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Slipstream Radio with Dwb on Monday, April 18, 2016
Playlist: SlipStream Radio with dwb on Monday, April 18, 2016 Show Notes: listening to the berkeley and nyc record haul (literally, hauled home) Time Artist Song Title Album Label Year 6:04 am robert fripp & brian eno “evening star” evening star opal 2014 6:14 am john lindberg ensemble “four fathers” a tree frog tonality between the lines 2000 6:23 am umar bin hassan “a.m.” to the last baraka fundation 2001 6:34 am dave douglas & keystone “creature” spark of being greenleaf 2010 6:40 am the tony williams lifetime “to whom it may ConCern: us/them” turn it over (bill laswell mix translation) 6:50 am jack bruce “mektoub” middle passage island 1990 6:58 am john coltrane quintet “intro > the inChworm” 2.16.62 birdland 7:06 am diga rhythm band “magnifiCent sevens” diga rounder 1976 7:17 am sacred system “driftwork” sacred system pan musiC 1998 7:27 am the awakening “jupiter” hear, sense and feel black jazz 1972 7:43 am sleater-kinney “the ballad of a ladyman” all hands on the bad one kill roCk stars 2000 7:44 am gorillaz “re-hash” gorillaz virgin 2001 7:47 am dj shadow “lesson 5” the 4-track era (best of the original reconstruction 2010 productions 1990-1992) 7:52 am bongwater “psyChedeliC sewing room” so muc hsleep shimmy disC 7:54 am tom waits “everything you can think of” alice anti 2002 8:03 am lou reed, laurie anderson, “tr 2” 1.10.08, the stone, nyc is it live or is it john zorn memorex? 8:18 am dave douglas & high risk “let's get one thing straight” dark territory greenleaf 2016 8:26 am henry kaiser “let's drink 100% healthy milk and it's a wonderful life metalanguage 1984 study hard” 8:41 am the out louds (mary “black garliC” the out louds relative pitch 2016 halverson trio) Time Artist Song Title Album Label Year 8:41 am brian eno “little fishes” another green world island 1975 8:46 am matthew shipp & miChael “where is the love?” live in seattle arena musiC 2016 bisio production 8:50 am starvue “body fusion (dj spinna remix)” strange games & funky things vol 5 bbe 8:59 am john zorn's dreamers “onCe upon a time” pellucidar tzadik 2015 . -
Dylan, Cash, and the Nashville Cats Exhibit to Feature Jon Langford Artwork Exhibit Opens March 27, 2015, for a Two-Year Run
Dylan, Cash, and the Nashville Cats exhibit to feature Jon Langford artwork Exhibit opens March 27, 2015, for a two-year run NASHVILLE, Tenn., December 9, 2014 – The Country Music Hall of Fame® and Museum has unveiled the artwork for its forthcoming exhibit Dylan, Cash, and the Nashville Cats: A New Music City. Created by renowned artist and punk rocker Jon Langford, the commissioned painting will serve as the exhibit motif and inspiration for other artistic elements in the exhibit design. Langford is a founding member of influential punk band the Mekons and of pioneering hard-country rockers the Waco Brothers. He was born in Newport, Wales, and studied fine art at Leeds University. Langford is known for his powerful portraits of country and rock icons, including Hank Williams, Johnny Cash, and Elvis Presley. His punk rock instincts and singular artistic eye converge in a painting style that is distinctive, demanding of engagement, and at times politically charged. For Langford, the line between Acuff-Rose and Strummer-Jones is a direct one. His preferred medium is acrylic/mixed media on “square-ish wooden objects.” The exhibit logo is intricately layered in Langford’s characteristic style. It features portraits of ’60s-era Dylan and Cash, the cityscape as seen on the back cover of Dylan’s 1969 album, Nashville Skyline, and a background of exhibit-related graffiti— including names of the featured musicians, song titles, lyrics and symbols of the era. The Country Music Hall of Fame and Museum, in addition to its broad scope of educational programs and archival focus, is widely known for its provocative mix of museum exhibits showcasing the evolving history of country music. -
Money Atters
