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Signumclassics YELLOW Catalogue No
CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer: SignumClassics YELLOW Catalogue No. SIGCD064 BLACK Job Title: Differnt Trains SIGCD064 booklet Page Nos. ALSO on signumclassics Michael Nyman: Cantos Sagrados: Elena Kats-Chernin: Music for Two Pianos SIGCD506 The Music of James MacMillan SIGCD507 Ragtime & Blue SIGCD058 “This duo is never less than vital, bold and “Choral works that show MacMillan’s powerful Elena Kats-Chernin is a composer who defies cat- committed” International Record Review voice at its most engaging” The Gramophone egorisation. A cornucopia of rags, blues and heart-melting melodies, these small vessels of fine feelings offer an intimate view into the com- poser’s heart. Available through most record stores and at www.signumrecords.com. For more information call +44 (0) 20 8997 4000 CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer: SignumClassics YELLOW Catalogue No. SIGCD064 BLACK Job Title: Differnt Trains SIGCD064 booklet Page Nos. different trains Triple Quartet 1. I [7.11] 2. II [4.05] 3. III [3.31] 4. Duet [5.14] Different Trains 5. America - Before the war [9.00] 6. Europe - During the war [7.29] 7. After the war [10.25] Total Time [46.59] Two major international forces at the leading edge of contemporary music – the Smith Quartet and American composer Steve Reich - come together for new recordings of three of his most inspiring works: Triple Quartet for three string quartets, Reich’s personal dedication to the late Yehudi Menuhin, Duet, and the haunting Different Trains for string quartet and electronic tape. -
Magnetoelastic Beam with Extended Polymer for Low Frequency Vibration Energy Harvesting
Binghamton University The Open Repository @ Binghamton (The ORB) Mechanical Engineering Faculty Scholarship Mechanical Engineering 2016 Magnetoelastic Beam with Extended Polymer For Low Frequency Vibration Energy Harvesting Alwathiqbellah Ibrahim Binghamton University--SUNY Shahrzad Towfighian Binghamton University--SUNY, [email protected] Mohammad I. Younis Binghamton University--SUNY Quang Su Binghamton University--SUNY Follow this and additional works at: https://orb.binghamton.edu/mechanical_fac Part of the Mechanical Engineering Commons Recommended Citation Ibrahim, Alwathiqbellah; Towfighian, Shahrzad; ounis,Y Mohammad I.; and Su, Quang, "Magnetoelastic Beam with Extended Polymer For Low Frequency Vibration Energy Harvesting" (2016). Mechanical Engineering Faculty Scholarship. 15. https://orb.binghamton.edu/mechanical_fac/15 This Conference Proceeding is brought to you for free and open access by the Mechanical Engineering at The Open Repository @ Binghamton (The ORB). It has been accepted for inclusion in Mechanical Engineering Faculty Scholarship by an authorized administrator of The Open Repository @ Binghamton (The ORB). For more information, please contact [email protected]. Magnetoelastic beam with extended polymer for low frequency vibration energy harvesting Alwathiqbellah Ibrahima, Shahrzad Towfighianb, Mohammad Younisc, and Quang Sud Binghamton University, 4400 Vestal Parkway E., Binghamton, NY 13902 ABSTRACT Ambient energy in the form of mechanical kinetic energy is mostly considered waste energy. The process of scavenging and storing such energy is known as energy harvesting. Energy harvesting from mechanical vibration is performed using resonant energy harvesters (EH) with two major goals: enhancing the power scavenged at low frequency sources of vibrations, and increasing the efficiency of scavenging energy by increasing the bandwidth near the resonant frequency. Toward such goals, we propose a piezoelectric EH of a composite cantilever beam with a tip magnet facing another magnet at a distance. -
