Summer Mustang

Total Page:16

File Type:pdf, Size:1020Kb

Summer Mustang igi6 S u m m e r M u s t a n g 2 0 0 5 c: A 1 1 F C' N F c') L Y T f: c: n N 1 c: s r a r i: u n 1 v f r s 1 t y .t WEEKEND WEATHER PETTY! Men’s basketball Reviews of Toni Petty, preview for the S a tu rd a y 7 0 /5 r Toby Keith and KC" 2005-06 season and the Sunshine S u n d a y Band at the Fair 72/51° J- y ' IN ARTS S i ENTERTAINMENT, 5 IN SPORTS. S Volume LXIX, Number 8 August 11 - August 17, 2005 Mustangdaily^calpoly.edu Cal Pok student dies after Bishop Peak kill Jennifer Gongaware fell about .SO feet and landed in a reached by the firefighters. He was Ml ! DMIY remote area bordered by poison then placed on a stretcher and lift­ oak, brush and rocks, according to ed into a (’HP helicopter, which An unidentifica C'al I'oly student the Tribune. flew him to a nearby ambulance. died late Tuesday after falling frt>in He fell from the ledge around He was pronounced dead short­ a ledge while hiking on Mishop (>:4.S p.m. ly after p.m. at Sierra Vista Peak. Firefighters from San Luis Ifegional Medical Center. The name of the student will not (Obispo and CIDF/C'ounty Fire This is the third death resulting be released by the Sheriff’s reached the man after .^0 minutes. from a fall from Ihshop IVak over ('oroner’s otTiee until the student's “The base to the top is a very the last five years. family has been notified. long distance,” San Luis Obispo “The number one thing is the The 21-year-old stepped back­ police Lt. Rocky Miller said, inaccessible areas on Bishop l*eak,” wards on an outcropping near the “There wasn’t a trail where he w'as Miller said. “Also it’s extremely top of the popular San bins and there is no access to emergency steep, has poison oak and rock areas t^bispo landmark while hiking vehicles.” can have loose areas with dirt and couRi KsY moro with two 20-vear-old friends. He The man was unconscious when leaves covering them.” Bishop Peak is a popular, yet potentially dangerous hike for locals. No new provost for OpenMail is soon history the start of fall quarter Mariecar Mendoza gets,” said C.hris Broome of “There were many factors in MUSTANC. PAILY PolyC'omm’s project manage­ choosing Oracle, and money ment. “We’re planning for the was just one part. But we don’t Karen Velie Council on l\>stsecondary education; “You’ve got mail” — or, as September time-frame, but it’s think the Oracle system was MLSIANi; IWllY William Durgin, associate pixwost for many Cal Poly students are hard to say if it’s going to be in more expensive than alterna­ academic affairs and vice president for Then* will not be a new pnwost by finding out, “You’ve got a new' time for the beginning of fall tives ... Oracle had more fea­ research at Worcester Polytechnic the start of fall quarter, according to C'al e-mail account.” quarter.” tures for its money.” Institute and Janice l*olv President Warren PolyComm, a Cal Poly gri>up Bob Bqjorquez of The university also decided Schach, dean of the Baker. O I ^ A R C H F O R A with a mission to get Cal Poly Polyi'omm’s pn>jeet manage­ with OCS because of a cam­ College of Architecture, The recruitment PRC.^VOST connected with the with an ment said they have already pus-wide committee — that Arts and Humanities at pitKess started last fall improved mes.saging system, successfully migrated thousands included faculty, staff and stu­ (Temson University. and over (>() candidates w'ere under con­ sent out a mass e-mail to the of student accounts. How'ever. The university’s provost is the chief dents — selected Oracle by a sideration. In April, the search commit­ Cal Poly community notifying academic officer, acting president w'hen Broome added, though their consensus. Bojorquez said. tee announced the selection of three students, faculty and staff th.'it the president is aw-ay, senior vice presi- target date looks realistic right According to the student finalists; James Applegate, vice president their current Cal Poly e-mail now, many factors may delay notification e-mail sent out at for ac.idemic affairs with the Kentucky scc Provost, page 2 account will change in just a completion. the beginning of the summer matter of months. PROVOST FINAUSTS C^ne of the mam reasons the quarter, “the new Oracle Email The university’s e-mail university decided to switch to Web client is a significant accounts began migrating to OpenMail, Bojorquez said, is improvement over the previous the new e-mail