The University of Surrey Students’ Union Newspaper issue 1049 www.ussu.co.uk THURSDAY 6 FEBRUARY 2003 free DON’T FORGET!! GU2 are broad- casting on ignites for UniS 107.3fm until 18.02. Why not have a look at the schedule and see what entrepreneurs you fancy? | page 19 FUSE, OR FEDERAL University of Surrey BY ANDY BLAIR ALL ABOUT THE Entrepreneurs, launches this coming week MARKETING & STUDENT GOLDEN SCREEN and is the first joint amenity for students SERVICES MGR. USSU Another two pages run under federal banner. Led by The of film for you as University of Surrey Students’ Union and UniSdirect (at Surrey) and Roehampton University. Irrespective barearts takes a Students’ Union and Roehampton Direct (at of what your interest is in look at Catch Me If Roehampton), it heralds a new avenue for becoming an entrepreneur You Can and About students to access the best the federation has – if you have an interest, Schmidt (right) with to offer in supporting students who have an chances are that FUSE Jack Nicholson | entrepreneurial streak. will be able to provide pages 11 & 12 The idea behind the amenity is for FUSE to avenues through which to act as a conduit through which students can move your ideas towards access training, information and experienced reality. IN THIS WEEK’S PAPER advice on all aspects of setting themselves During the course up as entrepreneurs. of the academic year, The accommodation issue Whether a student is interested in the FUSE aims to provide Above: Colin Howard, the Dean of Students, finds himself locked in the specifics of becoming a sole trader, buying information about activities centre in order to raise money for RAG. -
TRISHA BROWN DANCE COMPANY Ili Trilogy
THÉÂTRE DES CHAMPS-ÉLYSÉES TRISHA BROWN DANCE COMPANY iLI Trilogy Trisha Brown, chorégraphie Dave Douglas, musique 16 au 19 novembre 2000 Document de communication du Festival d'Automne à Paris - tous droits réservés Trisha Brown Dance Company EL TRILOGY Five Part Weather Invention Rupture to Leon James Groove and Countermove Trisha Brown, chorégraphie Dave Douglas, musique Terry Winters, décors et costumes Jennifer Tipton, lumières Jeudi 16, vendredi 17, samedi 18, dimanche 19 novembre 2000, 20h dimanche 19 novembre 2000, 15h 5 représentations Service de presse - Nathalie Sergent Tél :01 49 52 50 70 - Fax :01 49 52 07 41 e-mail : [email protected] Document de communication du Festival d'Automne à Paris - tous droits réservés El Trilogy Depuis le début des années 1970 et la création de sa compagnie, Trisha Brown n'a cessé d'influencer le ballet contemporain, proposant un vocabu- Renseignements pratiquesp. 4 laire chorégraphique réinventé à chaque uvre. Ces dernières années, elle a entamé un cycle illustrant les relations de la danse et de la musique. Inaugu- Five Part Weather Inventionp. 5 rées par une pièce sur L'Offlande musicale de Bach, ses recherches se sont Rupture to Leon Jamesp. 6 Groove and Countermovep. 7 poursuivies avec les quatuors à cordes de Webern puis avec sa magnifique mise en scène de L'Orfeo de Monteverdi (créée à la Monnaie de Bruxelles au Trisha Brown, à propos d'El Trilogyp. 8 printemps 1998 et présentée par la suite entre autres au festival d'Aix-en- El Jubilation Trilogy, par Denise Luccionip. 10 Provence et au Théâtre des Champs-Élysées). -
Download Spring 2015
LAUREN ACAMPORA CHARLES BRACELEN FLOOD JOHN LeFEVRE BELINDA BAUER ROBERT GODDARD DONNA LEON MARK BILLINGHAM FRANCISCO GOLDMAN VAL McDERMID BEN BLATT & LEE HALL with TERRENCE McNALLY ERIC BREWSTER TOM STOPPARD & ELIZABETH MITCHELL MARK BOWDEN MARC NORMAN VIET THANH NGUYEN CHRISTOPHER BROOKMYRE WILL HARLAN JOYCE CAROL OATES MALCOLM BROOKS MO HAYDER P. J. O’ROURKE KEN BRUEN SUE HENRY DAVID PAYNE TIM BUTCHER MARY-BETH HUGHES LACHLAN SMITH ANEESH CHOPRA STEVE KETTMANN MARK HASKELL SMITH BRYAN DENSON LILY KING ANDY WARHOL J. P. DONLEAVY JAMES HOWARD KUNSTLER KENT WASCOM GWEN EDELMAN ALICE LaPLANTE JOSH WEIL MIKE LAWSON Grove Atlantic, 154 West 14th Street, 12 FL, New York, New York 10011 GROVE PRESS Hardcovers APRIL A startling debut novel from a powerful new voice featuring one of the most remarkable narrators of recent fiction: a conflicted subversive and idealist working as a double agent in the aftermath of the Vietnam War The Sympathizer Viet Thanh Nguyen