Vautier montants de la Fginza”). Feature on John Cage, Jean-Jacques Lebel, Wolf (“Vers la fin cela devient cochon”). Architecture in no 10 “ l’Architecture Vostell, Gius.Vhiari, Duick Higgins. No. Also Arman,Ben,Gette Gilli, Le3 dépaysée” and in no 13/14: Art 10 is devoted to the Beat Generation, Clézio,Malaval, Raysse,Venet.No. Habitable by Ernest Pignon. Important contributing are Allen Ginsberg and 11/12 on the Ecole de Nice (drawing contributions on the “Happening” by J. J. Lebel, also François Maspero. It by Robert Malaval). A feature on Ben Vautier, Al Hansen, Gius Chiari, J-J. has a full page supplement (printed “Lettrisme en 1965” (Isidore Isou). Lebel, Milan Knizak, Dick Higgins.

[#19473] INNERSPACE. The magazine of the psychedelic community.

Vol. 1 nos. 1- 5 (all published). New York, 1966-1967. Size (h/w): 28,5 x 26,7 cm. Stapled in original illustrated wrappers. (very mild soilage to all numbers but otherwise quite good). EUR 1,800.00 Edited by Linn House, managing editor: Peter Weinberg. Contributing ediotrs: Peter Stafford, Ira Einhorn. Staff artist: Linda Jarvis.I ssues of 24-32 pages, printed in offset in vartious colours, fully illustrated. Part of the Underground Press Syndicate. Number 5 is the “American Indian Issue” and contains a letter referring to issue no. 4. Contains articles and reports on drugs, be-ins, etc. with correspondents in San Francisco, Los Angeles, Beirut, Berkeley, Nashville, later also Bombay, Amsterdam, Cleveland, etc.

44 John Benjamins Antiquariat B.V. 7685-8290.tif [#16229] INTERFUNKTIONEN. Zeitschrift fuer neue Arbeiten und Vorstellungen / Paper for New Visual and Verbal Works / Revue des Travaux Théoriques et Pratiques. Nos. 3-12 (=last published). Cologne, 1969-1975. Together 10 vols., quarto (nos. 9 and 10 are octavo). Original wrappers, in very good condition (only, very small brown spot to cover of no 6). EUR 3,500.00 Edited by Fr. W. Heubach, and (after no 11): B.H.D. Buchloh. Central organ of the Happening Movement and Fluxus, with articles on and by Vito Acconci, Baumgarten, John Baldessari, Josef Beuys, Marcel Broodthaers (cover design of no 11), Günter Brus, Daniel Buren, Jan Dibbetts, Gilbert and George, Haacke, Richard Long, Bruce Nauman, Dennis Oppenheim, Panamarenko, , Rainer, Dieter Rot, Vostell. No. 12: Photography, filmography and filmscrip s (Buren, Yvonne Rainer, Lamelas etc.).

7729-13991A.tif [#16328] INTERVIEW. (ANDY WARHOL’S INTERVIEW orig. as: Inter/VIEW).

Year 1 nos. 1-12. New York, n.d. (November) 1969 - n.d. (November?) 1970. - Together with: Year 2 no 1. January 1971. Together 13 issues. Tabloïd, selfcovers, printed on newsprint in b/w, nos. 2 onward often with one colour added for the front and back cover. All issues are unfolded and - despite the poor paper quality and endemic browning - in near mint condition with only very little edgewear to some issues. Number 9 has 2 closed tears but otherwise still a very good copy. Very rare now. EUR 4,500.00

The beginning of Andy Warhol’s naked on the cover with her (also naked) co-stars James Rado journal “Interview” (cover title and Jerome Ragni (Hair) from Lions Love, directed by Agnes “inter/VIEW”, subtitled ‘A monthly Varda. Further issues with photographs taken by the world’s film journal’). Edited by Gerard most famous photographers and interviews with the world’s Malanga (till no. 3), Paul Morrissey, celebrities and filmmakers: Mick Jagger, Jane Fonda, Jim John Wilcock (the hippie publisher Morrison, Joe Dallesandro, Jean-Paul Belmondo, Alain Delon, of ‘Other Scenes’, who was Rolling Stones, Don Johnson, special issues on Woodstock, Interviews first printer), and Andy Rita Hayworth, First Anniversary Edition 8th New York Film Warhol. Undoubtedly the most Festival, Elvis Presley, etcetera. Features interviews and essays influential monthly for the jet-set on films (with Varda, Michael Sarne, George Cukor, Visconti, since the late sixties, it developed Kazan, Shepard, Owens, Ritchi, George Avakia, Pasolini, from this exclusive film magazine Robert Altman, MASH, John Schlesinger, Fellini Poppaea, to the foremost publication of Ingrid Bergman, Larry Kramer, Costa-Gavras, and many avant-garde, pop-art, pop-music, film and photography. The more). Vol. 2 no 1 is Best Film Venice Film Festival, Barbara first issue (Collectors edition) featured a photograph of Viva Loden’s Wanda.

John Benjamins Antiquariat B.V. 45 12916-15741.tif [#15741] JUINENSCHE COURANT. Edited by Kees van KOOTEN en Wim de BIE. Nos. 1-4 (18 DEC.1982; 22 JAN 1983; 19 FEB.1983; 19 MAART 1983), Together with: Juiner Nieuwsblad,20 Feb. 1983 (Together 5 issues, all publ.). Tabloid, b/w and red. Added: “Goedgejeurd door het Simplistisch Verbund”, special issue of VPRO-Television Guide, illustrated with photographs of Kooten and de Bie. EUR 400.00 Kees van Kooten and Wim de Bie were the inventors of and actors in a very popular TV program in The Netherlands. They published (a.o.) this “newspaper for the imaginary township “Groot Juinen”: “Nieuwsblad voor Groot-Juinen (w.o. Zeulen, Deil, Ter Waksel, Juinerbroek, Den Eng, Remmerden, Slaepstede, Trichterhuizen, en De Mars”. Texts and images by themselves. Rare complete !

14140-18281.tif [#18281] KISS, DON’T KILL GENERAL HERSHEYBAR. Den Haag (NL), Handicap Publications (1967). Only published issue: 28x21,5 cm., stapled, 128pp. EUR 700.00 General Hersheybar (aka Calypso Joe) is a satirical character of the Vietnam War-era protest movement, who parodied U.S. General Lewis B. Hershey, then Director of the Selective Service. He was usually seen partnered with General Waste More Land (aka Tom Dunphy), a parody of General William Westmoreland. The characters were common at street theater performances and demonstrations against U.S. military involvement in Vietnam. General Hersheybar would appear in a comical military uniform complete with a plastic toy fighter-jet attached to his “officer’s cap” and hand out fliers promoting his satirical diatribe. In addition he self-published several monographs and booklets. A one shot underground magazine from the sixties from the eccentric anti-war hero. Profusely illustrated by collage, including clipping from other underground press magazines of the era. Scarce; oclc locates but three copies.

46 John Benjamins Antiquariat B.V. 12826-15569.TIF [#17893] Allan KAPROW A collection of original works by and documenting the work of Allan Kaprow, published between 1967 and 1986, consisting of 32 pieces, as follows: EUR 12,000.00

• Kaprow, Allan: How to Make a Happening. Vinyl lp., in • Kaprow, Allan. 1968. Runner. took place along a private original cover, with front-cover photo: from Allen Kaprow’s suburban roadway outside St. Louis. On the first day, a Happening Household, Cornell University, 1964, by Sol mile’s length of tar paper, weighted with cinder blocks Goldberg. SIGNED BY KAPROW (with date ‘95). placed every twenty feet, was laid along the shoulder of • Kaprow, Allen. Some recent Happenings. 1966. A Great the road. This procedure was repeated twice the next day, Bear Pamphlet. New York. 16 pages;printed on pink stock, the second and third layers of tar paper and blocks being selfwrappers,spinestapled. laid over the first, beginning at opposite ends of the mile- long stretch each time. On the third day, all three layers • Kaprow, Allan. Allan Kaprow: an exhibition sponsored were removed from the roadside.The activity of placing by the Art Alliance of the Pasadena Art Museum. 1967. theblocks on the tar paper became something of a body Illustrated card covers with spiral binding. Fine. mantra -a constant, incremental measure of the physical • Kaprow, Allan. Self-service: a Happening by Allan Kaprow. experience of working one’s way across the land. This copy In connection with The Institute of Contemporary Art, mailed to Hansjoachim Dietrich of the Verlag Kalender. Boston, and The Pasadena Art Museum. Sunday, June 12, • Kaprow, Allan. Round [1967]. 6 mimeographed sheets printed one side and bound Trip. A Happening with a single staple. Top edge a little rough; small closed tear by Allan Kaprow.1968. on right edge of cover; blank verso of final page browned. (43 x 55.5 cm).Black • Kaprow, Allan. Essay and other works. 1967. Great print on white paper, Bear Pamphlet, 16 pages on light blue stock, spinestapled. folded. Offset lithograph. • Kaprow, Allan. Fluids – A Happening(Poster). Pasadena Art Announcement Museum. Original artist poster describing a “happening” poster, addressed to in Pasadena on October 1967 during a three day stretch in Hansjoachim Dietrich, which about twenty rectangular en¬closures of ice blocks stamped, and postmarked on verso. - [Round Trip: was a (measuring about 30 feet long, 10 wide and 8 high) are to happening that involved the rolling and unrolling of a ball be built throughout the city. Their walls are to be unbroken. of paper, cardboard and string. Organised by The University Then they are left to melt. Poster is 14 x 18” tall when opened. of New York, Albany, taking place in March, 1968.] With This copy folded thrice for mailing, else a very good to near reproduction of photograph by Peter Moore. fine example. This copy was mailed to fluxus artist Jackson MacLow with his address sticker and stamp to verso.

John Benjamins Antiquariat B.V. 47 • Kaprow, Allen. Overtime. A • Kaprow, Allan. Days off: a calendar of Happenings…. NY: Happening (for Walter De Maria). Junior Council of the Museum of , 1970. About (1968). (53 x 41 cm). Black print 64 pp. of newsprint (38,5x27,5), bound at the top with three on white paper, folded. Offset large staples and punched with two holes. An illustrated lithograph. Announcement poster, calendar of Happenings. Photograph by Peter Moore on the addressed to Hansjoachim Dietrich, front page. (A gouge near the top edge of the cover a few stamped, and postmarked on verso. small tears on the sides of some pages and some staining on With reproduction of a photograph the back leaf and the bottom edge). Still a very good copy of by Peter Moore. this fragile piece. • Kaprow, Allan. Population. A • Kaprow, Allan. Time pieces 7/12/73. Pulse exchange. 9 sheets Happening by Allan Kaprow.(1968). printed both sides, except final blank, and bound with 1 Black print on white paper, folded. staple. 21 x 29.7 cm (oversquare). Soiled and with creases Offset lithograph. Announcement and wear at edges. poster, addressed to Hansjoachim • Kaprow, Allan. On time. Paris: Galerie Gerald Piltzer, Dietrich, stamped, and postmarked performed 21/9/74. [16] pp., illustrated; white self covers, on verso. The Population happening stapled in spine, 21 x 29.7 cm. Lightly foxed. -Kaprow, was organised by Colby Junior Allan. 2 measures. Torino: Martano Editore, 1974. [40] pp., College, New Hampshire, April 1968. illustrated; glued into white white cover, , 34 x 24.5 cm. • Kaprow, Allan, Course. A Happening • Kaprow, Allan. 2nd routine. NY: sponsored by Stefanotty by Allan Kaprow. (1969).(53 x 38 cm). Gallery, March 11, 1974. [12] pp., illustrated; white cover, Black print on white paper, folded. stapled in spine. (28x16cm). Front cover rather foxed and Offset lithograph. Announcement soiled, but INSCRIBED by Kaprow (“For Elly and David poster. Participants were invited to Antin, in friendship”). dig tributaries in a river, then to use • Kaprow, Allan. Rates of exchange. 15/2/1975. NY:D’Arc Press, buckets to remove the water from 1975. [8]pages, black covers, stapled. those tributaries to carry them to tributaries upstream, until finally • Kaprow, Allan. Comfort zone. : Galeria Vandrès, there were no more tributaries. June 1975. [28] pp., illustrated; black covers, stapled in the Commissioned by the University of spine, 32.6 x 22.4 cm. Lightly worn. Iowa, May 9, 1969. • Kaprow, Allan. Echo-logy. NY: D’Arc Press, 1975. [12] pp., • Kaprow, Allan. Homemovies. A illustrated; black covers, stapled in the spine. (30,3x22,6 cm). marriage Happening for Catherine Fine. + Daniel Schmidt some time after • Kaprow, Allan. Likely Stories. Milano, Luciano Anselmo, their marriage -July 11, 12, 13.1969). Grafic Olimpia, 1975. 32 pages on artpaper, with (43 x 28 cm). Black print on white photographs, kept in grey covers (light soilage to cover). paper, folded. Offset lithograph. August 1975 (photos: Jürgen Müller-Schneck). Published for Announcement poster. The first the proposed happening in Milano in December 1975. phase of Kaprow’s happening • Kaprow, Allan. Match. Wuppertal, : Kunst- und consisted of videotaping the Museumsverein, July 1975. [12] pp., illustrated; black covers, Schmidts as they greeted each other, took leave of each stapled in the spine. ( 29.5 x 21 cm). other, and left together. Then the videotapes were shown • Kaprow, Allan. Routine. 1975. [8] pp., illustrated; white to a group of friends, who were asked to imitate the couple. covers, stapled in the spine (27,9x21,5cm). The imitations were videotaped and shown to the couple, • Kaprow, Allan. Air condition. 1975. [8] pp., illustrated; white who then imitated the imitations in the presence of their cover, stapled in the spine (27,9x21,5cm). friends. • Kaprow, Allan. Likely Stories. Milano, Luciano Anselmo, • Kaprow, Allan. Pose: carrying through the city; sitting down Grafic Olimpia, 1975. 32 pages on artpaper, with here and there; photographed; pix left on spot; going on. photographs, kept in grey covers (light soilage to cover). Note: occurred in and around Berkeley, California, March August 1975 (photos: Jürgen Müller-Schneck). Published for 22, 23, 1969 [title on manila envelope]. NY: Multiples, 1970. the proposed happening in Milano in December 1975. 7 stiff sheets with illustrations, (27. 5 x 20 cm), in printed manila envelope. One sheet was overprinted with one of • Kaprow, Allan. Warm-ups. September, 1975. [12] pp., the other images, but the obliterated picture is supplied in a illustrated; black covers, stapled in the spine (27,9x21,5cm). photocopy by the previous collector (most described copies • Kaprow, Allan. 7 kinds of sympathy. Bochum, Germany: only mention 7 sheets). Gallerie Baecker, 1976. [12] pp., illustrated; black covers, stapled in the spine (27,9x21,5 cm).

48 John Benjamins Antiquariat B.V. • Kaprow, Allan. Maneuvers. Napoli: Framart/Studio, March • Kaprow, Allan. Standards. Cedar Falls: University of 1976. [12] pp. illustrated; black cover, stapled in the spine Northern Iowa, 1979. [32] pp., illustrated; white covers, (32.4 x 24.5 cm). stapled. (28x 21,5cm). A bit foxed. -Kaprow, Allan. • Kaprow, Allan. Sweet wall testimonials. Berlin: Edition Rene Collagen, Environments, Videos, Broschüren, Geschichten, Block, 1976. [32] pp. illustrated; black covers, stapled in the Happening- und Activity-Dokumente 1956-1986. spine (22,8x15 cm). Dortmund: Museum am Ostwall, 1986. INSCRIBED by Kaprow “For Ellie and David with fondness and admiration, • Kaprow, Allan. Testimonials. Bochum, Germany: Gallerie Allen 1986” . Profusely illustrated, [150] pp.; printed covers Baecker, 1976. [8] pp., illustrated; black covers, Stapled in the of corrugated cardboard bound with 2 brass post screws, 17 spine (27,9x21,5 cm). Light wear.

• x 27 cm (oblong). • Kaprow, Allan. Satisfaction. NY: M.L. D’Arc Gallery, 1976. [12] pp., illustrated; black covers, stapled (27,9x21,5 cm).Fine.

13935-17859a.tif [#17859] KINEMA JUNPOU-SHA. UNDERGROUND’68. Underground ‘68. Cinema Junpou.

Ist edition published by Kinema Junpou-sha, 1968. In original pictorial wrappers. 25,7x 18,2. 134 pages, with illustrations in b/w and colour. Spine a bit rubbed, otherwise very good condition. EUR 2,000.00 Contains. A Love Story of Dream. The Trip. LSD, page 96 and following.