system, Oracle that C>penMail is an old prod­ system.” .Among the several Collaboration Suite (OCS). in uct and IS no longer supported improvements, OCS accounts two phases. Faculty and staff by Hewlett-Packard. will he able to hold a total of 50 began migration in Februars But there were other con­ mcg.ihytvs. C^periMail only and student mail account users tributing factors ('a! Poly chose allowed accounts a capacity of k on May I.T. The goal is to get ( ^ ( S, ,V) megabytes. everyone’s account converted “The benefits of OCS is it in In addition, as OC'S .iccount by fall quarter 2<K)5. Its name — it’s a vweet prod­ users reach their e-mail storage d “We have a couple of tar­ uct,” Broome said, kaighing. Janice Schach William Durgin James Applegate William Harris see E-mail, page 2 GrC students sweep competition --SÍ .<r ick Ht)o\er the on the piojector .ind I stood there by Book Builders West, a non-pn if'it -II -.TANi: I Mth my mouth open because I didn’t ('rganization based in 's.in Fr.ineisco expv i t to W'in anything.” s;iid Bernal, that promotes and snpprirts book ' k T lu ’i'.il .'-.dn'r pect wii' riva i -eiiior graphic conimunu ation stu- publishing in l.i we-tii n states. T’ht "i\ iward.: tvi: ids boi>k di ign iif vient. (ompctition required NtiidcMits to iiikciistuif' b\ M.n Slielley, hut Bernal used Adobe Systems soft­ redesign a da.ssic hooK. he was ani,i/cd when he c.ime into ware and Apple computers to create “Forty two students entered into graphic communication professor his cover and layout of the book over the competition this year. It ranges Lorraine Donegan’s cla.ss last quarter. a four-week period during winter from 35-40, this year we had a little “I didn’t know (I won), because I quarter. bit over 40,” said Chris Smith, who had Donegan again the next quarter, He won the Steve Renick coordinated the competition for and I came in late to class. They Memorial Award from UC Press for Book Builders West. informed her first, and she had a pow- his design, which totaled Sl,0(K).The “Cal Poly has dominated the COURTESY PHOTO erpoint slide with my picture up on scholarship is part a competition run sec Book, page 2 Nick Bernal, in black, took first for his Frankenstein book cover design. NEWS 2 Aiuíiist 11 - Auinist 17.2005 ward to a more iiser-friendlv the web interfaces. Most sttidents E-mail account. use the portal to access their e- Provost coiuliuicd from 1 A feature that will particularly in.nl so they’re using what is called uintiiuied from page 1 seventeen voting members sent their (.ap.Kity, tlu'v will aiitoni.ui(.',illy benefit Chioper is the delete the web client and that's much dent and is responsible for overseeing evaluations to Baker in June. Baker iviL’ivc notucs to help users man­ option. nnproxed," said M.iry Schaffer, the university’s educational programs. makes the final decision on the selec­ atee their aeeount. Instead of h.oiiig to delete policy assur.mce tifficer. “We gtn .i As the \'ice president for Academic tion of a new provost. One ()t the obvious iinprove- items one at a tune, an option to lot of complaints from the stu­ Affairs he/she heads up academic “ Lhe committee gives me their lueiits, however, will be to the web delete all or a selected few is avail­ dents, and so that’s one of the pos­ affairs for the universitv. views on the .ittributes and the short­ comings of the candidates,” Baker mtertaee. able with the new OC'S account, itive changes in a student’s per­ The new provost will succeed I'aul said.“We are still talking with the can­ “The Open Mail web interface Hrotmie said. spective.” Zingg, who became the president of didates.” IS pretty nasty.” lirtioine said. “It’s much easier to handle I'or those who re-route their C’alifornia State University Cdiico in Cdirrently, background checks are “(The new system) is much easier attachments, too,” he added. “It’s Chil Holy e-mails to personal early 2004. Kobert Detweiler has been serving as interim provost. being processed and the availability of to use and mueh nu)re powerful.” just simple things like that ... accounts like Hotmail or Yahoo, “He’s been serving w'ell and has each candidate is being determined. Jessica C'ooper. a microbiology (and) it adds up when you’re ITS assures “your campus email agreed to continue until the new The start date will depend on the senior, said she uses her C!al boly opening a lot of mail.” will still be routed there and you provost is brought in,” Baker said.