MARKETING Nguyen is an award-winning short story “Magisterial. A disturbing, fascinating and darkly comic take on the fall of writer—his story “The Other Woman” Saigon and its aftermath and a powerful examination of guilt and betrayal. The won the 2007 Gulf Coast Barthelme Prize Sympathizer is destined to become a classic and redefine the way we think about for Short Prose the Vietnam War and what it means to win and to lose.” —T. C. Boyle Nguyen is codirector of the Diasporic Vietnamese Artists Network and edits a profound, startling, and beautifully crafted debut novel, The Sympathizer blog on Vietnamese arts and culture is the story of a man of two minds, someone whose political beliefs Published to coincide with the fortieth A clash with his individual loyalties. -
FAULT LINES Ridgites: Sidewalks Are City’S Newest Cash Cow by Jotham Sederstrom the Past Two Months; 30 Since the Beginning of the Brooklyn Papers the Year
I N S BROOKLYN’S ONLY COMPLETE U W L • ‘Bollywood’ comes to BAM O P N • Reviewer gives Park Slope’s new Red Cafe the green light Nightlife Guide • Brooklyn’s essential gift guide CHOOSE FROM 40 VENUES — MORE THAN 140 EVENTS! 2003 NATIONAL AWARD WINNER Including The Bensonhurst Paper Published weekly by Brooklyn Paper Publications at 26 Court St., Brooklyn, NY 11242 Phone 718-834-9350 © Brooklyn Paper Publications • 14 pages including GO BROOKLYN • Vol.26, No. 49 BRZ • December 8, 2003 • FREE FAULT LINES Ridgites: Sidewalks are city’s newest cash cow By Jotham Sederstrom the past two months; 30 since the beginning of The Brooklyn Papers the year. If you didn’t know better, you’d think “To me, it seems like an extortion plot,” said that some of the homeowners along a par- Tom Healy, who lives on the block with his ticular stretch of 88th Street were a little wife, Antoinette. Healy received a notice of vio- strange. lation on Oct. 24. / Ramin Talaie “It’s like if I walked up to your house and For one, they don’t walk the sidewalks so said, ‘Hey, you got a crack, and if you don’t fix much as inspect them, as if each concrete slab between Third Avenue and Ridge Boulevard it were gonna do it ourselves, and we’re gonna bring our men over and charge you.’ If it was were a television screen broadcasting a particu- Associated Press larly puzzling rerun of “Unsolved Mysteries.” sent by anyone other than the city, it would’ve But the mystery they’re trying to solve isn’t been extortion,” he said. -
Contacts Presse Dominique Berolatti +33 (0)1 41 15 05 15 [email protected]
ress book ress p e presse e D Dossier www.biennaledeladanse.com Dossier De presse - press book - biennale De la Danse 2010 Contacts Presse Dominique Berolatti +33 (0)1 41 15 05 15 [email protected] Jean-Paul Brunet +33 (0)4 27 46 65 68 [email protected] Laura Lamboglia +33 (0)4 27 46 65 68 [email protected] Photos et dossiers à télécharger - to download À partir du 15 avril From April 15 www.biennaledeladanse.com/presse mot de passe : icono2k10 Conception visuelle générale : Anima.productions, Inook, Claire Rolland Couverture : photo©www.animaproductions.com Maquette : Claire Rolland - réalisation : Vaea Peylhard Traduction : Paul Jones Édito Edito par Guy Darmet by Guy Darmet J’ai eu la très grande chance et le bonheur de créer la It was my very good fortune and joy to create the Lyon Biennale de la Danse à Lyon en 1984. Aux côtés de la Dance Biennale in 1984. Alongside the Maison de la Maison de la Danse, cette manifestation ouverte sur le Danse, this world-embracing event has helped to make monde a contribué à faire de l’agglomération lyon- the Lyon area a quintessential location for dance – and naise un site emblématique de la danse, beaucoup de even its world capital, many commentators say. Over commentateurs parlant même de “capitale mondiale”. the years, I have had a single aim: to instil a love of Au fil de ces années je n’ai eu qu’un but, faire aimer la dance in as many people as possible. All of dance, with danse au plus grand nombre. -
Audio/Video Creation Scans Southwest Landscapes
