BULLY SUGAREGG CD / LP / CS SP 1363 RELEASE DATE: AUGUST 21ST, 2020

TRACKLISTING: 1. Add It On 2. Every Tradition 3. Where to Start 4. Prism 5. You 6. Let You 7. Like Fire 8. Stuck in Your Head 9. Come Down 10. Not Ashamed 11. Hours and Hours 12. What I Wanted

GENRE: Alternative Rock

SUGAREGG roars from the speakers and jumpstarts both heart and mind. Like My Bloody Valentine after three double espressos, opener “Add It On” zooms heavenward within seconds, epitomizing band leader Alicia Bognanno’s newfound clarity of purpose, while the bass-driven melodies and propulsive beats of “Where to Start” and CD Packaging: Digipack “Let You” are the musical equivalents of the sun piercing through a LP Packaging: Single-pocket jacket with perpetually cloudy sky. custom dust sleeve Includes mp3 coupon A very old saying goes that no one saves us but ourselves. Recognizing NON-RETURNABLE and breaking free from the patterns impeding our forward progress can be transformative. Indeed, the third Bully album, SUGAREGG, may not ever have come to fruition had Bognanno not navigated every kind of upheaval imaginable and completely overhauled her working process along the way.

The artist admits that finding the proper treatment for bipolar 2 disorder radically altered her mindset, freeing her from a cycle of paranoia and insecurity about her work. “Being able to finally navigate CS Packaging: Three-panel LP Packaging: Single-pocket jacket with that opened the door for me to write about it,” she says, pointing to J-card in clear case. custom dust sleeve the sweet, swirly “Like Fire” and slower, more contemplative songs NON-RETURNABLE LOSER EDITION blue w/white smoke such as “Prism” and “Come Down” as having been born of this new vinyl - Includes mp3 coupon NON-RETURNABLE headspace. Even small changes like listening to music instead of the news first thing in the morning “made me want to write and bring that pleasure to other people.” RETAIL: Posters and play copies will be available.

An unexpected foray into the film world also helped set the table for PUBLICITY: Album serviced to all music & lifestyle media. SUGAREGG when Bognanno was asked to write songs for the 2019 movie Her Smell, starring Elisabeth Moss as the frontwoman of the ONLINE: Artist page (incl. album art and a focus track): https://www.subpop.com/artists/bully Facebook: https://www.facebook.com/bullythemusic fictional rock band Something She. The experience was cathartic, twitter: https://twitter.com/bully infusing Bognanno with new energy for songwriting, and she dove into Tnstagram: https://www.instagram.com/bullythemusic/ making the new album. Having engineered both previous Bully Website: http://www.bullythemusic.com/ albums herself, Bognanno freed herself to focus on the songs by Spotify: 57k monthly listeners, 42k followers handing production and engineering duties to Grammy-winning producer John Congleton (St. Vincent, Sleater-Kinney, The War on Advertising will be purchased on select sites. Drugs, Modest Mouse), and who worked with her on SUGAREGG at Pachyderm Studios in Cannon Falls in Bognanno’s home state of RADIO: SUGAREGG will be worked to commercial and non-commercial/college radio. Minnesota. (Nirvana’s In Utero, PJ Harvey’s Rid of Me and Superchunk’s Foolish were recorded at Pachyderm.) With TOURING: Bully plans to tour as soon as everyone can go to shows again contributions from longtime touring drummer Wesley Mitchell and bassist Zach Dawes (Sharon Van Etten and Lana Del Rey), and two ALSO AVAILABLE: additional songs recorded at Palace Studios in Toronto with Graham Walsh (Alvvays, METZ, !!!), SUGAREGG was finally complete.

Ultimately, SUGAREGG is a testament that profound change can yield profound results — in this case, the most expressive and powerful music of Bognanno’s career. “This is me longing to see the bigger picture, motivated and eager for contentment in the best way,” she says. “I hope the happy go lucky/fuck-it-all attitude shines through SP1211 some of these songs because I really did feel like I was reentering a Losing place I hadn’t been to in a while and was excited to be back there.” LP/CD/CS/Digital GIRL FRIDAY AUG 21, 2020 ANDROGYNOUS MARY

HAR-123 ALTERNATIVE/ROCK CD/LP/CS

CD LP TAPE NON-RETURNABLE NON-RETURNABLE SINGLE-POCKET JACKET THREE-panel j-card in TRACK LISTING: W/CUSTOM DUST SLEEVE clear case 01. This Is Not the Indie Rock I Signed Up For includes mp3 coupon 02. Amber's Knees: A Matter of Concern 03. Eaten Thing 04. Public Bodies 05. What We Do It For 0 9 8 7 8 7 3 1 2 3 2 4 0 9 8 7 8 7 3 1 2 3 1 7 0 9 8 7 8 7 3 1 2 3 4 8 06. Earthquake 07. Clotting Burning deep in Girl Friday's music is an unquenchable will to survive. The LA-based band don't blunt 08. Gold Stars the impact of the themes they work through in their ferocious, knotty rock songs, but they don't let 09. Favorite Friend the more harrowing aspects of being alive and young in the 21st century daunt them, either. Taking 10. I Hope Jason Is Happy full advantage of the dystopian shades of post-punk and noise rock palettes on their arresting debut LP, Androgynous Mary, Girl Friday nevertheless suffuse their music with abundant optimism. The ONLINE: world is a hellscape, but the four of them are in it together. https://www.hardlyart.com/artists/girl_friday https://twitter.com/girlfridaytm?lang=en With bold, dramatic guitar lines and tightly wound vocal harmonies, Girl Friday - guitarist Vera Ellen, https://www.instagram.com/girlfridaytm/?hl=en bassist Libby Hsieh, guitarist Sierra Scott, drummer Virginia Pettis - negotiate the stress and alienation https://www.facebook.com/elgirlfriday/ that comes with being sidelined from normative society on Androgynous Mary. "Does the average https://www.girlfridaytm.com/ man feel like he's on the outside?" goes the beginning of "Public Bodies," a wistful jangle-pop gem Advertising will be purchased on select sites. that shudders open into a snarling punk coda. Taking cues from boundary-pushers Sonic Youth, Girl Friday favor the rush of jarring turns over the safety of well-defined pop taxonomy. Looking to queer RETAIL: provocateurs like Placebo, they cherish the frisson of incongruous musical elements soldered togeth- Posters and play copies will be available. er: "really dark, heavy things mashed up with quite beautiful things, whether that be a distorted guitar line and a sentimental vocal or vice versa," as Ellen puts it. PUBLICITY: Album serviced to all music & lifestyle media. That duality dovetails with the thematic friction running through the album, the alternating despair and hope that intertwine in the fight to stay alive as any kind of disenfranchised person in the US. Written TOURING: during a year of personal struggle for all four band members, Androgynous Mary reflects the solace Girl Friday will tour the US in 2020. they took in each other -- as a band, but also as a microcommunity and a chosen family. RADIO: On the record's final song, "I Hope Jason Is Happy," Girl Friday sing in unison: "My head is on your Androgynous Mary will be worked to commercial chest / In the end I'll be happy if you do your best / You've got to fight to keep your breath in this and non-commercial/college radio. world." It's a testament to the power of their bond, and a gesture of solidarity with all those listening. Alone, we suffer under the weight of everything designed to keep us down. Together, we stand a fighting chance. Girl Friday place their hope squarely on that chance - on what we can do when we show up for each other, where we can go when we've got each other's backs.

HARDLY ART | 2013 4th ave., 3rd floor | SEATTLE, WA 98121 | WWW.HARDLYART.COM | [email protected] NO JOY // MOTHERHOOD

No Joy - Motherhood 01. Birthmark (3:40) 02. Dream Rats (3:35) 03. Nothing Will Hurt (3:13) 04. Four (4:18) 05. Ageless (2:45) 06. Why Mothers Die (3:36) 07. Happy Bleeding (3:38) 08. Signal Lights (3:52) 09. Fish (4:23) 10. Primal Curse (3:55) 11. Kidder (4:43)

CAT#: HDD084 FORMAT: Full Length Digital, CD, Vinyl UPC: LP: 623339246217 // CD: 623339246224 ​

Montreal’s No Joy detail their first full length album in five years, Motherhood, which will be released on st ​ ​ August 21 ​ via Hand Drawn Dracula (Canada) and Joyful Noise (ROW). For Motherhood, front-person ​ ​ ​ ​ ​ ​ ​ and principal songwriter Jasamine White-Gluz took what she learned from synthesis, reincorporated guitars, and produced an album that is not a departure from No Joy’s early shoegaze, but a stylistically omnivorous expansion that ekes into trip hop, trance and nu-metal. Motherhood is the culmination of ​ ​ years composing outside of her comfort zone, and a return to DIY recording with a leveled-up expertise in production.

Bandmember Jorge Elbrecht (Ariel Pink, Sky Ferreira, Japanese Breakfast) returns in his role as ​ ​ ​ ​ ​ ​ co-producer and multi-instrumentalist. The band’s touring sound engineer Madeleine Campbell, who authors the Women In Sound zine, came on as engineer alongside Chris Walla (Death Cab for Cutie). ​ ​ Drummer Jamie Thompson (Islands, Esmerine) translated rhythmic ideas into hard-hitting performance, ​ ​ ​ ​ and brought in drum machines of his own. Frenetic shredder Tara McLeod (Kittie) makes her No Joy ​ ​ recorded debut, contributing not only guitars but banjos.

