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BRUCE THOMAS PUMPS IT up with ELVIS COSTELLO by Dan Forte Guitar Player March 1987
BRUCE THOMAS PUMPS IT UP WITH ELVIS COSTELLO by Dan Forte Guitar Player March 1987 EVERYTHING ABOUT ELVIS Costello -his intelligent and prolific songwriting, impassioned singing, horn-rimmed visual image, ever-changing stylistic jaunts,even his anti-hero guitar playing -is so all-pervasive that his trio of sidemen, the Attractions, seems all but anonymous. (A magazine that just named Costello artist.of the year for 1986 only three years earlier misidentified the members of the Attractions in a photo caption.) But if Elvis is to be commended for his stylistic daring, the Attractions deserve equal praise for their ability to follow him down every idiomatic path, with their original fire and indelible individualism intact. Of all of Costello's talents, perhaps his strongest suit is as bandleader - not only for keeping a group together for a decade, but for choosing the musicians he did to make up his backing band. The Attractions have been together since 1977, in which time they've recorded 11 albums (plus a Best Of collection) since Elvis' debut, My Aim Is True. And night after night they have proved that at least one band (coincidentally virtually the only surviving band) from England’s punk era can play and always could. After recording his auspicious debut with uncredited backing from the American band Clover (including guitarist John McFee, currently with Southern Pacific), Declan "Elvis Costello" MacManus settled on piamst Steve Nieve, drummer Pete Thomas, and (no relation) bassist Bruce Thomas, after aluditioning, in the bassist's, words "hundreds of guys who couldn't tune up or put the guitar on right." The group's first effort, This Year's Model, not only squelched any fears of a,sophomore jinx; it kicked in with more muscle than Aim and signaled the arrival of a distinct new collective musical personality. -
Elvis Costello and Blondie
FOR IMMEDIATE RELEASE Media Contact: Bridget Smith v.845.583.2179 Photos & Interviews may be available upon request [email protected] ELVIS COSTELLO & THE IMPOSTERS AND BLONDIE EMBARK ON CO-HEADLINING SUMMER TOUR, BEGINNING AT BETHEL WOODS ON SATURDAY, JULY 20TH Tickets on-sale Saturday, April 6th at 10 AM April 2, 2019 (BETHEL, NY) – Bethel Woods Center for the Arts, the nonprofit cultural center located at the site of the 1969 Woodstock festival, today announced that Elvis Costello & The Imposters and Blondie will perform at the center on July 20th as the first stop on their coast-to-coast co-headlining tour. Tickets go on-sale Saturday, April 6th at 10:00 AM at www.BethelWoodsCenter.org, www.Ticketmaster.com, Ticketmaster outlets, or by phone at 1.800.745.3000. Elvis Costello and Blondie shared spots near the top of the UK Singles Chart 40 years ago when Blondie's "Heart Of Glass” sat neck-and-neck alongside Elvis Costello & The Attraction’s "Oliver's Army” in the company of The Bee Gees, Gloria Gaynor and ABBA. The same week, Blondie's seminal album Parallel Lines reached #1 on the Album Chart while Costello's Armed Forces landed at #3. Elvis Costello & The Imposters’ last tour in late 2018 found the combo reaching new live performance peaks. The band "came out swinging” (Star Tribune) in Minneapolis, were “unstoppable” in Anaheim (OC Register) and played an “epic and euphoric” (Variety) show in LA that even at nearly three hours “[left] ‘em wanting more.” The Imposters are: Steve Nieve (keyboards), Davey Faragher (bass) and Pete Thomas (drums). -
Loss and Grief Manual
