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The End of the Queue: Hair As Symbol in Chinese History Michael Godley
East Asian History NUMBER 8 . DECEMBER 1994 THE CONTINUATION OF Paperson Far EasternHistory Institute of Advanced Studies Australian National University Editor Geremie R. Barme Assistant Editor Helen Lo Editorial Board John Clark Mark Elvin (Convenor) Helen Hardacre John Fincher Andrew Fraser Colin Jeffcott W. J. F. Jenner Lo Hui-min Gavan McCormack David Marr Tessa Morris-Suzuki Michael Underdown Business Manager Marion Weeks Production Helen Lo Design Maureen MacKenzie (Em Squared Typographic Design), Helen Lo Printed by Goanna Print, Fyshwick, ACT This is the eighth issue of East Asian History in the series previously entitled Papers on Far Eastern History. The journal is published twice a year. Contributions to The Editor, East Asian History Division of Pacific & Asian History, Research School of Pacific & Asian Studies Australian National University, Canberra ACT 0200, Australia Phone +61 62493140 Fax +61 62495525 Subscription Enquiries Subscription Manager, East Asian History, at the above address Annual Subscription Australia A$45 Overseas US$45 (for two issues) iii CONTENTS 1 Mid-Ch'ing New Text (Chin-wen) Classical Learning and its Han Provenance: the Dynamics of a Tradition of Ideas On-cho Ng 33 From Myth to Reality: Chinese Courtesans in Late-Qing Shanghai Christian Henriot 53 The End of the Queue: Hair as Symbol in Chinese History Michael Godley 73 Broken Journey: Nhfti Linh's "Going to France" Greg and Monique Lockhart 135 Chinese Masculinity: Theorising' Wen' and' Wu ' Kam Louie and Louise Edwards iv Cover calligraphy Yan Zhenqing �JU!iUruJ, Tang calligrapher and statesman Cover picture The walled city of Shanghai (Shanghai xianzhi, 1872) THE END OF THE QUEUE: HAIR AS SYMBOL IN CHINESE HISTORY ..J1! Michael R. -
The 20Th Century History of China (1912-1992)
The 20th Century History of China (1912-1992) This is a course designed for Foreign Students’ Study in China Program only. Course Title: The 20th Century History of China Instructor: Prof. Zhou Yi (Ph.D.) History & Culture School, Sichuan University, Chengdu, China Phone: 13881861940 E-mail: [email protected] Textbook: Edwin Pak-wah Leung, Ph.D., Essentials of Modern Chinese History, © 2006 by Research & Education Association Inc. Reference Books and Websites: 1. Jonathan Fenby, The Penguin History of Modern China: The Fall and Rise of a Great Power, 1850– 2009, London: Penguin Books Ltd, 2008. 2. Mary B. Rankin, John K. Fairbank and Albert Feuerwerker, The Cambridge History of China, Volume 13 Part 2Republican China 1912–1949, Part 2, Cambridge: Cambridge University Press, 1986. 3. Fairbank, John King, The Great Chinese Revolution (1800-1985), New York: Harpers & Row, 1987. 4. http://www.drben.net/ChinaReport/Sources/History/History_Sources.html 5. Chinese Studies: Video & Audio Lectures with Harvard Faculty—— http://www.extension.harvard.edu/open-learning-initiative/china-history Course Description and Objective: This course will be a historical survey of the 20th c.-China in 1912-1992 from the socio-cultural as well as political perspectives. In order for the beginners to get a whole picture of China historically, We’ll first sum up briefly the chronological history of 5,000-year-old China. Then, We will examine the causes and effects of the downfall of the Qing Dynasty and the establishment of the Republic of China in 1911-1916, the -
While Rome Burns – the Battle of Yongqiu 756 CE 1Up Podcast Network
