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Corpus Christi College the Pelican Record
CORPUS CHRISTI COLLEGE THE PELICAN RECORD Vol. LI December 2015 CORPUS CHRISTI COLLEGE THE PELICAN RECORD Vol. LI December 2015 i The Pelican Record Editor: Mark Whittow Design and Printing: Lynx DPM Limited Published by Corpus Christi College, Oxford 2015 Website: http://www.ccc.ox.ac.uk Email: [email protected] The editor would like to thank Rachel Pearson, Julian Reid, Sara Watson and David Wilson. Front cover: The Library, by former artist-in-residence Ceri Allen. By kind permission of Nick Thorn Back cover: Stone pelican in Durham Castle, carved during Richard Fox’s tenure as Bishop of Durham. Photograph by Peter Rhodes ii The Pelican Record CONTENTS President’s Report ................................................................................... 3 President’s Seminar: Casting the Audience Peter Nichols ............................................................................................ 11 Bishop Foxe’s Humanistic Library and the Alchemical Pelican Alexandra Marraccini ................................................................................ 17 Remembrance Day Sermon A sermon delivered by the President on 9 November 2014 ....................... 22 Corpuscle Casualties from the Second World War Harriet Fisher ............................................................................................. 27 A Postgraduate at Corpus Michael Baker ............................................................................................. 34 Law at Corpus Lucia Zedner and Liz Fisher .................................................................... -
Midnight Special Songlist
west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has. -
11-TUDE' Away6""~Setostudenis
THURSDAY, APRIL 23, 1998 INSIDE .............. t Follow Kool Kot, Puttymon ond Spinner os •.••.,.they dine ond review Mor~el Monio. Q.~!!Y Sqndial SEE SPOTLIGHT, PAGES 7. 10 VOLUME 44 (AllFORNIA STATE U NIVERSITY, N OR THRIDGE N UMBER l 07 CSU seeks CETI partnership ~ UPA visitor to work wi th Microsoft on an $1210 $13 million from 1he infra- .... Deal would appropriate relalionship." structure projec1 if it's built. arrested link technol9gy "The more we learned at>out · ''We would have more darn nc1- A 25-year-old man wa< arresied 1he process of forming publiclpri· working ou1lc1 s around the cam- 'CET11s and charged with anemp1ed mur· on 23 cantpuses. vme pannerships and the more the pu s and a faster networking der after al legedly crying 10 suffo- CSU explored new ground, 1he behind these (oullelS)," Crase going to give cate his ex-girlfriend, a CSUN s1u- By CELINE OHANIANS more we have sought ndditionaJ said . den1, campus police Sdid. Staff Writer consultaiion and assessment ~ it us the .. ;he· unidentified · suspect' relates 10 CSU risk, equity and Campus access technology we allegedly IJ'ied co smother 1he The Ca li fornia Si ace debl, all of which have appropri· Ken Swisher, media relations woman Monday at about I0:45 University syslem is continuing alely added 10 1he delay," Wilson manager at the CSU Chancellor's need to be a. m. with a chemically-drenched negotiations leading 10 a panner- s:.1 id . Office, said GTE and Fujitsu will washclo1h m !he Unh·ersity Park ship with GTE and Fujitsu for lhe have access 10 1he 2i CSU cam- competitive.' Apanmems Building 13. -
THE MODERATE SOPRANO Glyndebourne’S Original Love Story by David Hare Directed by Jeremy Herrin
PRESS RELEASE IMAGES CAN BE DOWNLOADED HERE Twitter | @ModerateSoprano Facebook | @TheModerateSoprano Website | www.themoderatesoprano.com Playful Productions presents Hampstead Theatre’s THE MODERATE SOPRANO Glyndebourne’s Original Love Story By David Hare Directed by Jeremy Herrin LAST CHANCE TO SEE DAVID HARE’S THE MODERATE SOPRANO AS CRITICALLY ACCLAIMED WEST END PRODUCTION ENTERS ITS FINAL FIVE WEEKS AT THE DUKE OF YORK’S THEATRE. STARRING OLIVIER AWARD WINNING ROGER ALLAM AND NANCY CARROLL AS GLYNDEBOURNE FOUNDER JOHN CHRISTIE AND HIS WIFE AUDREY MILDMAY. STRICTLY LIMITED RUN MUST END SATURDAY 30 JUNE. Audiences have just five weeks left to see David Hare’s critically acclaimed new play The Moderate