14538-19326.tif [#19326] Theo KLEY (INSEKTEN SEKTE and DESKUNDOLOGIE). Moeder, wat is er mis ..... met deze planeet? : ( Mother what is wrong with his Planet?..) Moeder, wat is er mis ..... met deze planeet? : een dozijn populair-wetenschappelijke projekten / van Theo Kley ; zoals verteld aan Ineke Jungschleger. [1969] Amsterdam : Thomas Rap, 150 unnumbered pages. Photographic illustrations. Original paper wrappers, slight wear. EUR 350.00 Kley founded In 1968 “Het Eksoties Kietsj Konservatorium” and in 1969 he was one of the founders of the “ Insektensekte”. In the same year he authored the TV-Opera “ Moeder wat is er mis met deze planeet” . In 1971 he founded with Max Reneman and Robert Jasper Grootveld the “Deskundologies laboratorium “. They were the first in The Netherlands who focused on the ecological problems. They had a meeting with John Lennon and Yoko Ono at the Hilton Hotel during their Bed In there. 1969.

John Benjamins Antiquariat B.V. 49 14490-19158a.tif [#19158] Nicolaas KROESE (INSEKTEN SEKTE and DESKUNDOLOGIE) The secret of 127. Choc des opinions- Amsterdam, in eigen beheer (self published by) Nicolaas Kroese Five Flies Anno 1627 (Quinta essentia), z.d. (ca. 1968), (67) sheets., 4to. Signed and dated on the frontwrapper. EUR 800.00 Important Pre-Provo doc ument. Collection of the pseudo-scientific ideas of Nicolaas Kroese, the founder (1939) and owner of the famous restaurant “The Five Flies” (De Vijf Vliegen) near the Spui (which still exists). He was the maecenas of the Provo’s , and a fantasy-rich private philosopher. He has also supported the anti-smoke movement of Jasper Grootveld and offered him the location of the anti-smoke temple.

13766-17480.tif [#18098] LAICA - LOS ANGELES INSTITUTE OF CONTEMPORARY ART - JOURNAL. (Also entitled: Journal. A contemporary Art Magazine.) Numbers 1-48 (all published). Los Angeles Institute of Contemporary Art (LAICA). Complete set June 1974 - February 1987. All original copies, most in fine condition (small shortcomings noted below). EUR 4,800.00 Kaplan, Michael Auping, Barry Brennan, Huebler, Number 28 is a very curious Bridget Johnson, Debra Burchett- issue in which the entire publication is Lere, Francis Colpitt, Michael Delgado, printed in mirror images, normal on the Cindy Berry, Douglas Blau, Jerry Dreva, rectos and reversed on the preceding Mareianna Ziotnick, Lane Reelya, versos. From here on the magazine Number 2 reports on the first LAICA becomes much more substantial and General Membership Meeting, June 1974. contains many artists’ pieces. Also Numbers 12-28 printed on a cheaper various thematic issues(e.g.: Video art; quality paper, mostly in b/w only, with Italian art; film, photography, Chicano occasional colour covers. From then on art, Transatlantic artists, Transgressive the magazine becomes more substantial phenomena, Music/Arty, Fluxus, and contains artists’ pieces. No. 40 offers Performance, Conceptualism, etc. a survey of previous numbers. Featuring: Small shortcomings to condition: John Baldessari, Eleanor Antin, Hans Number 2 (light cover soilage), Number Burkhardt, Lorser Feitelson, Helen 6 (small staple holes in the first 32 pages Lundeberg, Rachel Rosenthal, Allen front edge), Number 10 ( ballpoint Kaprow, Newton & Helen Harrison, Karl markings and address label on front Published initially simply as “Journal Benjamin, Ed Ruscha, John McLaughlin, cover), Number 14 (browning of front “ (A contemporary Art Magazine), also Wallace Berman , Ruscha, Kaprow, Peter cover, small hole in right hand corner as L.A.I.C.A . Journal (The Los Angeles Krasnow, Rauschenberg, Charles & Ray bottom), Number 22 (felt tip marking Institute of Contemporary Art). Editors Eames, Stan Brakhage, Erichard Prince, top left front cover), Number 24 (light Fidel Danieli, Eleanor Antin,Julius Boltanski, Richard Diebenkorn, Douglas cover soilage).

50 John Benjamins Antiquariat B.V. 8318-14794.tif [#14794] DER LOEWE. Eine kulturphilosophische Zeitschrift. Nos. 1-9 (all published). Bern, Mai 1974-April 1976. Original wrappers; illustrated. Sm. 8vo. Added: Das Sofortbild Polaroid. EUR 1,000.00 Ed. by G.J. Lischka. Thematic issues: Aktionismus (Theater Environment, Happenings, Aktionismus, Body & Earth Works), Theorie Dialogue, “Realismus”, Fotografie. Issues of 60-80 pp.; no. 6 entitled “Die Löwin”. Artists featured include: Brus, Nitsch, Rainer, Muhl, Kaprow, Cage, Richter, Warhol, Boltanski, Kienholz, etc. Added : Das Sofortbild Polaroid. Hrsg.v. Gerhard Johann Lischka , Ausstellung Aktionsgalerie Bern,Oktober 1977. 126 pages. (Distributed by Der Löwe, contribs. Include Richard Hamilton, John Baldessari, Image Bank, Andy Warhol, Ulay, Jochen Gerz, etc.).

13965-17912.tif [#17912] Billy KLUEVER. Record of interviews with artists participating in the Popular Image Exhibition. Washington Gallery of Modern Art, April 18–June 2, 1963. 1963. 12˝ LP record. + 22 page booklet, illustrated. Cover with some shelf wear, edges somewhat rubbed and with a few occasional cracks; booklet with small creasing and a 2 cm tear at foot. Cover not carrying the catalogue design but being all white (not printed) with the vinyl’s printed labels pasted on. Condition very good over all. EUR 900.00 Edited by Billy Klüver, Interviews by Billy Klüver, conducted in March 1963, with Jim Dine, George Brecht, Jasper Johns, Roy Lichtenstein, John Wesley, Robert Watts, Tom Wesselmann, Andy Warhol, Claes Oldenburg, Jim Rosenquist, and Robert Rauschenberg. The exhibition catalogue booklet with text by Alan R. Solomon. Very scarce.

14009-18043.tif [#18043] LOS RINOS Art Total Grup Los Rinos (Barcelona 1985). Only published issue: 50x35 cm., unbound, unpaginated (12pp), original rubber stamps, print, offset (the outside sheet on white artpaper with photographs). EUR 700.00 Sergi Caballero, Pau Nubiola and All this work was recorded in a publication containing Marcel.lÌ Antunez Rocca made up photos of the graffiti and all the actions related to the the collective Art Total Grup Los bullseyes as well as the Rinos’ opinions about art. Rinos and their activities spanned From 1987 onwards the Rinos’ activities extended to other many different fields. areas. In May of the same year they carried out a large- Initially the collective was mainly scale mural painting called Atlas, in conjunction with involved in graffiti. The group the collective Gegant. The mural was painted on the side painted bullseyes in public places of a building in Barcelona by means of hanging down and the concentric black and white from a balcony. (This action would be repeated in 1990 in circles became their logo. The Yokohama, .) In spring 1987 they presented a video bullseye moved to other media, performance called Rinosacrifici portraying the Rino’s such as the bodies of animals, crude and domestic vision of sacrifice. leading to the bullseyeing of sheep and goats. They also created This is the only publication of this underground group a headpiece topped by a bullseye which the Rinos wore as they containing photos of the graffiti, all the actions as well as walked through the streets. Lastly they designed and made up the Rinos’ opinions about art. their own Rino suits, using a fabric printed all over with bulleyes.

John Benjamins Antiquariat B.V. 51 13861-17684.tif [#18074] LA MAMELLE (ART CONTEMPORARY). An alternative anthology of contemporary West Coast.

Vol. 1 no. 1 thru Vol. 7 no. 1 (complete as far as published as a print publication, also numbered as Nos. 1-25, but lacking no. 10. Continued as an electronic journal). San Francisco, Ca., 1975-1984. In the orig. wrappers or unbound as issued. Including rare No. 12: Newsstand Edition Art Contemporary August 1978, published as a special issue of Only Paper Today. All in good condition, only No. 18 has stained front cover. After 7 no 1 continued as an electronic journal. EUR 2,000.00

“Nourishing source: la mamelle. A space for art.” - Volume 1 nos.1- 2 (Summer-Fall 1975. After no. 4 as LA MAMELLE MAGAZINE: ART Berkeley, 1975. Orig. wrappers. 21,5x27,5cm CONTEMPORARY). Edited by Carl E. Loeffler. (first issue with light wear, no 2 fine). “Art Com, a medium for contemporary Art Then changing to tabloid format 45x30 communications, is published on a quarterly cm, on newsprint, folded once (with light basis by artists for artists and functions as a wearon the fold): chronicle of contemporary new Art activity - Vol.1 no. 3 Special Video Issue; Vol.1 no 4 occurring in North America; Mexico, Canada, Special Performance Issue. and the . Art Com presents Then changing to quarto format.no. 9: information regarding telecommunications, From Europe 1977.no. 12: Newsstand performance, artists’ spaces, conceptual and idea edition, Special issue of Only Paper Today; oriented work, videotapes, recordings, artists’ no. 13 Retrospective issue. books, Art periodicals, and marginal activity.” (See Allen Artists’Magazines p 276).

14497-19201a.tif [#19201] NE COUPEZ PAS No. 4 (of 4 published) Paris: Self published, 1968- 1969. novembre 1969. “vouz aussi pouvez faire votre journal”. Folded poster, 55x43,5cm, containing approximately 45 lose pages. (different sizes,most 4to), Some browning towards the edges and folds of the poster, internally content is clean and untrimmed as issued. EUR 600.00 Most of the pages by Jean-Claude Moineau, with numerous “meta-art” texts. Also contributions by Christiane Frougny, Joachim Branco & Flavio Almada; a postcard with text - ‘text capital’ and a ‘communiqué’ printed in red – don’t commune don’t communicate; a 16 pages catalogue – ‘livres meta-art’ + two postcards + a pink label with attached wire. As there is no table of contents it is impossible to check for completeness, but the impression is all published.

52 John Benjamins Antiquariat B.V. 11622-19069a.tif [#19069] NEW YORK PROVO. “On THE OPEN PRESS”. A group of 5 handouts, mimeographed from typescript and/or holograph, printed “on The Open Press” by New York Provo. Each 28x21,5cm, printed on recto only.

(1) New York Provo. Psychedelic Explosion, Part 2. New York: The Open Press,[ c. 1967]. Mimeographed from typescript and holograph on yellow paper. Handout describing a smoke-in provocation at the Daily News Building in New York, in which “50 Anarcho-hippies Blow Grand Central’s Mind.” The flyer concludes with notice of two block parties, one of which, on East 7th street, advertises two bands, films, and a “total environment”. The second advertises the band “Group Image.” Very good with toning and brittleness.

(2) New York Provo. Police Harassment. New York: (3) New York Provo Announces the Formation of a The Open Press, nd [c. 1967]. crudely mimeographed New Food & Drug Administration To Administer from typescript on yellow paper. A leaflet issued by Food and Drugs to Those Who Need Them. New the group reporting on a Smoke-In the previous week York: The Open Press, nd. mimeographed from in Tompkin’s Square park, one of a series of such typescript on yellow paper. Manifesto critiquing the gatherings the group helped to put on which were failure of the Washington FDA to adequaltely provide inspired by the Dutch Provo movement. The leaflet food and drugs to the people, which announces the describes police harassment of the event, tips to avoid formation of a NY Provo FDA - one branch to being busted by cops, and also urges participants to distribute legal goods, and another, secret branch not be destructive in the park. The leaflet concludes called NARCO (National Association for the Relief of by soliciting a photographer to document the Conscious Obstruction) which would concern itself harassment. Fair only with toning, chipping and with illegal goods, chemical and botanical research to creasing to extremities, and smudging - a heavily create better drugs, and raids on government worn but basically sound copy of a fragile and very stockpiles. There are also references to a free food ephemeral flyer. program in Tompkins Square Park to fill the void left by the Family Commune’s free food events, and solicitations for volunteers to help in free food projects. Fair only with toning, chipping and creasing to extremities, a heavily worn but basically sound copy of a fragile and very ephemeral flyer.

John Benjamins Antiquariat B.V. 53 (4) Hate Parade. New York: The Open Press, [1967]. crudely mimeographed from typescript on yellow paper. A leaflet issued by the group reporting on a “Hate Parade” held that day, which marched from Columbus Circle to Tompkins Square Park, where the group held many events. The provocative event - certainly one of the stranger protests of the decade - is described in detail. The leaflet concludes with a paragraph on LSD, solicits donations for the Gallery Freestore, and proposes an upcoming Be-in at the Bronx Botanical Garden on Sunday, September 17, dating the leaflet to 1967. A fair only copy, with heavy EUR 2,400.00 toning to the brittled paper and some soiling. The New York Provo took its name and inspiration from the Dutch Provo, and was an antecedent group of the Yippies. (5) What To Do When the Man Comes. New York: Printed material from the group is very rare. The Open Press, nd. [c.1967].Opens with a quote from Harry Hemphill. Mimeographed from typescript and holograph on yellow paper on recto only. Handout describing ways to deal with arrest police, especially at gatherings, and how to spot undercover cops at gatherings. It also includes a Harry Hemphill Quote. A brittle, good only copy with chipping, creasing, and closed tears.

13962-17908.tif [#17908] NINE (Nine) 9 EVENINGS:. Theatre and Engineering New York, Experiments in Art & Technology & Pilgrim Press (1966). 40×27,5 cm. (12) pp. + 1 loose addenda sheet. Illustrated. Stapled wrappers. Staples rusty, else flat and in condition as new. EUR 1,200.00 Edited by Billy Klüver & Pontus Hultén. Program catalogue for the series of performances held at the 69th Regiment Armory, New York, October 13–23 in 1966, with collaborative works between engineers and artists including Billy Klüver, John Cage, , Öyvind Fahlström, Les Levine, Steve Paxton, Yvonne Rainer, Robert Rauschenberg, David Tudor, Robert Whitman.

54 John Benjamins Antiquariat B.V. 11381-19372a.tif [#19425] THE NYCS WEEKLY BREEDER (NEW YORK CORRESPONDENCE SCHOOL Weekly Breeder). A) Vol. 1 no. 1 (“Dada Sucks” stamped in red). New York, East Side Dada, 1978. 24 pp., original pictorial wrappers (with safety pin piercing intact.) 8vo. Signed by Buster Cleveland and Tod Jorgensen on inside front cover. EUR 400.00 ART GANGSTER, 1978. Edited by with pictorial contributions (each on G. Keaton. Signed in pencil by Buster one page) by: Jerry Dreva, Cavellini, Cleveland and Tod Jorgensen on verso. Ray J., Tod Jorgensen, Angelika Unpaginated [24 pages] Editor: Grover Schmidt, Buster Cleveland, E. F. Higgins, Keaton. Assistant Editors: Elmer Picasso, Dadaland, Mancusi, Teddy, John Evans, Dadaland, Dottie Duchantel. Xeroxed in Nicola Vanzetti, Pauline Smith, Genesis black and white (+ two pages in color) P. Orridge a.o.

B) A collection of 9 Issues as detailed below. Publisher: Stu Horn, and Bay Area Dadaists, San Francisco, CA 1971-1992. Black and white and color print. All issues 28x21,5 cm. Staple bound. Very good condition.

EUR 1,300.00 and others. Vol. 2 no. 5. Published by 5, 1973, May 20, 1953. HASHISH OIL Neo-dada magazine, started by Fluxus S. Horn. Unpaginated [2 pages] Vol. 2 RAID Unpaginated [13 pages] (Special Artist in homage no. 10, May 20, 1972. WHY WORK ALL Smoke Hash Issue) Vol. 3 no. 6, Fall 1973. to , includes collaged DAY IF YOU CAN DRAW ALL DAY? Edited by T. Mancusi and Daddaland. newsclippings and Fluxus inspired Unpaginated [2 pages] (Now published 34 pages Vol. 3 no. 7, Autumn 1974. articles, drawings, photography, and in San Francisco). Vol. 3 no. 2, June 12, THE VERY LAST. 17 pages Vol. 1 no. poetry. Mail artist Stu Horn took over 1972. A PERFECT DELUSION AND A 1. ART GANGSTER, 1978. Edited by the magazine, then passed it on to SNARE Unpaginated [6 pages] Vol. 4 G. Keaton. Signed in pencil by Buster Tim Mancusi and Bill Caglione, and no. 1, July 20, 1972. RE-ELECT THE Cleveland and Tod Jorgensen on verso. it then became a dadazine for the Bay PRESIDENT ” Unpaginated [4 pages] Unpaginated [24 pages] Vol. 5 no. 1, May Area Dadaists. (cf: Gewn Allen.p.279). Vol. 3 no. 3, Christmas 1972. WE HAVE 20, 1992. 20TH ANNIVERSARY ISSUE. Contributions by: B. Gaglione, A. ALWAYS TRIED TO GIVE YOU WHAT Black color offset print on white and Banana, M. Cazzaza, A. Craven, O. YOU WANTED LONG BEFORE color paper. Tape bound. Edited by T. Nations, B. Buczak, F. Copp, Cavellini, YOU EVEN KNEW YOU WANTED Mancusi and B. Gaglione. 37 pages Ray Johnson, T. Jorgensen, B. Cleveland, IT. Unpaginated [12 pages] Vol. 3 no.

