JUST ONE LOOK-Doris Troy/Gregory Carroll 4/4 1...2...1234

Total Page:16

File Type:pdf, Size:1020Kb

JUST ONE LOOK-Doris Troy/Gregory Carroll 4/4 1...2...1234 JUST ONE LOOK-Doris Troy/Gregory Carroll 4/4 1...2...1234 Intro: | | | | | Just one look and I fell so hard, in love with you, oh-oh, oh-oh. I found out, how good it feels, to have your love, oh-oh, oh-oh. Say you will, will be mine, for-ever and al-ways, oh-oh, oh-oh. Just one look, and I knew, that you were my only one, oh oh-oh oh. I thought I was dreamin', but I was wrong, yeah, yeah, yeah. Oh, but-a, I'm gonna keep on schemin', till I can make you, make you my own. So you see, I really care, with-out you I'm nothin', oh-oh, oh-oh. Just one look and I know, I'll get you some-day, oh-oh, oh-oh. Just one look, that's all it took, just one look, that's all it took. Just one look, that's all it took for me! JUST ONE LOOK-Doris Troy/Gregory Carroll 4/4 1...2...1234 Intro: | A | D | A | E7 | A F#m D E7 Just one look and I fell so hard, in love with you, oh-oh, oh-oh. A F#m D E7 I found out, how good it feels, to have your love, oh-oh, oh-oh. A F#m D E7 Say you will, will be mine, for-ever and al-ways, oh-oh, oh-oh. A F#m D E7 A A7 Just one look, and I knew, that you were my only one, oh oh-oh oh. D A A7 I thought I was dreamin', but I was wrong, yeah, yeah, yeah. B7 E7 Oh, but-a, I'm gonna keep on schemin', till I can make you, make you my own. A F#m D E7 So you see, I really care, with-out you I'm nothin', oh-oh, oh-oh. A F#m D E7 Just one look and I know, I'll get you some-day, oh-oh, oh-oh. A D E7 A D E7 Just one look, that's all it took, just one look, that's all it took. A D E7 AMA7 Just one look, that's all it took for me! .
Recommended publications
  • Midnight Special Songlist
    west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has.
    [Show full text]
  • The Great Gig in the Sky
    ABOUT THE GREAT GIG IN THE SKY “The Great Gig in the Sky” is the fifth track on The Dark Side of the Moon, the 1973 album by the English rock band Pink Floyd. It features vocals by Clare Torry. The song talks to the pressure of mortality on life, with the “Great Gig in the Sky” being a reference to heaven or an afterlife What have the artists said about the song? Almost everyone involved in this song with the exception of drummer Nick Mason has commented about the production, offering different inputs and insights about how the song was created. Great Gig in the Sky? It was just me playing in the studio, playing some chords, and probably Dave or Roger saying “Hmm… that sounds nice. Maybe we could use that for this part of the album.” And then, me going away and trying to develop it. So then I wrote the music for that, and then there was a middle bit, with Clare Torry singing, that fantastic voice. We wanted something for that bit, and she came in and sang on it. Richard Wright, taken from 1984 interview with Charlie Kendall It was something that Rick had already written. It’s a great chord sequence. “The Great Gig in the Sky” and the piano part on “Us and Them,” in my view, are the best things that Rick did – they’re both really beautiful. And Alan [Parsons] suggested Clare Torry. I’ve no idea whose idea it was to have someone wailing on it. Clare came into the studio one day, and we said, “There’s no lyrics.