Soprano, about the love story at the heart of the foundation of Glyndebourne, directed by Jeremy Herrin and starring Olivier Award winners Roger Allam and Nancy Carroll. The production enters its final weeks at the Duke of York’s Theatre where it must end a strictly limited season on Saturday 30 June. The previously untold story of an English eccentric, a young soprano and three refugees from Germany who together established Glyndebourne, one of England’s best loved cultural institutions, has garnered public and critical acclaim alike. The production has been embraced by the Christie family who continue to be involved with the running of Glyndebourne, 84 years after its launch. Executive Director Gus Christie attended the West End opening with his family and praised the portrayal of his grandfather John Christie who founded one of the most successful opera houses in the world. First seen in a sold out run at Hampstead Theatre in 2015, the new production opened in the West End this spring, with Roger Allam and Nancy Carroll reprising their original roles as Glyndebourne founder John Christie and soprano Audrey Mildmay. -
Study Guide for DE Madameby Yukio Mishima SADE Translated from the Japanese by Donald Keene
Study Guide for DE MADAMEBy Yukio Mishima SADE Translated from the Japanese by Donald Keene Written by Sophie Watkiss Edited by Rosie Dalling Rehearsal photography by Marc Brenner Production photography by Johan Persson Supported by The Bay Foundation, Noel Coward Foundation, 1 John Lyon’s Charity and Universal Consolidated Group Contents Section 1: Cast and Creative Team Section 2: An introduction to Yukio Mishima and Japanese theatre The work and life of Yukio Mishima Mishima and Shingeki theatre A chronology of Yukio Mishima’s key stage plays Section 3: MADAME DE SADE – history inspiring art The influence for Mishima’s play The historical figures of Madame de Sade and Madame de Montreuil. Renée’s marriage to the Marquis de Sade Renee’s life as Madame de Sade Easter day, 1768 The path to the destruction of the aristocracy and the French Revolution La Coste Women, power and sexuality in 18th Century France Section 4: MADAME DE SADE in production De Sade through women’s eyes The historical context of the play in performance Renée’s ‘volte-face’ The presence of the Marquis de Sade The duality of human nature Elements of design An interview with Fiona Button (Anne) Section 5: Primary sources, bibliography and endnotes 2 section 1 Cast and Creative Team Cast Frances Barber: Comtesse de Saint-Fond For the Donmar: Insignificance. Theatre includes: King Lear & The Seagull (RSC), Anthony and Cleopatra (Shakespeare’s Globe), Aladdin (Old Vic), One Flew Over the Cuckoo’s Nest (Edinburgh Festival & Gielgud). Film includes: Goal, Photographing Fairies, Prick Up Your Ears. Television includes: Hotel Babylon, Beautiful People, Hustle, The I.T. -
Punk: Music, History, Sub/Culture Indicate If Seminar And/Or Writing II Course
MUSIC HISTORY 13 PAGE 1 of 14 MUSIC HISTORY 13 General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Music History 13 Course Title Punk: Music, History, Sub/Culture Indicate if Seminar and/or Writing II course 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice x Foundations of Society and Culture • Historical Analysis • Social Analysis x Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. This course falls into social analysis and visual and performance arts analysis and practice because it shows how punk, as a subculture, has influenced alternative economic practices, led to political mobilization, and challenged social norms. This course situates the activity of listening to punk music in its broader cultural ideologies, such as the DIY (do-it-yourself) ideal, which includes nontraditional musical pedagogy and composition, cooperatively owned performance venues, and underground distribution and circulation practices. Students learn to analyze punk subculture as an alternative social formation and how punk productions confront and are times co-opted by capitalistic logic and normative economic, political and social arrangements. 3. "List faculty member(s) who will serve as instructor (give academic rank): Jessica Schwartz, Assistant Professor Do you intend to use graduate student instructors (TAs) in this course? Yes x No If yes, please indicate the number of TAs 2 4. -
