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RHYTHM & BLUES...63 Order Terms
5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 3-29-2002 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (2002). The George-Anne. 2997. https://digitalcommons.georgiasouthern.edu/george-anne/2997 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. ^HJ^^^^^^HMi^H The Official Student Newspaper of G< Git*? A A&E: Art by Paula Swisher on display in Gallery 303 volume 74, NO. ^-1 > 2002 p o www.stp.gasou.edu ON THE INSIDE: Arabs give Israel SGA results call for run-off elections ultimatum, put U.S. By Mathew R. Palmer title in the run off. Fauscett received 547 on alert about Iraq [email protected] votes (37.2 percent) and Grant received 2002 SGA Presidential Election Results KRT Campus Get ready to head back to the polls, or, 495 votes (33.7 percent). Votes Percentages the computer nearest you. Thomas Miller received 203 votes President BEIRUT, Lebanon - Saudi 224 Both the office of President and Ex- and 224 students abstained from voting in Jason Gilbert . 14.8 Crown Prince Abdullah will 44 2.9 Covering the campus like a ecutive Vice President the executive vice Chris 'Ovaltine' Haseltine present the Arab League's newly 476 31.5 adopted peace initiative to for the Student Gov- presidential race. -
Friktionen 44/2018
FRIKTIONEN Beiträge zu Politik und Gegenwartskultur Ausgabe 44/2018 Guerilla Gardening FRIKTIONEN 44/2018 Editorial S. 2 Chinese Lesson S. 3 Bilderwitze (Thomas Glatz) S. 6 Der Überlebende S. 6 Umgedrehte Readymades IV (Thomas Glatz) S. 8 Blöde Geschichte (Thomas Glatz) S. 13 Cpt. Kirk &, Teil 17 S. 14 Klavierkonzert zu vier Händen (Thomas Glatz) S. 15 Einstürzende Neubauten: ‚Man muss nicht alles glauben was man hört‘ (Miss Harmlos) S. 15 Aus dem Plattenarchiv S. 26 Editorial Mit veritabler Verspätung gibt es anbei die neue Ausgabe der Friktionen, quasi mit einem Abschieds- titelbild aus dem Westend, das nun nicht mehr Redaktionsmittelpunkt ist. Das vermeintliche Guerilla- gardening ziert den Gehsteig vor einem von zwei Leerstandsobjekten im Viertel, die direkt gegenüber voneinander an der oberen Schwanthalerstraße liegen. Eines hat sogar schon eine Phantomhausbe- setzung überlebt. Auch ohne diesen Lokalkolorit mag man den Titel als Sinnbild für die Verwilderung der politischen Sitten lesen. Man sieht halt immer mehr vor allem braunen Schmutz im politischen Alltag. Der war wahrscheinlich vorher schon da, nur unter der Oberfläche. Das kann natürlich in keiner Weise beruhigen. Schließlich bringt Sichtbarkeit eines Phänomens auch immer eine neue soziale Dimension und Eskalationsstufe mit sich. Schmutz spielt dabei in den meisten Beiträgen zur Ausgabe eine eher untergeordnete Rolle, am ehes- ten noch in den wunderbaren Einlassungen von Miss Harmlos zu den Einstürzenden Neubauten. Thomas Glatz bereichert die Ausgabe um wundervolle Kurztexte rund um die Eigenheiten von Stadt- parks und Aufführungen von klassischer Musik und setzt seine Serie der Bilderwitze fort. Viel Spaß beim Lesen! Nach wie vor gilt die Einladung für ‚Friktionen’ zu schreiben, zu zeichnen oder zu fotografieren. -
Nightshiftmag.Co.Uk @Nightshiftmag Nightshiftmag Nightshiftmag.Co.Uk Free Every Month NIGHTSHIFT Issue 299 September Oxford’S Music Magazine 2021
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 299 September Oxford’s Music Magazine 2021 Gig, Interrupted Meet the the artists born in lockdown finally coming to a venue near you! Also in this comeback issue: Gigs are back - what now for Oxford music? THE AUGUST LIST return Introducing JODY & THE JERMS What’s my line? - jobs in local music NEWS HELLO EVERYONE, Festival, The O2 Academy, The and welcome to back to the world Bullingdon, Truck Store and Fyrefly of Nightshift. photography. The amount raised You all know what’s been from thousands of people means the happening in the world, so there’s magazine is back and secure for at not much point going over it all least the next couple of years. again