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I Can Hear Music
5 I CAN HEAR MUSIC 1969–1970 “Aquarius,” “Let the Sunshine In” » The 5th Dimension “Crimson and Clover” » Tommy James and the Shondells “Get Back,” “Come Together” » The Beatles “Honky Tonk Women” » Rolling Stones “Everyday People” » Sly and the Family Stone “Proud Mary,” “Born on the Bayou,” “Bad Moon Rising,” “Green River,” “Traveling Band” » Creedence Clearwater Revival “In-a-Gadda-Da-Vida” » Iron Butterfly “Mama Told Me Not to Come” » Three Dog Night “All Right Now” » Free “Evil Ways” » Santanaproof “Ride Captain Ride” » Blues Image Songs! The entire Gainesville music scene was built around songs: Top Forty songs on the radio, songs on albums, original songs performed on stage by bands and other musical ensembles. The late sixties was a golden age of rock and pop music and the rise of the rock band as a musical entity. As the counterculture marched for equal rights and against the war in Vietnam, a sonic revolution was occurring in the recording studio and on the concert stage. New sounds were being created through multitrack recording techniques, and record producers such as Phil Spector and George Martin became integral parts of the creative process. Musicians expanded their sonic palette by experimenting with the sounds of sitar, and through sound-modifying electronic ef- fects such as the wah-wah pedal, fuzz tone, and the Echoplex tape-de- lay unit, as well as a variety of new electronic keyboard instruments and synthesizers. The sound of every musical instrument contributed toward the overall sound of a performance or recording, and bands were begin- ning to expand beyond the core of drums, bass, and a couple guitars. -
Sweet and Dirty a Collaboration of Sweet Brenda and Dirty Red Band Bios
Sweet and Dirty A collaboration of Sweet Brenda and Dirty Red Band Bios When Dirty Red – Eric McDaniel – leader of modern day powerhouse band, Dirty Red and the Soul Shakers invited legendary Oklahoma Blues Singer, Sweet Brenda – Bren Severson – on stage the first time to sit in with the band, a lightning bolt of electricity melded them together and shot their sound and energy into an unsuspecting blues audience that soaked it up like fireball whiskey on freaky Saturday night. From that moment this energetic collaboration has caused quite a stirring in the blues scene. Both musicians have made a name for themselves across the blues nation with experience and expertise that speaks for itself. When all of that is combined with the background and expertise of the rest of the band, a stage full of all-stars is born. Besides the giant personalities of Dirty Red and Sweet Brenda, the scary tight rhythm section of Cliff the “Iron Man” Belcher and Forrest Worrell, both of Watermelon Slim and the Workers fame, and the lonesome but ripping tasty blues guitar of Big Robb Hibbard, former lead for Miss Blues and the Blue Notes, put the icing on the cake. Add to all of that, the fact that Dirty Red and Sweet Brenda both write all the songs with soulful and pertinent lyrics written for all people, and a jolting beat that never stops, the dance floor is full and crazy, the room is packed with a punch of energy and the blues appetite is wildly satisfied. Sweet and Dirty is a collaboration of blues monsters bragging over 130 years of performance altogether culminating into this fabulous high- energy show. -
Steve Cropper | Primary Wave Music
STEVE CROPPER facebook.com/stevecropper twitter.com/officialcropper Image not found or type unknown youtube.com/channel/UCQk6gXkhbUNnhgXHaARGskg playitsteve.com en.wikipedia.org/wiki/Steve_Cropper open.spotify.com/artist/1gLCO8HDtmhp1eWmGcPl8S If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG’s built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG’s and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin’ On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band. -
Steve Ferrone MIDI Groove Library Manual.Pdf