LOSS & GRIEF: A manual to help those living with ALS, their families, and those left behind. Mourn not just for the loss of what was but also for what will never be. And then gently, lovingly let go. Copyright © application pending 2007 by The ALS Association, St. Louis Regional Chapter All rights reserved. No part of this book may be used or reproduced in any manner without written permission of the publisher, except in the case of brief quotations embodied in critical articles and reviews. Special Acknowledgement to Ms. Jan Korte-Brinker, TKS Graphics, Highland, Illinois for assisting with the design of the front cover. The ALS Association, St. Louis Regional Chapter is dedicated to improving the quality of life for those affected by Amyotrophic Lateral Sclerosis, educating the community, and supporting research. To learn more about the services provided through The ALS Association, St. Louis Regional Chapter in Eastern Missouri as well as Central and Southern Illinois: visit our website at www.alsa-stl.org Table of Contents I. Patients with ALS II. Adults, Spouses, and Caregivers III. Parents and Caregivers of Children ▲ Children – 12 and under ▲ Teenagers – 13-18 ▲ Young Adults – 18-25 ▲ - pullout sections for parents to give to children LOSS AND GRIEF As you deal with your diagnosis of ALS and its effects on your life, you and your family will be confronted with numerous changes and losses. You will face the loss of physical abilities coupled with changes in your role and responsibilities within your family and your community. In addition, you will be facing the inevitable loss of life, while trying to understand and reconcile the experience of having ALS. -
Tethered a COMPANION BOOK for the Tethered Album
Tethered A COMPANION BOOK for the Tethered Album Letters to You From Jesus To Give You HOPE and INSTRUCTION as given to Clare And Ezekiel Du Bois as well as Carol Jennings Edited and Compiled by Carol Jennings Cover Illustration courtesy of: Ain Vares, The Parable of the Ten Virgins www.ainvaresart.com Copyright © 2016 Clare And Ezekiel Du Bois Published by Heartdwellers.org All Rights Reserved. 2 NOTICE: You are encouraged to distribute copies of this document through any means, electronic or in printed form. You may post this material, in whole or in part, on your website or anywhere else. But we do request that you include this notice so others may know they can copy and distribute as well. This book is available as a free ebook at the website: http://www.HeartDwellers.org Other Still Small Voice venues are: Still Small Voice Youtube channel: https://www.youtube.com/user/claredubois/featured Still Small Voice Facebook: Heartdwellers Blog: https://heartdwellingwithjesus.wordpress.com/ Blog: www.stillsmallvoicetriage.org 3 Foreword…………………………………………..………………………………………..………….pg 6 What Just Happened?............................................................................................................................pg 8 What Jesus wants you to know from Him………………………………………………………....pg 10 Some questions you might have……………………………………………………….....................pg 11 *The question is burning in your mind, ‘But why?’…………………....pg 11 *What do I need to do now? …………………………………………...pg 11 *You ask of Me (Jesus) – ‘What now?’ ………………………….….....pg -
Audio/Video Creation Scans Southwest Landscapes
March 23, 1986 I HE Sunday CAMERA 313 Audio/video creation scans Southwest landscapes By REED GLENN scrutinize the patterns in the Camera Visual Arts Critic desiccated desert shrub bark - "The West," an audio/video and golden blooms, revel in ~, installation by 5teina and Woody sheer cinnamon cliffs against : Vasulka at Denver's new Center blue skies, and wonder at the center for Idea Art a crossover gallery for Idea Art, looks very much evolution of human construction, like a group of televisions on the from ancient Anasazi stonework It doesn't look like much. Concrete traffic - the sounds of which are well Originally,i says Mary ,tones, assistant ' blink - in an extremely con- to arrays of modern radar. In- floors and an exposed-concrete rafter muffled. director and an "emerging video artist" ;, trolled, artistic way. In fact, it terestingly, some of the cross- ceiling give a rather industrial and The Center for Idea Art moved to this herself, the CIA was more for the arts a curved wall of 16 TVs with crossed structure