Back Cover Image
559682 rr Reich EU.qxp_559682 rr Reich EU 18/09/2020 08:44 Page 1 CMYK N 2 A 8 Steve X 6 Pl aying O 9 Time : S 5 5 R(bE. I19C36)H . 73:24 1 B o U A 8 f o l n l t o a Music for Two or More Pianos 10:57 h r (1964)* k i u 2 i g MERICAN LASSICS s l A C t e h h t c t o s Eight Lines for ensemble (1979/1983) 17:12 o n r 3 o m i i z n t Steve Reich is universally acknowledged e e p t S s d Vermont Counterpoint a h c i i T p s as one of the foremost exponents of n t u 9:33 for flutes and tape (1982) d s E E b o i n s l minimalism, arguably the most i u V e c c g n f New York Counterpoint l i p p d i s significant stylistic trend in late 20th- E r e h o r r L 4 12:07 e for clarinets and tape (1985) h f • o R c century music. This chronological i K = ca. 184 4:56 b r 5 o y m o i E r t t d e m = ca. 92 2:40 i a 6 survey shows how Reich’s innate i d I n n m . = ca. 184 3:31 C C c g e ൿ e curiosity has taken his work far beyond , n • , H a t & b a r s t such musical boundaries. -
The Cocktail Lab Welcome to D’Amico’S the Continental American Provisions & Craft Bar
The Cocktail Lab Welcome to D’Amico’s The Continental American Provisions & Craft Bar. The Continental Craft Cocktail Lab focuses on classic, Prohibition-era tipples that have stood the test of time. These cocktails combine simplicity and elegance, using a specific recipe model that include all the components of a balanced cocktail-spirit, citrus, sugar and bitter-resulting in an intriguing overall drinking experience. Our Craft Cocktail menu pays tribute to these time-honored recipes while also reinventing and experimenting with different ingredients and proportions to create new and exciting cocktails. We are pleased to present you our Craft Cocktail menu composed of modified Classics and Continental Originals; hand crafted with precision using fresh juices, house-made bitters, syrups and infusions. We invite you to explore the different flavors and let our staff guide you through a new cocktail experience. -Ross Kupitz THE ALCHEMIST AN ITALIAN IN NYC BLIND TIGER Bulleit Bourbon, Casamigos Reposado Tequila, Out of the Orb Nonino Quintessentia, Carpano Bianco, Rothman & Winter Peach, Cherry, Lime, Angostura, Peach Bitters 15 Orange Bitters BARRY L. CONTINENTAL INNOVATION RD’S CAFÉ CAVALLI DETROIT IN THE 1920’S Death’s Door Gin, St. George Dry Rye Gin, St. Augustine Gin, Cocchi Americano Bianco, Campari, Vya, Continental Green Chartreuse, Carpano Bianco, Grapefruit Bitters Cranberry-Anise Bitters Maraschino, Lime Craft Cocktails GIN 14 BOURBON/WHISKEY PS, IT’S A CHAMPAGNE COCKTAIL CARTHUSIAN LD SAZERAC Tattersall Gin, Grapefruit Crema, Cassis, Sparkling Wine Overholt Rye Whiskey, Yellow Chartreuse, ERIN N. Absinthe, Peychaud’s, Lemon RUM IT’S 11 AM SOMEWHERE HENRY COGSWELL’S WATER St. -
An Exploration of Late Twentieth and Twenty-First Century Clarinet Repertoire