John Benjamins Antiquariat B.V. 55 14469-19133a.tif [#19133] OFF THE WALL. The Newsletter/Journal about Events, Posters & The Arts of Happenings. Numbers 1-9 (all publ.), The Poster Project Ltd. 1991/1995. First six issues broadsheet, folded twice; last three tabloid, folded once. Each 8pp.-24pp. Color offset. Signed by W. Wilson on the first issue. In perfect condition. EUR 1,200.00

The Journal of Rock Art, Poetry and Creative Thought. The first journal devoted to the psychedelic poster artists: Wes Wilson, Eric King, Jacaeber Kastor, Walter Medeiros, Ben Edmonds, John Platt, Dick Wentworth, Paul Getchell and Paul Grushkin and others. (No 1 signed by Wilson).

13411-16793.tif [#16793] OPEN Numéro 1, Février 1967, Nice, Marcel Alocco. 1967. Orig. paper covers. EUR 300.00

Edited by Marcel Alocco. Texts by George Brecht, Emmet Williams, Jacques Lepage, Ben, Henri Chopin etc.

56 John Benjamins Antiquariat B.V. 12721-15322.tif [#17813] OTHER SCENES (JOHN WILCOCK’S OTHER SCENES). The International Newspaper

-A major collection of 48 issues, from the start in 1967 till 1971 [Years 1-5] with erratic and often false or misleading numbering. Our description follows the publication dates and we offer as follows:

- [First year]: Vol. 1 no 1, Vol. 1 no 2 (frayed along the - [Third year]: 3rd year no. 2, February 1969; 3rd year edges), Vol. 1 no 3 (frayed along the edges), Vol. 1 no 4, no. 4, April 1969 incplt; Special Digest Issue, May 1969; Vol. 1 no 6, followed by an undated issue: “Free issue 3rd year no. 6, June 1-14, 1969 (cover damaged); Vol. 3 June 1967”, (this copy repaired with tape)] Vol. 1 no 7, no. 7, June 15-30, 1969; Vol. 3 no. 8, July 1-14, 1969; Vol. 3 (bad condition) Vol. 1 no 9, Vol. 1 no 10, OZ ISSUE, no. 10, August 1, 1969; Vol. 3 no. 11, August 15, 1969 Vol. 1 no 11 (paperspotted), Vol. 1 no 12, Vol. 1 no 13 (including the Summer Rerun Section); Vol. 3 no. 12, (this entitled “Shinjuku Sutra”, in 2 versions, also September 1, 1969 (pencil on the cover); Vol. 3 no. 14, Shinjuku Sutra # 2); - Followed by an unnumbered Sept.30; Vol. 3 no. 15, October 15; Vol. 3 no. 16 issue dated January 1968 (published in Los Angeles). (misnumbered, =17), December 1969 (spine damage); - [Second year]: First issue (of Other Scenes & The Vol. 3 no. 18, Christmas 1969 (light damage); New York Seer), March 1968; Second issue, May 1968; - [Fourth year]: 4th year no. 2, February 1970; 4th year (Vol. 2 no. 3), June 1968, (Vol. 2 no. 4 = VENICE no. 4, April 1970;. 4th year no 5, May 1970 Vol. 4 no 8, BIENNALE), July 1968; (Vol. 2 no. 5) August 1968; - October 1970; Followed by two unnumbered issues, both dated - [Fifth year]: Vol. 5 no. 1, Spring 1971; Vol. 5 no 3, Fall September 1968 with different content; -Then 1971 With: - Special issue dated June 22-30 (1969?), continued as: (Vol. 1, error should be) Vol. 2 no. 6, most of which consists of blank pages; details in September 1968; (Vol. 1 , error should be) Vol. 2 no. 7, Centerfold (= The Do It Yourself Newspaper Contest); October 1968; (Vol. 1, error should be) Vol. 2 no. 8, - A Nation of Gamblers issue [not dated] (bad November 1968; (Vol. 1, error should be) Vol. 2 no. 9, condition); -An unnumbered issue published in the December 1969; Special Digest Issue Oct-Dec 1968; UK dated Sept. 1973. (Vol. 1, error should be Vol. 2 no. 10, January 1969. EUR 15,000.00

John Benjamins Antiquariat B.V. 57 John Wilcock’s Other Scenes, ostensibly a fortnightly gazette, appears 20 times a year (but appearance is not necessarily always in the same format or can be in another manifestation). “ Wilcock was one of the pioneer-founders of the Underground press and closely connected to Andy Warhol. He was also the first printer of Andy Warhol’s Interview. Other Scenes was his own publication. It emerged from a column by that name (which Wilcock wrote for the East Village Other) to a full-scale paper about the international underground scene. Amongst the very numerous and varied contributions (a mix of original work and contributions by the network of correspondents John Webster, Allen Katzman, Neil “Tanea”on the backside; deals with quoting from the international Phillips, Bill Hughes, Ray Johnson, the regime in Greece and censorship. underground press) we find Ed Ruscha John Byan, John Lennon and the Peace 1967 no. 13 was published in Tokyo, (logo’s for nos. 4 and Newsletter 4). J.J. Campaign, Cathe Cozzi (collages), Billy December, produced in conjunction Lebel, Claes Oldenburg (Juxtapositions,1 Name, Irwin Goldstein, etc. ; 1967 no 2: with SHINJUKU-SUTRA, Japan’s first no 8), Simon Vinkenoog (Amsterdam Poem for Warner Stringfellow by John underground paper (printed on better City on the Make), Simon Watson Sinclair; nice photocomposition on paper, 24 pages). Martin Cohen on Taylor, Geldzaher (a.o. on Warhol), frontpage; 1967 no. 3 with compositions “Vinyl” (first Andy Warhol film shown Bill Beckman, David Widgery, Nad of photographs of beat bands,by Derek in Japan; New Face of Buddha by Freedland, Robert Wolf, Alan Kaprow, Taylor; letter from jail; 1967 Newsletter: Schecter; poem by Mikhai Kashmarin, Rosemary and Tim Leary, Billy Name, Love-In Inventory; L.A. Weekend with Haneda Riot, Karmiol with photographs Shunk-Kender (photography), Tuli Andy Warhol; 1967 no.4 Underground of Nichigeki, and other Japanese Kupferberg, Pete Young, Les Levine, Press Syndicate Members First Meeting; underground issues). 2 no 4 is Venice Ania Steckel (Photography). Pictorials photographs of Tuli Kupferbarg, Art Biennale Edition (Wallace Berman,Yoko by Norman Rubington (drawings Kunkin (selling prototype of L.A.Free Ono, Kaprow, Nam June Paik, Christo, reminiscent to ), Tony Azuth, Press). 1967 no 6: Jean Jacques Lebel, Ruscha), 3 no 5 has supplement Gerard Malanga, Mazaro Nahoki, Claes Oldenburg, Simon Vinkenoog. Underground Cinema Eroticism and Gilbert Skelton, Denis-Lebois-Quarez, 1967 no.11 is printed in green, on Visual Poetry Supplement (Warhol, Chis Pelletier, Sine, John Bruce Walker, larger size; unfolded it has a poster Brakhage), etc.

13945-17885a.tif [#17885] DE PANIEKZAAIER No. 1-4. (Amst.), 1971-1972 (all published). 4 vols., ills., orig. wr., narrow 4to., Mimeographed/offset. EUR 500.00 Provo and Kabouters-related publication. Contains contributions by i.a. Roel van Duyn and Bernard Holtrop (“WIllem”). Treats ecological issues, nuclear armament and other issues related to a new society. No. 1. Kabouters in paniek!; 2. Speciaal waternummer; 3. Bouwen aan de Toekomst; 4. Vrolijk nummer. Complete rather scarce.

58 John Benjamins Antiquariat B.V. 9065-19137A.tif [#19137] (Revue) OU - CINQUIEME SAISON (partly in DE-LUXE edition). A magnificent collection comprising Numbers 1-44 (in 32 physical units, as some were double or triple issues), founded and published by HENRI CHOPIN from 1958 till 1974, plus the concluding number 45 published in Bourges, 1979.

This is the most important collection of Concrete and Visual Poetry ever published. Detailed as follows: - CINQUIEME SAISON: Nos. 1-19. Paris, printemps 1958 - automne 1963. Original illustrated wrappers (only lacking no 5), 8vo, later sq. 8vo.; fine; complete with the gramophone record belonging to no 14/15. Together with All three Supplements 20 Octobre 1961, 20 Janvier 1962, 3 Mai 1963 (signification de l’art) - OU: Nos. 20-44 (= last published). Sceaux (France), from no 34 Ingatestone (Essex,Great Britain. 1964 - 1974. In the original illustrated and decorated wrappers and portfolios. THE NUMBERS 20/21, 22, 23/24, 25, 26/27, 33, 36/37 are in the DE-LUXE EDITION and no. 34 is one of the lettered edition B-J. - and additional: 13 letters and a postcard from Gianni Bertini to Chopin, dating 1974/75/76 concerning their works and collaboration.” EUR 40,000.00

Cinquième Saison” was at first edited Raymond Syte, after the first 2 numbers it was taken over by Henri Chopin and continued under his editorship. With contributions by Chopin, Syte (under various pseudonyms), Michel Seuphor, Pierre- Albert Birot, Guillevic, Jean Follain, Luc Estang, Saint-Helm, Jacques Spacagna, Bernard Heidsieck, Paul de Vree, Ime Pan, V. Feyder, M. Cahn, Arthur Petronio, etcetera. Artistical contributions by: Bertini, Key Sato, Chavignier, Paul Arma, Hundertwasser etc.

John Benjamins Antiquariat B.V. 59 - No. 1 (printemps 1958): Directeur: ‘Mélismes’ by M. Delannoy). sour leur nom au colophon. - l’exempl. Raymond Syte, with Chopin (Petites est dédicacé au libraire et éditeur - No. 16 (automne 1962): Cover by Key Suites). Jean Petithory par Bertini avec un Sato & H. Chopin, reproducing works of jeu de mots sur OU. Joint: Bulletin de - No. 2 (aout 1958): with Chopin various Japanese artist (Numéro franco- (Vouloir) and Jacques Spacagna (Peu japonais). Stamp of Petronio. souscription pressés). - No. 17 (hiver 1962-63): Cover by - n°22. s.l.n.d. [1964]: DE-LUXE. - No. 3 (décembre 1958, entitled ‘La Chavignier. ‘Numéro d’échange entre la Couverture originale de Paul-Armand Poésie Jazzante’) contains Chopin’s first Belgique et la France’. WithMonogram Gette. Dim : 27 x 27 cm 1/10 exempl. de ‘audio-poème’ (La Pêche). of Artur Petronio luxe sur Arches avec une lithographie originale de Gette et une gravure - No. 4 (mars 1959) Henri Chopin - No. 18 (printemps 1963): Cover by Léo originale de Berni dans un étui toile où becomes the sole responsible editor-in- Breuer. Dessins et textes de Gaston est inscrit OU au pochoir. Contributions chief. On white paper, untrimmed. Chaissac; Michel Seuphor: L’éphémère de Berni, Sharkey, Furnival, Altmann, est éternel (written and with stage - No. 5 (été 1959): Chopin Piece politique, Houédard, Heidsieck, F. St.-Thibault, settings by Piet Mondrian in 1926); etc. Claude Pelieu, Gaston Puel. (This issue Chopin, Burka, Morgan, Pelieu, now missing) - No. 19 (été/automne 1963): Cover by Finlay, Haussman. Joint : Bulletin de S. Rodillon. Contributions by Paul de sousciption - No. 6 (Automne 1959) contains Poème- Vree, Jean Arp (unpublished poem concret ‘La Peur’ pour trois voix et - n°23/24 . 1965 : DE-LUXE. Couverture ‘Motus Motus’). De nouvelle dimensions bandes magnétiques. originale de Kosice. Dim : 27 x 27 cm sonores et visuelles (Hansjorg Gisiger; 1/10 exempl. de luxe : Etui contenant - No. 7 (hiver 1959/60): Chopin adds Tjerk Wicky/Luc Peire: Filme Pêche de l’exempl. + une suite contenant un Arthur Pétronio and Pierre-Albert Birot. Nuit; M. Arnould, etc. Monogram of photomontage original de Kocise et - No. 8 (printemps 1960): ‘Poésie ouverte’. Arthur Petronio, also inside. une lithographie signée de Rotella. Contributions de Man Ray (Rayograph), - No. 9 (été 1960): the number of pages Together with: Bertini, J-L. Philippe, Rochber Gybduf doubles; for lack of money Chopin - Supplément (1) 20 oct. 1961: Poèmes- (lire : ROtella, CHopin, BERtini, GYsin, published this and the next issue with objets. B. heidsieck, DUFrêne), P.A. Gette, B. cooperative support from his authors - Supplément (2) 20 janvier 1962: Poésie Heidsieck. Recueil (19 x 19 cm, 16 pp) “Au plus près 1”. objective. Exposition ‘Galerie La Jeune : contributions de Caniaris, P. Clerc, P. - No. 10 (automne 1960): “Au plus près Parque, Lyon’ de J.J. Lévêque, G. Guillot, de Vree, G. Foreau, Janicot, Lattanzi, 2”. First issue to contain illustrations H. Chopin, J. Pérol. Rotella. Disque 33 tours (25 cm), Face (Rousselot, Pierre-Albert Birot, Edmond A : Dufrêne Crirythmes 1958 et 1964, - and the very rare Supplement: Humeau, Sain Helm, Michel Seuphor, Rotella 7 Poèmes phonétiques 1949 à Signification de l’art du xx.es. Mai 1962, Ernest Haumesser). Monogram of 1963, Heidsieck Poème-partition “J” 1963, by Seuphor and Chopin. Arthur Petronio. face B : Heidsieck Le Quatrième Plan From here onward with change of name: - No. 11 (printemps 1961): Contains 1963, Brion Gysin 3 Permutations 1960, Jean-Jacques Lévêque: Labyrinthe. --OU Nos. 20-44. Sceaux/later Chopin Audio-poème “l’energie du Mythologie personelle. With illustration Ingatestone. 1964-1974, partly in sommeil” 1965. by Hundertwasser; (Covers of nos. 11-13 DE-LUXE with many additional and supplements designed by Ernest supplements, as detailed below, and Haumesser). the No. 45 (last published) which is a reprospective published in Bourges, 1979. - No. 12 (été 1961): first issue with collaboration by Smadja; nos 11 & 12 -n°20/21. 1964 : DE-LUXE. Couverture contain first publications of Sol Air. originale de Gianni Bertini. Dim : 27 x 27 cm. 1/10 exempl. de luxe une - No. 13 (automne/hiver 1961): Chopin gravure originale de Guitet (signée) ‘Sur-dada 1961’. Luc Peire, composition et un bois de Bertini (signé) dans un graphique. étui-chemise gris. Contributions de - No. 14/15 (printemps/été 1962): enlarged Bertini, Guitet, Gysin, Dupuy, Janicot, size (19 x 19 cm), cover by Luc Peire Berthier. Inclu un disque 33 tours : face & Henri Chopin. Article by Chopin, A : Heisieck Poème-partition et Gysin Lovano and Seuphor: ‘Introduction I am, Machine-Poem, face B : Gysin sur les arts nouveaux’. The first number Machine-Poem et Chopin Vibrespace to be published with a gramophone Audio Poème. De plus : - l’exempl. est - n°25 . 1965 : DE-LUXE. Couverture record (‘Flutes de sang’ by G. Murail & signé par Chopin - Gysin et Heidsieck illustrée (auteur anonyme). Dim : 26 x 27 cm 1/10 exempl. de luxe avec une

60 John Benjamins Antiquariat B.V. lithographie originale de Chopin et triptycrirythme 1966 et Paul de Vree Mégapneumes 67, La Mémoire, Chopin une néo-gravure en relief de Krasno veronika 1953, Face B : Paul de Vree : Audio-poème 67, le Ventre de Bertini. dans un étui toile. Ce numéro a été Ogenblik 1948, Kleine Caroli 1963, Joint : Bulletin de souscription réalisé à l’occasion des Scéances de Vertigo Gli 1963, Een Roos a Rose 1964 Poésies de la Quatrième Bienale de Paris. et Chopin Sol Air, ballet des espaces 1961. Contributions de Dufrêne, Ian Hamilton - n°30-31. 1967 : Couverture originale Finlay, Jean-J. Lévêque, Gabriel Paris, de Ben Vautier. Dim : 27 x 27 cm 1/475 Dora Feilane, Chopin, Serge Béguier, exempl. numérotés. 9 poèmes + 1 badge Bertini, Fr. Saint-Thibault, Laura Sheleen, poétique de Yaacov Agam, 1 dépliant- John Giorno, Brion Gysin, Heidsieck, relief-objet de John Furnival (signé et Les Aëlys, P.A. Gette, Alain Jouffroy, daté 1967), 1 dessin d’ Aude Jessemin, Jean-Clarence Lambert, Rodolfo Krasno. 1 graphie de Luc Peire, 2 poèmes - n°26/27. 1965 : DE-LUXE. Couverture futuristes polonais d’Anatol Stern, 1 originale illustrée de Burka. Dim : 27 x poème graphique 2 couleurs de Luigi 27 cm Le homard Cosmographique. 1/10 Ferro. + joint le bulletin de souscription. exempl. de luxe dans un étui in 4 oblong Disque 33 tours (25 cm) de Chopin Le sur lequel est collé une empreinte-photo corps, 22’ pour Vivre pour vivre II, 1957, de Béguier et contenant le n° sur Arches enregistrement exclusivement vocal + la suite comprenant une aquatinte de 1966.