ST ‘MOTHERHOOD’ LP OUT AUGUST 21 ​ via HAND DRAWN DRACULA (CAN) ​

GENRE: Alternative, Electronic, New Wave, Art Rock, Dream Punk, Dream Pop RIYL: U.S. Girls, Jenny Hval, Kim Gordon, Let's Eat Grandma, A Sunny Day In Glasgow

Motherhood featured in Pitchfork, Paste, Stereogum, Gorilla vs. Bear, The Line of Best Fit, Exclaim Magazine, ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Brooklyn Vegan, Under The Radar, Indie 88, RAGE TV ​ ​ ​ ​ ​ ​

______LABEL: Hand Drawn Dracula . com CONTACT: [email protected] ​ ​ ​ CRACK CLOUD PAIN OLYMPICS

In this age of the individual, Crack Cloud offer something of an antithesis: a collective founded on community spirit and communal freedom. Like Psychic TV before them, Crack Cloud have a philosophy, and one that they are not afraid to wear on their sleeves. While their anarchic, pha tasmagorical visuals, heavy use of symbology, and seemingly never- ending cast of colourful collaborators have often invited cult comparisons, this really does the collective no justice. There is no apocalyptic death drive here; no cult of personality; no hierarchy of power. While frontman and lyricist Zach Choy is in many ways the face of the group, the collective is one founded on equality, and in his cryptic lyrical blending of poetics, polemics and personal experience, Choy is truly the mouthpiece of something far larger than himself.

Nowhere else is this more apparent than on the album’s first single, ‘The Next Fix.’ What begins as a caustic, claustrophobic account of addiction swells into a sprawling, euphoric hymn as Choy is joined by a choir of seemingly endless celestial voices. Less a cult then; more a church. Listening to this song or watching its accompanying self directed video is a truly spiritual experience, and in its building, jubilant movement it offers a glimpse of Crack Cloud’s most vital message: using community to turn adversity into hope. This isn’t just bravado; its a story born of deep, personal experience. Crack Cloud operate on the CAT # MM003CD, MM003LP frontline of Canada’s out-of-control opiate crisis, mobilising and organizing in Vancouver’s harm reduction programmes. The group themselves have had their fair share of trauma, and the collective offers its members a vital vehicle for rehabilitation and recovery. As the tagline UPC: on the album’s back cover makes clear then, this is absolutely ‘based on true shit.’ 5052442017899 [CD] The political cannot be separated from the personal, and the personal cannot be separated 5052442017905 [LP] from the body. And in an era where capitalism has no land left to claim but the self, this embodied self is both a battleground and the last frontier of resistance. In PAIN OLYMPICS, Crack Cloud do not tell their listeners what to think. It is not didactic in its message, and LABEL: TIN ANGEL the group clearly hold too much respect for their audience to spoon-feed them a pedagogy. Instead, while it paints a picture of a divided world at an anxious juncture, what it offers in RELEASE DATE: 17-Jul-20 response, and as resistance, is hope, pure and simple.

While Crack Cloud are clearly not shy to bear the scars of their personal history, this album is CD a fundamentally forwards-looking one and offers an exciting portrait of a band in a moment of metamorphosis. Musically, the group have taken much of the post-punk and no wave influences that informed their eponymous 2018 compilation of EPs, and totally reinvented them through a sonic kaleidoscope of hip-hop, musical theatre, dance music and downright pop which allows them to explore a vast panoply of different emotional states. Across the album’s eight songs, the group cover a lot of ground, exploring everything from jittery punk funk à la James Chance, on ‘Ouster Stew’ and ‘Tunnel Vision’ to saxophone- infused Eastern ragas on ‘Bastard Basket.’ Sometimes, these influences are skilfully interwoven into a singular whole which simultaneously manages to be several genres in one and at the same time. LP Perhaps the best example is album highlight ‘Favour Your Fortune,’ which combines hip- hop sub bass with threatening tribalistic vocals in a way which evokes gangster rap and 90s Japanese outfit ‘Seo Taji and Boys,’ before seamlessly exploding into a barrage of electronic hardcore that recalls the likes of Death Grips and Show Me The Body. It’s an outrageously ambitious track and affirms Crack Cloud’s position as real innovators of their genre.

Elsewhere, the band make a blatant point of not hiding the sutures that sew this record together. Moods and genres are stitched together over and over in an endless game of Exquisite Corpse, and the record plays on this unpredictability to suddenly switch emotional states in a way that is totally disarming. The disjointed and fragmented structure of album opener ‘Post Truth’ holds a direct mirror up to the divided social climate that the album is born from, and the essentially fragmentary nature of truth in the hyperreal, postmodern era of algorithm echo chambers. As the track switches gears from punk to twinkling baroque pop to throbbing industrial and back again, a heavenly choir sing ‘we are all post truth’ to a melody that could equally well have been lifted from ‘The Sound of Music’ as from a 90s anime theme song.

In the age of unlimited content, Crack Cloud take inspiration from everywhere with a hunger that is feverish. On album closer, ‘Angel Dust,’ Choy offers the clearest picture of the world that Crack Cloud are navigating in PAIN OLYMPICS. Suspended in between a past that ‘haunts us all’ and a future that is ‘littered with doubt,’ we are all ‘locked in limb and space.’ Locked into our bodies, the pain that Crack Cloud are exploring on this album is not a disembodied one. It is social pain; it is mental pain; it is emotional pain. Ultimately though, more than anything, it is a real, bodily, physical pain. To live is to be engaged in a permanent pain olympics. As the sample at the end of its closer remarks, ‘the game of life is a misery.’ But accepting pain as the condition and affirmation of human life is the first step towards enlightenment. It is the first step towards hope, which is exactly what Crack Cloud are trying to offer their audience on this poignant, timely debut. Sam Prekop Comma Thrill - 524

CD $7.60 79037H-052428

LP $12 Vinyl is non-returnable 79037H-052411

GENRE : Electronic FILE UNDER : “P” Prekop, Sam RELEASE DATE : August 21, 2020 LISTEN HERE

Sam Prekop’s boundless imagination is guided by his strong sense of melody. TRACK LISTING: For more than 25 years, as a solo artist or as part of The Sea and Cake, Prekop creates a singular sound that is both inventive and warm. New album Comma 1. Park Line 6. Approaching takes Pekop’s electronic music experiments in a surprising new direction. 2. Summer Places 7. Circle Line Working extensively with beat programming for the first time, Prekop uses 3. Comma 8. Never Met rhythm as a narrative tool, tapping into electronic music’s romantic and 4. September Remember 9. Wax Wing emotional qualities. Comma embraces the analogue synthesizer’s often 5. The New Last 10. Above Our Heads unpredictable nature, imbuing the record with a decidedly organic feel even while working within the relative rigidity of beat architectures.

Prekop’s creative process is a combination of preparation and improvisation. SALES POINTS Writing sessions for Comma began with an open-ended exploration of sounds and textures from which the first fragments of songs would reveal themselves. Sam Prekop is also known for his work as songwriter, The introduction of drum machines and additional synthesizer units to his guitarist and vocalist for The Sea and Cake. modular setup shifted things in surprising new directions as he worked to bend them into more traditional pop song structures. Drum tracks and emergent Recommended for fans of electronic and ambient pioneers rhythms provided the frameworks and narrative sketches to be fleshed out Yellow Magic Orchestra and Brian Eno. with lustrous widescreen synth pads and ribboning melodies. In approaching his writing with a completely open mind and letting himself be guided by “More than 20 years into his career, the man is still keeping the music, Prekop maintains a delicate balance between composition and it interesting.” - NPR chance, control and spontaneity. Music video for “Above Our Heads” directed by feature filmmaker Tim Sutton (Dark Night, Donnybrook) Prekop’s wide-eyed sense of discovery guides his exploration of beat-driven music, pushing him to use rhythm as a narrative tool and to embrace electronic Comma is the first beat-driven album from Prekop & more music’s romantic and emotional qualities. With Comma, Prekop compiles an melodic than previous electronic albums, borrowing from his incredible breadth of ideas into a surprisingly coherent sound-world. It’s a mastery of pop forms. modern minimal pop album that taps into the experimental heritage of the synthesizer. The album places Sam Prekop’s work squarely in the tradition Prekop is also a well respected visual artists who has of electronic music pioneers like Brian Eno and Yellow Magic Orchestra published, shown, and sold works worldwide, and limited- who brought together the unrestrained ambition of the avant-garde with the edition postcards featuring his photography (including the immediacy and accessibility of pop music. album cover image) sold out overnight. Stereogum called single “Summer Places” a “glistening ALSO AVAILABLE : weightless drift that might soundtrack your daily commute The Republic CD/LP (Thrill 384) through some futuristic urban utopia.” Old Punch Card CD/LP (Thrill 248) Past solo releases by Sam Prekop & his work with The Sea Who’s Your New Professor CD/LP (Thrill 146) & Cake were and remain some of Thrill Jockey’s strongest Sam Prekop CD (Thrill 061) sales.

