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Archived News
Archived News 2007-2008 News articles from 2007-2008 Table of Contents Alumnae Cited for Accomplishments and Sage Salzer ’96................................................. 17 Service................................................................. 5 Porochista Khakpour ’00.................................. 18 Laura Hercher, Human Genetics Faculty............ 7 Marylou Berg ’92 ............................................. 18 Lorayne Carbon, Director of the Early Childhood Meema Spadola ’92.......................................... 18 Center.................................................................. 7 Warren Green ................................................... 18 Hunter Kaczorowski ’07..................................... 7 Debra Winger ................................................... 19 Sara Rudner, Director of the Graduate Program in Dance .............................................................. 7 Melvin Bukiet, Writing Faculty ....................... 19 Rahm Emanuel ’81 ............................................. 8 Anita Brown, Music Faculty ............................ 19 Mikal Shapiro...................................................... 8 Sara Rudner, Dance Faculty ............................. 19 Joan Gill Blank ’49 ............................................. 8 Victoria Hofmo ’81 .......................................... 20 Wayne Sanders, Voice Faculty........................... 8 Students Arrive on Campus.............................. 21 Desi Shelton-Seck MFA ’04............................... 9 Norman -
VIDEO" Nov 6 Sun 8 :00 PM GREY HAIRS + REAL SEVEN Nov 27 Sun 8 :00 PM DAVE OLIVE "RUNNING" Mr
Nov 5 Sat 2 :30 PM WILLIAM WEGMAN Nov 26 Sat 2 :30 PM "SHORT STORY VIDEO" Nov 6 Sun 8 :00 PM GREY HAIRS + REAL SEVEN Nov 27 Sun 8 :00 PM DAVE OLIVE "RUNNING" Mr . Wegman appeared on the Tonite Show last summer . Now he works at home in his Dave Olive lives in North Liberty, Iowa, own color studio . He will be premiering where he teaches elementary school . videotapes produced at his color studio and at WGBH Boston . JOE DEA "Short Stories" Nov 12 Sat 2 :30 PM KIT FITZGERALD Nov 13 Sun 8 :00 PM JOHN SANBORN Mr . Dea is a cartoonist who works in video . N r "EXCHANGE IN THREE PARTS" He lives in Hartford, Connecticut . recently completed at TV Laboratory at WNET 8 Channel 13 and currently showing in the tenth Dec 3 Sat 2 :30 PM JUAN DOWNEY 2W Bienale du Paris . Dec 4 Sun 8 :00 PM "MORE THAN TWO" QQ An experience in audio video stereo perception cc ~ Kit ON Z Fitzgerald and John Sanborn have been artist and an account of a video expedition to a OY in residence at ZBS Media and the TV Lab of WNET primitive tribe in South America : The Yanomany . cc cc Y Channel 13 and are currently involved in the o 0.0 Cn >- s International TV Workshop . Their work will be ]sec 10 Sat 2 :30 PM MARILYN GOLDSTEIN 9 W3(L W V O broadcast this season over Public TV . "Voice of the Handicapped" 0 W "Video Beats Westway" a 0 HZ a a OW Nov 19 Sat 2 :30 PM STEINA a W= W Nov 20 Sun 8 :00 PM "Snowed-in Tape and Other Work - 1977" Dec 11 Sun 8 :00 PM LYNDA BENGLIS / STANTON KAYE a 0 "How's Tricks?" Z c 0>NH . -
Artists Books: a Critical Survey of the Literature
700.92 Ar7 1998 artists looks A CRITICAL SURVEY OF THE LITERATURE STEFAN XL I M A ARTISTS BOOKS: A CRITICAL SURVEY OF THE LITERATURE < h'ti<st(S critical survey °f the literature Stefan ^(lima Granary books 1998 New york city Artists Books: A Critical Survey of the Literature by Stefan W. Klima ©1998 Granary Books, Inc. and Stefan W. Klima Printed and bound in The United States of America Paperback original ISBN 1-887123-18-0 Book design by Stefan Klima with additional typographic work by Philip Gallo The text typeface is Adobe and Monotype Perpetua with itc Isadora Regular and Bold for display Cover device (apple/lemon/pear): based on an illustration by Clive Phillpot Published by Steven Clay Granary