supporting the temporary feeling. A few hard plastic uptown (downtown?) location in the community than the general public. But spectacular cases of horizontal giant radar dishes resembles chairs give little visual respite from the Denver Center for the Performing Arts now organizers hope to cross over to a " drift, double exposure, split patterns from gothic cathedral stark interior. last July. Formed a little over three years more general audience with crossover art screens, and dizzying motion - ceilings or Indian basketry . But this is a place for ideas and ago, the gallery began in the warehouse forms - a combination of visual and all portraying striking scenes of Much of the strength of this performance . -
Thomas Paine
I THE WRITINGS OF THOMAS PAINE COLLECTED AND EDITED BY MONCURE DANIEL CONWAY AUTHOR OF L_THE LIFR OF THOMAS PAINE_ y_ _ OMITTED CHAPTERS OF HISTOIY DI_LOSED IN TH I_"LIFE AND PAPERS OF EDMUND RANDOLPH_ tt _GEORGE W_HINGTON AND MOUNT VERNON_ _P ETC. VOLUME I. I774-I779 G. P. Pumam's Sons New York and London _b¢ "lkntckcrbo¢#¢_ I_¢ee COPYRIGHT, i8g 4 BY G. P. PUTNAM'S SONS Entered at Stationers' Hall, London BY G. P. PUTNAM'S SONS G. P. PUTNAM'S SONS CONTENTS. PAGB INTRODUCTION V PREFATORY NOTE TO PAINE'S FIRST ESSAY , I I._AFRICAN SLAVERY IN AMERICA 4 II.--A DIALOGUE BETWEEN GENERAL WOLFE AND GENERAL GAGE IN A WOOD NEAR BOSTON IO III.--THE MAGAZINE IN AMERICA. I4 IV.--USEFUL AND ENTERTAINING HINTS 20 V._NEw ANECDOTES OF ALEXANDER THE GREAT 26 VI.--REFLECTIONS ON THE LIFE AND DEATH OF LORD CLIVE 29 VII._CUPID AND HYMEN 36 VIII._DUELLING 40 IX._REFLECTIONS ON TITLES 46 X._THE DREAM INTERPRETED 48 XI._REFLECTIONS ON UNHAPPY MARRIAGES _I XII._THOUGHTS ON DEFENSIVE WAR 55 XIII.--AN OCCASIONAL LETTER ON THE FEMALE SEX 59 XIV._A SERIOUS THOUGHT 65 XV._COMMON SENSE 57 XVI._EPISTLE TO QUAKERS . I2I XVII.--THE FORESTER'SLETTERS • I27 iii _v CONTENTS. PAGE XVIII.mA DIALOGUE. I6I XIX.--THE AMERICAN CRISIS . I68 XX._RETREAT ACROSS THE DELAWARE 38I XXI.--LETTER TO FRANKLIN, IN PARIS . 384 XXII.--THE AFFAIR OF SILAS DEANE 39S XXIII.--To THE PUBLm ON MR. DEANE'S A_FAIR 409 XXIV.mMEssRs. DEANS, JAY, AND G_RARD 438 INTRODUCTION. -
The Role of Music in the Lives of Homeless Young People
Tuned Souls: The Role of Music in the Lives of Homeless Young People Jill P. Woelfer A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2014 Reading Committee: David Hendry, Chair Susan Kemp Batya Friedman Julie A. Hersberger Program Authorized to Offer Degree: The Information School ©Copyright 2014 Jill P. Woelfer University of Washington Abstract Tuned Souls: The Role of Music is the Lives of Homeless Young People Jill P. Woelfer Chair of the Supervisory Committee: Associate Professor, David G. Hendry The Information School Although music is considered to be an important part of adolescence and young adulthood, little is known about music and homeless youth. Accordingly, this dissertation research investigated the role of music in the lives of homeless young people, aged 15-25. The study was conducted in Seattle, Washington and Vancouver, British Columbia and engaged homeless young people (n=202) and service providers staff who work at agencies that provide support for homeless young people (n=24). Homeless young people completed surveys (n=202), design activities, which included drawing and story writing (n=149), and semi-structured interviews (n=40). Service providers completed semi-structured interviews (n=24). Data analysis included descriptive analysis of survey data and qualitative coding of the design activities and interview responses. Findings indicated that music was an important part of everyday life for homeless young people, who listened to music daily (98%), owned music players (89%), and had wide- ranging and eclectic tastes in music which did not vary based on location. -
Michele Mulazzani's Playlist: Le 999 Canzoni Piu' Belle Del XX Secolo