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@thrilljockey Sally Anne Morgan Thread Thrill - 528 CD 79037H-A52824 LP 79037H-A52817 Vinyl is non-returnable Yolk Yellow vinyl LP 79037H-528114 LISTEN HERE Vinyl is non-returnable Sally Anne Morgan is an artist and multi-instrumentalist whose mastery of GENRE : Folk / Americana traditional folk forms is matched only by her ability to push the bounds of FILE UNDER : “M” for Morgan, Sally Anne those forms into fresh, imaginative pastures. Known for her fiddle playing RELEASE DATE : August 21, 2020 with the traditional Black Twig Pickers and the duo House and Land, Sally Anne’s debut solo album Thread establishes her as an unparalleled voice in contemporary folk. With a penchant for tuneful melodies, combined TRACK LISTING: with hypnotic rhythms, the result verges on pop. The candor and austerity of Appalachian music serve as the warp to Morgan’s musical tapestries, 1. Polly on the Shore where strands of psychedelia, rock, and experimentalism are the weft, deftly 6. Thread Song woven in intricate and beguiling patterns. Centered on interconnectivity and 2. Garden Song 7. Sugar in the Gourd exploration, Thread strings together practices both ancient and modern, and 3. Sheep Shaped 8. Wagoner’s Lad brimming with simple beauties. 4. Wintersong 9. Annachie Gordon 5. Ellemwood Meditation Morgan’s artistic practices emphasize connections to the natural world and a modern reframing of rural traditions. In her music, her work as a letterpress artist, and on her rural homestead, Morgan implements conventions from SALES POINTS bygone eras to craft work that honors and expands on those traditions. Thread traces Morgan’s myriad of influences and their deep connections, from the Sally Anne Morgan is an award winning fiddler, banjoist, psychedelic leanings of Trees and the Third Ear Band, to folk singers like and vocalist, known for her fiddle playing with the Jean Ritchie and Nic Jones, to Kentucky fiddler Clyde Davenport, to Pauline traditional Black Twig Pickers and the duo House and Oliveros and Johanna Brouk, to their roots and circling back again. The Land. process of composing and arranging the songs across Thread found Morgan exploring the depths of her own voice, inspired as always by traditional Features guests drummer Nathan Bowles (previously Appalachian music, but free to explore and abandon any false notions of worked with Steve Gunn, Black Twig Pickers, solo authenticity. Morgan spins these connections into works all her own, her work on Pradise of Bachelors), Andrew Zinn on guitar, original fiddle tunes, ethereal meditations, and sweeping ballads standing as Joseph Dejarnette timeless as their traditional counterparts. Recommended for fans of Daniel Bachman, Mountain Through her elegant singing, dexterous fiddle, banjo, and guitar playing, and Man, Black Twig Pickers, or Jake Xerxes Fussell. commanding skills as a composer, Sally Anne Morgan has established herself as an artist of singular power and grace. Those powers radiate across odes to “a fascinating and deeply rewarding journey through the those who have come before her, her newfound pasture, and fearless self- exploration. With Thread, Morgan has crafted a work of bountiful splendor. ages” - Uncut

ALSO AVAILABLE FROM HOUSE & LAND: “House of Land are weaving intriguing new trails into Across the Field CD/LP (Thrill 486) tradition” - Guardian House & Land CD/LP (Thrill 444) Music videos for “Thread Song” by Katrina Ohstrom and ALSO AVAILABLE FROM BLACK TWIG PICKERS: animated music video “Garden Song” features illustration Seasonal Hire CD/LP (Thrill 386) by Sally Anne Morgan. Rougb Carpenters CD (Thrill 309) Ironto Special CD/LP (Thrill 249) Cover art is a risograph print created by artist & weaver Allie Dudley, from one of her textiles. Follow Sally Anne Morgan

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@thrilljockey John Bence KILL Thrill - 527

LP Clear Vinyl is non-returnable 79037H-A52718

GENRE : Experimental FILE UNDER : “B” Bence, John RELEASE DATE : August 21, 2020

TRACK LISTING: LISTEN HERE 1. Kill/Aftermath John Bence, composer and producer from Bristol, UK, tackles epic 2. Alone/Suicide narrative themes and uncompromising sonics with a juddering emotional 3. Afterlife/Judgement punch thru his work. Written during a residency at Zaragoza’s FUGA space, Bence’s visceral magnum-opus KILL unfurls as a captivating and unnerving three-part suite, which, as Bence explains, “tells the story of a murderer who kills his lover, commits suicide and then accelerates towards SALES POINTS God to be judged”. Throughout Bence sings like a man possessed, shifting from aching operatic vocals and Gregorian chant to chilling screams, “Kill finds [Bence] unfurl a shocking three part with symphonic instrumentation pounding, swelling and resolving into movement for vocals, cello and bellicose drums transfigurative calm behind him. that should leave no one uncertain of his talents” - Boomkat KILL was originally released on Nicholas Jaar’s Other People imprint and Toured with Liz Harris, Grouper and Xiu Xiu, and Yves Tumor’s label Grooming, and available outisde the UK for the first performed at CTM Festival, Atonal and Skanu time thru Thrill Jockey. Over a handful of releases Bence has already built a Mezs. striking body of work bound by an incredible clarity of vision. His elegiac works occupy an omnivorous sound-world, assimilating elements of British KILL was originally released on Yves Tumor’s label avant-garde and electronic music, classical tradition and sacred medieval Grooming, and to critical acclaim from Boomkat song into cavernous, sepulchral compositions. Struggles with alcoholism and The Wire amongst others. and addiction found their outlet in brooding chamber atmospheres and caustic eruptions of choral aggression on the macabre KILL. Returning to Release accompained by visual album directed his first love, the piano, Bence explores the instrument’s deeply emotional and filmed by Joe Hatt and Paul Samuel White. qualities. KILL is released as a special expanded version, pressed on clear vinyl and featuring a full etching Bence’s approach to writing is deeply intuitive. Music was virtually a on the side B. second language that he learned from birth. The composer grew up surrounded by music in his family home and deeply immersed himself in One of the most exciting new talents in experimental Bristol’s underground electronic music scene from a young age, working music, big tip for fans of everyone from Mica Levi at a dubplate cutting studio and being a regular punter at dances. These to Grouper and Xiu Xiu. disparate influences were subconsciously ingested and filtered through the composer’s own experiences. KILL will be followed by the release of John Bence’s debut LP LOVE, more details to follow.

COMING SOON : Recorded at ETOPIA, Centre for Art and Technology, Zaragoza, Spain, where Bence held LOVE CD/LP (Thrill 532) a six-month residency.

“Wickedly unique and ultra-abstract” - Dazed Follow John Bence

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@thrilljockey Matmos The Consuming Flame Thrill - 526 3XCD BOX LOT CD 79037H-A52626 GENRE : Electronic / Experimental FILE UNDER : “M” Matmos RELEASE DATE : August 21, 2020

TRACK LISTING: Disc 2, cont.: Disc 1: 8. Io! Lavendar River Karez 1. Cold Open 9. The Void At the Center 2. I, Voxelman 10. I Know What I Saw LISTEN HERE 3. Moteswarm 11. Sarabande Matmos has a playful nature often lacking in electronic composition, 4. Adam’s Apple 12. The Dead City of Telphar bristling with a palpable sense of wide-eyed discovery undiluted across 5. Athens New Guinea 13. Platformalism their 25 years as a band. M.C. Schmidt & Drew Daniel are long-known Gas Can Japan 14. Verminiatures for their practice of unusual sampling & experimenting with conceptual 6. Thyrsus 15. Reciprocal Realms restrictions. The Consuming Flame: Open Exercises In Group Form is 16. Unmastering both a tongue-in-cheek rebuttal to the backlash against “conceptronica”, 7. Circle of Swords & their most ambitious project to date. The record is oriented around a 8. Virgin Unspotted 17. I’m On The Team deceptively simple commitment. 99 different musicians were asked to 9. No Concept contribute: they could play anything that they wanted, but the tempo of 10. In The Shape of Beasts Disc 3: any rhythmic material had to be set at 99 beats per minute. The resulting 11. Revelatory Mint Clot 1. Blessed Order Of album is a three-hour long assemblage that’s a kaleidoscope of genre, mood and density, while all synchronized to a constant underlying 12. Western Clot Rider 2. Floaters tempo. There’s a relentless forward-motion keeping more with traditions 13. Cocktail Party How Glad Am I 3. Goodnight Loving Bose Ikard of pirate radio and mixtapes than the traditional album format. 14. I’m Fine I’m Fine 4. Tworivers Run 5. Boomchicka The Consuming Flame was composed through the act of invitation, 6. Extraterrestrial and the album’s 99 participants are, even for Matmos, wildly eclectic. Disc 2: Some collaborators have worked with Matmos for years (J. Lesser, Jon 1. Adepts 7. Circle of Shivers “Wobbly” Leidecker, Mark Lightcap, Josh Quillen of So Percussion, 2. Maybeism 8. Out of the Serpent’s Mouth Vicki Bennett) & some are near total strangers. There are players from 3. Garden of Tall Boys 9. Warm Opening the conservatory-trained world of “new music” (Kate Soper, Bonnie 4. Dancing Your Animal 10. Decalcomaenads Lander, Ashot Sarkissjan, Jennifer Walshe) & figures from the extreme music underground (Blake Harrison of Pig Destroyer, Kevin Gan Yuen 5. Nice Men In 11. It Isn’t Necessarily The Case of Sutekh Hexen, Terence Hannum of Locrian), as well as auteurs from Stable Relationships 12. Elsewards the world of “noise” music (Twig Harper, Moth Cock, Bromp Treb, Id 6. Let Us In 13. All of the Powers Lie Quiet M Theft Able) as well as writers (Douglas Rushkoff, Colin Dickey), and conceptual artists (Heather Kapplow). There’s distinguished alumni and SALES POINTS contemporary luminaries of electronic music (Jan St. Werner & Andi Toma of Mouse on Mars, Daniel Lopatin, DeForrest Brown Jr., J. G. One of Matmos most ambitious works to date, it includes 99 different collaborators Thirlwell, Matthew Herbert, Rabit, Robin Stewart and Harry Wright across a gigantic spectrum of genre, discipline, and instrumentation. of Giant Swan) & artists associated with indie rock and folk traditions (Ira Kaplan, Georgia Hubley and James McNew of Yo La Tengo, Marisa Matmos is one of the most prominent experimental electronic artists of the Anderson), & undergraduates who took M.C. Schmidt’s “Sound As last decade, with some of the most significant and acclaimed albums in the Music” course during the final year of The San Francisco Art Institute’s genre, and their high profile collaborations and shows with artists like Bjork existence. and Kronos Quartet have given them exposure outside of just heady electronic music. The resulting submissions were layered onto each other, prompting later recording sessions which then built upon the first wave of contributions. Both members of Matmos are active solo musicians, M.C. Schmidt under his These discrete zones were then collaged into larger & larger units and own name, and Drew Daniel as The Soft Pink Truth whose Shall We Go On more contributors were invited to join until, gradually, the “group form” Sinning... received Pitchfork’s “best in music” in 2020. of three distinct hourlong movements emerged. Part exquisite-corpse & part virtual festival, the results retain Matmos’ distinct & unique voice 3 disc set comes in a deluxe triple gatefold package and limited-edition includes despite the promiscuously open nature of these collaborations. full color 2x3ft poster. “a welcome reminder that Matmos has been good at this sort of thing for a very ALSO AVAILABLE : long time.” - PopMatters Plastic Anniversary CD/LP (Thrill 482) Ultimate Care II CD/LP (Thrill 401) “at once dark and joyous, fun and foreboding, gleeful and eerily apocalyptic” - The Marriage of True Minds CD/LP (Thrill 316) The Quietus The Ganzfeld EP CD/LP (Thrill 315) “The concept of the latest Matmos album is undergirded by the compositional integrity, the quality of the sound, and the sickeningly beautiful idea of it all.” - Follow Matmos Pitchfork