but fair to say live music, and So we can get to what we love grassroots live music in particular, most: championing new Oxford has been hit particularly hard by the artists, challenging them to be the Covid pandemic. Gigs were among best they can be, encouraging more the first things to be shut down people to support live music in the back in March 2020 and they’ve city and beyond and making sure been among the very last things to you know exactly what’s going be allowed back, while the festival on where and when with the most WHILE THE COVID PANDEMIC had a widespread impact on circuit has been decimated over the comprehensive local gig guide Oxford’s live music scene, it’s biggest casualty is The Wheatsheaf, last two summers. -
Razorcake Issue
PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing. -
June 2018 New Releases
June 2018 New Releases what’s PAGE inside featured exclusives 3 RUSH Releases Vinyl Available Immediately! 76 Vinyl Audio 3 CD Audio 15 FEATURED RELEASES HANK WILLIAMS - CLANNAD - TURAS 1980: PIG - THE LONESOME SOUND 2LP GATEFOLD RISEN Music Video DVD & Blu-ray 50 Non-Music Video DVD & Blu-ray 52 Order Form 84 Deletions and Price Changes 82 PORTLANDIA: CHINA SALESMAN THE COMPLETE SARTANA 800.888.0486 SEASON 8 [LIMITED EDITION 5-DISC BLU-RAY] 203 Windsor Rd., Pottstown, PA 19464 HANK WILLIAMS - SON HOUSE - FALL - LEVITATE: www.MVDb2b.com THE LONESOME SOUND LIVE AT OBERLIN COLLEGE, LIMITED EDITION TRIPLE VINYL APRIL 15, 1965 A Van Damme good month! MVD knuckles down in June with the Action classic film LIONHEART, starring Jean-Claude Van Damme. This combo DVD/Blu-ray gets its well-deserved deluxe treatment from our MVD REWIND COLLECTION. This 1991 film is polished with high-def transfers, behind-the- scenes footage, a mini-poster, interviews, commentaries and more. Coupled with the February deluxe combo pack of Van Damme’s BLACK EAGLE, why, it’s an action-packed double shot! Let Van Damme knock you out all over again! Also from MVD REWIND this month is the ABOMINABLE combo DVD/Blu-ray pack. A fully-loaded deluxe edition that puts Bigfoot right in your living room! PORTLANDIA, the IFC Network sketch comedy starring Fred Armisen and Carrie Brownstein is Ore-Gone with its final season, PORTLANDIA: SEASON 8. The irreverent jab at the hip and eccentric culture of Portland, Oregon has appropriately ended with Season 8, a number that has no beginning and no end. -
John Zorn Artax David Cross Gourds + More J Discorder
John zorn artax david cross gourds + more J DiSCORDER Arrax by Natalie Vermeer p. 13 David Cross by Chris Eng p. 14 Gourds by Val Cormier p.l 5 John Zorn by Nou Dadoun p. 16 Hip Hop Migration by Shawn Condon p. 19 Parallela Tuesdays by Steve DiPo p.20 Colin the Mole by Tobias V p.21 Music Sucks p& Over My Shoulder p.7 Riff Raff p.8 RadioFree Press p.9 Road Worn and Weary p.9 Bucking Fullshit p.10 Panarticon p.10 Under Review p^2 Real Live Action p24 Charts pJ27 On the Dial p.28 Kickaround p.29 Datebook p!30 Yeah, it's pink. Pink and blue.You got a problem with that? Andrea Nunes made it and she drew it all pretty, so if you have a problem with that then you just come on over and we'll show you some more of her artwork until you agree that it kicks ass, sucka. © "DiSCORDER" 2002 by the Student Radio Society of the Un versify of British Columbia. All rights reserved. Circulation 17,500. Subscriptions, payable in advance to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN ilsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money ordei payable to DiSCORDER Magazine, DEADLINES: Copy deadline for the December issue is Noven ber 13th. Ad space is available until November 27th and can be booked by calling Steve at 604.822 3017 ext. 3. Our rates are available upon request. -
Front Line Assembly Vanished Mp3, Flac, Wma