Michele Mulazzani’s Playlist: le 999 canzoni piu' belle del XX secolo (1900 – 1999) 001 - patti smith group - because the night - '78 002 - clash - london calling - '79 003 - rem - losing my religion - '91 004 - doors - light my fire - '67 005 - traffic - john barleycorn - '70 006 - beatles - lucy in the sky with diamonds - '67 007 - nirvana - smells like teen spirit - '91 008 - animals - house of the rising sun - '64 009 - byrds - mr tambourine man - '65 010 - joy division - love will tear us apart - '80 011 - crosby, stills & nash - suite: judy blue eyes - '69 012 - creedence clearwater revival - who'll stop the rain - '70 013 - gaye, marvin - what's going on - '71 014 - cocker, joe - with a little help from my friends - '69 015 - fleshtones - american beat - '84 016 - rolling stones - (i can't get no) satisfaction - '65 017 - joplin, janis - piece of my heart - '68 018 - red hot chili peppers - californication - '99 019 - bowie, david - heroes - '77 020 - led zeppelin - stairway to heaven - '71 021 - smiths - bigmouth strikes again - '86 022 - who - baba o'riley - '71 023 - xtc - making plans for nigel - '79 024 - lennon, john - imagine - '71 025 - dylan, bob - like a rolling stone - '65 026 - mamas and papas - california dreamin' - '65 027 - cure - charlotte sometimes - '81 028 - cranberries - zombie - '94 029 - morrison, van - astral weeks - '68 030 - springsteen, bruce - badlands - '78 031 - velvet underground & nico - sunday morning - '67 032 - modern lovers - roadrunner - '76 033 - talking heads - once in a lifetime - '80 034 -
M ET Police Arrest Rodriguez UAP Charged with Disorderly Conduct at Party by Earl C
Continuous MIT News Service Camabridge Since 1881 |l Massachusetts Volume 107, Number 23 A Tuesday, May 5, 1987 1A.} _ .. M ET police arrest Rodriguez UAP charged with disorderly conduct at party By Earl C. Yen lice Sergeant Edward D. McNulty talk to students like that." Rodri- ~~9*-~~~~~ ~ManuelRodriguez '89, presi- explained to the judge that MIT guez said he had had two beers _~~ip~~~~ ~dent of the Undergraduate Asso- did not want to press charges and that evening but was not drunk. ciation, was arrested and charged was instead seeking to expunge O'Regan told Rodriguez to r~~~~ ~with disorderly conduct at a the arrest from Rodriguez' re- mind his own business and then Spring Weekend party on Am- cord. turned away, but Rodriguez per- herst Alley late Saturday night. Olivieri said yesterday that he sisted and stepped in front of O'- · ,.~~~~~~Officer Joseph T. Fratto arrested is still investigating his officers' Regan, touching O'Regan's arm, Rodriguez when he "grabbed" conduct at the party and the cir- Olivieri said. I another Campus Police officer cumstances surrounding Rodri- Rodriguez claimed that Fratto, and then refused to leave the al- guez' arrest. who witnessed the exchange from ley, said Campus Police Chief "You shouldn't talk 15 feet away, walked over to him, James Olivieri. This occurred at to students like that" grabbed his arm, and said, 12:15 am, after Campus Police "You're coming with us." As officers had told roughly 500 stu- At midnight, at the scheduled Fratto walked Rodriguez to his dents to disperse at the end of the end of the party, ten Campus Po- patrol car, he asked Rodriguez . -
Durante Los Años Sesenta Grabó Con Johnny Mathis, Neil Diamond
Bajista#05pag.qxp 08/02/2005 9:42 PÆgina 18 urante los años sesenta grabó con Johnny Mathis, Neil Diamond, Nancy DSinatra, Pat Boone, Sammy Davis Jr., The Everly Brothers, Dionne Warwick, Barbara Streisand, Linda Ronstadt, el guitarrista fla- menco Carlos Montoya, The Doors, con los que grabó "L.A. Woman" (fue invitado a unirse a la banda poco antes de la muerte de Jim Morrison). Un día recibió una llamada del guitarrista James Burton para lo que se conocería posteriormente como la "TCB Band" de Elvis. Scheff trabajó para el rey desde 1969 a 1973 y de 1975 hasta el final. En 1976 empezó a tocar para Bob Dylan, grabando varios discos. Durante los ochenta prosiguió su carrera como músico de sesión y grabó para John Denver, Elvis