And the Band Played on Pdf
And the band played on pdf Continue Music fans were sad to learn that Tom Petty passed away at the age of 66 on Monday night. The musician became famous for his successful career as a solo artist, but worked with several bands, including The Heartbreakers. Who the Heartbreakers were Tom Petty showed they were more than a band. They were the longest-running group Petty had worked with, playing together since 1976. Since then, Petty has released more than a dozen albums, either in collaboration with The Heartbreakers or prominently. Together, the band is recognizable for some of Petty's favorite hits, including Mary Jane's Last Dance and American Girl. The introduction to American Girl has probably stuck in your head since the first time you heard it, but for some reason, you just never get tired of it. You have Tom Petty and the Heartbreakers to thank for that. Petty also collaborated with the following bands: Mudcrutch (1970-1975), the supergroup The Traveling Willburys (1988-1990). On Petty's solo albums, The Heartbreakers served as studio musicians, and were additionally supported by Petty's collaborator stable. This stable famously included musicians like Jeff Lynne and George Harrison, who were also two of the petty bandmates in Willburys Travel. Petty recorded with Bob Dylan, Stevie Nicks and countless other industry icons, but The Heartbreakers were his constant. According to Petty's official website, the 2017 Heartbreakers included Campbell, Trench, bassist Ron Blair, rhythm guitarist Scott Thurston and percussionist Steve Ferrone. Ferrone joined in 1994 after drummer Stan Lynch left to work on other projects. -
JUST ONE LOOK-Doris Troy/Gregory Carroll 4/4 1...2...1234
JUST ONE LOOK-Doris Troy/Gregory Carroll 4/4 1...2...1234 Intro: | | | | | Just one look and I fell so hard, in love with you, oh-oh, oh-oh. I found out, how good it feels, to have your love, oh-oh, oh-oh. Say you will, will be mine, for-ever and al-ways, oh-oh, oh-oh. Just one look, and I knew, that you were my only one, oh oh-oh oh. I thought I was dreamin', but I was wrong, yeah, yeah, yeah. Oh, but-a, I'm gonna keep on schemin', till I can make you, make you my own. So you see, I really care, with-out you I'm nothin', oh-oh, oh-oh. Just one look and I know, I'll get you some-day, oh-oh, oh-oh. Just one look, that's all it took, just one look, that's all it took. Just one look, that's all it took for me! JUST ONE LOOK-Doris Troy/Gregory Carroll 4/4 1...2...1234 Intro: | A | D | A | E7 | A F#m D E7 Just one look and I fell so hard, in love with you, oh-oh, oh-oh. A F#m D E7 I found out, how good it feels, to have your love, oh-oh, oh-oh. A F#m D E7 Say you will, will be mine, for-ever and al-ways, oh-oh, oh-oh. A F#m D E7 A A7 Just one look, and I knew, that you were my only one, oh oh-oh oh. -
A Digital Tool Kit for Integrating Theater Arts Into Standards-Based Curriculum, Featuring
A digital tool kit for integrating theater arts into standards-based curriculum, featuring: • Historical Background • Production Notes • Artists’ Insights • Suggested Lessons • Student Activities • Links to Rich Media • Resource Directory SCOTT SANDERS PRODUCTIONS ROY FURMAN TROIKA ENTERTAINMENT DAVID BABANI TOM SIRACUSA CAIOLA PRODUCTIONS JAMES FANTACI TED LIEBOWITZ JAMES L. NEDERLANDER DARREN BAGERT CANDY SPELLING ADAM ZOTOVICH ERIC FALKENSTEIN/MORRIS BERCHARD JUST FOR LAUGHS THEATRICALS TANYA LINK PRODUCTIONS JAM THEATRICALS INDEPENDENT PRESENTERS NETWORK CAROL FINEMAN PRESENT THE DEAR EDUCATOR, The Color Purple is an inspiring family saga that tells the unforgettable story of a woman who, through love, finds the strength to triumph over adversity and discover her unique voice in the world. This musical adaptation of Alice Walker’s Pulitzer Prize–winning novel (and the BOOK BY MUSIC AND LYRICS BY popular 1985 Steven Spielberg film) spotlights Celie, a MARSHA NORMAN BRENDA RUSSELL ALLEE WILLIS STEPEHEN BRAY downtrodden young woman whose personal awakening over the course of 40 years forms the arc of this epic story. BASED ON