Front Line Assembly Vanished mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Vanished Country: US Released: 2004 Style: EBM, Industrial MP3 version RAR size: 1870 mb FLAC version RAR size: 1451 mb WMA version RAR size: 1205 mb Rating: 4.6 Votes: 183 Other Formats: AA VOX WMA MP4 RA MOD MMF Tracklist Hide Credits Vanished (Illusions Of Grandeur Mix) 1 7:35 Vocals [Female] – Leah Randi 2 Stürm 6:08 3 Disseminate 7:03 Uncivilized 4 6:45 Vocals [Male], Sampler [Additional Samples] – Jamie Muhoberac Vanished (Re-entry Mix) 5 7:08 Vocals [Female] – Leah Randi Companies, etc. Copyright (c) – Metropolis Records Phonographic Copyright (p) – Metropolis Records Mastered At – Bernie Grundman Mastering Pressed By – Cinram, Olyphant, PA – Z26643 Credits Design [Graphic] – Carylann Loeppky Mastered By – Brian Gardner Mixed By – Greg Reely Photography By – US Department Of Energy Photograph Producer – Bill Leeb, Rhys Fulber Producer [Additional] – Greg Reely Programmed By – Rhys Fulber Notes ©&℗ 2004 Metropolis Records Made in the USA Barcode and Other Identifiers Barcode (Text): 7 82388 03232 2 Matrix / Runout: Z26643 4 MET80323-2 01 M0S1 Mastering SID Code: IFPI L909 Mould SID Code: IFPI 2U4C Other versions Category Artist Title (Format) Label Category Country Year SPV 055-63753 Front Line Vanished (CD, Synthetic SPV 055-63753 Germany 2004 CDS Assembly Maxi) Symphony CDS Front Line Vanished (5xFile, none Metropolis none US 2004 Assembly AAC, EP, 128) Related Music albums to Vanished by Front Line Assembly Various - Percolator Fear Factory - Remanufacture / Cars L'Âme Immortelle - Gezeiten Fear Factory - Remanufacture (Cloning Technology) Front Line Assembly - Prophecy Front Line Assembly - Shifting Through The Lens Front Line Assembly - Millennium Front Line Assembly - Provision Front Line Assembly vs. -
Strapping Young Lad
THE DAYGLO’S AUSSIE TOUR #3 APRIL/MAY 2005 - ABSOLUTELY FREE PUNK, HARDCORE & METAL - THE SCUM ALSO RISES STRAPPING YOUNG LAD and shitloads more! ABSOLUTE EDITORIAL Absolute Editorial #3 Things are coming together nicely for us here at Absolute Underground. This is starting go be fun! We’re getting into a few free shows and people are starting to send in CD’s for us to review. We’ve got a lot of new people pitching in to make this rag better than ever. Emily Kendy joins us from Vancouver and brings with her a very impressive resume (The Nerve, Discorder, Terminal City, Exclaim...). We’ll be featuring a different Vancouver based band each issue starting with scum punks the Excessives. With the new Arena and Rod Stewart having played Victoria, you can just feel that this is going to be a great year for live music around town. I’m always impressed with the turnout and energy of the younger crowds at the all-ages shows. Even if you’re old you should go check one out sometime. You might find it invigorating to jump in a circle pit of mohawked fury. It was great hanging out with the crew at Spitfire Tattoo special thanks to Rick and Amanda. Electric Frankenstein was an amazing show and just proves that Victoria gets wicked shows all the time. A big middle finger to the asshole bouncers @ Diego’s who wouldn’t let me in even though I was on the guest list and then proceeded to tell the headlining act CHOKE to “pack their shit, they weren’t going to play.” This was after two huge idiots working the door beat up CHOKE’s drummer who weighs about a buck ten soaking wet. -
Audio/Video Creation Scans Southwest Landscapes
March 23, 1986 I HE Sunday CAMERA 313 Audio/video creation scans Southwest landscapes By REED GLENN scrutinize the patterns in the Camera Visual Arts Critic desiccated desert shrub bark - "The West," an audio/video and golden blooms, revel in ~, installation by 5teina and Woody sheer cinnamon cliffs against : Vasulka at Denver's new Center blue skies, and wonder at the center for Idea Art a crossover gallery for Idea Art, looks very much evolution of human construction, like a group of televisions on the from ancient Anasazi stonework It doesn't look like much. Concrete traffic - the sounds of which are well Originally,i says Mary ,tones, assistant ' blink - in an extremely con- to arrays of