2019 Spring/Summer Instudio
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Set-List Karaokay Live
SET-LIST KARAOKAY LIVE ALINE BASKET CASE Christophe Green Day ALL I WANT FOR XMAS IS YOU BE MY BABY Mariah Carey The Ronettes ALL THAT SHE WANTS BILLIE JEAN Ace Of Base Michael Jackson ALL THE SMALL THINGS BLEU COMME TOI Blink 182 Etienne Daho ALRIGHT BLITZKRIEG BOP Supergrass Ramones AMOUREUX SOLITAIRES BOYS DON'T CRY Lio The Cure ANGIE BUDDY HOLLY The Rolling Stones Weezer ARCHIE, MARRY ME C'EST COMME CA Alvvays Rita Mitsouko ARE YOU GONNA BE MY GIRL? CA C'EST VRAIMENT TOI Jet Téléphone BABY ONE MORE TIME CA PLANE POUR MOI Britney Spears Plastic Bertrand BACK IN THE USSR CENDRILLON The Beatles Téléphone BANANA SPLIT CHANSON SUR MA DRÔLE DE VIE Lio Véronique Sanson CHARMLESS MAN DESENCHANTEE Blur Mylène Farmer CHERCHEZ LE GARÇON DÉSIR DÉSIR Taxi Girl Laurent Voulzy et Véronique Jeannot CHOP SUEY DISCO 2000 System Of a Down Pulp COME TOGETHER DON'T LOOK BACK IN ANGER The Beatles Oasis COMME D’HABITUDE DON’T SPEAK Claude François No Doubt COMMENT TE DIRE ADIEU DON'T STOP ME NOW Françoise Hardy Queen COULEUR MENTHE A L’EAU ELLA ELLE L’A Eddy Mitchell France Gall CREEP ELLE A LES YEUX REVOLVER Radiohead Marc Lavoine CRYIN ENCORE ET ENCORE Aerosmith Francis Cabrel DANCING QUEEN ET TU DANSES AVEC LUI Abba C Jerome DANS MON HLM EVERLONG Renaud Foo Fighters DEJEUNER EN PAIX EVERY ME EVERY YOU Stephan Eicher Placebo FALLAIT PAS COMMENCER HERE COMES YOUR MAN Lio Pixies FIGHT FOR YOUR RIGHT TO PARTY HEY YA Beastie Boys Outkast FRIDAY I’M IN LOVE HIGHWAY TO HELL The Cure AC/DC GABRIELLE I CAN’T HELP FALLING IN LOVE Johnny Hallyday Elvis Presley -
Marie Laing M.A. Thesis
Conversations with Young Two-Spirit, Trans and Queer Indigenous People About the Term Two-Spirit by Marie Laing A thesis submitted in conformity with the requirements for the degree of Master of Arts Department of Social Justice Education Ontario Institute for Studies in Education University of Toronto © Copyright by Marie Laing 2018 Conversations with Young Two-Spirit, Trans and Queer Indigenous People About the Term Two-Spirit Marie Laing Master of Arts Department of Social Justice Education University of Toronto 2018 Abstract Since the coining of the term in 1990, two-spirit has been used with increasing frequency in reference to Indigenous LGBTQ people; however, there is rarely explicit discussion of to whom the term two-spirit refers. The word is often simultaneously used as both an umbrella term for all Indigenous people with complex genders or sexualities, and with the specific, literal understanding that two-spirit means someone who has two spirits. This thesis discusses findings from a series of qualitative interviews with young trans, queer and two-spirit Indigenous people living in Toronto. Exploring the ways in which participants understand the term two-spirit to be a meaningful and complex signifier for a range of ways of being in the world, this paper does not seek to define the term two-spirit; rather, following the direction of research participants, the thesis instead seeks to trouble the idea that articulating a definition of two-spirit is a worthwhile undertaking. ii Acknowledgments There are many people without whom I would not have been able to complete this research. Thank you to my supervisor, Dr. -
Grease to Open at Scotch Plains-Fanwood High School Westfield
A WATCHUNG COMMUNICATIONS, INC. PUBLICATION The Westfield Leader and The Scotch Plains – Fanwood TIMES Thursday, March 12, 2015 Page 19 Poetry Series to Host Chloe Honum, Susan Lembo Balik FANWOOD – The Carriage House Me was published last summer by Poetry Series in Fanwood will present Garden Oak Press. Susan is Associ- readings by two distinguished poets ate Director of Cultural Affairs at on Tuesday, March 17. The free po- Passaic County Community College etry performances by Chloe Honum in Paterson, New Jersey (home of and Susan Lembo Balik will begin the Poetry Center). She has a Master’s promptly at 8 p.m. in the Patricia degree in journalism from New York Kuran Arts Center on Watson Road, University and has worked as a news- off North Martine Avenue, adjacent paper feature writer and columnist. to Fanwood Borough Hall (GPS use Her poems have appeared