THE NOVEL WRITTEN BY ALICE WALKER AND THE WARNER BROS./AMBLIN ENTERTAINMENT MOTION PICTURE With a joyous score featuring jazz, ragtime, gospel, African music, and blues, The Color Purple is a story of hope, a testament SET DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN HAIR DESIGN JOHN DOYLE ANN HOULD-WARD JANE COX DAN MOSES SCHREIER CHARLES G. LAPOINTE to the healing power of love, and a celebration of life. With a book by Marsha Norman and music and lyrics by Brenda Russell, Allee CASTING ASSOCIATE COSTUME DESIGN Willis, and Stephen Bray, The Color Purple premiered at the Alliance TELSEY + COMPANY CHRISTOPHER VERGARA Theatre Company in Atlanta, Georgia, and opened on Broadway JUSTIN HUFF, C.S.A. -
Compositions-By-Frank-Zappa.Pdf
Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish). -
Advance Program Notes Broadway in Blacksburg the Color Purple Thursday, February 13, 2020, 7:30 PM
Advance Program Notes Broadway in Blacksburg The Color Purple Thursday, February 13, 2020, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. TROIKA ENTERTAINMENT, LLC presents BOOK BY MUSIC AND LYRICS BY MARSHA NORMAN BRENDA RUSSELL ALLEE WILLIS STEPHEN BRAY BASED ON THE NOVEL WRITTEN BY ALICE WALKER AND THE WARNER BROS./AMBLIN ENTERTAINMENT MOTION PICTURE WITH MARIAH LYTTLE SANDIE LEE CHÉDRA ARIELLE ANDREW MALONE BRANDON A. WRIGHT NASHKA DESROSIERS ELIZABETH ADABALE JARRETT ANTHONY BENNETT DAVID HOLBERT PARRIS LEWIS JENAY NAIMA MON’QUEZ DEON PIPPINS GABRIELLA RODRIGUEZ SHELBY A. SYKES RENEE TITUS IVAN THOMPSON CARTREZE TUCKER JEREMY WHATLEY GERARD M. WILLIAMS SET DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN HAIR DESIGN JOHN DOYLE ANN HOULD-WARD JANE COX DAN MOSES SCHREIER CHARLES G. LAPOINTE CASTING ASSOCIATE COSTUME DESIGN BINDER CASTING CHRISTOPHER VERGARA CHAD ERIC MURNANE, C.S.A. MUSIC SUPERVISION MUSIC DIRECTOR/CONDUCTOR ORCHESTRATIONS MUSIC COORDINATION DARRYL ARCHIBALD JONATHAN GORST JOSEPH JOUBERT TALITHA FEHR EXCLUSIVE TOUR DIRECTION MARKETING & PUBLICITY DIRECTION PROJECTION SUPERVISOR COMPANY MANAGER THE BOOKING GROUP BOND THEATRICAL GROUP B.J. BELLARD BARRY BRANFORD GENERAL MANAGEMENT PRODUCTION MANAGEMENT EXECUTIVE PRODUCER BRIAN SCHRADER HEATHER CHOCKLEY KORI PRIOR ASSOCIATE DIRECTOR SAMANTHA SALTZMAN DIRECTION AND MUSICAL STAGING JOHN DOYLE The Color Purple was produced on Broadway at the Broadway Theater by Oprah Winfrey, Scott Sanders, Roy Furman, and Quincy Jones. The world premiere of The Color Purple was produced by the Alliance Theatre, Atlanta, Georgia. -
Light in the Dark Places: Or, Memorial of Christian Life in the Middle Ages
Light in the Dark Places: or, Memorial of Christian Life in the Middle Ages. Author(s): Neander, Augustus (1789-1850) Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Description: Augustus Neander began his religious studies in speculative theory, but his changing interests led him to the study of church history. In his book, Light in the Dark Places, Neander©s talent as a writer and a historian is tremendously evident; collected within this volume is an abundance of re- markable information about church history. Neander shares information about the lives of Christian individuals and com- munities during times of darkness and of triumph. Neander also reveals unknown facts about early missionaries and martyrs of the church. This historical analysis will provide today©s Christians with insight into the church©s elaborate past, so that they may learn from previous mistakes and embrace habits of righteousness. Emmalon Davis CCEL Staff Writer i Contents Title Page 1 Prefatory Material 2 Preface to the American Edition. 2 Preface. 3 Contents. 4 Part I. Operations of Christianity During and After the Confusion Produced by the 6 Irruption of the Barbarians. Introduction 7 The North African Church Under the Vandals. 8 Everinus in Germany. 19 Labours of Pious Men in France. 26 Germanus of Auxerre (Antistodorum). 27 Lupus of Troyes. 29 Cæsarius of Arles. 30 Epiphanius of Pavia. 49 Eligius, Bishop of Noyon. 50 The Abbots Euroul and Loumon. 58 Gregory the Great, Bishop of Rome. 59 Christianity in Poverty and Lowliness, and on the Sick Bed. 72 Part II. Memoirs from the History of Missions in the Middle Ages.