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AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr. -
What the Fleetwood Mac Case Can Tell You About Pa. Partnerships | the Legal Intellige
What the Fleetwood Mac Case Can Tell You About Pa. Partnerships | The Legal Intellige... Page 1 of 6 (/thelegalintelligencer/) Menu My Acco POWERED BY LAW.COM (/) Search (HTTPS://STORE.LAW.COM/REGISTRA (/thelegalintelligencer/search/) SOURCE=HTTPS%3A%2F% 2FTHELEGALINTELLIGENCER% 2FWHAT-THE-FLEETWOOD-MAC ABOUT-PA- Publications (/publications/) Law Topics (/topics/) Surveys & Rankings (/rankings/) Cases & Verdicts People & Community ROOMS FROM $34 BOOK NOW Commentary (/thelegalintelligencer/commentary/) What the Fleetwood Mac Case Can Tell You About Pa. Partnerships It’s official. The remaining major members of the renowned rock and roll band Fleetwood Mac, Mick Fleetwood, Stev Nicks, Christine McVie and John McVie, have gone their own way from bandmate Lindsey Buckingham. By Andrew J. DeFalco | November 20, 2018 at 04:02 PM Trending Stories +èÓ9Ô (http://www.almreprints.com) It’s official. The remaining major members of the 1 Meet the In-House National renowned rock and roll band Fleetwood Mac, Mick Women in Law Honorees Fleetwood, Stevie Nicks, Christine McVie and John (https://www.law.com/corpco the-in-house-national-women McVie, have gone their own way from bandmate in-law-honorees/) Lindsey Buckingham. According to Buckingham, after CORPORATE COUNSEL planning a world tour for 2018 and 2019, he was (/CORPCOUNSEL/) unceremoniously kicked out of the band, which will 2 Law Prof Who Exposed Big prevent him from earning an anticipated $12 million Law's Mandatory Arbitration Focus of Misconduct Probe cut of the proceeds from the tour. (https://www.law.com/2018/ prof-who-exposed-big-laws- Not surprisingly, Buckingham was peeved and saw mandatory-arbitration-is- focus-of-misconduct-probe/) Andrew J. -
Editor's Notes
R&R Editor’s Notes editoR and PubliSheR: Jann S. Wenner Managing editoR: Will Dana executive editors: Eric Bates, Jason Fine dePuty Managing editors: Nathan Brackett John Dioso AssiStant Managing editoR: Jonathan Ringen The Future Is Unwritten SenioR wRiters: David Fricke, Peter Travers SenioR editors: Michael Endelman, Thomas Walsh Sean Woods esides barack obama himself, Associate editors: Brian Hiatt, Coco McPherson there probably aren’t many peo- AssiStant editors: Nicole Frehsée, Andy Greene Julia Holmes, Sarene Leeds, Eric Magnuson ple who have done more to put Kevin O’Donnell, Jamie Reynolds, Phoebe St. John B AssiStant to the editoR and PubliSheR: Ally Lewis our current president in the White House editoRial Staff: Alison Weinflash than artist-activist-provocateur Shepard ROLLINGSTONE.COM: Robert Mancini (Executive Ed.) Caryn Ganz (Deputy Ed.), Erica Futterman, John Gara Fairey. Fairey’s samizdat “Hope” poster, contRibuting editors: Mark Binelli, David Browne Rich Cohen, John Colapinto, Jonathan Cott plastered all over America on walls, Anthony DeCurtis, Tim Dickinson, Raoul Duke (Sports) T-shirts and computer screens, helped the Gavin Edwards, Jenny Eliscu, Mikal Gilmore, Jeff Goodell Vanessa Grigoriadis, Erik Hedegaard, Christian Hoard country connect to this man who prom- Claire Hoffman, Robert F. Kennedy Jr., Steve Knopper David Kushner, Guy Lawson, David Lipsky, Kurt Loder ised voters such an extraordinary change Greil Marcus, P.J. O’Rourke, Charles Perry, Janet Reitman from politics as usual. Austin Scaggs, Jeff Sharlet, Rob Sheffield, Paul Solotaroff Ralph Steadman (Gardening), Neil Strauss, Randall Sullivan Seven months into his presidency, in Matt Taibbi, Touré, David Wild, Peter Wilkinson, Evan Wright the midst of the debate over health care, Art diRectoR: Joseph Hutchinson Obama is facing the tests that will likely Art dePaRtMent: Steven Charny (Sr. -
Commissioners Approve Kid Ballfields and Performance Stage but Timelines for Expected Challenges Begins
Los Feliz Ledger Read by 100,000+ Residents and Business Owners in Los Feliz, Silver Lake, Vol 9. No. 11 May 2014 Atwater Village, Echo Park & Hollywood Hills Commissioners Approve Kid Ballfields and Performance Stage But Timelines for Expected Challenges Begins LOS ANGELES—Now that two youth baseball fields at Griffith Park’s Crystal Springs and a permanent stage at the park’s Old Zoo have been ap- proved by a 4-0 vote by the Los Angeles Recreation and Parks Board of Commission- ers a series of challenge time- lines begin. May 9th is the deadline for anyone opposing the two new projects to file a legal challenge, in regards to the California Environmental Quality Act, otherwise known as CEQA. At the April 2nd hearing, held at the Expo Center near the Los Angeles Memorial Coliseum, a last minute letter from the law firm of Chatten- Los Angeles City Councilmember Tom LaBonge celebrates April 2nd after the Los Angeles Recreation and Parks Board of Commissioners approved Brown & Carstens, on behalf a permanent stage for Griffith Park’s Old Zoo as well as youth baseball fields at Crystal Springs. To his right are Symphony in the Glen’s Barbara Fer- of Friends of Griffith Park ris and Arthur Rubenstein and to LaBonge’s left is David Melville of the Independent Shakespeare Co. Both organizations will use the stage for free see BALLFIELDS page 21 concerts and performances. City Negates 25 SLNC Election [COACHELLA 2014] Challenges Los Feliz’s Beck and Other Locals Give Memorable By Colin Stutz, Ledger Contributing Writer Performances By Charles H. -