While Rome Burns – The Battle of Yongqiu 756 CE 1up Podcast Network In 8th century CE China, The An Lushan rebellion rose up in opposition to the wildly successful Tang dynasty. As the rebellion advanced from small rebellion to overwhelming opposing state, it seemed as if the Tang dynasty and the accompanying golden age, was over. But for some loyal soldiers of the Tang dynasty, losing hope and faith in their Emperor was an unacceptable position. Our story today is a story of brilliant tactics, loyalty, and just a bit of brashness. Our story is about The Battle of Yongqiu in 756 CE. Sit Back… relax… And let me tell you a story… While Rome Burns. The Tang dynasty rose to power in 618 CE. Emperor’s rose and fell over the years, but the general stability that the Tang established led to a golden age of art, literature and culture from China. This golden age reached its peak during the 44-year rule of the Emperor Xuanzong. Poets such as Du Fu, Li Bai produced their great works during this time, the trading of goods from China into the middle east became a huge industry, the government of China was staffed by members of a variety of political factions, and inflation in the Chinese economy was reduced. By all rights, the Tang dynasty looked to be on track for a long, healthy, and prosperous existence for decades and possibly centuries to come. But this prosperity was not shared by all throughout the Chinese empire and eventually the stirrings of discontent by those feeling exploited exploded into full on rebellion. -
UC GAIA Chen Schaberg CS5.5-Text.Indd
Idle Talk New PersPectives oN chiNese culture aNd society A series sponsored by the American Council of Learned Societies and made possible through a grant from the Chiang Ching-kuo Foundation for International Scholarly Exchange 1. Joan Judge and Hu Ying, eds., Beyond Exemplar Tales: Women’s Biography in Chinese History 2. David A. Palmer and Xun Liu, eds., Daoism in the Twentieth Century: Between Eternity and Modernity 3. Joshua A. Fogel, ed., The Role of Japan in Modern Chinese Art 4. Thomas S. Mullaney, James Leibold, Stéphane Gros, and Eric Vanden Bussche, eds., Critical Han Studies: The History, Representation, and Identity of China’s Majority 5. Jack W. Chen and David Schaberg, eds., Idle Talk: Gossip and Anecdote in Traditional China Idle Talk Gossip and Anecdote in Traditional China edited by Jack w. cheN aNd david schaberg Global, Area, and International Archive University of California Press berkeley los Angeles loNdoN The Global, Area, and International Archive (GAIA) is an initiative of the Institute of International Studies, University of California, Berkeley, in partnership with the University of California Press, the California Digital Library, and international research programs across the University of California system. University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. -
The Structure and Circulation of the Elite in Late-Tang China
elite in late-tang china nicolas tackett Great Clansmen, Bureaucrats, and Local Magnates: The Structure and Circulation of the Elite in Late-Tang China he predominant paradigm describing Chinese elite society of the T first millennium ad was defined thirty years ago in carefully re- searched studies by Patricia Ebrey and David Johnson, both of whom partly built upon the foundation of earlier scholarship by Takeda Ryˆji 竹田龍兒, Moriya Mitsuo 守屋美都雄, Niida Noboru 仁井田陞, Sun Guodong 孫國棟, Mao Hanguang 毛漢光, and others.1 According to this model, a circumscribed number of aristocratic “great clans” were able to maintain their social eminence for nearly a thousand years while simultaneously coming to dominate the upper echelons of the government bureaucracy. The astonishing longevity of these families was matched in remarkability only by their sudden and complete disap- pearance after the fall of the Tang at the turn of the tenth century. In their place, a new civil-bureaucratic scholar-elite came to the fore, an elite described in enormous detail first by Robert Hartwell and Robert I would like to thank the anonymous reviewers for their very helpful comments, as well as all of the participants in the 2007 AAS panel where I first presented this paper, notably the discussants Robert Hymes and Beverly Bossler. To minimize the number of footnotes, references for epitaphs of individuals are not included in the main text and notes, but in- stead can be found in the appendix. All tables are located at the end of the article, after the appendix. 1 David Johnson, “The Last Years of a Great Clan: The Li Family of Chao chün in Late T’ang and Early Sung,” H JAS 37.1 (1977), pp. -