Roberto Altmann et une sérigraphie - n°32. 1967 6 pages agrafées publiées de Furnival. Contributions de Edmund à l’occasion de l’exposition Lumière et Alleyn, Roberto Altmann, Serge Béguier, Mouvement, de Dufrêne, Chopin et Bertini, Jan Burka, Henri Chopin, Wolman au Musée d’Art Moderne de la John Furnival, Ilse et Pierre Garnier, - n°34/35. 1969 : Edition 1/10. Couverture Ville de Paris. Dim : 21 x 27 cm Textes Hirsal Grögereva, Jiri Kolar, Kosice, originale cartonnée rouge estampée à La Guerre - deux périodes de Blaine, Hansjörg Mayer, Rancillac, C. Frederick, froid de Gisiger. Dim : 27 x 27 cm 1/10 Chopin et Muller, Crirythme en six Reutersward, Rotella, Ben. Disque 45 exempl numérotés de B à J dans un étui de Dufrêne (correction manuscrite de tours (17 cm) face A : de toile rouge avec en plus une gravure Chopin), La Mégapneumie de Wolman. Poèmes phonétiques 1918, Face B : estampée à froid de Gisiger signée, Bernard Heidsieck Poèmes-partitions 65, - n°33. 1968 : DE-LUXE. Couverture l’offset de Balch-Burroughs-Gysin- Chopin Audio-poèmes 1962 et 1963. originale de Bernard Aubertin. Dim Sommerville signé par Chopin et mis à : 19,5 x 19 cm. 36 pages. 1/10 exempl. part l’offset de Balch-Burroughs-Gysin- - n°28/29. 1966 : Couverture originale de luxe sur Arches avec un dessous Sommerville et le poster de Degottex, illustrée de Henri Chopin. Dim : 27 d’affiche de Dufrêsne, un collage tous les posters sont sur papier de luxe. x 27 cm 1/475 exempl. numérotés. d’Heidsieck, un poème graphique Contributions de Balch, Burroughs, Contributions de François Dufrêne, (dactylopoème) de Chopin, un scotch Gysin, Chopin, Bob Cobbing, P.A. Gette Spacagna, Julien Blaine, Cozette de Wolman dans une boite de toile (affiche 68 Le mur - the wall, sur papier De Charmoy, Melo e Castro (Objet noire. Contributions de Albert Birot fort), Degottex (affiche en sérigraphie Il poématique, Chopin raconte que La Grande Vie, Jean Claude Moineau faut du noir pour sortir du rouge), Hugh l’artiste est venu les apporter lui-même Manifeste significations, Henri Chopin Davies,Gomez de Liano, M. Seuphor. pour éviter la censure), Adriano Spatola, Lettre ouverte aux musiciens aphones. Disque 33 tours (25 cm), face A: Dufrêne Yaacov Agam, Alain Arias-Misson, Fr. Disque 45 tours (17 cm), face A : B. Haut-satur 1967, face B : Bob Cobbing Saint-Thibault, Laura Sheleen, Jean Heidsieck : Biopsie V 66, Quel Age Avez- Marvo movie natter 1968, Spontaneous Boudet, F. Dufrêne, Paul de Vree. Disque Vous?, Dufrêne : Crirythme 67 Dédié Appealinair Contemprate Apollinaire 33 tours (25 cm), face A : Dufrêne 12’35. à H. Chopin, face B : Gil J. Wolman : 1968, Chopin : Mes bronches 1966.

John Benjamins Antiquariat B.V. 61 Exempl. dédicacé et signé par Chopin. - n°38/39. 1971: Couverture originale de du “Déjeuner sur l’herbe” 1971. Exempl. Joint : Bulletin de souscription Henri Chopin. Dim : 27 x 27 cm dédicacé au libraire et éditeur Jean Petithory. Joint : 5 sérigraphies de - n°36/37. 1970 : DE-LUXE. Couverture 1/10 exempl. de luxe comprenant une différentes tailles de Tom Phillips originale en plastique rouge de sérigraphie de Marcelle Cahn et une signées et dédicacées à Henri Chopin. Gianni Bertini Dim : 27 x 27 cm 1/10 de Marcel Janco (ici manquante) le exempl. de luxe avec une sculpture tout dans une boite noire avec un bois magnétique de Alice Hutchins et un marqué review en rouge. chapeau sonore de Anna Lockwood Contributions de Chopin (Affiche en conservé dans une boite de toile rouge sérigraphie sur un texte de Burroughs avec une fenêtre laissant apparaitre + Affiche en sérigraphie sur un un sein de la couverture sculpture texte de Phases), Cahn, Cozette de de G. Bertini. De plus, les posters de Charmoy, Jean Degottex (Affiche en Neuhuys, Moineau et Chopin sont sur sérigraphie Feu la culture), Gisiger, papier de luxe. Contributions de Raoul Raoul Hausmann, Marcel Janco, Marcel Mariën, Richard Orton. Disque 33 tours (25 cm), face A, Chopin: le rire est debout 1969, B.E. Johnson: (Among) II, 1970. Face B, Hanson: Railroad poem et Révolution 1970, J. Bekaert: The day after 1969. - n°40/41. 1972 : Couverture originale de plastique noire de Hansjörg Gisiger (Portrait d’Ernest). Dim : 27 x 27 cm 1/475 exempl. numérotés. Contributions de Lacasse, Gerz, Hutchins, Themerson, Norguet, C. de Charmoy, Chopin. Disque 33 tours (25 cm), face A : da Silva Audio-poem 1971, William Burroughs Hausmann, Novak, Stefan Themerson, Valentine Day Reading 1965, face B : A. Hutchins, A. Lockwood, Tom Phillips, Brion Gysin Poems 1960-62, Heidsieck Paul Neuhuys, Moineau, Matusow, R. Passe-Partout no 4 1970, Chopin Hausmann, Paul de Vree, H. Chopin, Le soleil est mécanique. La Michel Seuphor, Brigitte Chopin (fille couverture est un peu défraichie. d’Henri). Disque 33 tours (25 cm), face A : Ladislas Novak La stucture phonétique - n°42/43/44. 1974 : Couverture de la langue tchèque 1969, Hugh Davies originale de Axel Knipschild. Dim Shozyg 1 & 2, , face B : Sten Hanson : 27 x 27 cm 1/10 exempl. de luxe Don’t hesitate do it, do it right now - avec un collage de Maccheroni The glorious desertion 1969, Chopin (Sens interdits) et la suite de Tom Les grenouilles d’Aristophane 1967, Phillips sur beau papier signée Heidsieck Ravaillac, tu connais ? 1969. et numérotée + objet en bois sur lequel est inscrit OU n°42/43/44 signé par Chopin le tout dans un étui de toile rouge. Contributions M. Corfou, T. Phillips, M. Janco, A. Lora-Totino, Chopin, N. Zurbrugg, Jo Verbrugghen, Henri Maccheron(affiche signée), R. Aaron et l’Association. Le fac- similé de la lettre de Roussel annoncé au colophon n’est jamais paru dans aucun des tirages. Disque 33 tours (25 cm), face A : W. Burroughs Reading 1965, Ake Hodell Numro Ba Besch, 1970, face B : Amirkhanian Each ‘LL 1971, Novak Two poems 1958-62, Rimbaud Le Vrai Sonnet des Voyelles, Chopin Les mandibules

62 John Benjamins Antiquariat B.V. John Benjamins Antiquariat B.V. 63 9084-9732.TIF [#19424] OVUM 10 Nos. 1-10 (=last publ). Montevideo, December. 1969-1972. Orig illustrated wrappers (ca.22,5x15 cm). Continued as: 2a Epoca Nos. 1-7 (all publ., but lacking only no 2). Montevideo, 1972-1976. 4to. Original wrappers. Stencilled & stapled. Added: -IN STRUMENTOS/74: (Mechanic instruments for the control of the information).Publisher: Clemente Padin, Montevideo, Uruguay. 1974? -Prospectus for Festival de la Postal Creativa,11-24 Oct.74. Some dustsoiling, but altogether a very nice collection. EUR 8,000.00

Edited by Clemente Padín. Articles on concrete and visual poetry, expositions, etc. Issues of ca. 12-20 pp. each; richly illustrated, with texts and work of o.a.: Edgardo Antonio Vigo, Fr. Gandolfo, Fr. Bonilla, Michele Perfetti, Guillermo Deisler, Maurizio Osto, Jack Seligson, Aquile B. Olivia, Julien Blaine, Richard Kostalanetz, Michael Gibbs, Gianni Bertini. “Ovum 10 es una revista de investigación poética y de difusión de las corrientes de la nueva poesía…” The second era of OVUM 10 was produced as an assembling with (signed or unsigned) contributions by Michael Gibbs, Tim Ulrichs, Mary Harding, Klaus Groh, Robin Crozier, Davi det Hompson, Guy Schraenen, Deisler, Raoul Marroquin, a.o. Black, blue, and red on white and color paper. Wrappers. Staple bound. Includes original art works, rubber stamp art, and collage. Contributions by S. Horn, R. Crozier, N. Baldwin, S. Kiyikawa, H. Zabala, K. Groh, M. Cazzaza, D. Mayor, et al. Edition of 500. Very good condition, light shelf wear, foxing and creasing to wrappers. (No. 3, June 1974 is Numbered 156/500 and signed by Robin Crozier in ink on recto)

64 John Benjamins Antiquariat B.V. 13851-17672A.tif [#17672] P.S. PRIMARY SOURCES ON THE INTERNATIONAL PERFORMING ARTS

Numbers 1-7 (all publ.). London (UK), P.S. Publications Association 1979/81. Large tabloid folded in two, ca 25 pp each issue. Numerous illustrations/photographs, b/w. EUR 1,200.00

Edited by Jean-Claude Masson, Roger Ely, David Dawson, Max Eastley. Magazine exploring and covering ‘live art’, ‘performance art’ and ‘multi media’ activities. Interview with Kenneth Williams, Jimi Hendrix Festival (Paradiso Amsterdam), Jail Warehouse, Whirled Music, Captain Beefheart, Semza Pozcu, Rose Garrard, Monty Python, Anemic Cinema, Eadward Muybridge, Gilbert & George, Geneis P. Orridge Suburband Relapse, Joseph Beuys in conversation with Rob Con, , Adrian Henri, Performance Art (Jeff Nuttall), the I.O.U.Theatre, Jazz in Scandinavia, and much more.

12956-19427a.tif [#19427] PARADISO FOX (Later: FOX; later: THE DAILY LIAR) Nos.1, 2, 3, 4, 5 (complete, all published). Amsterdam, n.d. (ca. 1970)-1971. 16-20 pages, colour printing, 42 x 30 cm; in very good, near mint condition. Complete set, scarce. EUR 1,000.00

Elaborately produced pop and Breebaart; contributions by Balthazar No.3: Full colour issue.the quality of the underground paper, initially published Venet, Hans Bruggeman, P.R.Lawson, paper is better than rthe quality of the in the Amsterdam Popmusic and Jan Swagerman, Eva Bouman, Brother paper. 20 pages; No. 4: “Fozxhole”. Fanny Hippie-Center “Paradiso”, but number Rap Lee, Michael Chapman, Jan Fox Cookbook (Cannabis recipees); 4 published independently as FOX and Swagerman, Steve Fadidson, etc; No. 1, No. 5: “Fox Fux”, The Great Rock N’Roll number 5 as THE DAILY LIAR. Editor: Year 1: Consciousness; No.2 publishes Rip Off; Kabouters National Liberation, J.V.Ricard Vesga, with Bob Rivera, Declaration of Independence of Orange Wet Dreams; Dolle Minas; Suburban Dennis Maguire, Lil Pehrsson, Dick FreeState (Amsterdam Elfencity,1970). Monastery Death, by D.A.Levy

John Benjamins Antiquariat B.V. 65 13007-15878D.tif [#16893] PERFORMANCE ART / LIVE: Performance Art. A periodical of Performance Arts Journal Publications Nos. 1-6/7 (all publ.). New York, 1979-1982. Original pictorial wrappers; oblong (1-2 size 17,5x28,5 cm; nos. 3-5 size 20x28,5cm). EUR 1,200.00

Publishers, editors designer and photographer: Bonnie Marranca, Gautam Dasgupta, John Howell, Johan Elbers, Nathaniel Tielston, Nancy Campbell, Paula Court, staff and contributions by: Robert Wilson, Ken Friedman,Laurie Anderson, Dick Higgins, Eric Bogosian, , Robert Ashley,Charlie Morrow, Jean Dupuy, and Stuart Sherman. Features interviews with Carolee Schneemann, Ralston Farina, an “auto-interview” with RichardForeman.Robert Atkins, Bruce Barber, Ann Sargent-Wooster, a.o. No. 6/7 is a thick number featuring Glenn Branca, with Robert Ashley, John Cage, Dan Graham,Charles Frederick, Sally Randall, Shelly Rice, (Nos. 1-2: Performance Art 1-2; then becoming LIVE nos. 3-5,6/7).

14032-18100a.tif [#18100] THE PERFORMANCE SPACE Numbers 1-14 (all published). Strawberry Hills, Sydney, NSW, Australia, 1994-1997. Orig. pictorial wrappers, 22x21 cm.; small abrasion to front cover of no 9, otherwise all very good, near mint. EUR 1,200.00

The Australian counterpart of ‘High Perfiormance’, issues of ab. 26 pages each, fully illustrated. Edited by Billy Crawford, Angharad Wynne-Jones, Jonathan Parsons, Lynne Mitchell. Contribs. Ny John Baylis, Nigel Kellaway, Shelly Lasica, Derek Dreckler, a.o. ; apparently no sets in libraries outside Australia.

14531-19306d.tif [#19306] PIN UPS Number 1 (all and only published, by TAJIRI SHINKICHI (1923-2009). Barlo (Limburg, The Netherlands) ), april 1968, 21x30 cm, portfolio consisting of 18 loose sheets, of which 14 photographically illustrated, 1 introductory text and 3 signed by Tajiri, contained in the original manilla envelope with 1 title-sheet superimposed on the front. l Number 58 of an edition of 250 handnumbered. EUR 650.00 Colophon page signed by Tajiri (no 58), the photos are part of a series intended for a catalog of Tajiri’s work at the Hamilton Galleries,London and Galerie 20 in Arnhem.

66 John Benjamins Antiquariat B.V. 13503-16977A.tif [#16977] Ine POPPE. (Mothermilk cheese/ Moedermelkkaas) Three photographs on baritepaper (photographs by Jetty Verhoeff). Signed by Ine Poppe, in cardboard mounts (each one out of 3 impressions). TOGETHER WITH: the artists book: 40 pages on 20 loose sheets, as issued. Booklet detailing and informain about the project, signed. Amsterdam, no date (ca. 1983) EUR 2,500.00 The artist-journalist Ine Poppe becomes an international sensation because of her art-project “Mothermilk Cheese”. She fabricated cheese from her own mothermilk and named it “Le Bébé Hollandais”., with designed packaging. This created considerable publicity in the local and international press, and it even made it on Japanese television.

13550-17051.tif [#19419] POPPETGOM: Theater Scarabee Amsterdam, published by Octopus Foundation, 1970. Large tinplate oil can containing a catalogue and an inflatable yellow plastic cushion. Oil can made by Thomassen & Drijver-Verblijfa in Deventer. Catalogue: 224 pp., paperback, illustrated throughout. EUR 1,000.00 Designed by Jan van Toorn in Amsterdam. Play composed and produced by Adri Boon, Raf Thunnisen and Jan van As; text by Lucebert; directed by Adri Boon. The premier of the avant-garde stage production “Poppetgom” - similar to a “Happening” - took place at Studio Scarabée, an experimental theatre founded by the painter Adri Boon, before being shown at the Stedelijk in Amsterdam and then being adapted for television. The book is made up of photographs of scenes, pieces of dialogue, collages and illustrations, and contains numerous socio- political connotations involved in the techniques of “Happenings”. The catalogue is concealed inside the tinplate oil can. It is very rare to find an item like this, in its original state with the can unopened.