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 2021 An Exploration of Late Twentieth and Twenty-First Century Clarinet Repertoire Grace Talaski [email protected] Follow this and additional works at: https://opensiuc.lib.siu.edu/gs_rp Recommended Citation Talaski, Grace. "An Exploration of Late Twentieth and Twenty-First Century Clarinet Repertoire." (Spring 2021). This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. AN EXPLORATION OF LATE TWENTIETH AND TWENTY-FIRST CENTURY CLARINET REPERTOIRE by Grace Talaski B.A., Albion College, 2017 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Master of Music School of Music in the Graduate School Southern Illinois University Carbondale April 2, 2021 Copyright by Grace Talaski, 2021 All Rights Reserved RESEARCH PAPER APPROVAL AN EXPLORATION OF LATE TWENTIETH AND TWENTY-FIRST CENTURY CLARINET REPERTOIRE by Grace Talaski A Research Paper Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music in the field of Music Approved by: Dr. Eric Mandat, Chair Dr. Christopher Walczak Dr. Douglas Worthen Graduate School Southern Illinois University Carbondale April 2, 2021 AN ABSTRACT OF THE RESEARCH PAPER OF Grace Talaski, for the Master of Music degree in Performance, presented on April 2, 2021, at Southern Illinois University Carbondale. TITLE: AN EXPLORATION OF LATE TWENTIETH AND TWENTY-FIRST CENTURY CLARINET REPERTOIRE MAJOR PROFESSOR: Dr. Eric Mandat This is an extended program note discussing a selection of compositions featuring the clarinet from the mid-1980s through the present. -
The Orb U.F.Orb Mp3, Flac, Wma
The Orb U.F.Orb mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: U.F.Orb Country: Europe Released: 2007 Style: Ambient, Dub, Experimental, House MP3 version RAR size: 1291 mb FLAC version RAR size: 1147 mb WMA version RAR size: 1578 mb Rating: 4.8 Votes: 292 Other Formats: MOD WMA MIDI AA VQF AHX RA Tracklist Hide Credits Orbit One: U.F.Orb Remastered O.O.B.E. 1-1 Flute – Tom GreenWritten-By – Alex Paterson, Kristian Anthony Weston*, 12:54 Thomas Fehlmann U.F.Orb 1-2 6:09 Bass – Guy PrattWritten-By – Alex Paterson, Kristian Anthony Weston* Blue Room Bass – Jah WobbleGuitar – Steve HillageWritten-By – Alex Paterson, Jah 1-3 17:34 Wobble, Kristian Anthony Weston*, Mad Professor, Miquette Giraudy, Pamela Ross, Steve Hillage Towers Of Dub 1-4 Harmonica – Marney PaxVoice [Intro] – Victor Lewis-SmithWritten-By – Alex 15:00 Paterson, Kristian Anthony Weston*, Thomas Fehlmann Close Encounters 1-5 Written-By – Alex Paterson, Kristian Anthony Weston*, Orde Meikle, Stuart 10:27 McMillan Majestic 1-6 11:06 Written-By – Alex Paterson, Kristian Anthony Weston*, Martin Glover 1-7 Sticky End 0:49 Orbit Two: Remixes O.O.B.E. (Andy Hughes Mix) 2-1 Remix – Andy Hughes Written-By – Alex Paterson, Kristian Anthony 11:58 Weston*, Thomas Fehlmann Towers Of Dub (Ambient Mix) 2-2 10:14 Written-By – Alex Paterson, Kristian Anthony Weston*, Thomas Fehlmann Blue Room (Ambient At Mark Angelo's Mix) Bass – Jah WobbleMixed By – Alex Paterson, ThrashWritten-By – Alex 2-3 8:57 Paterson, Jah Wobble, Kristian Anthony Weston*, Mad Professor, Miquette Giraudy, Pamela Ross, Steve Hillage Close Encounters (Ambient Mix 1) 2-4 Written-By – Alex Paterson, Kristian Anthony Weston*, Orde Meikle, Stuart 12:49 McMillan Majestic (Mix 1) 2-5 11:52 Written-By – Alex Paterson, Kristian Anthony Weston*, Martin Glover Assassin (Chocolate Hills Of Bohol Mix) 2-6 Remix – Alex PatersonWritten-By – Alex Paterson, Kristian Anthony 14:37 Weston*, Martin Glover Companies, etc. -