Recommended publications
  • I Can Hear Music
    5 I CAN HEAR MUSIC 1969–1970 “Aquarius,” “Let the Sunshine In” » The 5th Dimension “Crimson and Clover” » Tommy James and the Shondells “Get Back,” “Come Together” » The Beatles “Honky Tonk Women” » Rolling Stones “Everyday People” » Sly and the Family Stone “Proud Mary,” “Born on the Bayou,” “Bad Moon Rising,” “Green River,” “Traveling Band” » Creedence Clearwater Revival “In-a-Gadda-Da-Vida” » Iron Butterfly “Mama Told Me Not to Come” » Three Dog Night “All Right Now” » Free “Evil Ways” » Santanaproof “Ride Captain Ride” » Blues Image Songs! The entire Gainesville music scene was built around songs: Top Forty songs on the radio, songs on albums, original songs performed on stage by bands and other musical ensembles. The late sixties was a golden age of rock and pop music and the rise of the rock band as a musical entity. As the counterculture marched for equal rights and against the war in Vietnam, a sonic revolution was occurring in the recording studio and on the concert stage. New sounds were being created through multitrack recording techniques, and record producers such as Phil Spector and George Martin became integral parts of the creative process. Musicians expanded their sonic palette by experimenting with the sounds of sitar, and through sound-modifying electronic ef- fects such as the wah-wah pedal, fuzz tone, and the Echoplex tape-de- lay unit, as well as a variety of new electronic keyboard instruments and synthesizers. The sound of every musical instrument contributed toward the overall sound of a performance or recording, and bands were begin- ning to expand beyond the core of drums, bass, and a couple guitars.
    [Show full text]
  • Sweet and Dirty a Collaboration of Sweet Brenda and Dirty Red Band Bios
    Sweet and Dirty A collaboration of Sweet Brenda and Dirty Red Band Bios When Dirty Red – Eric McDaniel – leader of modern day powerhouse band, Dirty Red and the Soul Shakers invited legendary Oklahoma Blues Singer, Sweet Brenda – Bren Severson – on stage the first time to sit in with the band, a lightning bolt of electricity melded them together and shot their sound and energy into an unsuspecting blues audience that soaked it up like fireball whiskey on freaky Saturday night. From that moment this energetic collaboration has caused quite a stirring in the blues scene. Both musicians have made a name for themselves across the blues nation with experience and expertise that speaks for itself. When all of that is combined with the background and expertise of the rest of the band, a stage full of all-stars is born. Besides the giant personalities of Dirty Red and Sweet Brenda, the scary tight rhythm section of Cliff the “Iron Man” Belcher and Forrest Worrell, both of Watermelon Slim and the Workers fame, and the lonesome but ripping tasty blues guitar of Big Robb Hibbard, former lead for Miss Blues and the Blue Notes, put the icing on the cake. Add to all of that, the fact that Dirty Red and Sweet Brenda both write all the songs with soulful and pertinent lyrics written for all people, and a jolting beat that never stops, the dance floor is full and crazy, the room is packed with a punch of energy and the blues appetite is wildly satisfied. Sweet and Dirty is a collaboration of blues monsters bragging over 130 years of performance altogether culminating into this fabulous high- energy show.
    [Show full text]
  • Steve Cropper | Primary Wave Music
    STEVE CROPPER facebook.com/stevecropper twitter.com/officialcropper Image not found or type unknown youtube.com/channel/UCQk6gXkhbUNnhgXHaARGskg playitsteve.com en.wikipedia.org/wiki/Steve_Cropper open.spotify.com/artist/1gLCO8HDtmhp1eWmGcPl8S If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG’s built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG’s and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin’ On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band.
    [Show full text]
  • And the Band Played on Pdf
    And the band played on pdf Continue Music fans were sad to learn that Tom Petty passed away at the age of 66 on Monday night. The musician became famous for his successful career as a solo artist, but worked with several bands, including The Heartbreakers. Who the Heartbreakers were Tom Petty showed they were more than a band. They were the longest-running group Petty had worked with, playing together since 1976. Since then, Petty has released more than a dozen albums, either in collaboration with The Heartbreakers or prominently. Together, the band is recognizable for some of Petty's favorite hits, including Mary Jane's Last Dance and American Girl. The introduction to American Girl has probably stuck in your head since the first time you heard it, but for some reason, you just never get tired of it. You have Tom Petty and the Heartbreakers to thank for that. Petty also collaborated with the following bands: Mudcrutch (1970-1975), the supergroup The Traveling Willburys (1988-1990). On Petty's solo albums, The Heartbreakers served as studio musicians, and were additionally supported by Petty's collaborator stable. This stable famously included musicians like Jeff Lynne and George Harrison, who were also two of the petty bandmates in Willburys Travel. Petty recorded with Bob Dylan, Stevie Nicks and countless other industry icons, but The Heartbreakers were his constant. According to Petty's official website, the 2017 Heartbreakers included Campbell, Trench, bassist Ron Blair, rhythm guitarist Scott Thurston and percussionist Steve Ferrone. Ferrone joined in 1994 after drummer Stan Lynch left to work on other projects.