Chinese Foreign Aromatics Importation
CHINESE FOREIGN AROMATICS IMPORTATION FROM THE 2ND CENTURY BCE TO THE 10TH CENTURY CE Research Thesis Presented in partial fulfillment of the requirements for graduation with research distinction in the undergraduate colleges of The Ohio State University. by Shiyong Lu The Ohio State University April 2019 Project Advisor: Professor Scott Levi, Department of History 1 Introduction Trade served as a major form of communication between ancient civilizations. Goods as well as religions, art, technology and all kinds of knowledge were exchanged throughout trade routes. Chinese scholars traditionally attribute the beginning of foreign trade in China to Zhang Qian, the greatest second century Chinese diplomat who gave China access to Central Asia and the world. Trade routes on land between China and the West, later known as the Silk Road, have remained a popular topic among historians ever since. In recent years, new archaeological evidences show that merchants in Southern China started to trade with foreign countries through sea routes long before Zhang Qian’s mission, which raises scholars’ interests in Maritime Silk Road. Whether doing research on land trade or on maritime trade, few scholars concentrate on the role of imported aromatics in Chinese trade, which can be explained by several reasons. First, unlike porcelains or jewelry, aromatics are not durable. They were typically consumed by being burned or used in medicine, perfume, cooking, etc. They might have been buried in tombs, but as organic matters they are hard to preserve. Lack of physical evidence not only leads scholars to generally ignore aromatics, but also makes it difficult for those who want to do further research. -
Gossip, Knowledge and Libel in Early Republican China, 1916-1928 Jing
Small Words, Weighty Matters: Gossip, Knowledge and Libel in Early Republican China, 1916-1928 Jing Zhang Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Jing Zhang All rights reserved ABSTRACT Small Words, Weighty Matters: Gossip, Knowledge and Libel in Early Republican China, 1916-1928 Jing Zhang In the years following the death of the autocratic ruler Yuan Shikai (1859-1916), the flow of gossip surrounding political leaders in China’s urban spheres revealed an open, disorderly yet robust arena full of competing voices, agendas, and manipulations. My dissertation examines gossip as both a new body of public political knowledge and a means of popular participation in this politically-fragmented and transitional era. On the one hand, a wide spectrum of Chinese society engaged with this body of political knowledge, which fostered an uncontrolled playful citizenship in China’s urban spaces. On the other hand, this new civic participation prompted the fledging Republican state to curb the dissemination of information through censorship, legal avenues and political propaganda. I argue that political gossip played a constructive role in forming a participatory political culture, in developing state mechanisms to discipline popular knowledge, and in shaping legal categories of defamation. As opposed to other studies that analyze the formation of Chinese citizenship in the process of nation-building, my project contextualizes popular political participation in the Republican era within a broader shift in political culture that was increasingly shaped by the entertainment media. Lower-class information traders and a commoner audience dominated the gossip economy by actively producing and consuming narratives and opinions, without being restricted by state education and elite activism. -
“FULL RIVER RED” by Yue Fei Introduction