ZGMTH - the Order of Things
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Bangor University Research Portal The Order of Things. Analysis and Sketch Study in Two Works by Steve ANGOR UNIVERSITY Reich Bakker, Twila; ap Sion, Pwyll Zeitschrift der Gesellschaft für Musiktheorie DOI: 10.31751/1003 PRIFYSGOL BANGOR / B Published: 01/06/2019 Publisher's PDF, also known as Version of record Cyswllt i'r cyhoeddiad / Link to publication Dyfyniad o'r fersiwn a gyhoeddwyd / Citation for published version (APA): Bakker, T., & ap Sion, P. (2019). The Order of Things. Analysis and Sketch Study in Two Works by Steve Reich. Zeitschrift der Gesellschaft für Musiktheorie, 16(1), 99-122. https://doi.org/10.31751/1003 Hawliau Cyffredinol / General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. 09. Oct. 2020 ZGMTH - The Order of Things https://www.gmth.de/zeitschrift/artikel/1003.aspx Inhalt (/zeitschrift/ausgabe-16-1-2019/inhalt.aspx) Impressum (/zeitschrift/ausgabe-16-1-2019/impressum.aspx) Autorinnen und Autoren (/zeitschrift/ausgabe-16-1-2019/autoren.aspx) Home (/home.aspx) Bakker, Twila / ap Siôn, Pwyll (2019): The Order of Things. -
Cool Mit Zertifikat Musiker Vor 40 Jahren Erfand Die Gruppe Kraftwerk Den Elektropop
Cool mit Zertifikat Musiker Vor 40 Jahren erfand die Gruppe Kraftwerk den Elektropop. Eine Tournee durch führende Museen soll sie in die Liga ernsthafter Kunst heben. Von Thomas Hüetlin eltsame Stadt, Düsseldorf. Sie gilt als Nichts scheint zu geringfügig. der elektronischen Popmusik im Düssel - fröhlich, aber wenn in diesen Tagen Nicht einmal ein Lokal in der Düssel - dorf der Siebziger- und Achtzigerjahre. Sdie Rede auf einen Mann namens dorfer Lorettostraße. Stolz leuchtete im Wenn das neue Gaskraftwerk im Hafen Ralf Hütter kommt, vergeht einigen das Oktober noch der Name „Kraftwerk“ in nächstes Jahr in Betrieb genommen wer - Lachen. Neonschrift an der Fassade. Wieder kamen den soll, scheide ein Name von vornherein Hütter ist der letzte Mann der Gruppe Hütters Anwälte. Einstweilige Verfügung. aus: Kraftwerk. Kraftwerk, der noch zur Originalbesetzung Nun glimmt einsam der Buchstabe K an „Geschichten über Kraftwerk haben et - gehört, und er ist bekannt dafür, alles zu der Wand. was Scientologymäßiges“, sagt Rüdiger tun, um den Namen Kraftwerk sauber und Die Neigung Hütters, die Gesetze zu be - Esch. „Die meisten Beteiligten schweigen, rein zu halten. mühen, sei in Düsseldorf so etwas wie ein weil sie wissen, dass ihr Chef oder Ex- R E Wolfgang Flür zum Beispiel, Mitglied Running Gag – bis hin zu den Mitarbeitern Chef es nicht gern sieht, wenn sie reden.“ H C T T bei Kraftwerk von 1973 bis 1986, besaß die der Stadtwerke, erzählt Rüdiger Esch, Bas - Auch Hütter redet nicht. Ein Interview Ö B R E Frechheit, einen Auftritt von sich mit dem sist der Band Die Krupps und Verfasser mit dem #" lehnt er ab. -
Management of Data Elements in Information Processing