March 23, 1986 I HE Sunday CAMERA 313 Audio/video creation scans Southwest landscapes By REED GLENN scrutinize the patterns in the Camera Visual Arts Critic desiccated desert shrub bark - "The West," an audio/video and golden blooms, revel in ~, installation by 5teina and Woody sheer cinnamon cliffs against : Vasulka at Denver's new Center blue skies, and wonder at the center for Idea Art a crossover gallery for Idea Art, looks very much evolution of human construction, like a group of televisions on the from ancient Anasazi stonework It doesn't look like much. Concrete traffic - the sounds of which are well Originally,i says Mary ,tones, assistant ' blink - in an extremely con- to arrays of modern radar. In- floors and an exposed-concrete rafter muffled. director and an "emerging video artist" ;, trolled, artistic way. In fact, it terestingly, some of the cross- ceiling give a rather industrial and The Center for Idea Art moved to this herself, the CIA was more for the arts a curved wall of 16 TVs with crossed structure supporting the temporary feeling. A few hard plastic uptown (downtown?) location in the community than the general public. But spectacular cases of horizontal giant radar dishes resembles chairs give little visual respite from the Denver Center for the Performing Arts now organizers hope to cross over to a " drift, double exposure, split patterns from gothic cathedral stark interior. last July. Formed a little over three years more general audience with crossover art screens, and dizzying motion - ceilings or Indian basketry . But this is a place for ideas and ago, the gallery began in the warehouse forms - a combination of visual and all portraying striking scenes of Much of the strength of this performance . -
Cost University $2 Million by '88 of the Student Code of by Dave Urbanski Conduct
Today's - weather: Cloudy and NON PROfiT ORG US POSTAGE cold. Chance PAID of snow. Newark. Del ., Permtt No 26 Highs in the 30s. ' Vot 111 No. 40 Student Center, University of Delaware, Newark, Delaware 19716 Friday, March 7, 1986 r '~Budget cuts to · cost university $2 million by '88 of the Student Code of by Dave Urbanski Conduct. Assistant-News Editor The new policy. which was The university is slated to created in response to the lose as much as $2 million in harassment of gay and lesbian federal funding for building students in the past two years. maintenance, utility and other broadens the scope of the administrative costs over the policy, Dean of Students next two years. Timothy Brooks said. The proposed cuts, part of The revised code redefines the Gramm-Rudman deficit harassment as "deliberately reduction plan. are scheduled acting with intent to harass to begin April 1, Provost L. any member or guest of the Leon Campbell told the univer university community" based sity Faculty Senate during its on the person's race, sex, meeting Monday. religion, political beliefs, sex "We cannot accept this ual orienlation or disability. change," university Treasurer The original policy specified Robert Harrison said. only racism, sexism and anti The Federal Office of Semitism a~ harassment. Management and Budget is in Todd Christie <AS 86), a charge of reducing the funds, Delaware Undergraduate Stu which are known as indirect dent Congress•representative costs, Harrison said. to the Faculty Senate, said he The university . faculty was pleased with the policy favors the cuts in indirect change. -
Columbia Chronicle (10/04/1999) Columbia College Chicago
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 10-4-1999 Columbia Chronicle (10/04/1999) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (10/4/1999)" (October 4, 1999). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/454 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. RECEIVED VOLUME 33,NUMBER 2 COLUMBIA COLLEGE CHICAGO OcTOBER 4 , 1999 CAMPUS VITALITY SPORTS T akin' a snap at the Bears' College: A retrospective Keanu on DVD? Excellent! quarlcrbacks PAGE3 INSIDE PAGE 19 U-Pass finally arrives at Columbia After a year-long battle between students and administrators, the CTA's U-Pass program is up and running JAMES BOOZER dents, who attend a college or uni Editor-in-Chief versity in Chicago and the sur rounding suburbs, with unlimited Nearly two years after the rides on a ll CTA trains and buses. Chicago Transit Authority {CTA) Students pay a flat fee ranging unveiled the U-Pass, a new transit from $60 to $70 [ the fee based on card for college students, and after the school you attend] per term as numerous protests by students, a part of their regular activity fee. -