    [Show full text]
  • US Apple LP Releases
    Apple by the Numbers U.S. album releases From the collection of Andre Gardner of NY, NY SWBO‐101 The Beatles The Beatles Released: 22 Nov. 1968 (nicknamed "The White Album") In stark contrast to the cover to Sgt. Pepper's LHCB, the cover to this two record set was plain white, with writing only on the spine and in the upper right hand corner of the back cover (indicating that the album was in stereo). This was the first Beatles US album release which was not available in mono. The mono mix, available in the UK, Australia, and several other countries, sounds quite different from the stereo mix. The album title was embossed on the front cover. Inserts included a poster and four glossy pictures (one of each Beatle). The pictures were smaller in size than those issued with the UK album. A tissue paper separator was placed between the pictures and the record. Finally, as in every EMI country, the albums were numbered. In the USA, approximately 3,200,000 copies of the album were numbered. These albums were numbered at the different Capitol factories, and there are differences in the precise nature of the stamping used on the covers. Allegedly, twelve copies with east‐coast covers were made that number "A 0000001". SI = 2 ST 3350 Wonderwall Music George Harrison Released: 03 Dec. 1968 issued with an insert bearing a large Apple on one side. Normal Copy: SI = 2 "Left opening" US copy or copy with Capitol logo: SI = 7 T‐5001 Two Virgins John Lennon & Yoko Ono Released: January, 1969 (a.k.a.
    [Show full text]
  • Apple Label Discography
    Apple Label Discography 100-800 series (Capitol numbering series) Apple Records was formed by John Lennon, Paul McCartney, George Harrison and Ringo Starr in 1968. The Apple label was intended as a vehicle for the Beatles, their individual recordings and the talent they discovered. A great deal of what appeared on Apple was pretty self indulgent and experimental but they did discover a few good singers and groups. James Taylor recorded his first album on the label. Doris Troy recorded a good soul album and there are 2 albums by John Lewis and the Modern Jazz Quartet. The Beatlesque group Badfinger also issued several albums on the label, the best of which was “Straight Up”. Apple Records fell apart in management chaos in 1974 and 1975 and a bitter split between the Beatles over the management of the company. Once the lawyers got involved everybody was suing everybody else over the collapse. The parody of the Beatles rise and the disintegration of Apple is captured hilariously in the satire “All You Need Is Cash: the story of the Rutles”. The Apple label on side 1 is black with a picture of a green apple on it, black printing. The label on side 2 is a picture of ½ an apple. From November 1968 until early 1970 at the bottom of the label was “MFD. BY CAPITOL RECORDS, INC. A SUBSIDIARY OF CAPITOL INDUSTRIES INC. USA”. From Early 1970 to late 1974, at the bottom of the label is “MFD. BY APPLE RECORDS” From late 1974 through 1975, there was a notation under the “MFD.
    [Show full text]
  • Hallo MBM, Hallo BEATLES-Fan, Zwei Englischsprachige BEATLES-Bücher
    Mittwoch, 9. November 2011: Heute vor 50/48/47/45/41/38/32/4 Jahren: Donnerstag, 9. November 1961: TONY SHERIDAN-Single MY BONNIE (mit BEATLES) in Deutschland auf Platz 32. Sa., 9. November 1963: GEORGE HARRISON unterschreibt 5-Jahres-Vertrag bei Musikverlag NORTHERN SONGS LTD. ca. Montag, 9. November 1964: BEATLES-Single I FEEL FINE in Deutschland. Mittwoch, 9. November 1966: JOHN LENNON lernt YOKO ONO in Indica Art Gallery (London) kennen. Mittwoch, 9. November 1966: PAUL McCARTNEY hat in Kenia Autounfall (wird später für Gerücht "PAUL ist tot" aufgegriffen). Montag, 9. November 1970: Vier LP der BEATLES-Plattenfirma APPLE in USA: BADFINGER-LP NO DICE, BILLY PRESTON-LP ENCOURAGING WORDS, JOHN TAVENER-LP THE WHALE und DORIS TROY-LP DORIS TROY. Freitag, 9. November 1973: RINGO STARR-LP RINGO in England. Freitag, 9. November 1979: MONTY PYTHON-Single ALWAYS LOOK ON THE BRIGHT SIDE OF LIFE und -LP MONTY PYTHON's LIFE OF BRIAN (mit abgemischt von GEORGE HARRISON) in England. Freitag, 9. November 2007: PAUL McCARTNEY-3er-DVD-Set DVD THE McCARTNEY YEARS in Europa. Hallo M.B.M., hallo BEATLES-Fan, zwei englischsprachige BEATLES-Bücher: Samstag, 30. Juni 2005: Buch MAGICAL MYSTERY TOURS - MY LIFE WITH THE BEATLES. 19,90 € Autor: Tony Bramwell & Rosemary Kingsland. Verlag: Robson Books Ltd., England. ISBN 1861058845. Gebundenes Buch (Leinen); Hochformat 24 cm x 16 cm; 440 Seiten; 40 Schwarzweiß-Fotos; englischsprachig. Kapitel: Prologue. Part I - Liverpool 1940-1963: 1 - Liverpool, the grimy northern town; 2 - Because they came from Liverpool; 3 - No sooner was John; 4 - None of them had regular day jobs; 5 - Even though Brian; 6 - On the blistering hot; 7 - Before real fame hit.