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Catalog#: MEtAUGUST 1224 RELEASES artist: KMFDM DUB LIGHT 01 titlE: iN DUB SUPERHERO DUB 02 DUB URANUS 03 BUMAYE DUB 04 A DUB AGAINST WAR 05 AMNESIA DUB 06 K•M•F DUB 07 CD REBELZ DUB 08 HAU DUB 09 st rElEasE DatE: aUgUst 21 REAL DUB THING 10 tErritory: WorlD NO GOD 11 gENrE: DUB[oF CoUrsE] PARA DUB 12

KMFDM, C o M M o N ly r E g a r D E D a s o N E o F t h E D r i v i N g F o r C E s i N W h at WE g E N E r a l ly t E r M i N D U s t r i a l / r o C K s i N C E t h E i r F o r M at i o N i N 1984, t h E B a N D h a s B E E N s o M U C h M o r E , i N C o r P o - r at i N g E l E M E N t s o F s o M a N y M U s i C a l s t y l E s t o r E s U lt i N W h at t h E y t h E M s E lv E s r E F E r t o a s t h E U lt r a h E av y B E at . t h E 2019 r E l E a s E o F ParaDisE Wa s a B o l D s tat E M E N t o N t h E P r E C a r i o U s s tat E o F t h E W o r l D , W i t h t h E h E av i E s t i N F U s i o N o F FUNK a N D DUB s o U N D s t h E B a N D h a s E x h i B i t E D s i N C E s U C h l a N D M a r K a l B U M s a s 1988’ s UaioE a N D 1990’ s NaÏvE. N o W i N 2020, KMFDM ta K E s t h i s t o t h E N E x t l E v E l W i t h iN DUB, rEiNtErPrEtiNg a s E l E C t i o N o F t h E g r o U P ’ s B E s t K N o W N s o N g s o F t h E i r o v E r t h r E E - a N D - a - h a l F D E C a D E s s Pa N N i N g C a r E E r i N t o a B l i s t E r i N g D i s P l ay o F C h i l l E D o U t g r o o v E s a N D s Pa C E D o U t atMosPhErEs . W i t h a l o N g h i s t o ry o F a D D r E s s i N g P o l i t i C a l i s s U E s a N D ENCoUragiNg s o C i a l r E v o l U t i o N , i t i s F i t t i N g t h at s a s C h a “K ä P t ’ N K” K o N i E t z K o s h o U l D r E a C h B a C K t o s o M E o F KMFDM’ s E a r l i E s t r o o t s i N DUB M U s i C a N D P r E s E N t a F r E s h ta K E o N W h at i t t r U ly M E a N s t o “r i P t h E s y s t E M !” “E v E ry t h i N g o l D i s NEW a g a i N ,” s i N g s l U C i a C i Fa r E l l i o N “r E a l D UB t h i N g ,” a N D s o P E r F E C t ly D E F i N E s t h E P o W E r o F iN DUB. M o s h P i t a N t h E M s a r E r E i M a g i N E D i N t o a B E v y o F M E D i tat i v E g r o o v E s l a D E N W i t h s t r i D E N t h o r N s , s h r i l l o r g a N s , a N D s l i t h E r i N g B a s s l i N E s a s o N “a D UB a g a i N s t W a r ,” “h a U D UB ,” a N D t h E o P E N i N g “D UB l i g h t .” a N D r E W “o C E l o t ” l i N D s l E y ’ s i N C E N D i a ry r a P P i N g o N “K•M•F D UB ” a N D C i Fa r E l l i ’ s v i C i o U s a N D v i va C i o U s v o C a l s s h i N E B r i g h t ly o N t r a C K s l i K E “s U P E r h E r o D UB ,” “a M N E s i a D UB ,” a N D E s P E C i a l ly o N t h E i N - y o U r - Fa C E ElECtriFiED s o N i C a s s a U lt o F “r E B E l z D UB .” t h r o U g h o U t t h E a l B U M , a NDEE B l a C K s U g a r ’ s aCCoMPaNyiNg g U i ta r t E x t U r E s a N D a N g U l a r s o l o s a D D t h at E x t r a D a s h o F a U D i o i N t r i g U E , M a K i N g F o r o N E o F KMFDM’ s M o s t U N i q U E o U t i N g s . a s t h E W o r l D i s h E l D B y t h E t i g h t E N i N g g r i P s o F Pa N D E M i C a N D soCioPolitiCal U P h E ava l , iN DUB P r o v E s t h at KMFDM r E M a i N s a s P o W E r F U l a v o i C E F o r r E v o l U t i o N a s E v E r . a N g ry y E t h o P E F U l , t r a N q U i l y E t E N E r g E t i C , iN DUB i s B y N o M E a N s a M E r E r E M i x a l B U M – t h i s i s KMFDM l o o K i N g B a C K t o i t s o r i g i N a l iNsPiratioNs t o M a K E a P U r E a N D h o N E s t s tat E M E N t t h at t h E W o r l D N o l o N g E r NEED BE a Pa r a D i s E F o r a s s h o l E s . “D UB a N D r E g g a E M U s i C h a s B E E N o N E o F t h E g r E at E s t a N D M o s t C o N s ta N t M U s i C a l i N F l U E N C E t o ME , i h av E BEEN NUrtUriNg t h E i D E a o F M a K i N g t h i s a l B U M F o r s o M a N y y E a r s … a N D h E r E WE g o !” - K ä P t ’ N K Seeming The Birdwatcher’s Guide to Atrocity

SALES BULLETS

• Third album from the popular art-pop project • Fronted by S. Alex Reed, author of a 33 1/3 book as well as Assimilate: A Critical History of Industrial Music • Limited edition double CD with plenty of bonus material • Features the first on-record vocal appearance in two decades by Bill Drummond, mastermind of the KLF

Format: 2CD Menacing but vulnerable. Furious but intimate. Seeming SKU: AOF379CD present their third LP, the followup to 2017’s SOL: A Self- UPC: 2CD: 628070637928 Banishment Ritual (itself crowned album of the year by Street Date: August 21st, 2020 tastemakers IDieYouDie and A Model of Control). Label: Artoffact Records Co-produced with renowned avant-garde percussionist Sarah Hennies, The Birdwatcher’s Guide to Atrocity shines Track Listing: eerie light through the cracks of life under capitalism. 1. The Fates In effortless accents of chamber pop, postpunk, and 2. Go Small clattering synthpop, the album radiates political revolt, 3. Someday Lily personal remembrance, and disarming compassion. 4. The Flood Comes for You Never before has Seeming’s post-anthropocene futurity 5. Remember to Breathe been more appropriate. 6. End Studies 7. Permanent Seeming is the project of Alex Reed, assisted by Aaron 8. Reality is Afraid Fuleki. They had previously been in the band ThouShaltNot. 9. Learn to Vanish Alex is the author of a 33 1/3 book as well as Assimilate: A 10. Celebration Song Critical History of Industrial Music.