Books, Inc. 368 Broadway, Suite 403 New York, NY 10012 USA Tel.: (212) 226-3462 Fax: (212) 226-6143 e-mail: [email protected] Web site: www.granarybooks.com Distributed to the trade by D.A.R / Distributed Art Publishers 133 6th Avenue, 2nd Floor New York, NY 10013-1307 Orders: (800) 338-BOOK Tel.: (212) 627—1999 Fax: (212) 627-9484 IP 06 -ta- Adrian & Linda David & Emily & Ray (Contents INTRODUCTION 7 A BEGINNING 12 DEFINITION 21 ART AS A BOOK 41 READING THE BOOK 6l SUCCESSES AND/OR FAILURES 72 BIBLIOGRAPHIC SOURCES 83 LIST OF SOURCES 86 INTRODUCTION Charles Alexander, having served as director of Minnesota Center for Book Arts for twenty months, asked the simple question: “What are the book arts?”1 He could not find a satisfactory answer, though he tried. Somewhere, in a remote corner of the book arts, lay artists books. -
The Art Digest 1929-12-01: Vol 4 Iss 5
8 on DEC 6 1929 ger » The ART DIGEST Combined with THE Arcus of San Francisco The News --Magazine of Art “LADY WITH A GOLD CHAIN,” BY LUCAS CRANACH (1472-1553). A “German Mona Lisa.” Shown at the Van Diemen Galleries’ Cranach Exhibition. Reproduced by Courtesy of the Owner, Edouard Jonas. nil FIRST-DECEMBER 1929 TWENTY-FIVE CENTS The Art Digest, rst December, 1929 JACQUES SELIGMANN & C° 3 East 51st Street, New York PAINTINGS and WORKS of cART Ancien Palais Sagan, Rue St. Dominique PARIS 9 Rue de la Paix JOHN LEVY cALLERY “The 0 GALLERIES P. Jackson Higgs” : ; 11 EAST 54th STREET Paintings NEW YORK 5 NEW YORK 559 FIFTH AVENUE HIGH CLASS OLD MASTERS ANTIQUITIES THOMAS J. KERR HOWARD YOUNG GALLERIES formerly with DuvEEN BROTHERS IMPORTANT PAINTINGS IMPORTANT PAINTINGS Old and Modern By O_p Masters ANTIQUE Works OF ArT IIIS IIIAIAAIIIIT peppers | NEW YORK LONDON TAPESTRIES FURNITURE er 35 OLD BoND STREET 510 Mapison AvENvE (4th floor) New York | Duranp-Ruet ||| FERARGIL ||] KHRICH NEW YORK F. NEwLin Price, President GALLE RI ES 12 East Fifty-Seventh Street eee cane i Paintings PARIS 37 East Fifty-Seventh St. poe aS. 37 Avenue de Friedland NEW YORK 36 East 5 7th Street New York GRACE HORNE’S BRODERICK GALLERIES GALLERIES BUFFALO, N. Y. Stuart at Dartmouth, BOSTON Paintings Prints Yorke Ballery Throughout the season a series of Antiques Continuous Exhibitions of Paintings selected exhibitions of the best in by American and European Artists OLD ENGLISH SILVER AND CONTEMPORARY ART SHEFFIELD PLATE 2000 S St. WASHINGTON, D.C. The Art Digest, rst December, 1929 3 —_—— — Est. -
Is Marina Abramović the World's Best-Known Living Artist? She Might
Abrams, Amah-Rose. “Marina Abramovic: A Woman’s World.” Sotheby’s. May 10, 2021 Is Marina Abramović the world’s best-known living artist? She might well be. Starting out in the radical performance art scene in the early 1970s, Abramović went on to take the medium to the masses. Working with her collaborator and partner Ulay through the 1980s and beyond, she developed long durational performance art with a focus on the body, human connection and endurance. In The Lovers, 1998, she and Ulay met in the middle of the Great Wall of China and ended their relationship. For Balkan Baroque, 1997, she scrubbed clean a huge number of cow bones, winning the Golden Lion at the Venice Biennale for her work. And in The Artist is Present 2010, performed at MoMA in New York, she sat for eight hours a day engaging in prolonged eye contact over three months – it was one of the most popular exhibits in the museum’s history. Since then, she has continued to raise the profile of artists around the world by founding the Marina Abramović Institute, her organisation aimed at expanding the accessibility of time- based work and creating new possibilities for collaboration among thinkers of all fields. MARINA ABRAMOVIĆ / ULAY, THE LOVERS, MARCH–JUNE 1988, A PERFORMANCE THAT TOOK PLACE ACROSS 90 DAYS ON THE GREAT WALL OF CHINA. © MARINA ABRAMOVIĆ AND ULAY, COURTESY: THE MARINA ABRAMOVIĆ ARCHIVES / DACS 2021. Fittingly for someone whose work has long engaged with issues around time, Marina Abramović has got her lockdown routine down. She works out, has a leisurely breakfast, works during the day and in the evening, she watches films. -