in The 75 N. Martine Avenue). Paterson Literary Review, Lips Chloe Honum is the author of The Magazine, Paddlefish, Tiferet Jour- Tulip-Flame published by the Cleve- nal, and the San Diego Poetry An- land State University Poetry Center. nual. Her poems have appeared in The Paris The Carriage House Poetry Series Review, Poetry, and The Southern is currently in its seventeenth year at Review, among other journals, and in the Kuran Arts Center, an historic the 2008 and 2010 editions of “Best Gothic Revival structure that was once AND THE BAND PLAYS ON...Dr. Thomas Connors, Music Director, conducts New Poets.” Chloe is the recipient of a 19th century carriage house, hence the Westfield Community Concert Band. -
IDO Dance Sports Rules and Regulations 2021
IDO Dance Sport Rules & Regulations 2021 Officially Declared For further information concerning Rules and Regulations contained in this book, contact the Technical Director listed in the IDO Web site. This book and any material within this book are protected by copyright law. Any unauthorized copying, distribution, modification or other use is prohibited without the express written consent of IDO. All rights reserved. ©2021 by IDO Foreword The IDO Presidium has completely revised the structure of the IDO Dance Sport Rules & Regulations. For better understanding, the Rules & Regulations have been subdivided into 6 Books addressing the following issues: Book 1 General Information, Membership Issues Book 2 Organization and Conduction of IDO Events Book 3 Rules for IDO Dance Disciplines Book 4 Code of Ethics / Disciplinary Rules Book 5 Financial Rules and Regulations Separate Book IDO Official´s Book IDO Dancers are advised that all Rules for IDO Dance Disciplines are now contained in Book 3 ("Rules for IDO Dance Disciplines"). IDO Adjudicators are advised that all "General Provisions for Adjudicators and Judging" and all rules for "Protocol and Judging Procedure" (previously: Book 5) are now contained in separate IDO Official´sBook. This is the official version of the IDO Dance Sport Rules & Regulations passed by the AGM and ADMs in December 2020. All rule changes after the AGM/ADMs 2020 are marked with the Implementation date in red. All text marked in green are text and content clarifications. All competitors are competing at their own risk! All competitors, team leaders, attendandts, parents, and/or other persons involved in any way with the competition, recognize that IDO will not take any responsibility for any damage, theft, injury or accident of any kind during the competition, in accordance with the IDO Dance Sport Rules. -
Heraldry Examples Booklet.Cdr
Book Heraldry Examples By Khevron No color on color or metal on metal. Try to keep it simple. Make it easy to paint, applique’ or embroider. Blazon in layers from the deepest layer Per pale vert and sable all semy of caltrops e a talbot passant argent. c up to the surface: i v Field (color or division & colors), e Primary charge (charge or ordinary), Basic Book Heraldry d Secondary charges close to the primary, by Khevron a Tertiary charges on the primary or secondary, Device: An heraldic representation of youself. g Peripheral secondary charges (Chief,Canton,Border), Arms: A device of someone with an Award of Arms. n i Tertiary charges on the peropheral. Badge: An heraldic representation of what you own. z a Name field tinctures chief/dexter first. l Only the first word, the metal Or, B and proper nouns are capitalized. 12 2 Tinctures, Furs & Heraldic 11 Field Treatments Cross Examples By Khevron By Khevron Crosses have unique characteristics and specific names. Tinctures: Metals and Colors Chief Rule #1: No color upon another color, or metal on metal! Canton r r e e t t s i x e n - Fess - i D Or Argent Sable Azure Vert Gules Purpure S Furs Base Cross Latin Cross Cross Crosslet Maltese Potent Latin Cross Floury Counter-Vair Vair Vair in PaleVair-en-pointe Vair Ancient Ermine Celtic Cross Cross Gurgity Crosslet Fitchy Cross Moline Cross of Bottony Jerusalem A saltire vair in saltire Vair Ermines or Counter- Counter Potent Potent-en-pointe ermine Cross Quarterly in Saltire Ankh Patonce Voided Cross Barby Cross of Cerdana Erminois Field -
Sally Anne Morgan Thread