    [Show full text]
  • Ladyslipper Tenth Anniversary
    Ladyslipper Tenth Anniversary Resource Guide apes by Women T 1986 About Ladyslipper Ladyslipper is a North Carolina non-profit, tax- 1982 brought the first release on the Ladys­ exempt organization which has been involved lipper label: Marie Rhines/Tartans & Sagebrush, in many facets of women's music since 1976. originally released on the Biscuit City label. In Our basic purpose has consistently been to 1984 we produced our first album, Kay Gard­ heighten public awareness of the achievements ner/A Rainbow Path. In 1985 we released the of women artists and musicians and to expand first new wave/techno-pop women's music al­ the scope and availability of musical and liter­ bum, Sue Fink/Big Promise; put the new age ary recordings by women. album Beth York/Transformations onto vinyl; and released another new age instrumental al­ One of the unique aspects of our work has bum, Debbie Tier/Firelight Our purpose as a been the annual publication of the world's most label is to further new musical and artistic direc­ comprehensive Catalog and Resource Guide of tions for women artists. Records and Tapes by Women—the one you now hold in your hands. This grows yearly as Our name comes from an exquisite flower the number of recordings by women continues which is one of the few wild orchids native to to develop in geometric proportions. This anno­ North America and is currently an endangered tated catalog has given thousands of people in­ species. formation about and access to recordings by an expansive variety of female musicians, writers, Donations are tax-deductible, and we do need comics, and composers.
    [Show full text]
  • 1970-04-04 Article About the Poppy Campus Tour Pages 1-33 and 35
    APRIL 4, 1970 $1.00 SEVENTY-SIXTH YEAR The International Music -Record -Tape Newsweekly COIN MACHINE oar PAGES 39 TO 42 Tight Playlist Is '69 Is Seen as Pop Theater New Myth, Poll Charges Top Disk Sales Medium for Acts By CLAUDE HALL By MIKE GROSS NEW YORK-The record in- a Top 40 station of today has 57 Year in Britain NEW YORK - "Pop -Thea- which appeared in the tennis dustry has long claimed that sin- records on its playlist that it ter" is emerging as a new en- scene in Antonioni's film "Blow gles sales were severely hurt by plays. By RICHARD ROBSON tertainment concept for live Up," will be titles "U-Pop the advent of the tight playlist. WTRY in the tri -city area of presentations by rock musicians. Pantomime." The show in- But a Billboard survey of more Albany, Troy, and Schenectady, LONDON - Although fig- It's a format in which the mu- cludes mime, projections and than 100 key Top 40 radio sta- N.Y., publishes a playlist for dis- ures for December have yet to sic is complemented by a thea- original music written by mem- tions coast -to -coast has just re- tribution to the record stores in be published, it looks as though trical production which encom- bers of the Incredible String vealed that the tight playlist is the area of 30 records, plus three 1969 was a record sales year passes pantomime or plot or Band. The music will be re- a myth. One hundred and fifteen records that are picked to be for the British record industry.