    [Show full text]
  • Steve Ferrone MIDI Groove Library Manual.Pdf
    Steve Ferrone MIDI Groove Library Welcome and thank you for purchasing the Platinum Samples Steve Ferrone MIDI Groove Library. This groove library is available in multiple formats: BFD2, BFD Eco, BFD Eco DV, Toontrack EZDrummer & Superior Drummer, Addictive Drums, Cakewalk Session Drummer and General MIDI. Please download the version(s) you will be using. BFD2, BFD Eco & BFD Eco DV Installation: Windows XP or later The BFD library download is provided as a single compressed (zipped) archive. The archive is named Steve_Ferrone_BFD.zip 1. In order to access the installer, right-click the downloaded archive package and select “Extract All...” to unarchive. Find the installer named Steve Ferrone Groove Library Installer WIN.exe and double click it to run it. 2. A splash screen appears, followed by a welcome page. Read the on-screen instructions and click Next to begin the installation. 3. Read the license conditions and check the tick box to agree. If you leave the tick box unchecked, you will not be able to continue with the installation. Click Next to proceed. 4. Specify any folder on a suitable hard disk in which to install the groove library data. Note: If installing on Windows Vista®, the current BFD Eco and BFD2 data paths may not be listed. In this case you must browse to the required data path manually. The drop-down menu contains all current BFD Eco, BFD Eco DV or BFD2 data paths. Select one of these or click Browse to navigate to and select a new location. If you select a new location, it is added to BFD Eco’s and/or BFD2’s and BFD Eco DV’s list of data paths automatically.
    [Show full text]
  • Wildflowers E-Edition
    Crawling Back to You A critical and personal breakdown of Tom Petty’s masterpiece, “Wildflowers” by Nick Tavares Static and Feedback editor Static and Feedback | www.staticandfeedback.com | September, 2012 1 September, 2012 Static and Feedback www.staticandfeedback.com ooking at the spine of the CD, it’s would resume, the music would begin, and clear that the color has mutated a I’d lie with my head on my pillow and my L bit through the years, trapped in hands over my stomach, eyes closed. sunbeams by windows and faded from it’s Sometimes, I’d be more alert and reading brown paper bag origins to a pale bluish the liner notes tucked away in the CD’s grey. The CD case itself is in excellent booklet in an effort to take in as much shape save for a few scratches, spared the information about this seemingly magic art cracks and malfunctioning hinges so many form as possible. other jewel boxes have suffered through The first time I listened to Wildflowers, I drops, moves and general carelessness. All was in high school, in bed, laying out in all, the disc holds up rather well. straight, reading along with the lyrics, More often than not, however, it sits inspecting the credits, the thanks and the on the shelf, tucked below a greatest hits photographs included with this Tom Petty collection and above a later album. Thanks solo record. One hour, two minutes and 41 to technology, the more frequent method seconds later, I felt an overwhelming rush, a of play is the simple mp3, broadcasting out warmth that covered my entire body from of a speaker the size of the head of a head to toe and reached back within my pencil’s eraser mounted above the skull to fill my insides.
    [Show full text]
  • T H I S T I M E I T ' S P E R S O N
    “When you’re young, you’ve got that party period you’ve got to get AT HOME IN MALIBU WITH TOM PETTY AS THE ETERNAL SOCAL through,” says Petty, who was photographed in ROCKER, NOW ON HIS 13TH ALBUM WITH THE HEARTBREAKERS, his Malibu studio on June 26. “If you’re a rock’n’roller, that might SOUNDS OFF ON THE ONE PERCENT, THE CATHOLIC CHURCH AND THE last till you’re 58.” CORRUPTION OF POWER: “THE GOOD THING ABOUT GETTING OLD . YOU KNOW WHAT’S WORTH SPENDING TIME ON AND WHAT’S NOT” T H I S T I M E IT’S PERSONAL BY FRED SCHRUERS PHOTOGRAPHED BY JOE PUGLIESE The seaside community of Malibu is a Carry,” which recollects the fear and the lessons of that traumatic night Hypnotic Eye is an album devoted to making some aggressive — if retreat for wealthy hedonists for good with baleful guitars and Petty’s impassioned vocals. tightly focused — noise, and leaving the tender ballads for another day. reason — there’s rolling surf and almost We’re at his Malibu studio today. Wearing denim from head to toe, From the earliest session, Heartbreaker lead guitarist and Hypnotic Eye inevitable blue sky and golden hills and Petty, 63, emerges from one of the tree-shaded walkways that criss- co-producer Campbell told the band leader that he was singing much T world-class sushi. The cost of paradise, cross the sprawling but unpretentious compound. We head inside, like the lad who busted into pop music’s consciousness with “American beyond the mortgage payments, lies in where his aging and hefty Lab, Ryder, wanders in, mounts the couch Girl” in 1976.