Mind Over Matter Artforum, Nov, 1996 by Hans-Ulrich Obrist
http://findarticles.com/p/articles/mi_m0268/is_n3_v35/ai_18963443/ Mind over matter ArtForum, Nov, 1996 by Hans-Ulrich Obrist At the Kunsthalle Bern, where Szeemann made his reputation during his eight-year tenure, he organized twelve to fifteen exhibitions a year, turning this venerable institution into a meeting ground for emerging European and American artists. His coup de grace, "When Attitudes Become Form: Live in Your Head," was the first exhibition to bring together post-Minimalist and Conceptual artists in a European institution, and marked a turning point in Szeemann's career - with this show his aesthetic position became increasingly controversial, and due to interference and pressure to adjust his programming from the Kunsthalle's board of directors and Bern's municipal government, he resigned, and set himself up as an Independent curator. If Szeemann succeeded in transforming Bern's Kunsthalle into one of the most dynamic institutions of its time, his 1972 version of Documenta did no less for this art-world staple, held every five years in Kassel, Germany. Conceived as a "100-Day Event," it brought together artists such as Richard Serra, Paul Thek, Bruce Nauman, Vito Acconci, Joan Jonas, and Rebecca Horn, and included not only painting and sculpture but installations, performances, Happenings, and, of course, events that lasted the full 100 days, such as Joseph Beuys' Office for Direct Democracy. Artists have always responded to Szeemann and his approach to curating, which he himself describes as a "structured chaos." Of "Monte Verita," a show mapping the visionary utopias of the early twentieth century, Mario Merz said Szeemann "visualized the chaos we, as artists, have in our heads. -
Claude Monet : Seasons and Moments by William C
Claude Monet : seasons and moments By William C. Seitz Author Museum of Modern Art (New York, N.Y.) Date 1960 Publisher The Museum of Modern Art in collaboration with the Los Angeles County Museum: Distributed by Doubleday & Co. Exhibition URL www.moma.org/calendar/exhibitions/2842 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art The Museum of Modern Art, New York Seasons and Moments 64 pages, 50 illustrations (9 in color) $ 3.50 ''Mliili ^ 1* " CLAUDE MONET: Seasons and Moments LIBRARY by William C. Seitz Museumof MotfwnArt ARCHIVE Claude Monet was the purest and most characteristic master of Impressionism. The fundamental principle of his art was a new, wholly perceptual observation of the most fleeting aspects of nature — of moving clouds and water, sun and shadow, rain and snow, mist and fog, dawn and sunset. Over a period of almost seventy years, from the late 1850s to his death in 1926, Monet must have pro duced close to 3,000 paintings, the vast majority of which were landscapes, seascapes, and river scenes. As his involvement with nature became more com plete, he turned from general representations of season and light to paint more specific, momentary, and transitory effects of weather and atmosphere. Late in the seventies he began to repeat his subjects at different seasons of the year or moments of the day, and in the nineties this became a regular procedure that resulted in his well-known "series " — Haystacks, Poplars, Cathedrals, Views of the Thames, Water ERRATA Lilies, etc. -
Cool Mit Zertifikat Musiker Vor 40 Jahren Erfand Die Gruppe Kraftwerk Den Elektropop