Schlitten, Don African & African American Studies Department
Fordham University Masthead Logo DigitalResearch@Fordham Oral Histories Bronx African American History Project 7-13-2006 Schlitten, Don African & African American Studies Department. Don Schlitten Fordham University Follow this and additional works at: https://fordham.bepress.com/baahp_oralhist Part of the African American Studies Commons Recommended Citation Schlitten, Don. Interview with the Bronx African American History Project. BAAHP Digital Archive at Fordham University. This Interview is brought to you for free and open access by the Bronx African American History Project at DigitalResearch@Fordham. It has been accepted for inclusion in Oral Histories by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. Interviewer: Maxine Gordon Interviewee: Don Schlitten July 13, 2006 Page 1 Maxine Gordon (MG): This is interview 179 for the Bronx African History Project, Maxine Gordon interviewing Don Schlitten in his home in Kingsbridge, which is in the Bronx. So thank you very much, I had to put that on the interview. Are you born in the Bronx? Don Schlitten (DS): Born in the Bronx, Bronx Maternity Hospital. I’ve been in the Bronx my entire life and various places. But for 33 years I’ve always lived in the Bronx. MG: And where did you go to school? DS: In the Bronx. [laughs] P.S. 26. MG: Oh good, where’s that. DS: Junior high school eighty - - P.S. 26 was on West Bernside and West of University Avenue. It’s probably a prison now or something [laughs]. Then I went to Junior High School 82 which was on McClellan Road and Tremont Avenue. -
Niveau Pre-A1
LAAS mai 2012 Pre-A1 Page 2 NOM et prénom :…………………… LAAS SYSTÈME D’ÉVALUATION D’APTITUDE EN LANGUES NIVEAU PRE-A1 Certification reconnue par l’ICC INSTRUCTIONS : ExamenEnglish • N’oubliez pas de noter vos NOM et Language prénom en haut de cette page. de langue Examinations • N’ouvrez pas ce livret avant le française commencement de l’épreuve. • Lisez attentivement les consignes avant de faire chaque exercice. December • Répondez à TOUTES les questions. 2005 • Donnez UNE SEULE réponse à chaque question. MAI • Notez vos réponses sur la feuille des 2012 réponses, en utilisant un crayon 2H ou HB. • Temps de passation : 1 heure . LAAS mai 2012 Pre-A1 Page 1 Exercice A : numéros 1 à 6 Associez : Qu’est-ce qu’ils font ? Regardez ce que font les personnes. Associez les dessins aux phrases. Notez sur la feuille des réponses la lettre (A, B, C… H) qui correspond au dessin. Vous allez utiliser seulement six lettres. Exemple : Le père de Julien prépare le repas. La bonne réponse est D. A B C D E F G H 1 Alice lave son chien. 2 Claude fait du vélo. 3 Hélène joue de la guitare. 4 La grand-mère de Théo lit un livre. 5 Clémence mange une glace à la fraise. 6 Anne ouvre son cadeau. A B C D H G F E LAAS mai 2012 Pre-A1 Page 2 Exercice B : numéros 7 à 12 Choisissez le mot qui convient : L’invitation. Notez sur la feuille des réponses la lettre (A, B ou C) qui correspond au mot qui convient. -
The Twenty Greatest Music Concerts I've Ever Seen
THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there. -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
And the Band Played on Pdf
And the band played on pdf Continue Music fans were sad to learn that Tom Petty passed away at the age of 66 on Monday night. The musician became famous for his successful career as a solo artist, but worked with several bands, including The Heartbreakers. Who the Heartbreakers were Tom Petty showed they were more than a band. They were the longest-running group Petty had worked with, playing together since 1976. Since then, Petty has released more than a dozen albums, either in collaboration with The Heartbreakers or prominently. Together, the band is recognizable for some of Petty's favorite hits, including Mary Jane's Last Dance and American Girl. The introduction to American Girl has probably stuck in your head since the first time you heard it, but for some reason, you just never get tired of it. You have Tom Petty and the Heartbreakers to thank for that. Petty also collaborated with the following bands: Mudcrutch (1970-1975), the supergroup The Traveling Willburys (1988-1990). On Petty's solo albums, The Heartbreakers served as studio musicians, and were additionally supported by Petty's collaborator stable. This stable famously included musicians like Jeff Lynne and George Harrison, who were also two of the petty bandmates in Willburys Travel. Petty recorded with Bob Dylan, Stevie Nicks and countless other industry icons, but The Heartbreakers were his constant. According to Petty's official website, the 2017 Heartbreakers included Campbell, Trench, bassist Ron Blair, rhythm guitarist Scott Thurston and percussionist Steve Ferrone. Ferrone joined in 1994 after drummer Stan Lynch left to work on other projects. -
