The BG News March 25, 1999
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Columbia Chronicle College Publications
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 11-5-1990 Columbia Chronicle (11/05/1990) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (11/5/1990)" (November 5, 1990). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/105 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. TheColwnbia Chronicle VOLUME 24 NUMBER 5 COLUMBIA COLLEGE, CIDCAGO, ILLINOIS NOVEMBER 5, 1990 Israeli reporters hope U.S. ousts Saddatn By Lance Cummings military behind. If they do, we'll take care of vestigate the incident, headed by Major Gen. both sides trust-an honest broker. We think Editor-in-chief the situation ourselves. We have never asked Zvi Zarnir, a former head of Israeli intel that the Camp David model is the best road for American Gis, and we never will." ligence. The commission released its fmd to peace. Real bargaining cannot be done If the United States pulls out of the Persian But while the Israelis said that American ingsOct. 26. unless you have a really small team. It can't Gulf without curtailing Saddam Hussein's uoops are not necessary for Israel's survival, According to the Israeli Consul General be done in an international arena with the ability to threaten the region, Israel will"take they said that American public opinion is in Chicago, Uri Barner, the commission television cameras rolling." care of him," according to two Israeli jour very important to their country. -
Sally Anne Morgan Thread
BULLY SUGAREGG CD / LP / CS SP 1363 RELEASE DATE: AUGUST 21ST, 2020 TRACKLISTING: 1. Add It On 2. Every Tradition 3. Where to Start 4. Prism 5. You 6. Let You 7. Like Fire 8. Stuck in Your Head 9. Come Down 10. Not Ashamed 11. Hours and Hours 12. What I Wanted GENRE: Alternative Rock SUGAREGG roars from the speakers and jumpstarts both heart and mind. Like My Bloody Valentine after three double espressos, opener “Add It On” zooms heavenward within seconds, epitomizing band leader Alicia Bognanno’s newfound clarity of purpose, while the bass-driven melodies and propulsive beats of “Where to Start” and CD Packaging: Digipack “Let You” are the musical equivalents of the sun piercing through a LP Packaging: Single-pocket jacket with perpetually cloudy sky. custom dust sleeve Includes mp3 coupon A very old saying goes that no one saves us but ourselves. Recognizing NON-RETURNABLE and breaking free from the patterns impeding our forward progress can be transformative. Indeed, the third Bully album, SUGAREGG, may not ever have come to fruition had Bognanno not navigated every kind of upheaval imaginable and completely overhauled her working process along the way. The artist admits that finding the proper treatment for bipolar 2 disorder radically altered her mindset, freeing her from a cycle of paranoia and insecurity about her work. “Being able to finally navigate CS Packaging: Three-panel LP Packaging: Single-pocket jacket with that opened the door for me to write about it,” she says, pointing to J-card in clear case. custom dust sleeve the sweet, swirly “Like Fire” and slower, more contemplative songs NON-RETURNABLE LOSER EDITION blue w/white smoke such as “Prism” and “Come Down” as having been born of this new vinyl - Includes mp3 coupon NON-RETURNABLE headspace. -
BRUCE THOMAS PUMPS IT up with ELVIS COSTELLO by Dan Forte Guitar Player March 1987
BRUCE THOMAS PUMPS IT UP WITH ELVIS COSTELLO by Dan Forte Guitar Player March 1987 EVERYTHING ABOUT ELVIS Costello -his intelligent and prolific songwriting, impassioned singing, horn-rimmed visual image, ever-changing stylistic jaunts,even his anti-hero guitar playing -is so all-pervasive that his trio of sidemen, the Attractions, seems all but anonymous. (A magazine that just named Costello artist.of the year for 1986 only three years earlier misidentified the members of the Attractions in a photo caption.) But if Elvis is to be commended for his stylistic daring, the Attractions deserve equal praise for their ability to follow him down every idiomatic path, with their original fire and indelible individualism intact. Of all of Costello's talents, perhaps his strongest suit is as bandleader - not only for keeping a group together for a decade, but for choosing the musicians he did to make up his backing band. The Attractions have been together since 1977, in which time they've recorded 11 albums (plus a Best Of collection) since Elvis' debut, My Aim Is True. And night after night they have proved that at least one band (coincidentally virtually the only surviving band) from England’s punk era can play and always could. After recording his auspicious debut with uncredited backing from the American band Clover (including guitarist John McFee, currently with Southern Pacific), Declan "Elvis Costello" MacManus settled on piamst Steve Nieve, drummer Pete Thomas, and (no relation) bassist Bruce Thomas, after aluditioning, in the bassist's, words "hundreds of guys who couldn't tune up or put the guitar on right." The group's first effort, This Year's Model, not only squelched any fears of a,sophomore jinx; it kicked in with more muscle than Aim and signaled the arrival of a distinct new collective musical personality. -