John Benjamins Antiquariat B.V. 67 14439-19020a.tif [#19020] PRAXIS Nos. 1-6 (all publ.). Chicago, Jackson Gray, 1979-80. A complete run, 6 issues published in various sizes, with numerous photographs of rock and punk music scenes, also design advertising. EUR 4,000.00

A short-lived art, music, and design Music, Pere Ubu, the Cramps, Robert recto/verso, 88x112 cm., folded to 28x22 magazine with a New Wave and Punk Fripp, Jonny III, Tuxedo Moon, Peter cm., , with only very light wear over the aesthetic that came out of Chicago in Murphy, etc There were only 6 issues, folds, in excellent condition. Not dated 1979-80, and was hardly distributed each one in a different format. -No. 1 but in the right corner is printed “Parxis outside. An experimental magazine June 1979 (30,5x30,5 cm) 50 pages, spine 4, Decade Dispatch, Homewreckers publishing a mix between pop culture, stapled in blue/red cover (very lightly Calender, Road Map to1980”. - No. 5. high art, fashion, poetry and punk shaven). b/w photographs. - No. 2 March 1980. 35,5x27,5 cm. Red/yellow music. Articles and interviews on music August/Sept. 1979. (25,5 x 25,5 cm) 60 cover, 60 pages, with 4 loose sheets extra. groups. profiles on fashion designers pages, green cover, spine a bit worn, Excellent condition. - No.6. Nobember Elio and Thierry Mugler, otherwise very good. - No. 3 Dec.1979. 1980. A white card portfolio of 96 contributions from poets Jerome Sala, Oblong, 20x30,5 cm. 96 pages. Dark- unbound sheets with 4 pages added Elaine Equi, Gerard Malanga, and red/green cover. With fexidisk (Robert (spine a bit worn); with a vinyl 45’record photographers Michael Weinstein, Bill Tripp) and with the original Small (Big Clock Music). It was not distributed Edmundson, Alan Bass, Jim Elliott, etc. pouch of BLUE HAIR. Fine condition, outside of Chicago and print runs were Music groups include 8-Eyed Spy, Gang still in the original plastic mailing relatively small, very rare. of Four, the Buzzcocks, B-52s, Roxy pouch. - No. 4 Poster, printed in colour,

68 John Benjamins Antiquariat B.V. 14539-19327a.tif [#19327] PROVO. Blauwe Maandag. Omdat mijn huis daar stond. Albert Blitz, Loe van Nimwegen (compilation and lay-out) - Blauwe maandag. Omdat mijn huis daar stond 24 maart 1975. Een verslag in fotoos van de gebeurtenissen die dag in de Amsterdamse Nieuwmarkt - (Amsterdam), Aktiegroep Nieuwmarkt, no date (1975) - 1st edition (1000 copies) - 64 pp. - Paper wrappers - Size: 14 x 20,5 cm.

Rare ‘Provo’ book. Good condition. EUR 450.00 Famous small photobook., throughout illustrated (56 photos). Photographic contributions by Pieter Boersma, Vincent Mentzel, Roberto Peeters, Wim Ruigrok, Rob Stolk, Dolf Toussaint, Gerda van Veen, Hannes Walrafen and Koen Wessing. In Parr & Badger, vol III, pages 68, 69. And in ‘Het Nederlandse fotoboek’, Gierstberg a.o. page 175.

[#18789] PROVO - ORANJEVRIJSTAAT- KABOUTERS

14149-18789a.tifImportant collection related to Kabouters (the successors of Provo) and Orange Free State, and the municipal elections in Amsterdam, with victory of the Kabouter Party. EUR 2,500.00

John Benjamins Antiquariat B.V. 69 Quite rare ensemble as follows:

ORANJE VRIJSTAAT. A: - Interesting group of ab. 16 stencilled illustrated D: a file with newspaper clippings of the debates PAMPHLETS AND HANDBILLS related to the between Roel van Duynn, Ton Regtien, Rob Stolk. Kabouters and the Promotion of the Kabouter Party E: - ORANJE VRIJSTAAT POSTAGE STAMPS. - for the municipal elections and for the other Oranje Vrijstaat. First Day of Issue, 20 juni 1970; Kaboutercities (some illustrated). Includes 6 flyers/ envelope met zegels en stempels, 10,3 x 23 cm - Oranje handbills stencilled in Red on white paper as election Vrijstaat. Boycot de Volkstelling, 15 januari, 1971; propaganda for Kabouter Party. enveloppe met zegels en stempels, 10 x 18,9 cm. B: - 6 publications related to Kabouters/ Orange Free F: - POSTERS: State: 3 issues of FIZZ, organ of the Free State in - “Er gaan veel kabouters op één zetel” (poster, 27x44 North-Holland; Kabouter Prikkrant, No. 1; A script of cm., n.pl., n.publ., 1965) - “Zonder jou gaat het niet. a Radio Broadcast regarding the Provo movement Stem maar lijst 10 oranje vrijstaat” (poster, 28x44 cm., and Kabouters, 1 Oct.1972. Het Blije Volk. 4. n.pl., J. Baas, ±1965) - “Zij hebben hun tong gescherpt Rotterdam Kabouterstad. (Oranje Vrijstaat Rijnmond). als een slang, ander vergif is onder hun lippen. Psalm C: - a file with ab. 35 various stencils related to the 140: 4” (poster, 62,5x42,5 cm., Amst., Polak & Van Kabouters operating in the Municipal Council. - Gennep, 1967). Informatie Bulletins 2, 3, 4, 6, 7. Each ab. 8-12 pages, stencilles, stapled (Published by Kabouter Informatie Centrum), and -Toneelnota. Aan de Gemeente Amsterdam. (publ.: Kabouter Vrij Pers). - Soft Drug Nota. Amsterdam Kabouterstad. 26 pages stapled in wrapper.

70 John Benjamins Antiquariat B.V. 9458-16484A.tif [#18776] PROVO (MAGAZINE). (Occasionally subtitled ‘Provo-Anarchistenblad’). Nos. 1-15 (all publ.). Amsterdam, June 1965-April 1967, together with: Extra Bulletin AND the special Provo-rubber stamped edition of ‘In Dienst ‘(cover with the Banner). Tall narrow 4to, mimeographed, illustrated with political cartoons. All issues unbound and untrimmed, in original wrappers, stapled or with tape in the spine, as issued. In generally good condition, with light soilage, some paperspotting, dogears and browning. Top and bottom of spine and fly-leaf of the first number repaired, edges of frontcover with light damage, and the page with the “explosive”cap has a small hole in it, but the cap is present (although exploded, the previous owner hit it with a hammer, which is the cause of the small paperloss). ADDED: promotional leaflet/small sized poster “Provo is uit! “ (Provo has appeared). EUR 3,800.00

Complete set (all in the original first Peter Bronkhorst, Roel van Duyn, Rob publication of the Defense Ministry edition) of the journal published by the Stolk, Constant Nieuwenhuys, Bernard for distribution to the soldiers; Provo Amsterdam Provo-movement,. Several de Vries, Luud Schimmelpenninck, rubber-stamped a number of these as numbers were banned or confiscated by Duco van Weerlee, Hans Korteweg. ‘Provo Special Edition”, the police. Illustrations are by (Bernard) etc.; The special edition “In Dienst”is WILLEM (Holtrop), contribs. include quite rare; it is an issue of the official

John Benjamins Antiquariat B.V. 71 [#18887] 14161-19029.tif PROVO (MAGIES CENTRUM AMSTERDAM) - INSEKTEN SEKTE and DESKUNDOLOGIE INSEKTEN SEKTE (The Insect Sect); MAX RENEMAN: The Magical Provo. Initiator of the Insect Sect and the Expertology Lab. A collection of original documents and art work by Max Reneman. EUR 10,000.00

A).The Butterfly Opera and the Insekten Sekte. Poster B). The text and musical score of the “Vlinder Opera”, on “Moeder, wat is er mis met deze Planeet ? Tentoonstelling 3 sheets stencilled on white paper, b/w. 4to size. Together georganiseerd door Werkgroep V.U…in de Biologische with the VERY RARE recording: An LP inoriginal plain Faculteit der V.U. (Free University) 19 september-13 oktober white sleeve, with enclosed a sheet of stationary of the 1969, with: Insectensecte: Vlinderopera, Resistentieorkest, etc. Deskundologisch Laboratorium with the content of the 62 x46 cm. In perfect condition, only small chip from right disk (1 sheet, a few fold and a tiny closed tear at the bottom). upper corner. The Butterfly Opera recorded, together with recordings of pieces of music, poems, interviews, and other sounds by people who played a role in the 60’s Provo movement in Amsterdam. Collaborators were: Jasper Grootveld, Theo Kley, Max Reneman, Karel Alphenaar, Marte Benders, Zuster Clara, Else Krieg, Chaim Levano, Huub & Joost Mathijsen, Kunstspelpiano Steck. Also collaboration of Het Amsterdams Ballongezelschap or de Nieuwe Zotten. Comes in the original white paper sleeve. Contains the tracklist, and a 1930-photograph of the young Dutch queen Juliana and her husband Bernhard.

72 John Benjamins Antiquariat B.V. Tracklist A1 Tsjaikowsky (Uit Everybodies B1 Er Was Een Tijd (Why Do You Cry Favourites) Butterfly) A2 Denkend Aan Holland B2 Indianola Written-By – Onivas*, Henry* A3 Phryasland B3 Zielkundologie A4 Amsterdam B4 Doremi, D.D.T., Wit A5 L’Elisir D’Amore B5 Si Vous L’Aviez Compris Written-By – A6 Downtown Written By – Middleton Denza* A7 Milieu Verveling B6 Mother There Is Something Wrong A8 Moeder Waar Zijn De Vlinders (Moeder Wat Is Er Mis Met Deze Planeet) Henen B7 Cavatine En Versjes Written-By – Raff* B8 Stars And Stripes Composed By – Souza*

C). Sketchbook of Max Reneman. 32,3 x 23,5, stiff beige wrappers with spiral binding. Schetsbook printed in red, with several ink drawings of Butterflies and Dragonflies on the front and 5 full sheets with ink drawings still attached to the piral-spine. With loosely inserted 6 other studies, drawings and watercolours ( 4 b/w and 2 colour).

D). 5 WATERCOLOURS BY Max Reneman, - 1 study on a sheet of 65x50 cm, Iimage 32x20,5 in blue/white and greay, with ab. 20 times the original stamp of “insekten Sekte”, - 1 full colour watercolour of a sitting man in a fantasy chair. Signed Max Reneman - 1 full colour watercolour on sheet 34 x 21.5 , with original stamp of “Insekten Sekte”. - 1 full colour watercolour 50x40, depicting a Fantasy raft with chairs and an “Insect shaped sail “, clearly by Max Reneman, not signed. - 1 full colour watercolour, 23x31 cm, depicting a fantasy bird/insect, flying over a sea, with text in pencil “en zal dit beeld verdwijnen dan besta ik niet”.

John Benjamins Antiquariat B.V. 73 E). A sequence of 5 original photographs by Chiara (the artists daughter) showing how to rescue oneself: Typed text on stationary of “Deskundologisch Laboratorium” (The Expertology Lab.). “De Waalfiets. Gevonden op 1 januari 1972 op het Waalstrand bij Nieuwwaal aan de Waal: a large plastic bag as a raft, found near the river, nylon panties filled with styrofoam and a selfmade sail. Text handwritten in pencil experiment succeeded and another of the sunken raft, experiment failed. A loose photograph: “floating body and head”.

14161-19063a.tif [#19063] INSEKTEN SEKTE John Lennon en Yoko Ono: -Bed Peace, Hilton hotel. 2 b/w photographs. Later inkjet-prints on Fujicolor Crystal Archive Paper with blindstamp and signature of Nico Koster. Each 33 x 48 cm. - EUR 600.00

14161-19029.tif [#19029] INSEKTEN SEKTE Historic photo of the ‘Magical Provo’ Max Reneman. Photographer: JARING, Cor (Dutch 1936). Max Reneman in white lab coat with gas mask and stethoscope as leader of the Sect of the Insects’, 1969. Gelatin silver print, with copyright stamp of Cor Jaring (on the reverse). Some wear and creases along the margins, foxing spots throughout. Dimensions: 29.7 x 24 cm. EUR 1,500.00 In this outfit Max Reneman visited John Lennon and Yoko Ono in their room in the Amsterdam Hilton to appoint them as honorary members of the ‘Insektensekte’ and hand over the Butterfly flag, together with Huub Mathijsen and Theo Kley, members of the ‘Sect of the Insects’. This photo is taken during a happening in Amsterdam. Artist or Maker: JARING, Cor (Dutch 1936) Provenance: From the estate of Max Reneman

74 John Benjamins Antiquariat B.V. 14460-19064i.tif [#19064] PROVO- PHOTOGRAPHS- Henk J MEIER Collection of 9 original b/w photographs, all 14,7 x 10,5 cm, of which 7 photographs of Provo actions and protests around the statue “Het Lieverdje” (Spui Amsterdam) and 2 of the Ant-Vietnam Protests on Dam square. All stamped on the backside “Copyright Candid Pix Press Service, Amsterdam” and each with handwritten explanatory texts by the journalist Henk J. Meier. EUR 1,800.00

Explanatory handwritten texts on the rearside of the photographs in free(abbreviated) translation : - Provo’s white bicycle happening - Striptease of Provo puber/ painter - Provo pubers + retarded pubers painting bicyles with white paint - Provo assembly around “Het Lieverdje” chased by the police - Saturday night demonstration around “Het Lieverdje”, coughing the Ugh-Ughe and carrying flowers - Fight with empty vegetable cans - Provo’s (or “Nozems”) marchuing with red Image banner - Picture of poster & pamphlet from the Provo riot, Roel van Duyns anarchists, 4 were arrested, and the “Klaus Pampflet”, censored picture of Bernhard - 2 photographs of demonstration on Dam Square 6 Aug 1965 commemmorating 20-yers ago A-bombs on Japan,and commemoration meeting in Krasnapolsky (De Derde Weg; Kerk & Rede; Pacifist group Pax Crhtisti, Young Socialists”, etc.

John Benjamins Antiquariat B.V. 75 14111-18231.tif [#18231] PROVOKE. Subversief Anarchistenblad. Provoceer !!! (Provo Den Haag) September 1967. 21,5 x 14 cm, 8pp. (all publ.). With illustrations; spinestapled. EUR 350.00 Unsigned articles. (Edited by G.C.Kuntz). Address: Postbus 667 Den Haag. Rather violent text, and a design for a timebomb. “Demonstration against the Minustry of Defense. Against the murder of the individual.” Rere publication of the Provos in The Hague.

12753-15389A.tif [#15389] Erwin PULS. Collection. Collection of rare Puls items as follows: - Erwin Puls in Schaffhausen. Der Karton enthält Drei Fotos von WOLFGANG RADECZKI. Einern Pressespiegel, eine Verfügung, eine Kritik der Ausstellung in Zürich. Die Begründung der Iterpellation “Verbot der Ausstellunbg”vom 7.11.1989 im Grossen Stadtrat Schaffhausen. Contained inplain cardbooard box, (28 x 342 cm). Numbered 1 (of an edition of 6) and signed by Puls. The three photographs individually signed by Radeczki. Herbstpresse Wien, 1990.