PB-249-530 MANAGEMENT OF DATA ELEMENTS IN INFORMATION PROCESSING U.S. DEPARTMENT OF COMMERCE / National Bureau of Standards SECOND NATIONAL SYMPOSIUM NATIONAL BUREAU OF STANDARDS GAITHERSBURG, MARYLAND 1975 OCTOBER 23-24 Available by purchase from the National Technical Information Service, 5285 Port Royal Road, Springfield, Va. 221 Price: $9.25 hardcopy; $2.25 microfiche. National Technical Information Service U. S. DEPARTMENT OF COMMERCE PB-249-530 Management of Data Elements in Information Processing Proceedings of a Second Symposium Sponsored by the American National Standards Institute and by The National Bureau of Standards 1975 October 23-24 NBS, Gaithersburg, Maryland Hazel E. McEwen, Editor Institute for Computer Sciences and Technology National Bureau of Standards Washington, D.C. 20234 U.S. DEPARTMENT OF COMMERCE, Elliot L. Richardson, Secrefary NATIONAL BUREAU OF STANDARDS, Ernest Ambler, Acfing Direc/or Table of Contents Page Introduction to the Program of the Second National Symposium on The Management of Data Elements in Information Processing ix David V. Savidge, Program Chairman On-Line Tactical Data Inputting: Research in Operator Training and Performance 1 Irving Alderman, Ph.D. "Turning the Corner" on MIS, A Proposed Program of Data Standards in Post-Secondary Education 9 Donald R. Arnold, Ph.D. ASCII - The Data Alphabet That Will Endure 17 Robert W. Bemer Techniques in Developing Standard Procedures for Data Editing 23 George W. Covill An Adaptive File Management Systems 45 Dennis L. Dance and Udo W. Pooch (Given by Dance) A Focus on the Role of the Data Manager 57 Ruth M, Davis, Ph.D. A Proposed Standard Routine for Generating Proposed Standard Check Characters 61 Paul -Andre Desjardins Methodology for Development of Standard Data Elements within Multiple Public Agencies 69 L. -
Dai Kraftwerk All'arte Contemporanea: Emil Schult L' “Andy Warhol Tedesco” a Palazzo Ducale
1 Dai Kraftwerk all’arte contemporanea: Emil Schult l’ “Andy Warhol tedesco” a Palazzo Ducale di Redazione 17 Luglio 2018 – 17:03 Genova. Uno dei padri fondatori della musica elettronica, e artista multimediale, Emil Schult, componente dei celebri Kraftwerk, sarà venerdì 20 luglio a palazzo Ducale, nella sala del Munizioniere, per presentare la sua performace Transhuman Art Critics con Emma Nilsson. L’appuntamento è alle 19e30. Transhuman Art Critics, già presentato in città come Berlino, Düsseldorf, Hagen, ad eventi come il Reading Fringe Festival (UK) e persino in Cina, è una prima assoluta in Italia. Esplora l’evoluzione della musica elettronica fino a fonderla in un percorso che unisce reperti archeologici e arte digitale. L’evento è a cura di Virginia Monteverde e Paolo Tarsi e organizzato da ART Commission Events e Anitya Records, in collaborazione con Goethe- Institut Genua, Acanto Publishing, Farmhouse Studio e Ventura Edizioni. Emil Schult (1946) è un artista visivo, poeta e musicista, il cui lavoro spazia da opere nello spirito di Fluxus fino a testi e copertine di dischi che hanno cambiato la storia del pop. Durante i suoi studi all’Accademia d’Arte di Düsseldorf si forma con Dieter Roth, Joseph Beuys e Gerhard Richter, personalità di grande rilievo che hanno sostenuto l’approccio poetico di Schult alle arti. Negli anni Settanta costruisce strumenti elettronici ed entra a far parte dei Kraftwerk, inizialmente come componente effettivo della band, in seguito come membro esterno. E’ anche tra gli autori di “Talk” dei Coldplay e ha creato artwork per album di culto quali “Autobahn”, “Radio-Activity” e “Trans-Europe Express”. -
A Nonesuch Retrospective