Steve Ferrone MIDI Groove Library Welcome and thank you for purchasing the Platinum Samples Steve Ferrone MIDI Groove Library. This groove library is available in multiple formats: BFD2, BFD Eco, BFD Eco DV, Toontrack EZDrummer & Superior Drummer, Addictive Drums, Cakewalk Session Drummer and General MIDI. Please download the version(s) you will be using. BFD2, BFD Eco & BFD Eco DV Installation: Windows XP or later The BFD library download is provided as a single compressed (zipped) archive. The archive is named Steve_Ferrone_BFD.zip 1. In order to access the installer, right-click the downloaded archive package and select “Extract All...” to unarchive. Find the installer named Steve Ferrone Groove Library Installer WIN.exe and double click it to run it. 2. A splash screen appears, followed by a welcome page. Read the on-screen instructions and click Next to begin the installation. 3. Read the license conditions and check the tick box to agree. If you leave the tick box unchecked, you will not be able to continue with the installation. Click Next to proceed. 4. Specify any folder on a suitable hard disk in which to install the groove library data. Note: If installing on Windows Vista®, the current BFD Eco and BFD2 data paths may not be listed. In this case you must browse to the required data path manually. The drop-down menu contains all current BFD Eco, BFD Eco DV or BFD2 data paths. Select one of these or click Browse to navigate to and select a new location. If you select a new location, it is added to BFD Eco’s and/or BFD2’s and BFD Eco DV’s list of data paths automatically. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
Wildflowers E-Edition
Crawling Back to You A critical and personal breakdown of Tom Petty’s masterpiece, “Wildflowers” by Nick Tavares Static and Feedback editor Static and Feedback | www.staticandfeedback.com | September, 2012 1 September, 2012 Static and Feedback www.staticandfeedback.com ooking at the spine of the CD, it’s would resume, the music would begin, and clear that the color has mutated a I’d lie with my head on my pillow and my L bit through the years, trapped in hands over my stomach, eyes closed. sunbeams by windows and faded from it’s Sometimes, I’d be more alert and reading brown paper bag origins to a pale bluish the liner notes tucked away in the CD’s grey. The CD case itself is in excellent booklet in an effort to take in as much shape save for a few scratches, spared the information about this seemingly magic art cracks and malfunctioning hinges so many form as possible. other jewel boxes have suffered through The first time I listened to Wildflowers, I drops, moves and general carelessness. All was in high school, in bed, laying out in all, the disc holds up rather well. straight, reading along with the lyrics, More often than not, however, it sits inspecting the credits, the thanks and the on the shelf, tucked below a greatest hits photographs included with this Tom Petty collection and above a later album. Thanks solo record. One hour, two minutes and 41 to technology, the more frequent method seconds later, I felt an overwhelming rush, a of play is the simple mp3, broadcasting out warmth that covered my entire body from of a speaker the size of the head of a head to toe and reached back within my pencil’s eraser mounted above the skull to fill my insides. -
Tom Petty and the Heartbreakers Bring 2014 Tour to Toyota Center
TOM PETTY AND THE HEARTBREAKERS BRING 2014 TOUR TO TOYOTA CENTER STEVE WINWOOD WILL APPEAR AS VERY SPECIAL GUEST TICKETS GO ON SALE ON SATURDAY JUNE 7TH AT 10AM EVERY TICKET INCLUDES THE NEW ALBUM HYPNOTIC EYE TO BE RELEASED JULY 29 May 20, 2014-- TOM PETTY AND THE HEARTBREAKERS today announced their 2014 North American tour and the July 29th release of their first new studio album in four years on Reprise Records, Hypnotic Eye. The tour, featuring very special guest Steve Winwood, will begin in San Diego, CA on August 3rd. The tour includes already announced headline performances at San Francisco’s Outside Lands Music and Arts Festival and at the Lockn’ Festival in Arrington, VA. On Labor Day weekend, for the first time ever, the band will also perform at Boston’s Fenway Park. On Thursday, September 25th Tom Petty and The Heartbreakers will take the stage at Toyota Center, Houston, Texas! Every 2014 Tour ticket will include Tom Petty and The Heartbreakers’ highly anticipated new album, Hypnotic Eye. Hypnotic Eye was recently described by Rolling Stone magazine as “maximum rock & roll” and “a decisive return to the concise Sixties-rock classicism of his first great New Wave era albums.” Check out the attached video for an album preview. Tickets will go on sale 10am on Saturday June 7th at livenation.com, houstontoyotacenter.com, most area Randall's stores, or by phone at 1-866-4-HOUTIX. Tickets will also be available at the Toyota Center starting Monday June 9th (subject to availability). Members of Tom Petty and The Heartbreakers’ Highway Companions Fan Club will be able to participate in special ticket presales. -