Elvis Costello and Blondie
FOR IMMEDIATE RELEASE Media Contact: Bridget Smith v.845.583.2179 Photos & Interviews may be available upon request [email protected] ELVIS COSTELLO & THE IMPOSTERS AND BLONDIE EMBARK ON CO-HEADLINING SUMMER TOUR, BEGINNING AT BETHEL WOODS ON SATURDAY, JULY 20TH Tickets on-sale Saturday, April 6th at 10 AM April 2, 2019 (BETHEL, NY) – Bethel Woods Center for the Arts, the nonprofit cultural center located at the site of the 1969 Woodstock festival, today announced that Elvis Costello & The Imposters and Blondie will perform at the center on July 20th as the first stop on their coast-to-coast co-headlining tour. Tickets go on-sale Saturday, April 6th at 10:00 AM at www.BethelWoodsCenter.org, www.Ticketmaster.com, Ticketmaster outlets, or by phone at 1.800.745.3000. Elvis Costello and Blondie shared spots near the top of the UK Singles Chart 40 years ago when Blondie's "Heart Of Glass” sat neck-and-neck alongside Elvis Costello & The Attraction’s "Oliver's Army” in the company of The Bee Gees, Gloria Gaynor and ABBA. The same week, Blondie's seminal album Parallel Lines reached #1 on the Album Chart while Costello's Armed Forces landed at #3. Elvis Costello & The Imposters’ last tour in late 2018 found the combo reaching new live performance peaks. The band "came out swinging” (Star Tribune) in Minneapolis, were “unstoppable” in Anaheim (OC Register) and played an “epic and euphoric” (Variety) show in LA that even at nearly three hours “[left] ‘em wanting more.” The Imposters are: Steve Nieve (keyboards), Davey Faragher (bass) and Pete Thomas (drums). -
The Talk of the Town Continues…
The Talk of the Town continues… “Kay Thompson was a human dynamo. My brothers and I were constantly swept up by her brilliance. Sam Irvin has captured all of this in his incredible book. I know you will thoroughly enjoy reading it.” – DON WILLIAMS, OF KAY THOMPSON & THE WILLIAMS BROTHERS “It’s an amazing book! Sam Irvin has captured Ms. T. to a T. I just re-read it and liked it even better the second time around.” – DICK WILLIAMS, OF KAY THOMPSON & THE WILLIAMS BROTHERS “To me, Kay was the Statue of Liberty. I couldn’t imagine how a book could do her justice but, by golly, Sam Irvin has done it. You won’t be able to put it down.” – BEA WAIN, OF KAY THOMPSON’S RHYTHM SINGERS “Kay was the hottest thing that ever hit the town and one of the most captivating women I’ve ever met in my life. There’ll never be another one like her, that’s for sure. A thorough examination of her astounding life was long overdue and I can’t imagine a better portrait than the one Sam Irvin has written. Heaven.” – JULIE WILSON “This fabulous Kay Thompson book totally captured her marvelous enthusiasm and talent and I’m delighted to be a part of it. I adore the cover with enchanting Eloise and the great picture of Kay in all her intense spirit!” – PATRICE MUNSEL “Thank you, Sam, for bringing Kay so richly and awesomely ‘back to life.’ Adventuring with Kay through your exciting book is like time-traveling through an incredible century of showbiz.” – EVELYN RUDIE, STAR OF PLAYHOUSE 90: ELOISE “At Metro… she scared the shit out of me! At Paramount… while shooting Funny Face… I got to know and love her. -
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RAY COLCORD COMPOSER SELECTED FILMOGRAPHY THE KING'S GUARD – Jonathan Tydor, Director-Shoreline Entertainment Starring Eric Roberts, Ron Perlman and Lesley-Anne Down HEARTWOOD – Lanny Cotler, Director – Porchlight Entertainment/ Lions Gate Releasing Starring Jason Robards and Hilary Swank THE PAPER BRIGADE – Blair Treu, Director -Leucadia Films / Walt Disney Company Starring Kyle Howard, Robert Englund and Bibi Osterwald WISH UPON A STAR – Blair Treu, Director - Leucadia Films / The Walt Disney Company Starring Katherine Heigl and Danielle Harris AMITYVILLE DOLLHOUSE – Steve White, Director -Spectacor Films/ Promark/ Republic Pictures Starring Robin Thomas and Allen Cutler THE SLEEPING CAR – Douglas Curtis - Vidmark Entertainment Starring David Naughton and Kevin McCarthy SONGS ALL DOGS GO TO HEAVEN II (animated film) – Larry Leker and Paul Sabella, Directors -MGM Featuring the voices of Bebe Neuwirth and Charlie Sheen BABES IN TOYLAND (animated film) – Paul Sabella, Director - MGM Featuring the voices of Lacey Chabert, James Belushi and Christopher Plummer EARTH GIRLS ARE EASY (songs) – Julien Temple, Director-Warner Bros. Starring Geena Davis, Jeff Goldblum, Julie Brown and Jim Carrey ("Big & Stupid", "Homecoming Queen's Got A Gun") ADDITIONAL MUSIC LARA CROFT TOMB RAIDER II - Jan de Bont, Director - Paramount Pictures / Mutual Film Company THE GENERAL'S DAUGHTER – Simon West, Director - Paramount Starring John Travolta, Madeleine Stowe, James Cromwell, James Woods and Clarence Williams III DUMB & DUMBER - Peter Farrelly, Director- -