Together with: phographs and clippings. 13,5x10 cm; orig.pict. - Schaffhauser Bürgerposse. Aufgezeigt anhand der wrappers with dustjacket. Pressemeldungen anlässlich des Verbotes der -Puls. Der klare Blick, das wahre Wort. 8 journals, Ausstellung “PUL”durch den Sgaffhauser Stadtrat. tabloïd size, dated Sonntag den 18 April - Sonntag den - Ein Puls ! Aufzeichnung einer Kunstauktion in Wien 25. April 1982. Morgenausgabe. Folded and kept in 1972. Ein Puls! Gespäche über den Tod. 2.verbesserte orig. Portfolio, no. 17/300 signed by Puls. Auflage. Orig. Wrappers. With photographic ills. - Puls. Im Herrenzimmer. Freibord Sonderdruck 9. - Pul für den Imtimbereich. Roman. Nicht vor der Wien, 1984. One of 500 numbered copies. Jugend oder sonst EUR 1,000.00 sittlich unreifen Erwin Puls, born in 1939, studied 1962-1964 in Düsseldorf Personen öffnen. 1.-2. with Joseph Beuys. He became noted as promotor of Tausend. Kunsdtanstalt “pornographic images”; Some of his exhibitions closed by ‘Der Puls’Wien, 1975. Ca. the authorities (as the one in Schaffhausen). .Editor of the 120 unnumbered pages “Puls”Zeitung (as offered here). with reproductions of

76 John Benjamins Antiquariat B.V. [#18835] QUADERNI DI ‘TECHNE’ TEATRO: Vol. 1 & 2 : Quaderno No. 5 and Quaderno No. 14. Stapled between orig. Wrappers; 31,5x21,5. Firenze, Techne 1970. 2 volumes. Loose mimeographed and printed sheets, text and illustrations. Some chipping and nicks around top and bottom of cover. EUR 1,600.00 Edited by E. Miccini. Published alongside the assembling periodical TECHNE from the Centro Techne (founded in 1969). Contributions on Artist Theatre, by Patrizia Bonifazi, Achille Bonito Oliva, Jean François Bory, Giusi Coppini, Ketty La Rocca, Lucia Marcucci, , Luciano Ori, Michele Perfetti, Lamberto Pignotti, Sarenco, Gianni Toti, Franco Vaccari, Ben Vautier,. Chiari - L.Ori , S.Bussotti , M.Perfetti ,L.Marcucci ,U.Carrega , V.Accame.

12995-15866.TIF [#19126] RADICAL SOFTWARE Nos. 1 - 4. New York Spring 1970 - Summer 1971. (each 6-8 double sheets of 57x36 cm for the first 3 numbers , no 4 39,5x28 cm. , 3 + 24 + 16 pages , in original cover by . Library stamp (ex New Mexico Univ) on nos 3 and 4 , else in excellent condition,with only very moderate wear on the edges. - together with: No 5. New York, Gordon & Breach. 1972. 120 pages, 30x22,5 cm., orig.pictt.wrappers, paperback , light to moderate wear to corners and edges(on cover: and The Realistic Hope Foundation. -together with: -Volume 2, number 1. New York: Gordon & Breach, Science Publishers, Inc., 1972. Quarto, 72 pages, illustrated throughout. Illustrated wrappers by Ira Schneider. Discreet trace of tape on top front wrapper + former library stamp on title page, otherwise fine. -Vol. 2 no 2. New York, Spring 1973, (30x23 cm). 64 pages; stapled. Orig.covers (somewhat yellowed). EUR 2,800.00

Together 7 consecutive issues (from Korot & Ira Schneider “A celebration 11 published in total). The very rare of 1950s and 60s broadcast Television. original edition of this early video Chronicles the careers of Dennis James art publication, edited by Beryl Korot, and Bill ‘Gray. This issue, from the Phyllis Gershuny, Michael Shamberg. minimal front cover to the off-screen No.3: “Grassroots Television”, titlepage image of Tex Antoine on the back cover illustrated by Andy Poynor, No. 4 edited has an informational conceptual art by Beryl Korot with Megan Williams: look”. On the editor: “ Beryl Korot is “Raindance”, cover illustrated by Ant an internationally exhibited artist first Farm. All 4 numbers with contributions known for her early pioneer work in of Ira Schneider. With No. 5 of vol. 1 video art, and for multiple channel work the periodical switches to commercial in particular. She was co-founder and distribution by Gordon & Breach (1972) co-editor of Radical Software (1970), Editors: Dudley Evenson, Michael the first publication to document artists’ Shamberg, assoc.editor Beryl Korot work and ideas concerning video…..” Vol. 2 no 1:Changing Channels.. Vol.2 Publication continued till vol. 2 no 6. no 2: The TV Environment by Beryl See: Gwen Allen, p.289

John Benjamins Antiquariat B.V. 77 14472-19094a.tif [#19094] DIE REIHE. Periodical Devoted to Developments in Contemporary Music. Bryn Mawr: Volumes (nos)1-8 ( all publ.). Theodore Presser in Association with Universal Edition, 1958-1968. 8vo, each volume an 8vo bound in printed wraps of varying colors, by the Austrian designer Willi Bahner. Spines a bit worn, with reading creases and some light chipping to paper, and creasing to the wraps, but otherwise a sturdy, very good set. Scarce complete. EUR 2,000.00

All issues published of the first English language edition of one of the most important new music periodicals of its time, which began publication in German in 1954 out of the circle of composers which coalesced around the Nordwestdeutscher Rundfunk (NWDR). The covers are brilliantly and minimally designed in a variety of hues by the unheralded but important Austrian designer Willi Bahner. The contributors are largely European, though John Cage offers several important texts. The periodical was the most important English language source of information for European experimental and serial music, though this English language version was often contentiously received by English language readers. The periodical came to an end after a falling out between the two editors, with the epic issue no. 8. To the credit of the periodical, one of the most bitter attacks on the magazine was published in die Reihe itself, an attack on work by Stockhausen by the Dutch physicist Adriaan Fokker - a fitting coda to a provocative and contentious periodical. Each issue was devoted to articles on a particular theme. No. 1 - Electronic Music, No. 2 - Anton Webern, No. 3 - Musical Craftmanship, 4. Young Composers, 5. Reports Analyses, 6. Speech and Music, 7. Form-Space, and 8. Retrospective. More detailed contents on request.

78 John Benjamins Antiquariat B.V. 9924-17340.tif [#17340] ROMAN HIGH ROMA SOTTO. Later FALLO!. Anno I, numero 1- 3, n.d. (1971 - 1973) - (3 of 6 published, there was also a 0 - number!). In generally good condition (detail below). EUR 1,200.00

--numero 1: - happenings in-off-beat-sexy-underground-crazy-free in Italian- english every two weeks-quindicinale. octavo, 48 pages, numerous illustrations, printed in several colors. Illustrated wrappers, in good condition.. With attention for, film, music and “WHAT’S ON” in Rome. Articles on pink floyd, chicago, women’s lib, drugs and revolution + a two page cartoon by crumb. --numero 2: - milano sotto / underground / comuni- communes / rock / erotic cinema / cartoons. Small folio, 15 pages printed in several colors with numerous illustrations. Small closed tear in right margin of front page.. Articles on uriah heep, pink floyd, andy warhol, a double page cartoon by crumb, women’s lib, james bond and info on milano’s underground. --numero 3: - sesso - 10 domande a una virgine Italian / droghee - quello che nessuno vuole dirvi / rock - un anno di Rock in Italia - poster / rivoluzione - se un movement deve nascere. Small fl folio, 15 pages printed in several colors with numerous illustrations. Some wear on the right upper edge. With articles by: dr. Hippocrates on soft and hard drugs and an article on the clitoris. An article o magic and info on what’s on in London, Amsterdam, Milano and Savona.

10149-18695b.tif [#18695] S.M.S. Bi-monthly portfolio. New York: The Letter Edged in Black Press, 1968. A set of Volume 1-6, in six 6 portfolios (all-issued) containing 73 artist’s multiples, each housed in artist designed envelope, with each portfolio housed inside original cardboard mailing folder printed with the press address. Edited by William Copley. See: Gwen Allen, Artists’Magazines,p297 Note: Set is complete including the rare original reel to reel tapes by Terry Riley and La Monte Young and the Yoko Ono piece contains the original broken ceramic pieces. EUR 6,000.00

John Benjamins Antiquariat B.V. 79 Six folders of 73 loose multiples and printed matter; each in artist designed envelope. Each envelope is housed inside original cardboard mailing folder printed with the press address. The contents are in very good to excellent shape, also the folders in fine condition, and the mailing folders in excellent condition (only small stain on outside of no2). Because many of the objects are printed pieces of paper of odd sizes that are often folded to fit into the folded artist designed envelope, some “condition problems” naturally occur. Often objects sit next to other odd materials, so some creasing, wrinkling, impressions, etc. were unavoidable. List of contents on demand.

80 John Benjamins Antiquariat B.V. 10042-18802.tif [#18802] SCHMUCK. (Editors: David Mayor & Felipe Ehrenberg). Cranleigh & Mexico, Beau Geste Press -Libro Accion Libre. Nos. (1)-8 (=last). Beau Geste Press/Libro Accion Libre, Devon, U.K. & Mexico, 1974-1976. All in original pictorial wrappers, unpaginated; 29,5x21 cm. ( No. 1). Schmuck presents Real Schmuck. March 1972. (No. 2). Icelandic artists. July 1972, (No. 3). Hungarian Schmuck. March/April 1973. (No.4). Aktual Czechoslovakia Schmuck. (1963-1972). 1974. 4to. Original wrappers. No. 5: 1975. General Schmuck! Typo-pictorial card wrappers designed by . Edition of 550 copies. No. 6: French Schmuck. November 1975. 4to. Pictorial wrappers, double bound, mimeograph, offset, collages, etc. Edition of 550 copies. No. 7: Teutonic Schmuck. December 1975. 4to. Original wrappers. Edition of 400 copies. No. 8 (Final issue). Japanese Schmuck. Spring 1976. 4to. Original wrappers. Edition of 500 copies. Contributions by Saito, Shiomi, Takahashi, et al . Added: H. Yoshida, “1971.7.4:p.m. 2:00-4:00”. Some paperspotting in no 1 due to paper qualiy, otherwise the set in excellent condition, EUR 7,000.00 Extremely rare complete set of this artist/Fluxus periodical by Beau Geste Press, edited by David Mayor and Philippe Ehrenberg. Composed of printed multiples, object-inserts & tipped-in pieces by the contributing authors and artists.

• (No. 1). Schmuck presents in various colours. Contributors: Chopin, M. Lemaitre, J. Le Gac, M. Real Schmuck. March 1972. 64 Gabor Attalai, Imre Bak, Istvan Balint, Broodthaers, C. Boltanski, M. Alocco. unnumbered pages, between Laszlo Beke, Peter Donatgh, Miklos With additional booklet: Ben Vautier’s illustrated wrappers, kept together Erdely, Peter Eötvös, Tibor Gayor, “Me Ben I Sign”. in the spine with 1clamp, the second Béla Hap,Agnes Hay, Tamas Hencze, • No. 7: Includes contribs. by Dietrich clamp replaced by tape. Includes G.Jovanovicz, Gyula Konkolty, Peter Albrecht, Bulkowski, K. Groh, R. several inserts and additional artwork, Legendy, Peter Lajtai, Janos Major, Hannes, M. Kunz, etc. W. Feelisch, L. Mimeographed in various colours. Dora Maurer, Gyula Pauer, Geza Gosewitz, D. Iannone, Hans Werner Contributions include: Yael & Felipe Perneczy, Tamas Szentjoby, Endre Tót, kalkmann, Milan Kunz, W. Vostell Ehrenberg, Chris Welch, David Peter Türk, Janos Urban. a.o. . W. Feelisch, L. Gosewitz, D. Mayor,Jim Parker, Marc Chaimowicz, • (No. 4:) January 1974. Selection Iannone, Hans Werner Kalkmann, Hammond Guthrie, Richard Kriesche, & design by Milan Knizak. 60 Milan KunzW. Vostell a.o.l. Complete Michael Gibbs, Carolee Schneeman unnumbered pages, printed in b/w with added booklet, held in a pocket (from Parts of a body house), Nilan and red, copyright Aktual CSSR, on the back-wrapper: K. Groh’s, Art Kunz, etc. texts,photos,drawings,ideas by impressions. USA and Canada • (No. 2). Icelandic artists. July 1972, Sona Svecova, Helena Popisilova, • No. 8: Edited by Felipe Ehrenberg, 50 unnumbered pages + collage. Robert Wittmann, J.Patocka,Zdenko and David Mayor in conjunction Paperbound in orig. wrappers. Zizkova,Jan Maria Mach, V.Korejz,M. with guest editors Taii Ashizawa Mimeographed. Including Marik,Milan Knizak. and . This number photographs, artwork,etc.. • No. 5: Contributions by Dick Higgins, devoted to works by Japanese Contributors including Kristjan Michael Gibbs, Felipe Ehrenberg, Fluxus and affiliated artists. Includes and Sigurdur Gudmundsson, Hrein Robin Crozier, Jiri Valoch, Takako tipped-in pieces on tissue, wax and Fridifnnsson, Hlif Svavarsdottir. Saito, a.o. With additional booklet: reflective paper, as well as cut-outs. • (No. 3). Hungarian Schmuck. March/ The Intermediary: The first lecture”. Contributions by Saito, Shiomi, April 1973. 78 unnumbered pages, • No. 6: Put together by Jean-Clarence Takahashi, and others. Includes including artwork, collage,cutouts. Lambert; includes contribs. by Ben additional booklet: H. Yoshida, 1971. photographs, etc.; mimeographed Vautier, R. Filliou, C. Dotremont, H. 7.4: p.m. 2:00-4:00.

John Benjamins Antiquariat B.V. 81 14215-18444a.tif [#18444] SEKIGUN. (The Red Army) Pamphlet No. 3 (all and only published). Special issue, manifest poster-journal. Tokyo 1972 (Bureau of Pornography of the Kansaigakuin University). 1 sheet of off-white newsprin (56x42 cm), printed recto/verso in red. Text and illustrations, text in Japanese, with occasional english words in latin letters. Issued by Nagata Hiroko and Takita Osamu. EUR 1,600.00

In the 60’s/70’s the Kansaigakuin University was the breading ground for student activism of various directions: Zenkyôtô, Zenagakujichi, Seikyô and Sekigun (Red Army, which was the most active). At the culmination point of the struggles it seems that the Red Army students had pressed the editorial office of the University newspaper to print this parody with the logo of the Red Army replacing the official logo and to place the name of the Red Army in large print on the front page. This was similar to the logo of the journal of the Japanese communist party Akahata (The Red Standard). Special issue on Drugs, Mind Liberating Plants, Green Revolution. (On the front page in capitals: Drug Freegras). Marijuana and LSD were the keywords for mental freedom, and here a guide is offered how to cultivate and fabricate it, and they advocate free distribution all over Japan. The picture of the love-making couple placed over a large image of a marihuhana leaf on the front page went too far for the authorities, the partciipants were arrested and the journal was forbidden.

12943-15781.tif [#15781] SOMETHING ELSE GALLERY- POSTERS VOSTELL: Poster for Exhibition DOGS AND CHINESE NOT ALLOWED. Exhibition of Notations and Erasures of the Happening at the Something Else Gallery, May,28 through June 8th,1966. Opening of the Exhition May 27th…; Dé-coll/ ages-Happening at 9:oo pm. WOLF VOSTELL. Printed in purple on off-white stock. Size (h/w) 54x75 cm, folded to 13x19 cm for mailing. Mint condition. EUR 500.00 Text by Vostell, with plan of the subway and one drawing. - The happening, which lasted 14 days, took place all over New York and used the entire subway network. On the backside a full list of publications distributed by for Typos Verlag such as Vostells Dé-coll/age nos 4 and 5, and others.

82 John Benjamins Antiquariat B.V. 12943-19169.tif [#19169] SOMETHING ELSE GALLERY- POSTERS ANNOUNCEMENT POSTER: Announcing the Something Else Gallery, New York City. Poster on thick offwhite paper, 55,5 x 75,5 cm., folded to 18,5x 14 cm. Published by Something Else Press, Inc. “Object Poems” April 16th to April 27th, 1966. Opening: April 15th, 8:00 to 10:00 PM. Printed in green on lightly green tinted thick paper;very light soilaged and tiny chip to one corner, nevertheless a very good copy. EUR 500.00

With a listing of the artists: George Brecht, Robert Filliou, Ian Hamilton Finlay, Peter Green, Al Hansen, Dich Higgins, Diter Rot, Gertrunde Stein, Wolf vostell, Emmett Williams.

14551-19363a.tif [#19363] STASH- File related to INTERNATIONAL CANNABIS LEGALIZATION - STASH. Number 1 (all publ. ?). Legalize Cannabis Picnic . Sarurday May 12th (1979?/1980?). Speakers Corner Hyde Park. 36 pages, 4to.; cover in red and green. Text mimeographed. With many illustrations. - NORML: The Marijuana Issue. National Organization for the Reform of Marijuana Laws. Washington. Pamphlet of 18 pages, stapled in wrappers. And a letter with official letterhead by Icar Administration Together with Marijuana,The Facts. Brochure Jan. 1979 -ICAR: Int.Cannabis Alliance for Reform. News letter. Together with Agenda for the “1st International Cannabis Legalization Conference. Amsterdam, Feb, 1980 (The Kosmos). -A Guide to Britisdh Psilocybin Mushrooms. By Richard Cooper. 1977. Hassle Free Press, 32 pages + wrappers. EUR 800.00

-Edited by the “Smokey Bears”., All contributions under pseudonym (Bear). Much information on Marijuana, also many pictures and ddrawings. - Brief legal history of Marijuana; Marijuana Usage Today; Dangeous to use ? Legal options etc., Documents of NORM and ICAR. Plus 4 issues of HOME GROWN with invoice on their Lettarhead Paper.