Summer Mustang
igi6 S u m m e r M u s t a n g 2 0 0 5 c: A 1 1 F C' N F c') L Y T f: c: n N 1 c: s r a r i: u n 1 v f r s 1 t y .t WEEKEND WEATHER PETTY! Men’s basketball Reviews of Toni Petty, preview for the S a tu rd a y 7 0 /5 r Toby Keith and KC" 2005-06 season and the Sunshine S u n d a y Band at the Fair 72/51° J- y ' IN ARTS S i ENTERTAINMENT, 5 IN SPORTS. S Volume LXIX, Number 8 August 11 - August 17, 2005 Mustangdaily^calpoly.edu Cal Pok student dies after Bishop Peak kill Jennifer Gongaware fell about .SO feet and landed in a reached by the firefighters. He was Ml ! DMIY remote area bordered by poison then placed on a stretcher and lift oak, brush and rocks, according to ed into a (’HP helicopter, which An unidentifica C'al I'oly student the Tribune. flew him to a nearby ambulance. died late Tuesday after falling frt>in He fell from the ledge around He was pronounced dead short a ledge while hiking on Mishop (>:4.S p.m. ly after p.m. at Sierra Vista Peak. Firefighters from San Luis Ifegional Medical Center. The name of the student will not (Obispo and CIDF/C'ounty Fire This is the third death resulting be released by the Sheriff’s reached the man after .^0 minutes. from a fall from Ihshop IVak over ('oroner’s otTiee until the student's “The base to the top is a very the last five years. -
Tom Petty | 1950-2017
TOM PETTY FIGHT TO BE FREE TOM PETTY | 1950-2017 A real musical hero, remembered by STEPHEN DEUSNER and his admiring peers. Plus: BUD SCOPPA recalls his long relationship with the head Heartbreaker… “I just like music done well, pretty much.” Photo by RICHARD E AARON RICHARD E. AARON/REDFERNS E. RICHARD 80 • UNCUT • DECEMBER 2017 Tom Petty in New York, 1976 DECEMBER 2017 • UNCUT • 81 TOM PETTY OM Petty made his finest album under months later she would be dead. Petty did not attend her funeral. incredible duress. During the sessions for Somehow, despite all these distractions, the Heartbreakers 1979’s Damn The Torpedoes, he was suing managed to distil their sound down to its leanest, meanest elements. Shelter Records and his friend/mentor/ Damn The Torpedoes tightened up their attack, pushed their producer Denny Cordell to secure a better strongest traits to the forefront, made fine use of Campbell’s guitar contract and to obtain publishing rights to his own and Benmont Tench’s organ. “Refugee” sharpened Petty’s songs. Some days he was in the studio with the songwriting. “Here Comes My Girl” featured what are still some of Heartbreakers, laying down vocal tracks; other his most soulful vocal performances. “Even The Losers” gave the days he was in the courtroom with his lawyers, band a rousing rock’n’roll anthem. And those are the first three testifying to the conditions of his record deal. songs. Drawing from the energy of punk and the tautness of new In a strategic measure, he and the other band wave, the album is streamlined, compact and succinct – except for members declared bankruptcy, as it was decided the the odd sound collages that preface one or two songs and that were meagre proceeds from their previous two albums — meant to recall the studio experiments of The Beatles. -
Detroit Rock & Roll by Ben Edmonds for Our Purposes, The
"KICK OUT THE JAMS!" Detroit Rock & Roll by Ben Edmonds For our purposes, the story of Detroit rock & roll begins on September 3, 1948, when a little-known local performer named John Lee Hooker entered United Sound Studios for his first recording session. Rock & roll was still an obscure rhythm & blues catchphrase, certainly not yet a musical genre, and Hooker's career trajectory had been that of the standard-issue bluesman. A native of the Mississippi Delta, he had drifted north for the same reason that eastern Europeans and Kentucky hillbillies, Greeks and Poles and Arabs and Asians and Mexicans had all been migrating toward Michigan in waves for the first half of the 20th Century. "The Motor City it was then, with the factories and everything, and the money was