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Mastering Quality Sound,Hi-Res Audio Download, 高解析音樂, 高音質の音楽. Alvvays – Antisocialites (2017) [Qobuz FLAC 24bit/44,1kHz] Alvvays – Antisocialites (2017) FLAC (tracks) 24 bit/44,1 kHz | Time – 32:30 minutes | 374 MB | Genre: Alternative Studio Masters, Official Digital Download – Source: Qobuz | Front Cover | © Transgressive. Alvvays (pronounced “Always”) is a Canadian indie pop band formed in Toronto, Ontario in 2011. Their debut album, “Alvvays”, was released in 2014, peaking at number one on the US college charts. Their second studio album, “Antisocialites”, was released in September 2017. Alvvays’ music has been described as jangle pop by the music press and its members. According to Rankin, the band’s emphasis is primarily on strong melodies, rather than for a specific genre: “If old people ask, I say it sounds like the Cranberries. If young people ask, I call it jangle pop. If a punk asks, I say it’s pop”. The band sounds similar to Best Coast and has often been compared to Camera Obscura. “Antisocialites” is set to carry the band to new heights, with Molly Rankin’s distinctive vocals and erudite lyrics taking center stage against a kaleidoscopic backdrop of pop, shoegaze, punk, and some brand new tricks befitting a band that sounds wise beyond its years. After releasing a debut album of noisy pop that was perfectly formed and felt like the work of a band already at the summit of their career, it seemed like the only place Alvvays could have gone was down. Maybe sideways, at the very best. Instead, after taking their time both writing and recording the follow-up, they made a giant leap forward instead. Antisocialites has all the sticky hooks of the debut, all the boisterous noise, and the open-hearted honesty, too. What the band adds this time is confidence and skill, gained from the reception their debut got and also all the time they spent playing bigger and bigger shows. The sound of the album is bigger and the arrangements fuller and more spacious, giving the instruments room to breathe. It’s a bit of a change, but it works in their favor, especially since Molly Rankin’s vocals are a little more to the front of the mix and she sounds strong and fully in command of her voice, while retaining all the vulnerability she displayed before. The album is heavy with break- up songs and she captures the varying moods of a break-up with surgical precision. The pain seeps out of songs like “In Undertow” and “Not My Baby” like a fresh wound, while resigned anger flows through “Your Type” and a little bit of hope creeps into “Forget About Life.” The songs too, aim for and hit their targets dead on, whether its melancholy nostalgia on the lovely new wave ballad “Dreams Tonite,” the zippy dance-rock floor filler “Hey,” or the bouncing pop-punker “Lollipop (Ode to Jim).” The instantly catchy “Plimsoll Punks” is the equal, hook-wise, of “Archie, Marry Me,” and there’s not a weak link anywhere. The production (courtesy of John Congleton) is layered and clean, with reverb and noise used as a spice instead of a main course. Unlike the first album, where things tended to blend together into a whirring blur of noise, things are both more restrained and more exciting here. It’s down to dynamics and arrangements, both of which they pay close attention to at all times. The guitars aren’t just a Wall of Sound, there are great riffs, lines, and sounds that pop in and out of the mix. The backing vocal harmonies are more a part of the sound this time too, and Kerri MacLellan’s keyboards are even audible sometimes. Thanks to the care and feeding the band put into their sound, Antisocialites manages the rare feat of a band topping their brilliant debut with a sophomore effort that’s even more brilliant. Alvvays make it looks easy, and by the time the album is done spinning, it’s hard not to start thinking about how great their next record could be. Tracklist: 01 – In Undertow 02 – Dreams Tonite 03 – Plimsoll Punks 04 – Your Type 05 – Not My Baby 06 – Hey 07 – Lollipop (Ode To Jim) 08 – Already Gone 09 – Saved By A Waif 10 – Forget About Life. Musicians: Molly Rankin – vocals, guitars, fiddle Kerri MacLellan – Farfisa, vocals Alec O’Hanley – guitars, bass Brian Murphy – bass, guitar Chris Dadge – drums, percussion.