Primary Source Document with Questions (DBQs) POEM TO BE SUNG TO THE TUNE OF “ FULL RIVER RED” By Yue Fei Introduction In 1127 the Northern Song dynasty came to an end as the Jurchen Liao conquered northern China and drove the Song court south to the Yangzi valley. There, from the capital at Hangzhou, the Song court continued as the Southern Song (1127-1279) to rule southern China. The Southern Song empire was an economically and culturally vibrant place, but the defeat at the hands of non-Chinese Jurchen people and the loss of territory rankled. So did the fact that the court was simply not strong enough to recover the lost territory. Yue Fei (1103-1142) was an officer in the Northern Song army. When the Song retreated south in the face of Jin attacks, Yue Fei opposed the retreat. He continued, however, to serve the emperor, rising to the rank of general and engaging in battles with the Jin and in suppression of peasant uprisings. Yue Fei experienced success in his campaigns against the Jin in 1140. The Southern Song Gaozong Emperor and his advisors, however, sought to make peace with the Jin — which involved returning the northern territories that Yue Fei had just recaptured in his campaigns. Yue Fei and his allies stood in the way of the peace negotiations. Accordingly, Yue Fei was ordered to withdraw — which he did, declaring that “the achievements of ten years have been dashed in a single day.” Yue Fei was arrested on charges of plotting rebellion (charges that his defenders insisted were trumped up) and executed in 1141. -
Competing Narratives of Female Martyrdom
FLESH AND STONE: COMPETING NARRATIVES OF FEMALE MARTYRDOM FROM LATE IMPERIAL TO CONTEMPORARY CHINA by XIAN WANG A DISSERTATION Presented to the Department of East Asian Languages and Literatures and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy March 2018 DISSERTATION APPROVAL PAGE Student: Xian Wang Title: Flesh and Stone: Competing Narratives of Female Martyrdom from Late Imperial to Contemporary China This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of East Asian Languages and Literatures by: Maram Epstein Chairperson Wendy Larson Core Member Roy Chan Core Member Bryna Goodman Institutional Representative and Sara D. Hodges Interim Vice Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded March 2018 ii © 2018 Xian Wang iii DISSERTATION ABSTRACT Xian Wang Doctor of Philosophy Department of East Asian Languages and Literatures March 2018 Title: Flesh and Stone: Competing Narratives of Female Martyrdom from Late Imperial to Contemporary China My dissertation focuses on the making of Chinese female martyrs to explore how representations serve as a strategy to either justify or question the normalization of the horrors of untimely death. It examines the narratives of female martyrdom in Chinese literature from late imperial to modern China in particular, explores the shift from female chaste martyrs to revolutionary female martyrs, and considers how the advocacy of female martyrdom shapes and problematizes state ideologies. Female martyrdom has been promoted in the process of the cultivation of loyalty throughout Chinese history. -
The Emergence of Hope in the Fiction of Lu Xun
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1994 The Emergence of Hope in the Fiction of Lu Xun Amalia Valderrama-Nunez Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Modern Literature Commons Recommended Citation Valderrama-Nunez, Amalia, "The Emergence of Hope in the Fiction of Lu Xun" (1994). Master's Theses. 4069. https://ecommons.luc.edu/luc_theses/4069 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1994 Amalia Valderrama-Nunez LOYOLA UNIVERSITY OF CHICAGO THE EMERGENCE OF HOPE IN THE FICTION OF LU XUN A THESIS SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF LOYOLA UNIVERSITY OF CHICAGO IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF LIBERAL STUDIES BY AMALIA VALDERRAMA-NUNEZ CHICAGO, IL MAY 1994 Copyright by Amalia Valderrama-Nunez, 1994 All Rights Reserved ii PREFACE My thesis examines modem Chinese literature, specifically the writings of Lu Xun, a prominent 20th century writer. Lu Xun wrote about the weariness of a people caught up in the everyday struggle of life, a life full of hardships, steeped in poverty, ignorance, and injustice. In his short stories, Lu Xun does not provide solutions to these struggles; he does, however, offer small rays of hope. -