flowing," Hooker told biographer Charles Shaar Murray." All the cars were being built there. Detroit was the city then. Work, work, work, work. Plenty work, good wages, good money at that time."1 He worked many of those factories, Ford and General Motors among them, and at night he plied the craft of the bluesman in bars, social clubs and at house parties. But John Lee Hooker was no ordinary bluesman, and the song he cut at the tail of his first session, "Boogie Chillen," was no ordinary blues. Accompanied only by the stomp of his right foot, his acoustic guitar hammered an insistent pattern, partially based on boogie-woogie piano, that Hooker said he learned from his stepfather back in Mississippi as "country boogie." Informed by the urgency and relentless drive of his Detroit assembly line experiences, John Lee's urban guitar boogie would become a signature color on the rock & roll palette, as readily identifiable as Bo Diddley's beat or Chuck Berry's ringing chords. -
T H I S T I M E I T ' S P E R S O N
“When you’re young, you’ve got that party period you’ve got to get AT HOME IN MALIBU WITH TOM PETTY AS THE ETERNAL SOCAL through,” says Petty, who was photographed in ROCKER, NOW ON HIS 13TH ALBUM WITH THE HEARTBREAKERS, his Malibu studio on June 26. “If you’re a rock’n’roller, that might SOUNDS OFF ON THE ONE PERCENT, THE CATHOLIC CHURCH AND THE last till you’re 58.” CORRUPTION OF POWER: “THE GOOD THING ABOUT GETTING OLD . YOU KNOW WHAT’S WORTH SPENDING TIME ON AND WHAT’S NOT” T H I S T I M E IT’S PERSONAL BY FRED SCHRUERS PHOTOGRAPHED BY JOE PUGLIESE The seaside community of Malibu is a Carry,” which recollects the fear and the lessons of that traumatic night Hypnotic Eye is an album devoted to making some aggressive — if retreat for wealthy hedonists for good with baleful guitars and Petty’s impassioned vocals. tightly focused — noise, and leaving the tender ballads for another day. reason — there’s rolling surf and almost We’re at his Malibu studio today. Wearing denim from head to toe, From the earliest session, Heartbreaker lead guitarist and Hypnotic Eye inevitable blue sky and golden hills and Petty, 63, emerges from one of the tree-shaded walkways that criss- co-producer Campbell told the band leader that he was singing much T world-class sushi. The cost of paradise, cross the sprawling but unpretentious compound. We head inside, like the lad who busted into pop music’s consciousness with “American beyond the mortgage payments, lies in where his aging and hefty Lab, Ryder, wanders in, mounts the couch Girl” in 1976. -
On Tom Petty's
SUMMER 2017 // ISSUE 4 Production Crew Joins the Trip Down Memory Lane on Tom Petty’s 40th Anniversary Tour Tour Link Magazine 1 2 Tour Link Magazine Britannia Row Productions Goes Global with Clair Global Following a successful strategic alliance which About Clair Global: has been in place since the beginning of the year, Britannia Row Productions recently announced Building on over 50 years of experience, Clair its acquisition by Clair Global, Inc. Global continues to boldly advance the entertain- ment experience in the touring, festival, broad- Clair Global has a long-established history and is cast, and corporate markets. Our clients are ex- one of the most respected entertainment industry traordinary. We strive every day, at any hour, to suppliers with serval international operations. exceed their expectations. Our employees’ crea- tivity, talents, problem-solving skills and commit- Britannia Row Productions is one of the leading ment to service set us apart. Our passion is to UK audio companies with links throughout the provide our clients with solutions that meet their world. “Both companies see this as the perfect needs in audio, communications, backline, and way to expand and strengthen their worldwide data services. client base, allowing them to offer consistent ser- vice in all major territories,” said Britannia Row www.clairglobal.com Directors Bryan Grant and Mike Lowe in a joint statement. “The synergies we’ve experienced with the entire Britannia Row team have been over- whelmingly positive. Culturally and profes- sionally, we are on the same page. We are excited to bring this new level of global sup- port to our clients and better serve their pas- sions to advance this industry.” Troy Clair, President/CEO, Clair Global.