The Triangle
Entertainment Opinion Comics This week. Entertainment gives you a look at Pat The world is full of jx:ople who try to take advan This week in the comics section, Beaver Boy and Benatar’s latest. True Love, Elvis Costello’s Mighty tage of others. A reader relates just such an experi Bungee Boy try their hands at cartooning. Also, Like the Rose, a summertime classic import from ence in this week’s Ed-Op pages. Also, take a look John the Engineer expands to a new format. Could Mud, and The Gourmet Express tickles your taste at one columnist’s view of Drexel University, 2017. this be the beginning of something big? Turn to page buds with summer yummies. Turn to page ten... Turn to page six... fourteen to find out... The Triangle Volume 66 • Number 33 Serving Drexel University Since 1926. May 31,1991 M ascaro defeats four candidates to become Congress president Andrew Ross mal arrangement was not publi O f The Triangle cized, however, even though it N e w p r e s , went into effect when the col Joseph Mascaro was elected leges merged in June. “There is h o p e s to President of Student Congress nothing in the constitution that over four others who desired the provides for two student deans i m p r o v e position. Elections were held of Arts and Sciences,” Richards last Tuesday and Wednesday but added. However, in the election C o n g r e s s results were not available until rules distributed by the Student Friday moming. -
Love Ain't Got No Color?
Sayaka Osanami Törngren LOVE AIN'T GOT NO COLOR? – Attitude toward interracial marriage in Sweden Föreliggande doktorsavhandling har producerats inom ramen för forskning och forskarutbildning vid REMESO, Institutionen för Samhälls- och Välfärdsstudier, Linköpings universitet. Samtidigt är den en produkt av forskningen vid IMER/MIM, Malmö högskola och det nära samarbetet mellan REMESO och IMER/MIM. Den publiceras i Linköping Studies in Arts and Science. Vid filosofiska fakulteten vid Linköpings universitet bedrivs forskning och ges forskarutbildning med utgångspunkt från breda problemområden. Forskningen är organiserad i mångvetenskapliga forskningsmiljöer och forskarutbildningen huvudsakligen i forskarskolor. Denna doktorsavhand- ling kommer från REMESO vid Institutionen för Samhälls- och Välfärdsstudier, Linköping Studies in Arts and Science No. 533, 2011. Vid IMER, Internationell Migration och Etniska Relationer, vid Malmö högskola bedrivs flervetenskaplig forskning utifrån ett antal breda huvudtema inom äm- nesområdet. IMER ger tillsammans med MIM, Malmö Institute for Studies of Migration, Diversity and Welfare, ut avhandlingsserien Malmö Studies in International Migration and Ethnic Relations. Denna avhandling är No 10 i avhandlingsserien. Distribueras av: REMESO, Institutionen för Samhälls- och Välfärsstudier, ISV Linköpings universitet, Norrköping SE-60174 Norrköping Sweden Internationell Migration och Etniska Relationer, IMER och Malmö Studies of Migration, Diversity and Welfare, MIM Malmö Högskola SE-205 06 Malmö, Sweden ISSN -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JON HENDRICKS NEA Jazz Master (1993) Interviewee: Jon Hendricks (September 16, 1921 - ) and, on August 18, his wife Judith Interviewer: James Zimmerman with recording engineer Ken Kimery Date: August 17-18, 1995 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 95 pp. Zimmerman: Today is August 17th. We’re in Washington, D.C., at the National Portrait Galley. Today we’re interviewing Mr. Jon Hendricks, composer, lyricist, playwright, singer: the poet laureate of jazz. Jon. Hendricks: Yes. Zimmerman: Would you give us your full name, the birth place, and share with us your familial history. Hendricks: My name is John – J-o-h-n – Carl Hendricks. I was born September 16th, 1921, in Newark, Ohio, the ninth child and the seventh son of Reverend and Mrs. Willie Hendricks. My father was a minister in the African Methodist Episcopal Church, the AME Church. Zimmerman: Who were your brothers and sisters? Hendricks: My brothers and sisters chronologically: Norman Stanley was the oldest. We call him Stanley. William Brooks, WB, was next. My sister, the oldest girl, Florence Hendricks – Florence Missouri Hendricks – whom we called Zuttie, for reasons I never For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 really found out – was next. Then Charles Lancel Hendricks, who is surviving, came next. Stuart Devon Hendricks was next. Then my second sister, Vivian Christina Hendricks, was next. Then Edward Alan Hendricks came next. -
Audio/Video Creation Scans Southwest Landscapes