Vinyl Theory
Vinyl Theory Jeffrey R. Di Leo Copyright © 2020 by Jefrey R. Di Leo Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to publish rich media digital books simultaneously available in print, to be a peer-reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. The complete manuscript of this work was subjected to a partly closed (“single blind”) review process. For more information, please see our Peer Review Commitments and Guidelines at https://www.leverpress.org/peerreview DOI: https://doi.org/10.3998/mpub.11676127 Print ISBN: 978-1-64315-015-4 Open access ISBN: 978-1-64315-016-1 Library of Congress Control Number: 2019954611 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Without music, life would be an error. —Friedrich Nietzsche The preservation of music in records reminds one of canned food. —Theodor W. Adorno Contents Member Institution Acknowledgments vii Preface 1 1. Late Capitalism on Vinyl 11 2. The Curve of the Needle 37 3. -
MTO 11.4: Spicer, Review of the Beatles As Musicians
Volume 11, Number 4, October 2005 Copyright © 2005 Society for Music Theory Mark Spicer Received October 2005 [1] As I thought about how best to begin this review, an article by David Fricke in the latest issue of Rolling Stone caught my attention.(1) Entitled “Beatles Maniacs,” the article tells the tale of the Fab Faux, a New York-based Beatles tribute group— founded in 1998 by Will Lee (longtime bassist for Paul Schaffer’s CBS Orchestra on the Late Show With David Letterman)—that has quickly risen to become “the most-accomplished band in the Beatles-cover business.” By painstakingly learning their respective parts note-by-note from the original studio recordings, the Fab Faux to date have mastered and performed live “160 of the 211 songs in the official canon.”(2) Lee likens his group’s approach to performing the Beatles to “the way classical musicians start a chamber orchestra to play Mozart . as perfectly as we can.” As the Faux’s drummer Rich Pagano puts it, “[t]his is the greatest music ever written, and we’re such freaks for it.” [2] It’s been over thirty-five years since the real Fab Four called it quits, and the group is now down to two surviving members, yet somehow the Beatles remain as popular as ever. Hardly a month goes by, it seems, without something new and Beatle-related appearing in the mass media to remind us of just how important this group has been, and continues to be, in shaping our postmodern world. For example, as I write this, the current issue of TV Guide (August 14–20, 2005) is a “special tribute” issue commemorating the fortieth anniversary of the Beatles’ sold-out performance at New York’s Shea Stadium on August 15, 1965—a concert which, as the magazine notes, marked the “dawning of a new era for rock music” where “[v]ast outdoor shows would become the superstar standard.”(3) The cover of my copy—one of four covers for this week’s issue, each featuring a different Beatle—boasts a photograph of Paul McCartney onstage at the Shea concert, his famous Höfner “violin” bass gripped in one hand as he waves to the crowd with the other. -
30 YEARS of CRAFT BEER
ROSE FESTIVAL KICKS OFF – SEE LIFE, B1 PortlandTribuneTHURSDAY, MAY 22, 2014 • TWICE CHOSEN THE NATION’S BEST NONDAILY PAPER • PORTLANDTRIBUNE.COM • PUBLISHED TUESDAY AND THURSDAY ■ Portland beer pioneers built buzz that revolutionized industry Water plan swamped; city pledges to change Voters turn county over to Kafoury, return most incumbents to offi ce The Tribune Mayor Charlie Hales admits he was surprised by the lopsided defeat of the proposed Portland Public Water District at Tuesday’s Ben Dobler election. It lost by a 3-to-1 margin. of Widmer But Hales says that does not mean the City Council can return to business as usual when it Brothers stirs comes to running the Water Bureau and the Bu- a tank at the reau of Environmental Services. brewery’s pilot “I heard throughout the campaign that Port- location at the landers want us to improve the management of the Moda Center. water and sewer bureaus. I think the margin of victory means they trust us to do a better job, but we have to deliver,” Hales said as he watched the results in a Pearl District sports bar. After the outcome was Story by Jennifer Anderson clear, Hales reaffirmed Photos by Jonathan House that he will appoint a blue City toasts ribbon commission to study options for increas- isa Morrison remem- “Beer O’Clock!” and author and ing public oversight of the bers when a customer co-author of several books about two bureaus, including some proposed before and came into her bar dur- Portland and Pacifi c Northwest during the campaign by the City Club of Portland, L ing a recent remodel craft brews.