    [Show full text]
  • 2013 Awards Event Program
    Recognizing individuals who are addressing some of America’s most difficult social problems SOCIAL ENTREPRENEURSHIP AWARDS MANHATTAN INSTITUTE 2013 SOCIAL ENTREPRENEURSHIP AWARDS MIssION STATemeNT he Manhattan Institute’s Social Entrepreneurship The William E. Simon Prize for Awards honor nonprofit leaders who have founded Lifetime Achievement in Social Entrepreneurship Tinnovative, private organizations to help address some of America’s most pressing social problems. The The Simon Prize recognizes individuals who have founded Awards include two prizes. The William E. Simon Prize and led organizations that have been clearly effective in their for Lifetime Achievement in Social Entrepreneurship is work and who have emerged as prominent public leaders in presented to the leader of an organization that has been their fields. Past winners include Geoffrey Canada, whose both demonstrably effective and widely influential. An Harlem Children’s Zone has helped thousands of families honorarium of $100,000 accompanies the Simon Prize. break the cycle of intergenerational poverty; Brian Lamb, whose C-SPAN networks have brought the business of the The Richard Cornuelle Award for Social Entrepreneurship American government into the homes of ordinary citizens; is given each year to up to five organizations that have dem- Eunice Kennedy Shriver, whose key role in the Special onstrated both effectiveness and the promise of significant Olympics helped change how the developmentally disabled impact. A prize of $25,000 is presented to the organization are viewed; and Daniel Biederman founder of the Bryant founded or led by the award winner. Park Corporation, 34th Street Partnership, and Grand Cen- The Manhattan Institute Social Entrepreneurship Awards are supported by funds from the William E.
    [Show full text]
  • Song of Songs Case SS Class Part 11
    Exegesis of the Song of Songs with comments from The Great American Songbook Robert Case Sunday School Class 2016 Faith Presbyterian Church Part 11 “One Fine Day” "One Fine Day" is a 1963 song written by Gerry Goffin and Carole King. It first became a popular hit for the American girl group the Chiffons, who reached the #5 on the Billboard chart. In 1980, King recorded her own song and charted at #12 on the Billboard chart. The song has subsequently been covered by numerous artists over the years. Goffin and King were inspired by the title of the aria "Un bel di vedremo" from the Puccini opera Madama Butterfly. The introductory propulsive piano riff was recorded by King herself. The other personnel on the Chiffon recording included Wrecking Crew members Carl Lynch on guitar, Dick Romoff on bass, Artie Kaplan, Sid Jekowsky, and Joe Grimaldi on sax, and Gary Chester and Buddy Saltzman on drums. The Chiffons' "One Fine Day" was an international hit charting in Europe and New Zealand. The song was ranked on Rolling Stone Magazine's list of “The 500 Greatest Songs of All Time” (#460). One fine day, you'll look at me And you will know our love was, meant to be One fine day, you're gonna want me for your girl. The arms I long for, will open wide And you'll be proud to have me, right by your side One fine day, you're gonna want me for your girl. Though I know you're the kind of boy Who only wants to run around I'll keep waiting and someday darling You'll come to me when you want to settle down, oh! One fine day, we'll meet once more And then you'll want the love you threw away before One fine day, you're gonna want me for your girl.
    [Show full text]
  • Finding Aid to the Historymakers ® Video Oral History with Joshie Jo Armstead
    Finding Aid to The HistoryMakers ® Video Oral History with Joshie Jo Armstead Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Armstead, Jo, 1944- Title: The HistoryMakers® Video Oral History Interview with Joshie Jo Armstead, Dates: July 15, 2016 Bulk Dates: 2016 Physical 6 uncompressed MOV digital video files (3:04:27). Description: Abstract: Singer and songwriter Joshie Jo Armstead (1942 - ) was one of the original Ikettes with the Ike & Tina Turner Revue, and later formed the writing trio Armstead, Ashford & Simpson with Valerie Simpson and Nick Ashford. Armstead was interviewed by The HistoryMakers® on July 15, 2016, in New York, New York. This collection is comprised of the original video footage of the interview. Identification: A2016_002 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Singer and songwriter Joshie Jo Armstead was born on October 8, 1944 in Yazoo City, Mississippi to Wilton Armstead and Rosie Lee Armstead. As a youth, she sang in the church choir and was introduced to blues music by her grandfather. Armstead’s first performance was with Bobby “Blue” Bland in Mississippi, before joining a local band, Little Melvin & The Downbeats. Armstead began her singing career when she joined the Ike & Tina Turner Revue in 1961, as one of the original touring Ikettes along with Eloise Hester and Delores Johnson. She toured with them from 1961 to 1963, and recorded the Ikettes record “I’m Blue (The Gong Gong Song).” Released in 1962 and featuring Tina Turner singing backing vocals, the song reached number nineteen on the Billboard Hot 100 and number three on the R&B chart.