John Benjamins Antiquariat B.V. 83 10293-15338.tif [#15338] SPANNER Nos. 2 - 14, 16, 17, 19, 20 (+ Supplement to no 20), 21. February 1975 - April 1981. (1975-1981. 16 issues) -Together with: A Spanner Special: A PAINTING. London (UK), Spanner 1981. (Printed by Allen Fisher): 25x19,5 cm, stapled, unpaginated. Thermostencil. CLOTHES a Spanner magazine Special issue London: Spanner, 1983. 30 x 21 cm 130 pp stapled into paper covers. EUR 1,600.00 Published and edited by the Fluxus poet and artist Allen Fisher. Verse and found poetry from this artist, writer, and publisher. No. 14 American Strange: SIGNED and dated (1979) by author Porter to title page.

- No. 2 Martin Thom ‘Ironwork’ - No. 9 Dick Higgins and Eric Mottram Michael McClure’ - No. 3 Various artists ‘FLUXUS ‘Call it ‘Something Else’’ and new work - No. 17 J. Christopher Jones ‘How my FLUXSHOE FLUXES’ by Higgins thoughts about design methods have - No. 4 David Miller ‘Developable - No. 10 John Welch ‘A Tale of Peter and changed’ Surfaces’ other poems’ - No. 19/20: No. 19 ‘Speech Poetry’ issue, - No. 5 Ken Smith ‘Wasichi’ - No. 11 Clive Bush ‘Muriel Rukeyser: the edited by Allen fisher incl. Paul Buck, poet as scientific biographer’ Pierre Joris, Eric Mottram, Lawrence - No. 6 Bill Sherman ‘Frazier Ali, Licence Upton, A.J. Bassett - No. 20 E.E. Vonna- to Dream’ and ‘Like James Dean’ - No. 12 Colin Simms ‘Humility’ Michell ‘A Reinhold Placed Near’ - No. 7 Various poets, artists, musicians - No. 13 Eric Mottram ‘Elegy 15: Neruda’ - No. 21 Anthony Barnett ‘Forest Poems (editor not named) ‘CRUST’ - No. 14 Bern Porter ‘American Strange’ - No. 8 Phil Maillard ‘Keeping Still’ - No. 16 Kevin Power ‘Conversations with

10346-17629A.tif [#18662] STEREO HEADPHONES. An occasional magazine of the new poetries. Nos. 1, 2/3, 4, 5, 6, 7, 8/10 (all published)., ALL (except no 1) in DE-LUXE EDITION OF 12to15 COPIES (from an edition of 500). Kersey, ‘Church Steps’, Spring 1969 - 1982. Original (partly illustrated) wrappers (8vo, expanding to 4to). With the record to number 8/10. Added: 2 letters from the editor (laid into no. 1). EUR 10,000.00

84 John Benjamins Antiquariat B.V. • No. 1: (24 pages + wrapper). With • No. 5. Winter 1971.The next visuel & • No. 7. Spring 1976 In-8 [18,7 X 25,5 contributions by Stephen Bann, photo poetries of Japan In-8 [19,5 X cm.] [56] pages and 3 orig horstextes Thomas A.Clark, Dick Higgins, Anselm 26 cm.] [36] pages and 3 hors-textes. (incl. cover) Cover illustrated by a Hollo, Robert Lax, Edwin Morgan, Cover illustrated by Okasaki Katsuhiko, photopoem by Kitasono Katué, signed B.P.Nichol, Jiri Valoch, Charles Verey, signed and numbered on back cover and numbered by Nicholas Zurbrugg Pedro Xisto, Nicholas Zurbrugg- by Nicholas Zurbrugg. -One of 15 on the cover. This one of 15 copies on • No.2 & 3.Spring 1970. The new french copies printed on “hand made paper” handmade paper imprimés sur “hand poetries-The death of concrete. including a reversible work by Dom made paper” containing a photo In-8 [14,5 X 23 cm.] [36] pages and Sylvester Houedard, a poem by Ernst poem in colour by Kitasono Katué, a 2 horstexts (incl. cover) signed by Jandl, a lihographs by Maurizio handwritten poem by Robert Lax, a Nicholas Zurbrugg. One of 12 copies Nannucci, signed and numbered by the serigraphy by John Furnival. Signed on handmade paper, this Number 3. artists. This copy No.7. and numbered by the artists. This copy Wiith 2 original poems, signed and • No. 6. Summer 1974. The treated text No.1. numbered by Henri Chopin and one In-8 [20X 27 cm.] [70] pages and • No 8/10 in the DE-LUXE EDITION by Edwin Morgan.mprimés sur “hand 3 horstextes. Cover illustrated by a Numbered 2/15 on special paper, made paper” metro ticket picked-up by Gérard signed by Nicholas Zurbrugg and a • No.4. Spring, 1971. The poetry of Vargas, glued to the front cover. Cover signed cut-out color photograph of sound/The sound of poetry In-8 [15,5 signed by Nicholas Zurbrugg. One of Lourdes Castro, a signed Humument X 25 cm.] [36] pages and 1 horstexte. 15 copies on “hand made paper” with etching by Tom Phillips and a signed

Signed by Nicholas Zurbrugg on a reversible artwork, embroidery • silkscreen print by Barry McCallion. wrapper. One of 15 copies on hand by Lourdes Castro of plexiglass, a made paper” with a signed and serigraphy by Hans Richter, a poem numbered serigraphy by Raoul by Edgardo Antonio Vigo, signed and Hausmann. Copy No.2. numbered by the artists.Copy No.12.

John Benjamins Antiquariat B.V. 85 14473-19095a.tif [#19095] SOUNDINGS Volumes 1-16 [Complete]. Sylmar, California : 1972-1990. First edition. 4to, various paginations. 16 numbers in 13 volumes. Some issues with individual titles. Title written ink to edge of text block of two issues, single small unobtrusive ink notation to the cover of one issue, but generally near fine to fine. EUR 4,000.00

Edited by who started this following a workshop attended at California Arts Inst with Dick Higgins All issues of one of the most substantial US periodicals devoted to experimental and new music. Soundings was notable for reproducing scores, many from the composer’s holograph. Number 13 is a special issue devoted to the music of . With contributions across the numbers by Lou Harrison, Pauline Oliveros, Wolfgang Stoerchle, Harold Budd, James Tenney, Robert Ashley, Harry Partch, Dick Higgins, Philip Corner, Paul Bowles, Silvestre Revueltes, Guillermo Ceniceros, Steve Reich, and many others.

86 John Benjamins Antiquariat B.V. 14400-18876A.tif [#18876] STREET WALL JOURNAL. Nos. 1-3 (all publ.). New York, 13 May 1970-21 May 1970. 3 broadside posters,folio size, printed on recto only. EUR 1,500.00 Broadside journal distributed free of charge asmurals by Committee to Defend the Panther 21, for students in New York in support of their protest strikes against the War in Vietnam, Laos and Cambodia. Also for the liberation of Bobby Seale and other members of the Black Panthers. Later the movement spread further to intellectuals in the “Art worker’s coalition, NYU film, school of Visual Art, ”.... Together with a Poster Free New University Conference. New York, 15 June1970. In folio.

13157-16165B.tif [#16165] ta’BOX (TA-BOX) Nos. 1-4 (all publ.?) Copenhagen, 1969-1970. Loose contributions of various artists, contained in 4 plastic bags. EUR 1,000.00 Published by the Fluxus group in Copenhagen. The contributors to this Assembling were made up of entirely Danish writers, poet and artists. It is heavily focused on literature as well as Fluxus and Neo-Dada objects and notes. It was the sequel to another publication named ‘ta: ‘Distribuere af Panel 13, /Oster Voldgade 14, 1350 Kbh., er en adflosser af tidsriftet ta’. (‘ta was published in 8 numbers 1967- 1968. Contains work by Kirkeby, Norgaard, Jorgen Nielsen, a.o.). William Louis Sorensen --Editor. Ostensibly complete for the contents, but it has been inpossible to check.

John Benjamins Antiquariat B.V. 87 11383-12174.tif [#17909] TECHNE. A PROJECTS AND PROCESS PAPER. Published in New York.(Experiments in Art and Technology, E.A.T.) Volume 1 Nos.1-2 (all publ.). New York, Experiments in Art and Technology, April 14, 1969 - November 6, 1970. 12 pp. each. Folded tabloïds. 39×27,5 cm. (12); (12) pp. Illustrated. First issue folded one additional time. Excellent copies. EUR 1,000.00 The only two issues published of this spin-off from E.A.T.’s exhibition activities. Published by Billy Klüver. Layout by Tom Gormley. Contributions include: “The Pavillion” by Billy Klüver, (on the Pepsi pavillion of Expo ‘70), Fujiko Nakay (Making of Fog or low-hanging stratus cloud) , Interview with Claes Oldenburg, Experiments in Art and Technology (), Naum Gabo (Kinetic sculpture), Max Neuhaus and Ted Wolff Interview, Niels Young, and Project, Artists in India, etc. Rare complete.

14327-18710.tif [#18710] THIS IS NOT HERE. Yoko ONO and John LENNON Guest Artists at Everson Museum of Art, Syracuse: Everson Museum of Art, 1971. Tabloid size catalogue (42 x 55,2 cm), 12 pages, illustrated throughout. Design George Maciunas. Catalogue shaped as a newsppaper. 1971 Syracus/NY. Everson Museum of Art. 55x42cm, folded once. Illustrated. 12 pp. Fine. EUR 700.00 Fluxus inspired exhibition catalog of Ono’s works. Poster for the event on one cover. 1971. Catalogue of an exhibition held at the Everson Museum from October 9 – 27, 1971. Mostly reproducing newspaper clippings about exhibitions and reproducing exhibition announcements, small comics and drawings by Yoko Ono. The rear wrapper, which doubles as the exhibition poster, features a sequence where the couple’s faces were typographically morphed from one to the other, images that would later be used on the labels for “Happy Xmas (War is Over)” and “Some Time in New York City.” This retrospective exhibition at the Everson’s ‘was nearly closed when it was besieged by excited Beatles fans, who broke several of the art pieces and flooded the toilets.’

88 John Benjamins Antiquariat B.V. 10640-11407.tif [#11407] UBU Nos. 1-7/8 (all publ.?). Milano, dic. 1970 - giugno/luglio 1971. Original wrappers folio. Ills. EUR 800.00 Director: Franco Quadri. Together 6 issues (no. 5/6 & 7/8 are double-issues) of 24pp. each, richly illustrated. Contribs. on American underground, film, theatre, feminism, popmusic, a.o. Articles incl.: ‘Dopo l’Underground’ (Calendario dell’underground e della rabbia-New American Cinema anno 70-Rivoluzione è teatro per la strada-Comics and Stories by Crumb); ‘Brecht antibrecht’; ‘Ginsberg a Chicago’; ‘Liberazione Femminile’ / ‘Gay Power’; ‘Rapporto Viet- Marijuana’; ‘Manson Innocente?’; ‘L’Era dell’Acquario’; ‘Rock Power’(Beatles, Rolling Stones, Bob Dylan); ‘12 modi di fare teatro’, etc. Contribs. by (a.o.) Giuliano Scabia, Gianni Buttafava, Franco Cavallone, Fernanda Pivano, Jerome Savary, Marisa Rusconi.

14478-19110a.tif [#19110] UPFRONT. a Journal of Activist Art (originally 1ST ISSUE. Published by PADD. Political Art Documentation/Distribution). Numbers 1-14/15. Complete Set including the Winter 1986-7 Supplement Concrete Crisis. New York, February 1981-Winter 1986/87 (all published, first 2 issues under the title “1st ISSUE”.). Very good, near mint condition; some issues with very small library stamp, 1 issue with mailing label on the back. Starts with issues of 18, resp 16 pages, gradually enlarging to 84 pages in coloured covers. EUR 1,800.00

Edited by Lucy Lippard and Miriam 1982; Upfront #5 February 1983; Upfront photopgraphy; Art against Apartheid; Borofsky, Elizabeth Kulas, PAD/D #6-7 Summer 1983; Upfront #8 Winter Not for Sale, The East Village Art Political Art Documentation and 1983-4; Upfront #9 Fall 1984; Upfront #10 Scene and the Lower East Side; Native Distribution. Dynamic journal of the Fall 1985; Upfront #11 Winter 1985-86; American, Black and White Artists in artist’s and artworker’s activist group Upfront #12-13 Winter 1986-7; Upfront search of democracy; no. 12/13 incl. PADD, documenting in words and Special Exhibition Supplement Concrete “Concrete Crisis”: Urban Images of the images subversive cultural activities of Crisis: Urban Images of the 80s Winter ‘80s (an exhibition of Street / Gallery the Reagan & Bush years. 1986-7; Upfront #14/15 Winter Spring Posters). First two issues entitled: ‘1st Texts and illustrations by Lucy Lippard, 1987-88. Issue’; the last double-issue subtitled: Nancy Angelo, Susan McCarn, A Contribs. incl. o.a. Charles Frederick, A Journal of Activist Art. ‘....P.A.D. is panel discussion on Art, Ideology and Margia Kramer, Irving Wexler, Anne a left-to-socialist artists’ resource and Education with Carol Duncan, Dan Meiman, Keith Christensen, Lucy networking organization coming out Newman,Tim Rollins, Ira Shor, Hans Lippard, Anne Pitrone, Stuart Garber. of and into New York City. Our goal Haacke and others. Publication is Covers by: Doug Ashford, Rachael is to provide artists with an organized irregular, as folows: 1st Issue #1 February Romero, Roberto Clemente, Jerry relationship to society, to demonstrate 1981; 1st Issue #2 May-June 1981; Upfront Kearns, Anton van Dalen, a.o. Articles the political effectiveness of image #3 Dec/Jan 1981; Upfront #4 Feb/March incl.: Hispanic Art from Outrage; Cuban making ....’

John Benjamins Antiquariat B.V. 89 13957-17900.tif [#17900] Ben VAUTIER L’objet du délit. No. 1, 2000 (all publ?). Nice [1999] 29,5×21 cm. (32) pp. Illustrated. Printed on newsprint, loose, not stapled. A very good copy EUR 300.00

12837-15595.tif [#15595] Ben VAUTIER. GALERIE BEN DOUTE DE TOUT PRESENTE. GALERIE BEN DOUTE DE TOUT PRESENTE. 32, Rue Tondutti-de-l’Escarène. Nice, 06. Orig. Wrappers, with very light moisture waving; 9 sheets, mimeographed on one side,stapled in brown kraft paper with text in black. Ben 8 Octobre 1967. EUR 300.00 First sheet by Ben 8 Octobre 1967, on Theatre, Musique, Happening, Lárt Total, Les Createurs, and th following pages all dealin with music, performances, composers, etc. by Ben.

14585-19442.tif [#19442] Ben VAUTIER. Une lettre de La Fenetre No. 1 (Fevrier) 1973. / - tout - rien - n’importe quoi - le contraire - / Ben et Annie - Rue Tondutti de L’Escaren - Nice, by Ben Vautier. 8 pages, 27x21 cm., with 7 illustrations (Ben, Duchamp, Olivier Mosset, Takako), texts by Marcel Alocco, Ben “Position et programme pour La Fenetre”, “L’avant-garde en France”), Remi Escault, Roland Flexner, Sabine Gowa, George Brecht. EUR 400.00 Printed letter from Ben’s Galerie “La Fenetre”, the basement of the house opposite Ben’s Shop where he rented the ground floor (with the window).

90 John Benjamins Antiquariat B.V. 13571-17095.tif [#17095] Ben VAUTIER. (Poster) For nine directions in Art, Amsterdam, Gallerie Amstel 47 [printer: Arts Graphiques - Nice], 1964 (November); 55x38,5 cm. Poster printed in offset, black on light beige paper. EUR 750.00 Published at the occasion of the second personal exhibition (Amsterdam, Gallerie Amstel 47, 25 november 23 - 12 december 1964).