ⓘ Alvvays, album. Alvvays is the self-titled debut studio album by Canadian indie pop band Alvvays, released on 22 July 2014 by Polyvinyl, Royal Mountain and Tran .. Alvvays is the self-titled debut studio album by Canadian indie pop band Alvvays, released on 22 July 2014 by Polyvinyl, Royal Mountain and Transgressive. The album was nominated for the 2015 Polaris music prize. Share: Publication Date: Article Source: Pino - logical board game which is based on tactics and strategy. In general this is a remix of chess, checkers and corners. The game develops imagination, concentration, teaches how to solve tasks, plan their own actions and of course to think logically. It does not matter how much pieces you have, the main thing is how they are placement! Alvvays. Sometimes it can be hard to admit when one is wrong. I jumped to conclusions about you and judged you harshly without getting to know you. I got caught up casting a harsh eye on your bottled blonde deadpan attitude without taking a close look at your charming inner spirit. It seems so stupid now, because I should have never doubted Polyvinyl's high opinion of you. Plus, Sloan is rarely mentioned in your presence, which is crazy because Nova Scotia is so close to both of your hearts. I am not ashamed to admit it was a video for “Dreams Tonite” that started to erode my initial negative view of you. What was I thinking! Once I accepted you for who you are, I was smitten. “Dreams Tonite” led to “Plimsoll Punks” to “Party Police” to “Archie, Marry Me” and I was hooked now and forever. Please forgive me, Alvvays, I am just a jaded middle-aged record collector prone to placing too much importance on mere trifles. I love Teenage Fanclub as much as you do, so it is almost hard to believe I ever doubted you! Accept my deepest apologies and be assured I will spread the word far and wide about your clever songwriting, hooky guitar playing and lovely vocal melodies. We're only two albums into this thing, but I can't wait to see where this crazy thing goes. I know you have so much more to offer and I hope you know the Maritimes are proud of you! Alvvays. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at 10.99€ Canadian quintet Alvvays (pronounced "Always") burst out of the gates with their self-titled 2014 debut, a brief but bright collection of nine songs of nearly perfect, sugar-coated indie pop. The band call on inspiration from the jangly C-86 movement and bands like the Wedding Present or Talulah Gosh, but also lean on the fuzzy, homespun spirit of early American independent bedroom pop and twee while steeping their tunes in a languid dreaminess borrowed from Teenage Fanclub at their most wistful. The album opens with the one-two punch of "Adult Diversion" and "Archie, Marry Me," two single-worthy songs of noisy guitars, gloriously deadpan vocal harmonies, and sticky melodies cemented in the listener's skull by the interplay between guitar and singer Molly Rankin's cascading vocals. The album is full of highlights, from the synthy melancholia of "Party Police" to the Orange Juice-esque interweaving guitar lines of "Atop a Cake." While Alvvays relies on the same reverb-heavy production that an entire generation of beach-obsessed indie pop bands has tended toward, they surpass many of their peers by delivering more inspired songs, often with unexpected shifts or breakthrough moments. This debut surpasses simply being "promising" by delivering pop as beautifully composed as that of contemporaries like Pains of Being Pure at Heart or Veronica Falls, while also tying in sentiments of punk gusto, twee wonderment, and dream pop thoughtfulness without relying strictly on the musical blueprints of any of those genres. Instead, Alvvays find a way to articulate their heart-struck, dream-like songs with deft intention and control. © Fred Thomas /TiVo. Antisocialites. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at 8.49€ After releasing a debut album of noisy pop that was perfectly formed and felt like the work of a band already at the summit of their career, it seemed like the only place Alvvays could have gone was down. Maybe sideways, at the very best. Instead, after taking their time both writing and recording the follow-up, they made a giant leap forward instead. Antisocialites has all the sticky hooks of the debut, all the boisterous noise, and the open-hearted honesty, too. What the band adds this time is confidence and skill, gained from the reception their debut got and also all the time they spent playing bigger and bigger shows. The sound of the album is bigger and the arrangements fuller and more spacious, giving the instruments room to breathe. It's a bit of a change, but it works in their favor, especially since Molly Rankin's vocals are a little more to the front of the mix and she sounds strong and fully in command of her voice, while retaining all the vulnerability she displayed before. The album is heavy with break-up songs and she captures the varying moods of a break-up with surgical precision. The pain seeps out of songs like "In Undertow" and "Not My Baby" like a fresh wound, while resigned anger flows through "Your Type" and a little bit of hope creeps into "Forget About Life." The songs too, aim for and hit their targets dead on, whether its melancholy nostalgia on the lovely new wave ballad "Dreams Tonite," the zippy dance-rock floor filler "Hey," or the bouncing pop-punker "Lollipop (Ode to Jim)." The instantly catchy "Plimsoll Punks" is the equal, hook-wise, of "Archie, Marry Me," and there's not a weak link anywhere. The production (courtesy of John Congleton) is layered and clean, with reverb and noise used as a spice instead of a main course. Unlike the first album, where things tended to blend together into a whirring blur of noise, things are both more restrained and more exciting here. It's down to dynamics and arrangements, both of which they pay close attention to at all times. The guitars aren't just a Wall of Sound, there are great riffs, lines, and sounds that pop in and out of the mix. The backing vocal harmonies are more a part of the sound this time too, and Kerri MacLellan's keyboards are even audible sometimes. Thanks to the care and feeding the band put into their sound, Antisocialites manages the rare feat of a band following their brilliant debut with a sophomore effort that's just as special. Alvvays make it looks easy, and by the time the album is done spinning, it's hard not to start thinking about how great their next record could be. © Tim Sendra /TiVo. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then €19.99 / month. Copyright Control, MusicPublisher - Alvvays, Artist, MainArtist. 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. / [PIAS] 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. /[PIAS] Copyright Control, MusicPublisher - Alvvays, Artist, MainArtist. 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. / [PIAS] 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. /[PIAS] Copyright Control, MusicPublisher - Alvvays, Artist, MainArtist. 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. / [PIAS] 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. /[PIAS] Copyright Control, MusicPublisher - Alvvays, Artist, MainArtist. 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. / [PIAS] 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. /[PIAS] Copyright Control, MusicPublisher - Alvvays, Artist, MainArtist. 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. / [PIAS] 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. /[PIAS] Copyright Control, MusicPublisher - Alvvays, Artist, MainArtist. 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. / [PIAS] 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. /[PIAS] Copyright Control, MusicPublisher - Alvvays, Artist, MainArtist. 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. / [PIAS] 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. /[PIAS] Copyright Control, MusicPublisher - Alvvays, Artist, MainArtist. 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. / [PIAS] 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. /[PIAS] Copyright Control, MusicPublisher - Alvvays, Artist, MainArtist. 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. / [PIAS] 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. /[PIAS] Copyright Control, MusicPublisher - Alvvays, Artist, MainArtist. 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. / [PIAS] 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. /[PIAS] Album Description. After releasing a debut album of noisy pop that was perfectly formed and felt like the work of a band already at the summit of their career, it seemed like the only place Alvvays could have gone was down. Maybe sideways, at the very best. Instead, after taking their time both writing and recording the follow-up, they made a giant leap forward instead. Antisocialites has all the sticky hooks of the debut, all the boisterous noise, and the open-hearted honesty, too. What the band adds this time is confidence and skill, gained from the reception their debut got and also all the time they spent playing bigger and bigger shows. The sound of the album is bigger and the arrangements fuller and more spacious, giving the instruments room to breathe. It's a bit of a change, but it works in their favor, especially since Molly Rankin's vocals are a little more to the front of the mix and she sounds strong and fully in command of her voice, while retaining all the vulnerability she displayed before. The album is heavy with break-up songs and she captures the varying moods of a break-up with surgical precision. The pain seeps out of songs like "In Undertow" and "Not My Baby" like a fresh wound, while resigned anger flows through "Your Type" and a little bit of hope creeps into "Forget About Life." The songs too, aim for and hit their targets dead on, whether its melancholy nostalgia on the lovely new wave ballad "Dreams Tonite," the zippy dance-rock floor filler "Hey," or the bouncing pop-punker "Lollipop (Ode to Jim)." The instantly catchy "Plimsoll Punks" is the equal, hook-wise, of "Archie, Marry Me," and there's not a weak link anywhere. The production (courtesy of John Congleton) is layered and clean, with reverb and noise used as a spice instead of a main course. Unlike the first album, where things tended to blend together into a whirring blur of noise, things are both more restrained and more exciting here. It's down to dynamics and arrangements, both of which they pay close attention to at all times. The guitars aren't just a Wall of Sound, there are great riffs, lines, and sounds that pop in and out of the mix. The backing vocal harmonies are more a part of the sound this time too, and Kerri MacLellan's keyboards are even audible sometimes. Thanks to the care and feeding the band put into their sound, Antisocialites manages the rare feat of a band following their brilliant debut with a sophomore effort that's just as special. Alvvays make it looks easy, and by the time the album is done spinning, it's hard not to start thinking about how great their next record could be. © Tim Sendra /TiVo. About the album. 1 disc(s) - 10 track(s) Total length: 00:32:30. 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. / [PIAS] 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. / [PIAS] Why buy on Qobuz. Stream or download your music. Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. Zero DRM. The downloaded files belong to you, without any usage limit. You can download them as many times as you like. Choose the format best suited for you. Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF. ) depending on your needs. Listen to your purchases on our apps. Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.