modern radar. In- floors and an exposed-concrete rafter muffled. director and an "emerging video artist" ;, trolled, artistic way. In fact, it terestingly, some of the cross- ceiling give a rather industrial and The Center for Idea Art moved to this herself, the CIA was more for the arts a curved wall of 16 TVs with crossed structure supporting the temporary feeling. A few hard plastic uptown (downtown?) location in the community than the general public. But spectacular cases of horizontal giant radar dishes resembles chairs give little visual respite from the Denver Center for the Performing Arts now organizers hope to cross over to a " drift, double exposure, split patterns from gothic cathedral stark interior. last July. Formed a little over three years more general audience with crossover art screens, and dizzying motion - ceilings or Indian basketry . But this is a place for ideas and ago, the gallery began in the warehouse forms - a combination of visual and all portraying striking scenes of Much of the strength of this performance . -
Cost University $2 Million by '88 of the Student Code of by Dave Urbanski Conduct
Today's - weather: Cloudy and NON PROfiT ORG US POSTAGE cold. Chance PAID of snow. Newark. Del ., Permtt No 26 Highs in the 30s. ' Vot 111 No. 40 Student Center, University of Delaware, Newark, Delaware 19716 Friday, March 7, 1986 r '~Budget cuts to · cost university $2 million by '88 of the Student Code of by Dave Urbanski Conduct. Assistant-News Editor The new policy. which was The university is slated to created in response to the lose as much as $2 million in harassment of gay and lesbian federal funding for building students in the past two years. maintenance, utility and other broadens the scope of the administrative costs over the policy, Dean of Students next two years. Timothy Brooks said. The proposed cuts, part of The revised code redefines the Gramm-Rudman deficit harassment as "deliberately reduction plan. are scheduled acting with intent to harass to begin April 1, Provost L. any member or guest of the Leon Campbell told the univer university community" based sity Faculty Senate during its on the person's race, sex, meeting Monday. religion, political beliefs, sex "We cannot accept this ual orienlation or disability. change," university Treasurer The original policy specified Robert Harrison said. only racism, sexism and anti The Federal Office of Semitism a~ harassment. Management and Budget is in Todd Christie <AS 86), a charge of reducing the funds, Delaware Undergraduate Stu which are known as indirect dent Congress•representative costs, Harrison said. to the Faculty Senate, said he The university . faculty was pleased with the policy favors the cuts in indirect change. -
The Experimental Music of Einstürzende Neubauten and Youth Culture in 1980S West Berlin
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2012-10-03 The Experimental Music of Einstürzende Neubauten and Youth Culture in 1980s West Berlin Ryszka, Michael Andrzej Ryszka, M. A. (2012). The Experimental Music of Einstürzende Neubauten and Youth Culture in 1980s West Berlin (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/28149 http://hdl.handle.net/11023/259 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY The Experimental Music of Einstürzende Neubauten and Youth Culture in 1980s West Berlin by Michael Andrzej Ryszka A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF GERMANIC, SLAVIC AND EAST ASIAN STUDIES CALGARY, ALBERTA SEPTEMBER 2012 © Michael Andrzej Ryszka 2012 Abstract In this thesis I examine the music of West Berlin experimental music group Einstürzende Neubauten. The unique social, political, and economic conditions of West Berlin during the 1980s created a distinct urban environment that is reflected in the band’s music. The city has been preserved by Einstürzende Neubauten in the form of sound recordings, and conserved in the unique instruments originally found by the band on the streets of West Berlin.