Costello y Roy Orbison (se le puede ver tocando el contra- bajo en el DVD "Black and white night") y literalmente decenas de artistas. Más de lo mismo en los noventa. Los discos en los que ha grabado se cuentan por cientos. Una auténtica leyenda que sigue en activo hoy en día. Scheff trasladó sus raíces de Jazz y R&B al terreno del Rock And Roll y del Country. Sus líneas son com- 18 bajista MARZO 2005 Bajista#05pag.qxp 08/02/2005 9:42 PÆgina 19 Ejemplo 01 plejas e imaginativas, o sim- ceras mayores a un tono de ples y eficaces según el tema distancia contra el mi al aire lo requiera. Domina el bajo de la cuarta cuerda, Scheff sin trastes y el contrabajo. Si sugiere los acordes de mi la ocasión lo requiere es un menor (Em) y de la con bajo excelente solista (un buen en mi (A/E). -
RED-75-373 Planning for America's Bicentennial Celebration--A
REPORT TO THE CONGRESS llllllllllllllllllllllllllllllllllllllllllllllllll LM094988 Planning For America’s Bicentennial Celebration- A Progress Report BYTHECOMPTROLLERGENERAL OFTHE UNITED STATES RED-75373 JUPdE 681975 COMPTROUER GENERAL OF THE UNITED !STATES WASHINGTON. D.C. a%0548 TO the President of the Senate and the 51 Speaker of the House of Representatives This report describes the planning for America ‘s Bicentennial celebration. It also describes actions taken to eliminate several problems identified in an earlier report by our Office. Our review was made pursuant to the Sudget and Accounting Act, 1921 (31 U.S.C. 53), and the Accounting and Auditing Act of 1950 (31 U.S.C. 67). G-je are sending copies of this report to the Director, Office of ivianagement and Budget; the Domestic Council of the Executive Office of the ?resident; the Secretary of the Inter ior; the Administrator of the American Revolution Bicentennial Administration, andg&intzted ot ’ G Comptroller General of the United States contents Page DIGEST i CHAPTER 1 INTRODUCTION 1 2 THE CELEBRATIONOF THE BICENTENNIAL Federal t States 7 Local Private Sector ;: Participation by foreign governments 16 3 ACTIVITIES OF THE AMERICAN REVOLUTION BICENTENNIAL ADMINISTRATION 17 Changes in approach toward the celebration Bicentennial Administration programs ;; Recognition of projects/events 23 4 OPERATIONOF THE AMERICAN REVOLUTION BICENTENNIAL ADMINISTRATION 31 Personnel management 31 Funds available for financing operations 34 5 CONCLUSIONS 38 6 SCOPE OF REVIEW 39 APPENDIX I Letter -
Song Title Artist Genre
Song Title Artist Genre - General The A Team Ed Sheeran Pop A-Punk Vampire Weekend Rock A-Team TV Theme Songs Oldies A-YO Lady Gaga Pop A.D.I./Horror of it All Anthrax Hard Rock & Metal A** Back Home (feat. Neon Hitch) (Clean)Gym Class Heroes Rock Abba Megamix Abba Pop ABC Jackson 5 Oldies ABC (Extended Club Mix) Jackson 5 Pop Abigail King Diamond Hard Rock & Metal Abilene Bobby Bare Slow Country Abilene George Hamilton Iv Oldies About A Girl The Academy Is... Punk Rock About A Girl Nirvana Classic Rock About the Romance Inner Circle Reggae About Us Brooke Hogan & Paul Wall Hip Hop/Rap About You Zoe Girl Christian Above All Michael W. Smith Christian Above the Clouds Amber Techno Above the Clouds Lifescapes Classical Abracadabra Steve Miller Band Classic Rock Abracadabra Sugar Ray Rock Abraham, Martin, And John Dion Oldies Abrazame Luis Miguel Latin Abriendo Puertas Gloria Estefan Latin Absolutely ( Story Of A Girl ) Nine Days Rock AC-DC Hokey Pokey Jim Bruer Clip Academy Flight Song The Transplants Rock Acapulco Nights G.B. Leighton Rock Accident's Will Happen Elvis Costello Classic Rock Accidentally In Love Counting Crows Rock Accidents Will Happen Elvis Costello Classic Rock Accordian Man Waltz Frankie Yankovic Polka Accordian Polka Lawrence Welk Polka According To You Orianthi Rock Ace of spades Motorhead Classic Rock Aces High Iron Maiden Classic Rock Achy Breaky Heart Billy Ray Cyrus Country Acid Bill Hicks Clip Acid trip Rob Zombie Hard Rock & Metal Across The Nation Union Underground Hard Rock & Metal Across The Universe Beatles