    [Show full text]
  • On Tom Petty's
    SUMMER 2017 // ISSUE 4 Production Crew Joins the Trip Down Memory Lane on Tom Petty’s 40th Anniversary Tour Tour Link Magazine 1 2 Tour Link Magazine Britannia Row Productions Goes Global with Clair Global Following a successful strategic alliance which About Clair Global: has been in place since the beginning of the year, Britannia Row Productions recently announced Building on over 50 years of experience, Clair its acquisition by Clair Global, Inc. Global continues to boldly advance the entertain- ment experience in the touring, festival, broad- Clair Global has a long-established history and is cast, and corporate markets. Our clients are ex- one of the most respected entertainment industry traordinary. We strive every day, at any hour, to suppliers with serval international operations. exceed their expectations. Our employees’ crea- tivity, talents, problem-solving skills and commit- Britannia Row Productions is one of the leading ment to service set us apart. Our passion is to UK audio companies with links throughout the provide our clients with solutions that meet their world. “Both companies see this as the perfect needs in audio, communications, backline, and way to expand and strengthen their worldwide data services. client base, allowing them to offer consistent ser- vice in all major territories,” said Britannia Row www.clairglobal.com Directors Bryan Grant and Mike Lowe in a joint statement. “The synergies we’ve experienced with the entire Britannia Row team have been over- whelmingly positive. Culturally and profes- sionally, we are on the same page. We are excited to bring this new level of global sup- port to our clients and better serve their pas- sions to advance this industry.” Troy Clair, President/CEO, Clair Global.
    [Show full text]
  • When in Doubt, Play Petty… JAG HAR CITERAT DET FÖRR OCH GÖR DET IGEN: ”When in Doubt, Play Petty”
    Ur arkivet – sommarläsning med Livets Goda.se: When in doubt, play Petty… JAG HAR CITERAT DET FÖRR OCH GÖR DET IGEN: ”When in doubt, play Petty”. Uttrycket, som myntats av en brittisk radio-DJ säger så mycket. Pettys musik representerar ruta ett. Den är inte extrem åt något håll, men det finns en självklarhet, tidlöshet och självkänsla i den som tål att ställas upp bredvid i stort sett vad som helst. Deras musik låter inte så märkvärdig. Den skriker sällan efter uppmärksamhet. Men den passar i sin förledande enkelhet in på så många ställen. I bilen. På favoritpuben. På mingelfesten. I hängmattan. I nattradion. Under storstadspromenader eller på somriga ängar. Och – inte minst – live. För deras musik är som en väl packad väska: ingen övervikt, bara det nödvändigaste. På många sätt är de popmusikens och den traditionella gubbrockens svar på AC/DC, för de har aldrig riktigt tvivlat på sitt eget uttryck. Bara en enda låt med Tom Petty And The Heartbreakers innehåller synthesizer (You Got Lucky). Då är man rätt konsekvent. Utan åthävor har de i 35 år stått för kvalitetskontroll, pålitlighet och genuin kärlek till rocken som musik, attityd och livsstil. Kort sagt: de är äkta vara. Mitt första album med Tom Petty & The Heartbreakers var Damn The Torpedoes. Jag köpte det när det var nytt, 1979, efter att ha hört singlarna på radion. Mitt engagemang i deras musik har sedan dess gått i perioder, som alla långvariga och seriösa relationer. I slutändan har jag alltid återvänt till deras musik med förnyad respekt. Jag har själv haft förmånen att uppleva Tom Petty & The Heartbreakers live fyra gånger.