Cool mit Zertifikat Musiker Vor 40 Jahren erfand die Gruppe Kraftwerk den Elektropop. Eine Tournee durch führende Museen soll sie in die Liga ernsthafter Kunst heben. Von Thomas Hüetlin eltsame Stadt, Düsseldorf. Sie gilt als Nichts scheint zu geringfügig. der elektronischen Popmusik im Düssel - fröhlich, aber wenn in diesen Tagen Nicht einmal ein Lokal in der Düssel - dorf der Siebziger- und Achtzigerjahre. Sdie Rede auf einen Mann namens dorfer Lorettostraße. Stolz leuchtete im Wenn das neue Gaskraftwerk im Hafen Ralf Hütter kommt, vergeht einigen das Oktober noch der Name „Kraftwerk“ in nächstes Jahr in Betrieb genommen wer - Lachen. Neonschrift an der Fassade. Wieder kamen den soll, scheide ein Name von vornherein Hütter ist der letzte Mann der Gruppe Hütters Anwälte. Einstweilige Verfügung. aus: Kraftwerk. Kraftwerk, der noch zur Originalbesetzung Nun glimmt einsam der Buchstabe K an „Geschichten über Kraftwerk haben et - gehört, und er ist bekannt dafür, alles zu der Wand. was Scientologymäßiges“, sagt Rüdiger tun, um den Namen Kraftwerk sauber und Die Neigung Hütters, die Gesetze zu be - Esch. „Die meisten Beteiligten schweigen, rein zu halten. mühen, sei in Düsseldorf so etwas wie ein weil sie wissen, dass ihr Chef oder Ex- R E Wolfgang Flür zum Beispiel, Mitglied Running Gag – bis hin zu den Mitarbeitern Chef es nicht gern sieht, wenn sie reden.“ H C T T bei Kraftwerk von 1973 bis 1986, besaß die der Stadtwerke, erzählt Rüdiger Esch, Bas - Auch Hütter redet nicht. Ein Interview Ö B R E Frechheit, einen Auftritt von sich mit dem sist der Band Die Krupps und Verfasser mit dem #" lehnt er ab. -
BIOGRAPHY BIOGRAPHY DOROTHY IANNONE DOROTHY IANNONE 1933 Born in Boston, Massachusetts 1953-57 BFA in American Literature, Bo
BIOGRAPHY DOROTHY IANNONE 1933 Born in Boston, Massachusetts 1953-57 BFA in American literature, Boston University (Phi Beta Kappa ) 1957-58 Graduate studies at Brandeis University 1958 Marriage to the painter James P. Upham. The couple moves to New York. 1959 Begins to paint as an autodidact 1961 Successfully brings suit against the U.S. government on behalf of Henry Miller’s books, which were prohibited from entering the country. 1961-67 Travels with her husband throughout Europe and Asia. They live and work for several months at a time in the south of France and Japan, among other places. 1963-67 Runs the Stryke Gallery, 10 th Street, New York together with her husband. 1967 Travels with Upham and Emmett Williams to Reykjavik. Meets Dieter Roth; divorces James P. Upham. Over the following years lives with Dieter Roth in Dusseldorf, Reykjavik, Basel, and London. 1974 Separation from Dieter Roth. Moves to the south of France. 1976 Grant from the DAAD Artists’ Program in Berlin. Takes up residence in Berlin. 1977-79 Conducts open workshops, including at the Hochschule der Künste, Berlin 1985 Begins the study and practice of Tibetan Buddhism 1988 Artists’ grant, Kunstfonds e.V., Bonn 1994 Women artists’ grant, The Senate for Cultural Affairs, Berlin Dorothy Iannone lives and works in Berlin. 1 Solo Exhibitions 2008 Getting To Know You , Galerie Steinek, Vienna 2007 She is a Freedom Fighter , Air de Paris, Paris Prints and Books , griffelkunst, Hamburg Hidden Treasure , ART Cologne, Cologne 2006 Seek the Extremes... Dorothy Iannone. Lee -
Rebecca Horn Introduction of Works
REBECCA HORN INTRODUCTION OF WORKS • Parrot Circle, 2011, brass, parrot feathers, motor t = 28 cm, Ø 67 cm | d = 11 in, Ø 26 1/3 in Since the early 1970s, Rebecca Horn (born 1944 in Michelstadt, Germany) has developed an autonomous, internationally renowned position beyond all conceptual, minimalist trends. Her work ranges from sculptural en- vironments, installations and drawings to video and performance and manifests abundance, theatricality, sensuality, poetry, feminism and body art. While she mainly explored the relationship between body and space in her early performances, that she explored the relationship between body and space, the human body was replaced by kinetic sculptures in her later work. The element of physical danger is a lasting topic that pervades the artist’s entire oeuvre. Thus, her Peacock Machine—the artist’s contribu- tion to documenta 7 in 1982—has been called a martial work of art. The monumental wheel expands slowly, but instead of feathers, its metal keels are adorned with