Copyrighted Material
JWST592-IND JWST592-Powers Printer: Yet to Come September 8, 2015 10:31 Trim: 244mm × 170mm Index References to figures are in italic Above the Wall and on Horseback Album of Calligraphy and Analysis of Xiaoqing (Xiaoqing (Qiangtou mashang), 520 Paintings from Ten Bamboo zhi fenxi), 434 Academy of Calligraphy, 505 Studio (Shizhuzhai Anatomy of Love (Qingshi), 88 Achaemenid Palace Persepolis, shuhuapu), 80 ancestor portraits, 43, 147–149 380 Album of Paintings by Famous ancestor spirits, 16, 164–166, Achilles Tatius, 412 Masters throughout the Ages 171, 239 achu (painting, ritual act), 119 (Lidai minggong huapu), ancestor worship, 148–149, Admonitions of the Court 80, 81 159, 238–239, 248 Instructress, 15, 53, 115, Album of Tang Poetry and Confucian rituals, 238–239 141, 152, 171, 172, 393, Paintings, An (Tangshi and construction of tombs 398, 461, 462 huapu), 80, 81 and shrines, 165 fans, 393 albums of paintings, 79–84, 120 family altars, 206 lessons from, 116–120 readerships, 82 imperial, 149–150, 164–166 scroll acquired by British alchemy, 166, 169, 220 Anderson, Benedict, 352 Museum, 121 physiological, 219–220, 225 animals, symbolism of, 508 significance of rebuffal scene, time and, 220–221 animals in tombs, 98 119–120 Alsop, Joseph, 47, 48 Annals of LuBuwei,The¨ , 215 toilette scene, 117–118 on copies and forgeries, 63 Anthology of Discourses on Adventures of Leucippe and Ames, Roger, 237 Chinese Painting Clitophon, The, 412 Amitabha Buddha, 162 (Zhongguo hualun leibian), advertisement Amoghavajra, 142 121 and art, 436 COPYRIGHTEDAn Lushan rebellion, 511 MATERIALAnthology of Literature (Wen and art photography, 431, An Qi, 469 xuan), 269 442–447 Analects, 36, 461, 481 see also antiques and antique dealers, and female nudity, 446–447 Confucius 104, 265 historicity of advertising art, Analysis of Characters as an collecting, 385–386 437–442 Explanation of Writing, The Anyang (Shang capital), 98, nature of, 434 (Shouwen jiezi), 36, 198, 245, 377 afterlife, depictions of, 169 199, 237, 294, 300, 312 apsarases, 167 A Companion to Chinese Art, First Edition. -
Essays on East Asian Religion and Culture
Essays on East Asian Religion and Culture Festschrift in honour of Nishiwaki Tsuneki on the occasion of his 65th birthday Edited by Christian Wittern and Shi Lishan Editorial committee for the Festschrift in honour of Nishiwaki Tsuneki Kyoto 2007 Didactic Paintings between Power and Devotion The Monastery Dashengcisi 大聖慈寺 in Chengdu (8th-10th c.) Evelyne MESNIL 1. Introduction In documents from the Tang (618-907), Five Dynasties (907-960) and Northern (960-1127) and Southern Song (1127-1279), the Monastery Dashengcisi 大聖慈寺, is a recurrent theme in relation to politics as well as religion and art history. Its tremendous scale and crucial role, not only in Shu 蜀 (modern Sichuan Province), the strategic region in which it is located, but throughout the Chinese Empire is clearly documented. Nevertheless, between the 13th and 15th centuries nearly all of its treasures vanished, and its restoration and study were long neglected. Only recently has awareness of its cultural value re-emerged and has it become the object of renewed interest and research. In 1981, its vestiges were classified as Protected Cultural Properties. Although its restoration and study of its cultural, political and religious significances were long neglected, a few researchers have begun to analyze its various aspects. The most extensive work of Wang Weiming’s 王衛明 takes mainly a philological, iconographic and aesthetic approach to its Buddhist paintings. While working on my doctorate on Shu Kingdom painting, I became particularly interested in this monastery, because it was one of the most important depositories of that era. The present study analyzes the degree of involvement of three main protagonists; politicians, the Buddhist community and artists, focusing on the polyvalent overlapping function of the Dashengcisi and its paintings as well as on political instrument, and doctrinal support, the paintings being the interface.