Bonus Tracks on Disc 2: For fans of Low, Depeche Mode, Chelsea Wolfe, Hurts, 1. Be Like Lightning Einstürzende Neubauten, Twin Shadow, Emma Ruth 2. You Rang Rundle, IAMX, Leonard Cohen, ANOHNI, HEALTH. 3. Monster 4. I Recognize You 5. Radically 6. Grief 7. Quiet as the Dead 8. Niagara Falls 9. Something Desperate 10. Doomsayer (FIRES mix) 11. Go Small (Big mix) 2CD DOG DAY - PRESENT LABEL: FUNDOG CATALOGUE #: FD008, FD008LP FORMAT: LP/CD RELEASE DATE: AUGUST 14, 2020 UPC CD: 623339248723 UPC LP: 623339248617

WHAT YOU SHOULD KNOW: Over the last 15 years, Dog Day has carved out a niche as a seminal band in Canada’s underground scene. Following 2013’s Fade Out, the band’s lead creative duo - Seth Smith & Nancy Urich - focused their talents on another medium: film. Releasing the critically acclaimed feature The Crescent in 2017, they quickly moved into production on an upcoming bio-sci-fi feature titled TIN CAN.

Amidst these new works, Seth & Nancy reconvened with original Dog Day drummer KC Spidle and newcomer Meg Yoshida for this new, full-length album. Present, their seventh studio album, draws as much on a history of gothic synth rock than it does on hook-oriented indie punk. It is a much awaited comeback from a band that has never stayed in the same lane and always adapted to their surroundings without losing their SIDE A: gloom-pop throughline. PICTURES ON THE WALL HELL ON EARTH PRESS QUOTES MIND READER "Dog Day is back. Filled with moody earworms that Yoshida's ELSEWHERE synths buff with just the right amount of summer sheen, Present is START IT UP UNDER THE WEIGHT OF YOUR WORD yet another aptly titled album for the band, whose new lineup fits perfectly into its core DIY aesthetic." - CBC Music SIDE B: "The best thing to happen to shoegaze-stricken lo-fi indie-pop TROUBLE from the Maritimes since the whole Eric’s Trip/Elevator/Rick White YOU WERE YOU INNER SPACE thing first more or less introduced 'shoegaze-stricken lo-fi indie- DOES IT HURT TO LAUGH? pop from the Maritimes' into the CanCon critical vernacular." MUSIC LOVER - The Toronto Star NIRVANA DISTRACTION "...a vivid out of body experience defined by sharp guitars and looming drumbeats: a joyride through romantic, garage-style gloom-rock." - Weird Canada

"...a faint light that never goes out, a black hole tune, a barely a duet, a persister in plain guitar and plain voice that won't let go until the sky is completely dark." - Said The Gramophone Fundog DOG DAY LINKS: 3200 Kempt Rd #209 FACEBOOK: dogdaymusic Halifax NS B3K 4X1 INSTAGRAM: dogdaymusic LABEL: fundog.bandcamp.com Nocturne is R. Carlos Nakai’s first album of solo Native American flute music since 2008. Recipient of a Platinum and two Gold Records and 11 GRAMMY® nominations, Nakai (Navajo-Ute) has released more than 40 albums and sold over 4.5 million units in his 35-year exploration of the expressiveness of the traditional flute. Continuing his lifelong service of providing peace and healing through his art, Nakai created Nocturne to be enjoyed on continuous play in an endless soundscape of tranquility and reflection. ALSO RECOMMENDED

MOVEMENT I: AWAKENING/INCEPTION 1. Origin Stories (3:43) 2. Nighthawk Way Chant (3:58) 3. Beauty Way and Kinship (3:34)

MOVEMENT II: ENLIGHTENMENT 4. Metaphysical Journey (4:10) 5. Wanderer’s Dreams (3:42) 6. Soul’s Centering (3:23)

NAKAI’S FIRST RELEASE 500,000 SOLD 1,000,000 SOLD MOVEMENT III: DIALOGUES 7. Mindfulness (3:49) 8. Connections/Partnering (4:00) 9. Integrating My World (3:35)

MOVEMENT IV: A NEW POLLEN PATH 10. Mentoring (3:24) 11. Creativity Chant (3:33) 12. Elder Song (3:46)

TOTAL ALBUM TIME: 44:43 CATALOG NUMBER: CYN-7101 BEST OF NAKAI FLUTE & E THNIC BEATS FLUTE & STRINGS

CANYON RECORDS Native American Music since 1951 7 29337 71012 2 Sylvie Simmons BLUE ON BLUE

PREVIOUS PRAISE: “One of the most beautiful albums of the year. Spell-binding.” —The Guardian

“Fragile and fearless, direct and poetic, timeless and absolutely beautiful.” —Devendra Banhart

“She’s not only good, she’s good. Had this same album been newly issued in mono and credited to an obscure mid-‘60s flower child, the word ‘legendary’ might be used by more than a few writers who’d swear they’d purchased it back then.” —Rolling Stone

STREET DATE August 14, 2020 LABEL Compass Records OVERVIEW: FILE UNDER Rock Compass Records is proud to present BLUE ON BLUE, the new album by renowned singer, writer and ukulele-player Sylvie Simmons. It’s the follow-up to her revelatory 2014 debut Sylvie. The album found Sylvie reuniting with producer Howe Gelb (Giant Sand) in Tucson. Her unforgettable songs, delicate but sensual and bold, earned unanimous praise and rave reviews, with comparisons to a young Marianne Faithfull, a punk Piaf, and a female Leonard Cohen—as well as a prime slot in the 2018 Ethan Hawke/Jesse AudioSalad preview link: Peretz movie Juliet Naked, and shout-outs from fellow musicians including Rosanne https://compass.audiosalad.com Cash, Brian Wilson and Elvis Costello. But that first evening, after recording first takes of five of the songs, Sylvie suffered a dreadful accident that left her with multiple broken bones, nerve damage and an unusable left hand. What followed was a long and painful period of surgeries and rehabilitation. Finding herself unable to play several of the songs she’d written for the album with her damaged hand, Sylvie wrote some new songs. She recorded them in different studios in between treatments and her writing work. But listening to BLUE ON BLUE, you’d never know there had been a problem. Seamless and beautiful, with its memorable songs and spacious, unexpected arrangements, once again it highlights her intimate vocals and intelligent lyrics that at first listen seem dreamy and gentle but hold hidden barbs and pain.

CAT# COMP4759 CAT# COMP4760 FORMAT CD FORMAT LP PACKAGING Wallet PACKAGING Jacket

UPC 766397475929 UPC 766397476018

TRACK TITLES VINYL EDITION TRACK TITLES 1. Keep Dancing Side A 2. Nothing 1. Keep Dancing 3. Not In Love 2. Nothing 4. The Thing They Don’t Tell You About Girls 3. Not In Love 5. Waiting for the Shadows to Fall 4. The Thing They Don’t Tell You About Girls 6. Carey’s Song 5. Waiting for the Shadows to Fall 7. Creation Day Side B 8. Sweet California 1. Carey’s Song 9. The Man Who Painted the Sea Blue 2. Creation Day 10. Stay Awhile 3. Sweet California 11. 1000 Years Before I Met You 4. The Man Who Painted the Sea Blue 5. Stay Awhile 6. 1000 Years Before I Met You

COMPASS RECORDS GROUP 916 19th Avenue South, Nashville, TN 37212 Distributed by Outside Music compassrecords.com CD