    [Show full text]
  • Tom Petty and the Heartbreakers 2002.Pdf
    PERFORMERS & THE HEARTBREAKERS By BILL FLANAGAN i t ’s a r a r e t h i n g t o c o m b i n e m a i n s t r e a m s u c c e s s an outdoor concert on Long Island in 1995,1 was with musical substance. To do it while fiercely stand­ struck by the fact that the crowd was dominated by ing up for personal principles - to the point of wag­ people in their late teens and early twenties. When I ing public war with your record company - is rarer. mentioned it to Petty afterward, he said he wasn’t To do it for twenty-five years is flat-out remarkable. sure why that was but it sure made him feel good. As A common reaction to the news that Tom Petty I approached a Petty show outside Boston in the and the Heartbreakers are being inducted into the summer of 2001, kids were coming out of the woods, Rock and Roll Hall of Fame has been “They’re a great across fields, holding up signs pleading for tickets. band, but aren’t they too young to qualify?” It’s a Going into the venue, I heard one college-age fan shock to realize that it has been twenty-five years say, “Now that Phish is gone, I follow Petty.” since “Breakdown” and “American Girl.” Petty and The show I saw that night was as strong, as full of the Heartbreakers have never stopped life and energy, as any of the great con­ Clockwise from front: certs I saw the Heartbreakers play in the long enough to lookback.
    [Show full text]
  • Still Won T Back Down Tom Petty Rocks Against the Clock Story and Photos by Randy Falsetta
    issue 57 layout 7/25/08 10:41 AM Page 36 Still Won t Back Down Tom Petty Rocks Against The Clock Story and photos by Randy Falsetta Exploiting an enviable cata- While celebrating just over three logue of three and four-chord time- decades of work, the always mellow less masterpieces, Tom Petty and yet artistically brilliant singer-song- the Heartbreakers performed to a writer confesses he would be lost nearly sold-out show at the Palace without the Heartbreakers. From the of Auburn Hills in Auburn Hills, documentary “Running Down A Michigan. Armed with his traditional Dream,” Petty states, “There’s some- Rickenbacker guitar run through a thing special about this group of peo- row of Vox Super Beatle amps, Petty ple. I treasure it now because one had fans easily chiming in on his link in the chain gone can make it all iconic repertoire of classic hits, go away”. Evidence of their close including “Free Fallin’”, “American Girl”, “You Wreck Me” , “Mary bond was witnessed in their leader’s heart-felt introduction of his Jane’s Last Dance” and “Refugee”. fellow band mates to a grateful audience. The energy present in the building was a refreshing change in Petty, now 57, appeared confident and, at times, carefree as he atmosphere following the Detroit Pistons’ devastating season-end- glided across the stage with arms flailing outward resembling a ing loss to the Boston Celtics the night before. Not only a plane taking flight. Founding lead guitarist Mike Campbell, sporting spectacle for the ears, but surprisingly for the eyes as well, some unique guitars himself, supplied all the great accompanying thanks to a well-designed light show that caught even long- melody lines and solos while Benmont Tench, also an original time fans off guard.
    [Show full text]
  • Client Roster 09 10 FINAL
    Classic Jazz Jim Wadsworth Productions/Agency James Moody “Playing with James Moody is like playing with a continuation of myself,” said Dizzy Gillespie. A master of the saxophone and the flute, James Moody is like fine wine, he just gets better with time. The composer of the jazz standard Artist Roster “Moody’s Mood For Love” is one of the last of the original Be-bop legends. Available with big bands 2009-2011 Tony Monaco One of the hot new breed of organ players bringing the Hammond B3 back into prominence. Monaco is the kind of musician who makes things happen straight from the count-in. Monaco fires up all burners. Tony’s recent release “East to West” topped the jazz charts for seventeen weeks. Dominick Farinacci Carmine Carusso International Jazz Trumpet Winner and Juliard graduate is on the fast track. Dynamic young trumpeter with six chart-topping Japanese CDs is poised to take on the American market. Jim Wadsworth Productions/Agency Song samples, and bios for all shows and artists can be found at www.jwpjazz.com. Steve Frumkin Jim Wadsworth Cliff Lynn Daphne Wilson (330) 405-9075 (216) 721-5624 (330) 405-0611 (216) 744-0676 [email protected] [email protected] [email protected] [email protected] 2213 Bellfield Avenue • Cleveland, Ohio 44106 • Fax (216) 721-6533 Lorraine Feather www.jwpjazz.com Great American Songbook Classic Jazz Freddy Cole Buster Williams’ “Something More” Tribute to Nat “King” Cole Buster Williams, one of the world’s finest bassists, has put together an all-star, Freddy Cole stirs up memories as he honors the legacy of his brother Nat “King” hard-hitting quartet that is commanding! Buster is joined by several of today’s Cole.
    [Show full text]