March 23, 1986 I HE Sunday CAMERA 313 Audio/video creation scans Southwest landscapes By REED GLENN scrutinize the patterns in the Camera Visual Arts Critic desiccated desert shrub bark - "The West," an audio/video and golden blooms, revel in ~, installation by 5teina and Woody sheer cinnamon cliffs against : Vasulka at Denver's new Center blue skies, and wonder at the center for Idea Art a crossover gallery for Idea Art, looks very much evolution of human construction, like a group of televisions on the from ancient Anasazi stonework It doesn't look like much. Concrete traffic - the sounds of which are well Originally,i says Mary ,tones, assistant ' blink - in an extremely con- to arrays of modern radar. In- floors and an exposed-concrete rafter muffled. director and an "emerging video artist" ;, trolled, artistic way. In fact, it terestingly, some of the cross- ceiling give a rather industrial and The Center for Idea Art moved to this herself, the CIA was more for the arts a curved wall of 16 TVs with crossed structure supporting the temporary feeling. A few hard plastic uptown (downtown?) location in the community than the general public. But spectacular cases of horizontal giant radar dishes resembles chairs give little visual respite from the Denver Center for the Performing Arts now organizers hope to cross over to a " drift, double exposure, split patterns from gothic cathedral stark interior. last July. Formed a little over three years more general audience with crossover art screens, and dizzying motion - ceilings or Indian basketry . But this is a place for ideas and ago, the gallery began in the warehouse forms - a combination of visual and all portraying striking scenes of Much of the strength of this performance . -
Others Comment on Rosie's Coming out Interview Buried by Madison
March 28th, 2002 - April 10th, 2002 ,News The Wisconsin Light Others comment on Rosie's coming out GLAAD praises Rosie's interview Rev. Lew Broyles of the Milwaukee paragraph 2 of the US Declaration of Gay and Lesbian Metropolitan Community Church was Independence." Alliance Against Sawyer was exactly what you'd expect Defamation executive director Joan M. from enthusiastic about Rosie's interview When asked about the Loftin case in Rosie — she was genuine, heartfelt Garry released these comments March Dianne Sawyer on ABC, and issued this Florida the spokesperson added, "This and passionate. Her coming out has fos- is 15... praise: homophobic discrimination & emotional tered greater understanding of who "Last night's show broadened "She is the latest page in the chapter of abuse supported yet again with help from we are as moms and dads, as sons America's understanding of the proof that Lesbian & Gay families do have those who would go out of their way to and -daughters, and as families. reality of Gay and Lesbian fami- contemporary moral values to offer chil- point out to Lesbian & Gay parents every- That's the gift Rosie's given to lies. dren in the United States," the Senior where that their message is one that cen- her kids and to Gay and Diane Sawyer's approach to this Lesbian Pastor said. ters on the ethics of a 'compassionate con- families across the issue was both simple and bold- An MCC Senior Pastoral spokesperson servative' agenda. nation — and she's just getting ly original: instead of present- started. added, "More importantly -
Cost University $2 Million by '88 of the Student Code of by Dave Urbanski Conduct
Today's - weather: Cloudy and NON PROfiT ORG US POSTAGE cold. Chance PAID of snow. Newark. Del ., Permtt No 26 Highs in the 30s. ' Vot 111 No. 40 Student Center, University of Delaware, Newark, Delaware 19716 Friday, March 7, 1986 r '~Budget cuts to · cost university $2 million by '88 of the Student Code of by Dave Urbanski Conduct. Assistant-News Editor The new policy. which was The university is slated to created in response to the lose as much as $2 million in harassment of gay and lesbian federal funding for building students in the past two years. maintenance, utility and other broadens the scope of the administrative costs over the policy, Dean of Students next two years. Timothy Brooks said. The proposed cuts, part of The revised code redefines the Gramm-Rudman deficit harassment as "deliberately reduction plan. are scheduled acting with intent to harass to begin April 1, Provost L. any member or guest of the Leon Campbell told the univer university community" based sity Faculty Senate during its on the person's race, sex, meeting Monday. religion, political beliefs, sex "We cannot accept this ual orienlation or disability. change," university Treasurer The original policy specified Robert Harrison said. only racism, sexism and anti The Federal Office of Semitism a~ harassment. Management and Budget is in Todd Christie <AS 86), a charge of reducing the funds, Delaware Undergraduate Stu which are known as indirect dent Congress•representative costs, Harrison said. to the Faculty Senate, said he The university . faculty was pleased with the policy favors the cuts in indirect change.