LP

Vinc ent Peirani

Em il e Parisien

Abraz o ACT 9631-2

Release date: 28. August 2020

Abraz o. Em brace. A close dance perhaps, but also Furtherm ore com posers of South Am erican im print with the hint of a friendly tussle. Could there be a more such as Astor Piaz z olla, Tomás Gubitsch or Xavier Cugat fitting metaphor for the duo of accordionist Vincent Peirani and form only a part of the repertoire they have developed. Pari- soprano saxophonist Émile Parisien? "It's like a marriage," sien’s and Peirani's own pieces have a way of moving in the says Peirani. "In the beginning everything’s just great, wonder- spirit of tango. That is certainly the case for their arrangement ful, paradise. But of course, after a while, it also becomes of "Army Dreamers" by Kate Bush, an artist for whom Peirani challenging, which is quite normal. "Right now, we're just mas- has a profound admiration. The opening track "The Crave" by sively happy playing together." There can be very few musici- US-American pianist/ bandleader Jelly Roll Morton – one of the ans who have got to know each other as well as Peirani and most influential jazz musicians of the early 20th century – es- Parisien have. They have clocked up well over 1000 concerts tablishes a surprising connection to the previous album. It together in the past decade, of which more than 600 have seems as if "Abrazo" and "Belle Époque" are two parts of a been as a duo. They first met in 2012 as members of drummer suite, and indeed if one listens to albums together, the sense Daniel Humair’s quartet, and their very first appearance as a that they have interconnecting common threads is very strong duo was an impromptu late-night club set while touring in Ko- indeed. rea. "Une ca-ta-strophe! An unmitigated disaster"... Peirani still remembers it vividly. But shortly later, with the benefit of no jet- What unites all of these disparate elem ents is the par- lag, and also having done some proper preparation, things did ticuarly deep affinity between Peirani and Parisien. fall properly into place at a festival in France, and one of the One can hear at any moment the astonishingly sensitive way outstanding line-ups in European jazz was born. In 2014 their they are able to interact. And another common feature which first duo album "Belle Epoque" was released on ACT. From they have between them is that both stand out currently as then on they started touring, and were soon playing at the among the most important innovators on their instruments leading clubs and festivals in France and Germany and setting anywhere. In a truly magical way, they seem to have a sixth off all over the world – to Asia, Latin America, the USA, Cana- sense which makes everything fall into place. And it seems as da and throughout Europe. And also appearing in major classi- if they can source their ingredients just about anywhere: whe- cal venues such as the Philharmonie halls in Berlin, Hamburg, ther it’s traditional or modern jazz, free avant-garde, classical, Essen and the Musikverein in Vienna. And it was not long befo- folklore, rock, electronic, new or old music, they have an irre- re international recognition became established, through prizes pressible hunger for the new, and an unquenchable appetite such as the Echo Jazz, Les Victoires du Jazz, the Preis der for adventure. This boundless curiosity, this urge to grow toge- deutschen Schallplattenkritik, and numerous awards and ‘best- ther, this imperative to climb ever new levels… these are the of’ lists from leading jazz magazines. elements that meld the duo Peirani & Parisien together and that make them such a unique phenomenon. "Belle Époque", their 2014 debut album as a duo, was a tribute to soprano saxophonist Sidney Bechet, one of the biggest stars of early jaz z in the 1920s and a won- derfully m elodic player. Peirani and Parisien have left it nearly six years to produce the follow-up. "Abrazo" is also a salute, this time not to a person but to an art form: to the tango with all its elegance, sadness and rhythmic and melodic power. And as in their debut as a duo, Peirani and Parisien do not reproduce the original repertoire, they prefer to play WITH it.

CD

LP

Solv eig Slettahjell

Qua rtet

Com e In From The Rain ACT 9741-2

Release date: 28. August 2020

At the beginning of the 2000s, Norwegian singer Sol- Slettahjell prepares her projects thoroughly and gives veig Slettahjell and her Slow Motion Quintet m ade the them the tim e they need to m ature. “The idea of putting European jaz z scene really sit up and take notice. Her con- together a new band and of recording this album have been in cept, as Canadian critic John Kelman has written, was to take the making for at least the last three years,” she says. And the songs from the American songbook and to “slow them down. technical processes of recording are a source of pride: “We Way down. [...] She proved that slow, powerful and dramatic recorded this album live to tape in the Propeller Music Division need not be mutually exclusive terms.” Her new album "Come studio in Oslo. Working in this old fashioned way was such a In From The Rain" demonstrates how much those virtues have thrill and gives weight to the interplay and instant music-making strengthened and deepened in the intervening years. aspect of the recording and of our quartet.”

That astonishing ability to concentrate on the essen- There are tim eless old tales like Buddy Johnson's "Since I tials of a song – and to express much more with nuances Fell For You" or Irving Berlin's "How Deep Is The Ocean", and details than would be possible with volume or bombast– stories to be rediscovered afresh like Leon René's "I Lost My are still Slettahjell trademarks. Together with pianist Andreas Sugar In Salt Lake City", and more recent ones like "Johns- Ulvo, bassist Trygve Waldemar Fiske and drummer Pål Haus- burg, Illinois" by Tom Waits. Waits is one of her favourites, and ken, Slettahjell captivates the listener from the outset of the the inclusion of one of his songs has become a Slettahjell tro- opening title track "Come In From The Rain". They literally pull pe. And there are new ones like "So I Borrow Your Smile", her us out of the rain into their musical cosmos, introduced by own composition. These songs may come from folk or jazz or Ulvo’s wonderful piano touch, the minimalist drum rhythms pop, yet Slettahjell and her highly accomplished musicians from Hausken and the grounding yet playful bass of Fiske. always make them individual, tasteful and authentic. And the subtle way she bends notes, always bringing them to into per- And yet when she chooses to take other directions, fectly true-pitched final focus is nothing short of miraculous. they feel just as natural and magical too: Frederick Loewe’s Every time. "On The Street Where You Live" from "My Fair Lady" pushes forward with beguiling momentum. The Walter Donaldson The vibe right through this album is well -judged, the classic "You're Driving Me Crazy" has a skippy lightness to it, storytelling is com pelling. And how apt to bring the day – and the playful incomprehension she brings to the question and the album – to a close with a deliciously poised, reflective “What did I do?” is irresistible. "Now Or Never" by Billie Holi- and spacious Thelonious Monk "Round Midnight". When Sol- day and Curtis Lewis from 1949 rolls along with a springy veig Slettahjell first became noticed she was an irresistible new shuffle rhythm, and when she launches into a blindingly ener- force in European song. She is now a unique and major getic scat chorus, the listener has the sense that her commit- presence. ment-phobic lover is surely getting the ass-kicking he deserves.

CD

Ulf W akenius

Taste of Honey ACT 98 97-2

Release date: 28. August 2020

Another Beatles album ?! When Swedish guitarist Ulf Wakeni- In recent years Magnus Öström has established beyond us initially proposed the idea of recording a homage to Paul doubt that he will not be known for eternity just as having McCartney, Siggi Loch was highly sceptical. After all, it is not as if been the drum m er of one of the great bands of our tim e, there is a shortage of versions of The Beatles' ageless tunes. e.s.t. He has, for example, shown that he can open up new ave- However, it soon not only became clear that Wakenius was really nues into prog rock, he can thrive in completely unconventional fired up for this project, but also that he had assembled the dream bands like Gentle Giant, and be successful with his own projects, team to do it: Lars Danielsson and Magnus Öström were already not least because of his mastery with the brushes and a highly on board, and that above all was what succeeded in winning Siggi individual and instinctive genius for incorporating silence into his Loch over. He was nonetheless keen for the choice of tracks to playing. reflect some lesser-known aspects of McCartney, a thought which took him straight back into his own memories: he had witnessed The album "A Taste of Honey" has m any fine exam ples the very early stages of The Beatles’ existence at close quarters. In not just of how wide the range of interpretations of well- 1962 he had been to several of their performances at the Star known songs can be, but also how deeply these m usici- Club in Hamburg, the venue which launched the group internatio- ans have assim ilated the essence of the original record- nally. The high point of their Hamburg gigs would invariably be ings. In "Maybe I’m Amazed", the particularly springy groove that McCartney singing "A Taste of Honey", a Broadway song by Öström contributes is well worth listening out for. This version is a Bobby Scott. This number, Loch felt, could not be left out of a real tour de force. In "Blackbird", one of the Beatles' most catchy tribute to Paul McCartney; it eventually became the album’s title melodies, Wakenius' "singing" guitar outshines many a vocal track. Another priority was to include lesser-known songs from the version, and some fine work from the rhythm players teases out a "Wings" period. In the end, the careful selection process has sense of swing from the piece that is both unexpected and unpre- resulted in twelve tracks which traverse a broad spectrum of cedented. In "My Funny Valentine", the three conspire to edit out McCartney's work, both chronologically and stylistically. Each of the word "funny"; instead they give it a yearning depth – and listen the three musicians has his own strong stylistic identity, and they out for a particularly emotive bass solo from Danielsson. "You have combined their individual talents to construct a new and Never Give Me Money" has been wonderfully pared-down and is unique monument to their idol. transformed into a melancholic ballad, while "Besame Mucho" seems to set up the contrast between heart-rending romanticism What Ulf Wakenius brings is the sum total of a vast and in the melody and plucked guitar licks with a deep thrum coming varied experience in m usic. It began with an early passion for from the bass. Paul McCartney used to bring the Beatles' rock, then continued with mainstream jazz in collaboration with appearances at the Cavern Club to a close with this classic latin bassist Nils-Henning Ǿrsted Pedersen and through ten years as a tune by Consuelo Velasquez; that was something Loch saw when member of Oscar Peterson’s Quartet, and then as the accompa- he went to Liverpool himself and actually heard them there, back nist for outstanding pop-jazz singers such as Youn Sun Nah, plus in the day. So, for him, this piece was an indispensable part of the projects of his own in which he has re-defined the musical and McCartney homage. In the final furioso, Wakenius transforms expressive possibilities the guitar. Through his homages to Keith "Eleanor Rigby", perhaps the Beatles tune most often played by Jarrett and Esbjörn Svensson, Wakenius has also already proved jazz musicians, into a fast and furious adventure in the style of his not only that he has a very special sense of empathy, but also a own popular tune "Momento Magico". capacity to shape things creatively. Nils-Henning Ǿrsted Pedersen provides the common link between Wakenius and Lars Daniels- Whether as a m em ber of the Beatles or with Wings, Paul son, two of Europe's leading jazz musicians who have often work- McCartney once m ade the songs of his predecessors very ed together. Like Wakenius, Danielsson has constantly expanded m uch his own. Now, in the same way, Wakenius, Danielsson his creative and expressive range in the course of his 40-year and Öström have taken songs from his astonishing canon and career, whether working with a whole host of pre-eminent artists brought them into their own musical universe. So all that remains such as Trilok Gurtu and Charles Lloyd, or working with his own now is for listeners to bring their own thoughts, feelings and me- all-star quartet, or in his joint projects with Polish pianist Leszek mories, and thereby give this wonderful Swedish homage to the Moźdźer or Danish vocalist Cæcilie Norby. Sir Paul McCartney a life of its own. Forever.