Microsoft Office Outlook
Eliot I. Bernstein Full Name: Above and Beyond First Name: Above and Beyond Job Title: James Grant - Manager Business: 44 20 8742 4950 E-mail: enquiries Categories: call ultrafest 09 20090319 cmb sent email to 20090319 cmb per recept not manager James Grant Media Ltd 94 Strand On The Green Chiswick London W4 3NN tel: 020 8742 4950 fax: 020 8742 4951 email: enquiries James Grant Music Management was formed in the early part of 2005 by Nick Worsley and Simon Hargreaves and is a joint venture with long established TV Management Company James Grant Media. Heading up the company are two former Sony Music Entertainment Executives - Nick Worsley who was Head of Radio Promotions and Simon Hargreaves who was Head Of Press and Publicity. Bringing together over 20 years of music industry experience across both Major labels and the Independent sector - James Grant Music delivers a fresh and extremely potent force in the Music Business and is already breaking new ground in the Music Management arena. 1 Eliot I. Bernstein Full Name: Alina First Name: Alina E-mail: [email protected] E-mail Display As: Alina ([email protected]) Categories: call ultrafest 09 20090319 cmb sent email to the email above AFFILIATION: Sequence Production BOOKING CONTACT: [email protected] BIOGRAPHY Alina Sequence career has begun in 1994 when it has started to work as the assistant to the arranger in a sound studio. Greater support was rendered by Andrey Ivanov (Triplex), having given many useful knowledge in the field of electronic tools, becoming first producer Alina. In 1997 Alina Sequence bases under the beginning a promo-label " Sequence Records " which is engaged in producing of young electronic musicians, and also release of releases of Russian electronic music. -
Words and Guitar
# 2021/24 dschungel https://jungle.world/artikel/2021/24/words-and-guitar Ein Rückblick auf die Diskographie von Sleater-Kinney Words and Guitar Von Dierk Saathoff Vojin Saša Vukadinović Zehn Alben haben Sleater-Kinney in den 27 Jahren seit ihrer Gründung aufgenommen, von denen das zehnte, »Path of Wellness«, kürzlich erschienen ist. Ein Rückblick auf die Diskographie der wohl besten Band der Welt. »Sleater-Kinney« (LP: Villa Villakula, CD: Chainsaw Records, 1995) 1995 spielten die beiden Gitarristinnen Corin Tucker und Carrie Brownstein erst seit einem Jahr unter dem Namen Sleater-Kinney, waren nach Misty Farrell und Stephen O’Neil (The Cannanes) aber bereits bei der dritten Besetzung am Schlagzeug angelangt, der schottisch-australischen Indie-Musikerin Lora MacFarlane. Nach einer frechen Single und Compilation-Tracks auf Tinuviel Sampsons feministischem Label Villa Villakula erschien dort das Vinyl vom Debütalbum, die CD-Version aber auf Donna Dreschs Queercore-Label Chainsaw. Selten klang Angst durchdringender als auf diesem derben wie dunklen Erstlingswerk, das mit zehn Liedern in weniger als 23 Minuten aufwartet. Corin Tucker kreischt sich die Seele aus dem Leib und Carrie Brownsteins Schreien auf »The Last Song« stellt mit Leichtigkeit ganze Karrieren mediokrer männlicher Hardcore-Bands in den Schatten. Mit Sicherheit nicht nur das unterschätzteste Album der Bandgeschichte, sondern des Punk in den neunziger Jahren überhaupt. »Call the Doctor« (Chainsaw Records, 1996) Album Nummer zwei zeigte eine enorme musikalische Weiterentwicklung. »Call the Doctor« ist das streckenweise intelligenteste Album von Sleater-Kinney, das sich einerseits vor der avancierten Musikszene im Nordwesten der USA verneigte, in der die Band entstanden war (Olympia, Washington), zugleich aber äußerst eigenständig vorwärtspreschte und bei allem Zorn auf die Ausprägungen misogyner Kultur Anflüge von Zärtlichkeit nicht scheute: Selten wurde Unsicherheit so ehrlich vorgetragen wie auf »Heart Attack«.