11385-12177.tif [#12177] Ben VAUTIER. La Signature. Art is a question of signature. Atelier Laage, Saint Paul de Vence (1975). 9 silkscreens (8 on board, 1 on clear plastic), loose in printed cloth over linen back and corners portfolio with ties. Portfolio: 25, 1 x 32,8 cm; silkscreens: 23, 3 x 31,7 cm each (2 silkscreens with very tiny foxing spots, otgherwise in fine condition.)l EUR 3,500.00

No. 41 of 80 numbered copies, and with the justification and the publisher’s mark stamped on the inside of the portfolio’s front cover. All silkscreens, except the one on clear plastic, have the justification stamped on reverse and the publisher’s mark blind stamped. The back cover bears the following text by the artist: “Pour changer l’art il faut changer l’homme/ pour changer l’homme il faut changer l’ego/ mais l’ego ne pourra changer/ que le jour ou l’homme ne signera plus”

John Benjamins Antiquariat B.V. 91 12725-15332.tif [#15332] Ben VAUTIER A p’art. Va de retro puntura! - Nice, Garage 103, 1977. 30 x 21 cm ; 24 pages stapled in llustrated covers (internally fine, cover slight soilage). With ills. and photographs. Rare. EUR 500.00 The first (and only) number of a magazine of Ben, directed by Olivier Garcin. Opens with “Citations á propos de l’art (Cravan, Picabia)”, followed by the editorial article: A propos de a p’art by Ben, followed by A propos de a p’art, with a half blank page with the name of the reader (Olivier Garcin) leaving space for his comments. Contributions by J.J. Sweeney (Interview with Duchamp), Sempé cartoons), Amiard, Kosuth, Ray Johnson, Alain Roussel, Guillaumon, John Lathan, Peter Hutchinson, Christian Boltanski, Olivier Mosset, Henry Flynt. Bernard Venet, and several articles by Ben Vautier, also Ben et Maccaferri.

14570-19398a.tif [#19398] Ben VAUTIER. OPEN TOUT AND CLOSE NOTHING.

Merino donne Carte Blanche à Ben. (1968). A long strip of paper measuring 16 x 251 Cm, folded 30 times to measure 8,5 x 16 cm, printed b/w recto/verso, with texts and photo illustrations, kept in (original?) clear plastic pouch. EUR 400.00 Issue no. 4 “Open Tout and Close Nothing”. (Ben Vautier’s new version of his magazine. The look of the magazine has now changed from the shape of a book to a long roll of paper). “Après la parution d’open no. 3 j’ai pensé quíl serait intéressant, pour qu’Open soit chaque fois différant, de sonner carte blanche à quelquún dáutre pour chaque numéro. C’est ce qui est arrivé, Voici donc Open No. 4, rédigé par Ben. Qui sait le procchain sera peut’etre fait par mon garagiste ?” « Ecrit en mai. On se bat à Paris, j’ entends penser Lebel, Jouffroy, Levêque, Guy Debord, etc. ».

92 John Benjamins Antiquariat B.V. 12346-14277A.tif [#14277] Ben VAUTIER. FOURRE TOUT. Nos. 1 and 2 (of 3). Nice, 1967. 4to. Two transparent plastic envelopes containing a great variety of small objects and art-on-paper items, ostensibly complete for No. 2 , but 2 items may be missing from No.1 although a collation and proper check (identification) against the table of contents is hardly possible. EUR 3,000.00

Organised, assembled and distributed by Ben (VAUTIER) et Annie in Nice (rue Tondutti-de- l’Escarene), No. 1 dated 1967; No. 2 dated 4 mai 1967. From an edition of 250 numbered copies. “Fourre Tout parait independamment de Tout, pas de numero de tete, pas de numeros de luxe, cent cinquante expedies en service de presse, cent en vente. Fourre Tout pourra contenir selon le numero: un billet de 100 F, une cigarette, une idee, pas d’idee… ou un chat mort, c.a.d. absolument n’importe quoi”. Contributions include items from: , Dieter Rot, Henri Chopin, George Brecht, Jean Tinguely, Paul Armand Gette, Ben Vautier, Ray Johnson, Robert Erebo, Andre Thomkins, Takahisha Kosugi, Marcel Alocco, Lourdes Castro, Daniel Buren, Parmentier & Torini, Daniel Biga, Milan Knizak, Tomas Schmit, Eric Anderson, Rene Bertholo, Karl Gerstner, F. Arrabal, Maurice Lemaitre, Hugo Nespolo a.o.

John Benjamins Antiquariat B.V. 93 14070-18346.tif [#18521] VDRSVP [Numbers 1-3 all published with the Madison WI Underground Newspaper KALEIDOSCOPE]. 1969 . July 4-17, Aug. 29 - Sept. 11, and n.d. Nova Broadcast, 1969. (San Francisco (Athens, New York, Cologne, LA, Paris, Mannheim : Nova Broadcast Press). Rare copies of these fragile broadsides, in very good c ondition. EUR 1,500.00

Broadsides distributed as supplements to Kaleidoscope. Edited By Norman Ogue Mustill and Jan Jacob Herman. Single sheets, folded up to three times. Printed front and back in a 7-column newpaper format, with photocompositions. No. 1: Contains and a serigraph), J.J.Herman (collage), last issue of the artists’ periodical, with Burroughs (The Moving Times), Jochen Gerz (photocomposition), Carl contributions from the editors, Herman Weissner ( Death TV) , Nanos Valaoritis Weisner (photocomposition), Allen (A dangerous opiate) ; Carl Weisner (The story of Scroloboulopoulos) along Ginsberg, James Silver, Carl Weissner, (Stasis Inc.); Jeff Nuttal (drawing), with work by Mary Beach, Alan Ansen Harold Norse, and several others. This N.O.Mustill( photocomposition, The and the editors. This was inserted into issue probably published as Broadsheet, Vietnam Question); Wolf Vostell the second section of the July 4-17 inserted into the second section of (Miss America, photocomposition); issue of the Madison WI Underground the July Aug. 29 - Sept. 11 issue of the Jochen Gerz (Theory of mobile Newspaper KALEIDOSCOPE. No. 2: Milwaukee (Wisconsin) underground texts); (The big book, ‘We pick up where the hen leaves off. newspaper Kaleidoscope. A third issue phtocomposition); Claude Pelieu; An investment in the smell of rotten was published Nova Broadcast, 1969. Sinclair Beiles (Notes from a tour); eggs”. Contributions by Carl Solomon No. 3:Nr. 3: “Artists all/find a dark J.J.Lebel (Erotic traveller); , Carl (War), A. Rooney & S. Beiles (Collectors corner/sit down/place youyr right Solomon (The adventures of Zig-Zag), corner), Alan Ansen (Professor calf on back of neck/place left calf and Gail Chiarello Dusenberry, Nanos Joe, a candidate for the presidency), on right shin/and suck+++weather/ Valaoritis. Nova Broadcast, 1969. N.O.Mustill (2 photocollages), Wolf zonk”. “ An army of technicians stand Vostell ( Four Instant Happenings,1968 vehind our product”. The third and

94 John Benjamins Antiquariat B.V. 12853-19422i.tif [#19422] VILE Numbers 1-7 (of 7 published). 1974-1977, plus Number 8 (About Vile), published in 1983, the complete set as detailed below. all in generally good condition. San Francisco, CA (1974 - 1983) EUR 6,000.00

Very rare complete, a full run of “Vile”: the shocking, pioneering, subversive mail-art magazine published by Anna Long and Bill Gaglione (Anna Banana and William Gaglione). The contributors include Anna Banana, Monte Cazazza, Paul Cotton, Ken Friedman, William John Gaglione, Klaus Groh, Geoff Hendricks, Davi Det Hompson, Ray Johnson, Richard Morris, Norman Mustil, Futzie Nutzle, Genesis P. Orridge & Cosi Fanni Tutti (of COUM Transmissions and Throbbing Gristle), Mr. Peanut, Arturo Schwartz, Daniel Spoerri, Peter Van Beveren, John Armleder, Joseph Beuys, A.A. Bronson, Felix Partz & Jorge Zontal (of General Idea), William Burroughs, Achille Cavellini, Robert Filliou, Urs Luthi, , Giancarlo Politi, , Edgardo Antonin Vigo, William the Worm, Rube Goldberg, Nan Hoover, Bern Porter, Jerry Dreva, Buster Cleveland, and many more. As an intended DADA-inspired publication Dada, the publishers made the publication sequence intentionally confusing.

Here follow the issues in order of actual publication along with details and condition. • Number 1: Vol. 1 No. 1 - Dated Some spotting to cover and a couple • Number 5: Vol. 3 No. 2 - Published and February 14, 1985, but published in internal pages. dated Summer 1977. Edition of 1000. January 1974. Edition of 200. Stain in • Number3: Vol. 3 No. 1 - Published and Mint/uncirculated. upper right corner, tear to delicate dated December 1975. Edition of 1000. • Number 6: (No.6) - Published and paper wrapper at lower left corner, Mint/uncirculated. dated Summer 1978. FE-MAIL-ART small light stain to back cover. • Number 4: No. 2/3 - Published and issue. Edition of 800. Tear to spine • Number 2: Vol. 1 No. 4 - Published and dated Summer 1976. Edition of 1000. repaired with archival tape. Minor dated September 1974. Edition of 200. Some shop wear and buckling to cover. shopwear to cover.

John Benjamins Antiquariat B.V. 95 • Number 7: (No. 7 )- Published and • Number 8: (No. 8) - Published and dated Winter 1979. STAMPART issue. dated 1983. “About Vile” retrospective. Edition of 300 copies. A dossier of Edition of 1000 copies. international stamp works. The most elaborate and rarest of all Vile issues as most copies were distributed back to artist contributors. Light damage to spine and front cover. Loosely inserted is an original b/w photograph (8,5x14,4 cm), with a stamped ticket “Vile 7”). Also included a 3 page handout (28x22cm) bw on white, “Office Memorandum. We want Grimes Back.The sooner the better”.

14458-19061d.tif [#19061] SIMON VINKENOOG Dossier Simon Vinkenoog from the Archive of journalist Henk J. Meier, documenting Vinkenoog and the Drugs scene in Amsterdam

a) Flyer for a Teach In !!! “Openbaar debat over de d) NCRV-tv script Marihuana. Nederlands Film middelen Marihu, amphetamine, L.S.D. (..) met Persbureau, Henk J. Meier, 1965. Together with a Robert Jasper Grootveld en Simon Vinkenoog.” typed interview with met Vinkenoog. (all in dutch) Zaterdag 4 Dec.1965 Roneotyped in blue23,5 x 32 cm. e) two typoscrpt letters each 3 pages from Tobias folded. Ritman to Simon Vinkenoog. b) Documents on the person of Simon Vinkenoog: f) typed retrospect of Rob Stolk photograph by Tom Weerheijm of Vinkenoog, 18 x 13 cm. Flyer Images du Paradis (Vinkenoog and EUR 800.00 Opland)” and 1 for Paradiso copy of Marriage act and photograph of Vinkenoog with Reineke Offprint Ons Amsterdam, newspaper clipping NRC, + 2 others c) “Wat ze zeggen. Eigen en andermans teksten. - Arcadia Pers, Bloemendaal, februari 1964. “(uitverkocht; 120 exemplaren voor intekenaren)” Stencilled typoscript; 7 sheets + 3 sheets, stapled, with texts about drugs (in dutch) by (i.a.) Ginsberg en William S. Burroughs. 34 x 21,5 cm.

96 John Benjamins Antiquariat B.V. 14074-19234a.tif [#19234] Simon VINKENOOG - OPEN HET GRAF. Happening (December 1962) organised by Melvin CLAY, Frank STERN & Simon VINKENOOG Vintage poster: Original poster on light-yellow paper of a higher grammage than used for the regular edition (which was printed on lighter paper and mostly folded to A4 size). This is probably a proofprint. 57,5x41 cm. Simon Vinkenoog used the backside to schedule the content of his book ‘Weergaloos’ (1968 Hilversum, Paul Brand) and mounted three pages typoscript – overworked with corrections in manuscript – on the backside (the third page has partly been ripped off). Unfolded, with minor tears and pinholes. TOGETHER WITH Original program booklet. Open het graf. A Homage (sic) to the Dead, A Warning to the Living. Wereld (world) Premiere Necrofilie Bi-lingual Multi-national Happening, Amsterdam 1962 (9 December 1962, Prinsengracht 146). 22p. 30:22 cm. Mimeographed on pink, green and white paper with blind front and back cover in gold card, stapled on topside with 3 staples (one still in place), Edition of 50 copies. With contributions by Simon Vinkenoog, Riuk van Bentum, Melvin Clay, Jan Cremer, Robert Jasper Grootveld, Bart Huges, Jean-Jacques Lebel (Ambassador of Catastrophe), Jean-Pierre Moulin, Frank Stern, Cornelis Bastiaan Vaandrager and Simon Vinkenoog. Stapled, with two out of three staples missing. Complete copy, including the publicity insert of ‘De Bezige Bij’. In very good condition.

EUR 6,000.00 The poster accompanied by the PROGRAM: (Simon Vinkenoog) of this Happening. - Programme of Open het graf! 9.12.62. Stapled sheets with title in handwriting, complete: Title Open Het Graf: A Hommage to the Dead, a Warning to the Living: Wereld (world) Premiere Necrofilie Bi-lingual Multi-national Happening, Amsterdam 1962 (9 December 1962, Prinsengracht 146). Authors Simon Vinkenoog, Rik van Bentum, Melvin Clay, Frank Stern, Robert Jasper Grootveld, Bart Hugues, Bezige Bij G.A. Published 1962 Length 22 Pages: stencilled/mimeographed on one side on varying coloured paper, in gold-coated card, front and back cover present, but staples from the top removed (possibly after an exhibition to show all sheets individually.) On the top cover: title in pencil handwritten “Copyright Simon Vinkenoog 1962, voor de 3/4”.

John Benjamins Antiquariat B.V. 97 98 John Benjamins Antiquariat B.V. 14588-19452A.tif [#19452] Wolf VOSTELL Environments / Happenings 1958-1974. 1974 Paris, Editions du Chene, First edition, one of 500 numbered copies with a numbered and signed serigraphy by Vostell laid in, 276p. 25:31 cm. Original binding with dustcover. Fine. EUR 850.00 First edition, deluxe issue. One of five hundred numbered copies with an original serigraph by Vostell, signed and numbered by him in pencil.

12775-15434.tif [#15434] VOSTELL - Rainer WICK: Vostell soziologisch. Eine Studie von Rainer Wick. 75 pages printed on one side in coloured original wrapper by Wolf Vostell. , Rainer Wick, 1969. 4to. WITH AN UNUSED STRIP OF CHEWING GUM (Wrigley’s Fruit) mounted by Vostell on the front cover. Limted ed. of 150 copies. EUR 600.00 First edition. No. 12 of the copies signed and numbered by Vostell. Also a handwritten dedication to Hans Sohm by Rainer Wick (signed).

12773-15433.tif [#15433] W(olf) VOSTELL. Fandango. Environments. Milano, multhipla edizioni [1975]. 4to. 56 unnumbered pages (glossy paper interspersed with printed transparancies). Orig. wrps. (Signed copy, 12/50) EUR 800.00 Exhibition catalogue with many, partly colour illustrations. This copy annotated by Vostell, with one photo-page heightened in red and black gouache and signed by Vostell. At the end of the catalogue 4 images were pasted over and replaced by new images.

John Benjamins Antiquariat B.V. 99 14430-18978.tif [#18978] WILLEM DE RIDDER WILLEM DE RIDDER- FLUXUS ARTIST. Paper Fluxwork. 14 cards. N.Y., Fluxus, ca. 1967. Plastic box with label glued on lid. 9 x 12 x 1.3 cm. In very good condition. EUR 1,000.00 Silverman 103 mentions 7 cards, while Silverman 101 mentions 14 cards, but these were kept in manila envelope. - On the label is blindstamped in lower right corner “ReFlux”.

14578-19417a.tif [#19417] WILLEM DE RIDDER. GOD. Klankblad voor Niet Blinden “Holland’s first sound magazine for the Not-Blind”. Uitgeverij Drukwerk – DR 01. Vinyl LP, released 1978. Radioplay, Spoken Word, Experimental. With accompanying book: 80 pages 29 x18,5 stapled in the spine. Record in orig sleeve (small abrasions on the lower side of the front cover; the record and booklet in excellent state. EUR 400.00

Artwork – Peter Pontiac Artwork [God-logo] – Robert Williams (15) Sleeve, Design – Elsa del Puerto Voice – Willem de Ridder Voice Actor – Ciska van Houwelingen, Elsa del Puerto, Peter Pontiac, Rita Dolce Vita Recorded in Santa Margherita Ligure, August 1978. Liner notes: Do not play this album without reading GOD sound magazine at the same time. Without GOD you will not understand this album. GOD stands for Grote Oto Derby.

100 John Benjamins Antiquariat B.V. CONDITIONS OF SALE

1. Prices in this catalogue are indicated in EUR. Payment and billing in US-dollars to the Euro equivalent is possible.

2. All prices are strictly net. For sales and delivery within the European Union, VAT will be charged unless a VAT number is supplied with the order. Libraries within the European Community are therefore requested to supply their VAT-ID number when ordering, in which case we can issue the invoice at zero-rate. For sales outside the European Community the sales-tax (VAT) will not be applicable (zero-rate).

3. The cost of shipment and insurance is additional.

4. Delivery according to the Trade Conditions of the NVvA (Antiquarian Booksellers Association of The Netherlands), Amsterdam, depot nr. 212/1982. All goods supplied will remain our property until full payment has been received. At our sole discretion we may require pre-payment on any order.

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