STEVE REICH PHASES A N O nes U ch R etr O spective D isc One D isc T W O D isc T hree MUSIC FOR 18 MUSICIANS (1976) 67:42 DIFFERENT TRAINS (1988) 26:51 YOU ARE (VARIATIONS) (2004) 27:00 1. Pulses 5:26 1. America—Before the war 8:59 1. You are wherever your thoughts are 13:14 2. Section I 3:58 2. Europe—During the war 7:31 2. Shiviti Hashem L’negdi (I place the Eternal before me) 4:15 3. Section II 5:13 3. After the war 10:21 3. Explanations come to an end somewhere 5:24 4. Section IIIA 3:55 4. Ehmor m’aht, v’ahsay harbay (Say little and do much) 4:04 5. Section IIIB 3:46 Kronos Quartet 6. Section IV 6:37 David Harrington, violin Los Angeles Master Chorale 7. Section V 6:49 John Sherba, violin Grant Gershon, conductor 8. Section VI 4:54 Hank Dutt, viola Phoebe Alexander, Tania Batson, Claire Fedoruk, Rachelle Fox, 9. Section VII 4:19 Joan Jeanrenaud, cello Marie Hodgson, Emily Lin, sopranos 10. Section VIII 3:35 Sarona Farrell, Amy Fogerson, Alice Murray, Nancy Sulahian, 11. Section IX 5:24 TEHILLIM (1981) 30:29 Kim Switzer, Tracy Van Fleet, altos 12. Section X 1:51 4. Part I: Fast 11:45 Pablo Corá, Shawn Kirchner, Joseph Golightly, Sean McDermott, 13. Section XI 5:44 5. Part II: Fast 5:54 Fletcher Sheridan, Kevin St. Clair, tenors 14. Pulses 6:11 6. Part III: Slow 6:19 Geri Ratella, Sara Weisz, flutes 7. -
Face the Music Repertoire List the Following Works Have Been Played by Face the Music
Face the Music Repertoire List The following works have been played by Face the Music. For Medium and Large Ensembles: John Adams—Shaker Loops (first movement) John Adams—Fearful Symmetries David Amram—Variations on Red River Valley Louis Andriessen—Worker’s Union Anton Batagov—Buster Keaton (US premiere) Dan Becker—Gridlock Owen Carter—The Sequester (world premiere) Ethan Cohn—Lionfish (world premiere) DBR—“Fast Black Dance Machine” and “La La La” DBR—Human Songs and Stories Dean Deng—Soliloquy (world premiere) Zachary Detrick—Computer Generated Jungle (world premiere) Zachary Detrick—I’ve Got Blisters on My Fingers (world premiere) Andrii Didorenko—Concerto for Two Violins Rachel Epperly—La Extranjera (world premiere) Graham Fitkin—Mesh Philip Glass—Glassworks Abe Gold—Continuing Resolution (world premiere) Osvaldo Golijov—Last Round Michael Gordon—Yo Shakespeare Michael Gordon—Gotham Michael Gordon—Trance Gerard Grisey—Manifestations (US premiere) Jack Gulielmetti—Inseguimento (world premiere) Gregor Huebner—Cuban Impressions Gregor Huebner—Concerto “Con Violin Latina” Gregor Huebner—Cello Concerto Vijay Iyer—Three Fragments Tom Johnson—Eggs and Baskets Joseph Jordan—Cumulonimbus (world premiere) David Lang—Slow Movement Paris Lavidis—This is Not Spartacus (world premiere) Paris Lavidis—Symphonic Greek Dances (world premiere) George Lewis—Artificial Life 2007 Daniel Ma—Music of Presidents (world premiere) Steven Mackey—Eating Greens Steve Martland—Horses of Instruction Rajesh Mehta—Songlines and Jewels (US Premiere) Ira Mowitz—Kol Aharon Jonah Murphy—Vilanelle Angélica Negrón—El Gran Caleidoscopio (world premiere) Vasu Panicker—“___van___” Joe Phillips—Liquid Timepieces (world premiere) Steve Reich—Tehillim Steve Reich—Double Sextet Steve Reich—Triple Quartet Terry Riley—In C Huang Ruo—Lost Garden Francis Schwartz—Cannibal Caliban; Chaqui Chaqui Bambula (world premiere) Julia Wolfe—Lick Ljova (Lev Zhurbin)—Ori’s Fearful Symmetry (arr.