NEW RELEASES: LATE AUGUST 2020 kaleidoscope ofcurrentkaleidoscope jazz. quality. Test, compare...but above all enjoy the music. Under the motto “Visions sound of Jazz”,on Hörtest-Edition IVfocus presents uncompromisinga multi-faceted an with and standards highest the to produced and recorded all artists, renowned by releases CD /ACT99152 /614427991522$15.50 [ACT] Release Date: 28-Aug-20 CD +LP/ACT19202 /614427192028$18.00 [ACT] Release Date: 28-Aug-20 Jazz) Magic Moments 13(MusicintheSpiritof VARIOUS ARTISTS Die Stereo Hörtest Edition -Visionsof Jazz VARIOUS ARTISTS CD CD the sound quality attainable in the hi-res world of 24-bit. For this For listening experience, on ACT 24-bit. has curateWdof ears a selection world from its currenthi-res your the in feast attainable quality alternatively sound the or CD, audio conventional a of strengths the with vinyl of features special the Compare turntable audible. a of quality the rendering process, pressing the during demands exacting most the to subject been has speed, half at cut gramLP,180 the quality: sound perfect adventureaudiophilein an Enjoy formats. various in and media different across compared be can which programme curated specially a offers It cherished. be “Hörtest-Edition isalistening IV to experience –VisionsofJazz” • • • • • • • This Hörtest-Edition includes: Viktoria Tolstoy, Jazzrausch Bigbandandmany more Voorand, Kadri Parisien, Emile & Peirani Vincent Maret, Grégoire & Jan Lundgren, Wolfgang Haffner, Ulf Wakenius, Solveig Slettahjell, Landgren Nils ACTprogrammewith recent the of highlights Enjoy ated by SiggiLoch • • •

Co Cur Half Sp Hör 24Bit HighR CD 180g Vin Ga Co Cur of theartist Emil Berlin BerlinerStudios Collection tefold ver art by withthekind ver art MimmoPaladino, permission used ver art by Allan Jones: Parachitist byver art AllanJones: I(detail), 1963,ACT Art -Audio ated by Marco andcompiled Ostrowski test-Edition-Remastering by Klaus Scheuermann eed Lacquer Disc Cuttingby Disc Sidney Lacquer Claireeed Meyer at yl-LP esolution Download Files (supplied by (supplied Qobuz) Files Download esolution NEW RELEASES: LATE AUGUST 2020 movement between nationalities andgenresmovement andhasgiven between usanauthentic impression ofwhat thecontinent isabout.” ACTEuropeanown its building label musicians,German of the fosteringunion 1992, been “Since of freedomhas up: a it summed TIMESrecentlyLondon The Loch. Siggi ACTtoand linked inextricably aremoremany and Lê Nguyên Danielsson, Lars Nah, Sun Landgren, Esbjörn Nils Svensson, Michael as Wollny,such Wolfgang artists Haffner,of careers MariusThe Neset, ViktoriaEurope. and Germany Tolstoy,from Vijayespecially Iyer,music, jazz-related Vincentand Peirani,jazz Emileon Parisien, focus a Youn with dreamhis life-long of his own, ACT.independent jazz label fulfill finally of its kind toone important of the most worldwide, 1992 it Since has been freedom gained newly the using career his of part this ended he business, pop the in success his of height the At - INC. Europe WEA of president of position the aGermanhadreached inthemusic position industry. thehighest certainly to it made finally he manager, company a As “Ideal“. band the or Kunze Rudolf talents of the young German such pop scene, as Jürgen Drews, Marius Müller-Westernhagen, Peter Schilling, Joachim Heinz- Witt, WEA, he discovered and promoted international stars such as Al Jarreau or Helen Schneider as well as some of the most successful 2CD /ACT60222 /614427602220$15.50 [ACT] Release Date: 28-Aug.-20 A Life intheSpiritof Jazz LOCH, SIGGI 2CD ate” “pne Dvs ru” r er Le ei. s ed of head As Lewis. Lee Jerry or Group” Davis “Spencer Rattles”, Hamburg Searchers”,“The atwith legendary - the Club” “Star “The recordings first his produced and movement “Beat” emerging for the feeling a developed also he 22, of age saxophonist the at the Doldinger Klaus produced and discovered already he Although dream. this realized finally he untildetours some take would it But with the desirecombined to promote this music with his own label. jazz, group to belonged music heart his largest along world’sall But Communication. the Warner of branch German the Music, CAN.directorWEAfoundingappointedmanaging of was At he 30, and II Düül youngest Amon Ebstein, Katja like the artists discovered he appointed where was he Munich, in Artists industry.United / company,Liberty record a of chairman mid-twenties the his of in producers Already and most managers the of one music is he experienced business, the in years 60 after active still scene: music European the in figure exceptional an is Loch Siggi • • ofSiggiLoch’s ontheoccasion elease 80thbirthsday on •

Limit Music pr R Loch August 28,2020 ed Edition,ed only1500copies oduced (except Summertime) and compiled by (except Siggi andcompiled Summertime) oduced NEW RELEASES: LATE AUGUST 2020 TIME on vinyl. This deluxe 180g vinyl edition is limited to 500 copies and comes with an insert featuring liner notes by Dean Dean by notes liner featuring insert an with comes and copies 500 to Rudland. straight Unearthed from theWestbound vaults…this limited isavaluable additionto any record is collection! edition vinyl 180g deluxe This vinyl. on TIME FIRSTvery forthe releasingit Wavesproud to be Tidal is Music wait, 45-year aftera now and 2017 in produced versionwas CD A dueling horns,dreamy jazz…MelvinSparks smooth agenre-melting musical trulyunleashes masterclass here. sections, Tightrhythm mix. momentsthrownthe mellow in beautiful and basslines styled sweetJB some with trademarkhis style, of orchestratedversion and funky heavily a is here pander…whatget doesn’t you but disco-music of success then-current the to über-funky dancefloor tracks on this album which would havebeen destined tobecome DJ favorites. I’m Funky Now pays lip service Over the seven tracks, Melvin Sparks and his band flitsoul-jazz,betweenseamlessly proto-boogie, disco and funk. There aresome known for hiswork withHouston Person, Washington. Austin Donald andAlbert veteran toWestbound/Eastbound Mendelson, Bernie goes album Parliamentthis family.and on credit Funkadelicproducing The little is known about the band that backed up Sparks on these recordings, but it’s thought that some of the musicians were from the Sparksmusicians. Melvin session ForI’malbum tracksrecordedNowthe new Funky finest seven the of DetroitVery in some with obvious) genre/scenemuch (butless loved that MelvinSparks ofsuddenlyfell was part outofgrace. major the of because produced) forDJ’sweregoing the time…clubs suddenly and bands particular thatatinsteadof industry musicwere the in place tookthat changes acetates of number limited a and & master production sequenced a (although released all- never was but his Now) Funky I’mof (called 1976 for some planned was recordedWestbound with recordthird(‘Texas he A classics ‘75’). time Twister’where& family Westbound/Eastbound the joined and directions funkier into moved Sparks 1973 In by DJ’s times were countless sampled outfits(includingGrandmaster andHip-Hop Flash) over thedecades. LP / TWM57 /719281952723$29.31 [Light In The Attic / Tidal Waves Music] Release Date:28-Aug-20 I’m FunkyNow SPARKS, MELVIN LP uig i cre M. prs eodd utpe lus for songs Sparks’ Melvin Records. albums Note Blue for musician multiple session a recorded Sparks as worked and Savant & Muse Prestige, Mr.as such labels renowned career his During others. Frazier, manyCeasar Purdie…andBernard Earland, Charles Smith, 70ies and he was featured on sessions by Idris Muhammad, Lonnie 60ies- the during demand in weremuch guitar very his Sparksand Gaye). Marvin and Cooke Sam Mayfield, Curtis backed also which Richard, Little by formed band touring (a Upsetters the then theMidnighters,and and Ballard Hank joined first he student school high a As King. B.B. with in sat he when 13 only was and 11 age at guitar a Texasup The picked native guitarist. Funk and Blues Bop, Melvin Sparks (1946–2011) was a talented American Soul Jazz, Hard • • • • Funkrecordings frome unearthed thevaults (recordings •