weapon-like arrowheads. Having studied in Hamburg and London, Rebecca Horn herself taught at the University of the Arts in Berlin for almost two decades beginning in 1989. In 1972 she was the youngest artist to be invited by curator Harald Szeemann to present her work in documenta 5. Her work was later also included in documenta 6 (1977), 7 (1982) and 9 (1992) as well as in the Venice Biennale (1980; 1986; 1997), the Sydney Biennale (1982; 1988) and as part of Skulptur Projekte Münster (1997). Throughout her career she has received numerous awards, including Kunstpreis der Böttcherstraße (1979), Arnold-Bode-Preis (1986), Carnegie Prize (1988), Kaiserring der Stadt Goslar (1992), ZKM Karlsruhe Medienkunstpreis (1992), Praemium Imperiale Tokyo (2010), Pour le Mérite for Sciences and the Arts (2016) and, most recently, the Wilhelm Lehmbruck Prize (2017). -
William Burback
THE MUSEUM OF MODERN ART ORAL HISTORY PROGRAM INTERVIEW WITH: WILLIAM (BILL) BURBACK (BB) INTERVIEWER: PATTERSON SIMS (PS) LOCATION: THE MUSEUM OF MODERN ART, PATTERSON SIMS’ OFFICE (OFFICE OF THE DEPUTY DIRECTOR FOR EDUCATION AND RESEARCH SUPPORT) DATE: APRIL 9, 1999 BEGIN TAPE 1, SIDE 1 PS: You‟re a New Yorker [Pause]. BB: Yes, I am a New Yorker. PS: You came here as a junior member of the Photography Department. [Pause] BB: A curatorial intern. It was the New York State Council program. PS: We didn‟t have an internship program then, so you were among the vanguard of interns at the Museum. Now we have a very ambitious intern program. BB: I think it was probably different curatorial departments who took the initiative. There were a number of people who had proceeded... PS: Peter [Galassi] came an intern. BB: I think so, yes, PS: Yes. BB: And [Maria] Morris [Hambourg], at the Met, quite a few people, Anne Tucker, a lot of interesting people. MoMA Archives Oral History: W. Burback page 1 of 29 PS: And it was a part of the national program, NEA, which sent people? BB: No, it was here, the New York Council, but John [Szarkowski] had quite a network, and I met him actually at the Oakland Museum. I was working there as a curatorial assistant in their photography division and I was lucky enough to know him. He was going to Hawaii or someplace like that, probably, though I learned from him in an hour than I had to that point, because the way he saw things and the way he saw that they should be presented were so exciting. -
The WEBER List
the WEBER list ............................................................................................. BEAUX BOOKS 42 Harebell Close Hartley Wintney Hampshire RG27 8TW UK 07783 257 663 [email protected] www.beauxbooks.com The books are listed in chronological order. Please contact us for a full condition report. All titles are offered subject to prior sale. Additional copies of some titles are available but may be subject to a change in price or condition. .................................................................. BEAUX BOOKS ............................................................................................. “It's true to say that I've been searching for my lost youth in my pictures and am basically still looking for it.” (Bruce Weber, Roadside America) the WEBER list Bruce Weber (b.1946) is one of our greatest living photographers. His books, films and exhibitions have placed him at the forefront of American photography for the past 40 years. His ground-breaking work for fashion brands such as Calvin Klein, Ralph Lauren, Versace and Abercrombie & Fitch has changed the face of fashion advertising. Weber's photography is inextricably linked with his own life. His subjects are his friends, and his friends are his subjects. These are real people. They give an honesty to the photographs which have, at the same time, an almost mythical quality. The beautiful, often naked, bodies against the raw American landscape echo a classical, pastoral ideal. This is Weber's American dream – a joyous road-trip around America