    [Show full text]
  • US 45 Others
    Note: Non-Picture sleeved singles come in an Apple company cover, either printed on the East Coast (left) or West Coast (right) APPLE 1800 - YELLOW SUBMARINE / THINGUMYBOB (John Foster & Sons Ltd. Black Dyke Mills Band) Los Angeles #1, no black star, A-side sliced Apple Los Angeles #2, no black star, A-side unsliced Apple Los Angeles #3, Black star, A-side unsliced Apple, Los Angeles #4, Black star, A-side unsliced Apple, Mfd by Apple print on A-side Mfd by Apple print on B-side APPLE 1801 - THOSE WERE THE DAYS / TURN, TURN, TURN (Mary Hopkin) Los Angeles #1 Mfd by Apple Records Inc Los Angeles #2 Mfd by Apple Records Inc on A-Side on A-Side Scranton Mfd by Apple Records Inc Unknown factory Mfd by Apple Records Inc on B-Side on B-Side Unknown factory (probably Winchester), Unknown factory, Mfd by Apple Records Inc on A-Side Mfd by Apple Records Inc on A-Side APPLE 1802 - SOUR MILK SEA / THE EAGLE LAUGHS AT YOU (Jackie Lomax) Scranton Winchester APPLE 1803 - MAYBE TOMORROW / DADDY'S A MILLIONAIRE (The Iveys) Los Angeles #1, narrow font, no black star Los Angeles #2, wide font, with Black star, Mfd. by Apple Records Inc. on A-side Los Angeles #3, wide font, with Black star, Scranton Mfd. by Apple Records Inc. on B-side APPLE PRO-4671/4672 - ROAD TO NOWHERE [3:06] / ROAD TO NOWHERE [5:07] (Trash) Promo Los Angeles APPLE 1804 - ROAD TO NOWHERE / ILLUSIONS (Trash) Los Angeles Scranton APPLE 1805 - CAROLINA IN MY MIND / TAKING IT IN (James Taylor) Los Angeles Unknown factory APPLE PRO-1805 - CAROLINA IN MY MIND / SOMETHING'S WRONG (James Taylor)
    [Show full text]
  • KLOS Mothers Day 2013
    1 PLAYLIST MOTHERS DAY 2013 1 2 9AM Plastic Ono Band - Mother – Plastic Ono Band sessions `70 Started in England and finished in LA during his infamous Primal Scream Therapy from Dr. Arthur Janov in the summer of 1970 John Lennon’s Mother - Julia The Beatles – Let It Be – Let It Be…Naked 2 3 Written after a dream about his Mother speaking to Paul for the first time in quite a while…she passed away when he was 14. Mary McCartney A song linked to a Beatle Mom/… Beatle Mom’s: Louise Harrison Mary McCartney Julia Lennon Elsie Starkey 3 4 The Beatles – Julia – The Beatles Only part about John’s mother Julia but also mentions his then girlfriend Yoko Ono with the references to “Ocean Child” which in Japanese means….YOKO George Harrison – Deep Blue – flip Bangla Desh Single Written during the All Things Must Pass sessions for his Mom who passed away on July 7, 1970. The Beatles – I Lost My Little Girl – Unplugged Paul wrote this just after his Mother Mary had died, and he later explained that it was a subconscious reference her. Ringo Starr – Stardust – Sentimental Journey Arranged by Paul McCartney. Hoagy Carmichael wrote the tune in 1927, with the words added in 1929. Ringo was familiar with the 1957 hit version by Billy Ward and the Dominoes…you thought Eric Clapton was the first to have dominos Up next a few songs written about Beatle Wives who are Mom’s… on this Mother’s Day morning… Linda’s 1st song/The Beatles – I Will – The Beatles… Yoko /John Lennon – Woman – Double Fantasy (John) QUIZ #1 HERE Now since we don’t have a Ringo song about the mother of his offspring …I have a quiz question for you….
    [Show full text]