Black Vin Come Fir F Rar eaturing musicians from theFunkadelic/Parliament family strip from 1976) st timeonvinyl (180g) s with insert/liner notes s withinsert/liner yl Edition withobi Limited to comes 500copies, NEW RELEASES: LATE AUGUST 2020 LP / SCLP003 /3267784244526$34.38 LP /SCLP003 [Light InTheAttic Court] /Seelie Release Date: 28-Aug-20 /3267787699941$34.38 LP /SCLP001 [Light InTheAttic Court] /Seelie Release Date: 28-Aug-20 Across TheWater ACROSS THE WATER Sympathy For TheMadman ANACONDA LP LP su. h oiia L i atnsigy ogos n oe f the desirable of most looking artifacts oftheprog era. one and gorgeous astonishingly is Cohen- LP original and The esque. melancholic are songs these relationship broken a surviving and Canada for homesick deeply England, in Uni same the attended who pal Canadian his by is side other The night. first the on tent his away blew storm A there. live that Sheep rareSoay Mc PeterKerrow was composer taken by the military launch old, to conduct a yr census on the 16 a as where, Kilda St of isles pagan and wild the by inspired Continuum, and Renaissance of style the progin rock epic neo-classical a is one Side Kilda. St of Isles the of handmade beautiful covers from two enlargements of a photograph who recorded one side each, they made just two acetates and then pressing edition ed friends two by 1975 in recorded album precious and unknown An • prog folk genius. psych LP masterpiece by Arcadium. Accomplished and meticulous with songwriting and lead vocal by Miguel Sergides who crafted the made, ever LP prog-folk finest the possibly Quite mins. 24 at Short melancholia. folked-out dark with Comus of insanity the replaces in “Outsider”, it sounds very similar to Comus with flutes, violins but notably an alienation, of has themes with deals LP and mood the pagan intense £7000+, at valued exists, LP acetate original one LP edition ed just 1969, since lost masterpiece, folk psychedelic Arcadium Post •

Limit Limit NEW RELEASES: LATE AUGUST 2020 LP / SCLP002 /3267794968092$34.38 LP /SCLP002 [Light InTheAttic Court] /Seelie Release Date: 28-Aug-20 /3267780659959$34.38 LP /SCLP004 [Light InTheAttic Court] /Seelie Release Date: 28-Aug-20 The Beck StudioAcetateThe Beck BECK STUDIO ACETATE, THE Changeling SANDALWOOD LP LP £10,000. of excess Valuedin Dark. with Ranks Fact. Driscoll. Julie and Slick Grace outclasses she and vocal, lead on girl the with ballad space a is final track the And this. need you Jefferson Airplane, touchof a and Blitz, May likeHeep, you if tracks,mins, long 24 4 sure. Just be can’t Giles…we Steve Dark’s by theorized as (rip) Barford Anthony female vocal leads, and a guitarist completely on fire,possibly Axe’s and male interplay,fantastic with sound, organic perfect a honed that’sband a McCoy,real the it’spress, private dodgy a not game, their of top the atare band the And vinyl. or acetategraven in ever jamming prog heavy underground blistering of example finest the band name, with no all research but drawing blanks. titles Regardless, this trackis arguably has it decades, for collection private a in held been completely has which remainexists acetate battered one band only – unknown this guitarist, lead Axe’s to connected be to pressingthought edition ed and 1969 circa studios Beck Northampton’s in Cut • friends, theoriginalsare valued at £2000-4000. toaway given was copy rare,extremelyevery is LP the and 99, not made, were 50 only blessing. bassist’s the Clive the with issued and is mysteryLP a remains girls the of whereabouts The vocals. Denny-esque Sandy gentle under strumming guitar addictive and rain” and “changeling” are understated and gorgeous, with insistent tracks ‘71. in night that like club a folk first pressing in copy “sleepy 50 the of copies 3 his him gave they moment the since them from heardnot has Clive families, start tomusic abandoning and LP the found, girls vanished in 1971 after be bassist could the two making writing and singing mesmerizing faeirie-like folk rock, only Clive the helm the at pressing edition ed girls beautiful two with trio rock folk beguiling Utterly •

Limit Limit NEW RELEASES: LATE AUGUST 2020 in 2001.ThisHankyPanky / Mapache LPrelease marks made thefirstbeen available timeithas onvinyl, asoriginallyintended. Nitzsche Jack their in tracks eleven all ThreeThe collection Reprise Suit: RecordingsPiece included 1971-1974, a long out of print internet-only CD toissued Handmade great critical acclaim Rhino untilVault,” “the call employees Warner that facility storage LP /MAPA0016LP /826853001007$31.00 Panky] [Light InTheAttic /MapacheRecords /Hanky Release Date: 28-Aug-20 LP /VOS004LP /650384034315$25.09 CD /VOS004CD /650384034629$15.50 [Light InTheAttic /Valley OfSearch] Release Date: 28-Aug-20 Jack Nitzsche NITZSCHE, JACK The Fire StillBurns BRAUFMAN, ALAN LP CD LP taste ofcelebration. natural music – complementary, individual, and full of the sweet, hot it’s simply Put reflection. and age with comes that ease populist a there’s but struggle, and beauty of out borne collaborations sonic in Fire hear (1975/India to hope we The sensibility Search forthright gritty, returns. that has of Burns Braufman Still Valley Alan album saxophonist jazz debut Navigation), his after years 45 Search (1975/IndiaNavigation) Braufman’s return 45years after hisdebutalbumValley of The album remained unreleased, abandoned in a North Hollywood Downey.Robert label’s was a and collaborationunderground Nitzsche between filmmaker the from pulled was it before schedule by Warner 26, Bros. label chief Morris “Mo” April Ostin. The project for set was date release a Tennessee,and Madison, in Studios Cinderella at album self-titled a recorded Nitzsche Jack 1974, 14-23, January Between firstpop hitswithhisinstrumental in1963. “The Lonely Surfer” Where We Belong”). As a solo artist, he scored one of Reprise label’s “Up co-writing for Song he Original Best forAward Academy 1983, the won (in Nest Cuckoo’s the Over Flew One and Exorcist The Performance, as such films for notably scores, film in extensively worked also Nitzsche “Jack” Young, Alfred Neil Bernard others, or many Stones among Rolling the with work his for and Spector Phil producer of arranger and right-hand-man the as known Best 1974Reprise Album:AForgottenost Masterpiece • • •

Include Fir The L many rare pictures andgraphics st ever vinyl release s 4 page insert withnotes bys 4pageinsert Bryan Thomas,and NEW RELEASES: LATE AUGUST 2020 lullaby usreluctantly that eases backfrom world oftheInvisible the illusory to Cities thestark reality from we came. whence halcyon a Dowdeswell, Stac from vocals enchanting featuring Other the Within One Wrapped serene the with closes album The the recalling percussion electronic jittery circa-2010 dubstep primeofthecity’s its scene. with Cities Hidden later and al. et Marshall Hooper, of work 90s gem the downtempo of tribal-yet-jazzy areminiscent forest-floor, Niigghht, firstly history; modern-music Bristol’s of periods different to us teleport Other highlights include Measure for Measure, a Nurse-With-Wound-plays-the-hits-of-Weather-Report number, and two tracks that &productionexceptional skills, composition as well ashisprotean musicianship. high-caliber demonstratesreallyYates’sthat Danna Mychael and Isham, Mark recallingIglesias, Alberto of piece work soundtrack impressionistic-period standout the evocative and beautiful a Traded, is Memory Where for prologue perfect the provide tracks two These Derbyshire.and Delia Grass provides an excellent Shadowed movement, evoking minimalist second a collaborative phrases. live from performance Denny,Martin clarinet Yasuaki Messiaen-Oiseaux Shimizu, with response and call play turn in which piano, and Rhodes of passages between tangled gets melody cello Saint-Saënsesque sensorial a where Eusapia, of fusion spiritualist the with opens album The narrative. created an organic and ethereal magnum opus in which a brooding but graceful energy is manipulated into a delicately interwoven shimmer mutably Cities strokes, machine drum astute skittish with and synthesizer instruments Invisible wind touches and different string live timbres of Yates has on tracksthe intermixing OSTs. ten Bypost-krautrock and the exotica, name, new-age fourth-world same ambient, the neo-classical-leaning of between somewhere novel Calvino Italo the of atmosphere the by Informed working together withhimagainfor therelease ofthestunningfull-lengthLPInvisible Cities. be to delighted are we and Dub, Sidewise / Luaka single split highly-praised the Diskotopiawith on debuted Memotone 2019, In LP / DSK050 /5050580732407$15.81 LP /DSK050 [Light InTheAttic /Diskotopia] Release Date: 7-Aug-20 Invisible Cities MEMOTONE LP Luscombe, andmore.Luscombe, Nick TomRavenscroft, Hobbs, Anne Mary Peterson, Gilles of likes the by for up, growing medium Yates influential key a radio, the on ATC-affiliated PheasantrySociety. of His music hasbeen member championed a is and al., et Noods Swan. Giant Versions,Bokeh by helmed project Corps TerrorAvon the of part also He’s Phaeleh. and Constance, Connie Evgrafov, asession as Dmitry of likes the for musician he works television, and film for work composition as either Brownswood todoing addition In Halfnelson. alias other his under Memotoneor and Mooncircle, Black as Project such Bedouin, labels on William Acre, released has he producer artist, solo and a As Yates. composer, multi-instrumentalist, based album Invisible Cities from Memotone, the principal new alias for Bristol-the presenting be to excited incredibly are Diskotopia at We • • • fourth-world ambientedible albumfrom Memotone • •

Full- Fir Monik A Incr s seen/heard inTheWire, Fact Magazine,Bandcamp Sidewise Dub Sidewise Weekly Round-up etc. st LPfor Diskotopia following 2019splitsingleLuaka / color sleeve designed by Matt sleevedesigned color Lyne er ofBristol-based multi-instrumentalist WillYates AVIS DE CHANGEMENTS - CHANGES UPDATES TYPE DE ARTISTE TITRE #PRODUIT ANCIEN NOUVEAU CHANGEMENT FORMAT UPC LABEL ARTIST TITLE PRODUCT# OLD NEW TYPE OF CHANGE

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