BULLY SUGAREGG CD / LP / CS SP 1363 RELEASE DATE: AUGUST 21ST, 2020 TRACKLISTING: 1. Add It On 2. Every Tradition 3. Where to Start 4. Prism 5. You 6. Let You 7. Like Fire 8. Stuck in Your Head 9. Come Down 10. Not Ashamed 11. Hours and Hours 12. What I Wanted GENRE: Alternative Rock SUGAREGG roars from the speakers and jumpstarts both heart and mind. Like My Bloody Valentine after three double espressos, opener “Add It On” zooms heavenward within seconds, epitomizing band leader Alicia Bognanno’s newfound clarity of purpose, while the bass-driven melodies and propulsive beats of “Where to Start” and CD Packaging: Digipack “Let You” are the musical equivalents of the sun piercing through a LP Packaging: Single-pocket jacket with perpetually cloudy sky. custom dust sleeve Includes mp3 coupon A very old saying goes that no one saves us but ourselves. Recognizing NON-RETURNABLE and breaking free from the patterns impeding our forward progress can be transformative. Indeed, the third Bully album, SUGAREGG, may not ever have come to fruition had Bognanno not navigated every kind of upheaval imaginable and completely overhauled her working process along the way. The artist admits that finding the proper treatment for bipolar 2 disorder radically altered her mindset, freeing her from a cycle of paranoia and insecurity about her work. “Being able to finally navigate CS Packaging: Three-panel LP Packaging: Single-pocket jacket with that opened the door for me to write about it,” she says, pointing to J-card in clear case. custom dust sleeve the sweet, swirly “Like Fire” and slower, more contemplative songs NON-RETURNABLE LOSER EDITION blue w/white smoke such as “Prism” and “Come Down” as having been born of this new vinyl - Includes mp3 coupon NON-RETURNABLE headspace. -
Connections Competence Confidence Character
Connections Confidence Competence Character Executive Director’s Report As Moorelands (formerly the DCA) celebrates its 100th Anniversary this year, we honour the people – the generations of volunteers, staff, donors, supporters and advisors – who are responsible for 100 years of innovative, dynamic and persistent work to improve the lives of socially and economically disadvantaged children and families in the City of Toronto. We rejoice in Moorelands’ long history of creative work responding to, and reducing barriers posed by poverty, while creating opportunities for the well-being of vulnerable children, their families and neighbourhoods. With its rich history in community service to a variety of at-risk communities, for the past 15 years Moorelands has chosen to focus exclusively on its work with low-income children and youth. Last year alone, Moorelands provided more than 1,000 children and youth from some of the poorest neighbourhoods in this City with opportunities to gain new skills, competencies and strategies to help them meet the challenges of adolescence and adulthood. Recognizing that investment in children will yield benefits to both the individuals served and to their families and communities for generations, Moorelands has become a model service provider using evidence-based practices grounded in both academic and field research with a rigorous internal and external evaluation regime. As we look to the future, our vision is to become one of Toronto’s leading providers of evidence-based out-of- school programs for disadvantaged children and youth. With your support, we can change the course of children’s lives and replicate our model of success throughout low-income Toronto neighbourhoods. -
4C Puppet Love
ting it to blow perfect smoke rings, until ONWARD AND UPWARD WITH THE ARTS the stage manager ordered them back. She was the heavy. “Take five!” “On- stage!” Twist was soft-spoken and pa- PUPPET LOVE tient, but he looked nervous. The show dates, April 12th and 13th, were only six The artistry of Basil Twist. weeks away. “The crucial point about puppets,” BY JOAN ACOCELLA Twist told me, “is that they are real and unreal at the same time.” At the begin- asil Twist, one of this country’s pre- those people were in North Carolina. ning of the twentieth century, many mier puppeteers, is preparing a Whereas the theatre in Chapel Hill has writers and visual artists (Alfred Jarry, pieceB to Stravinsky’s world-shaking bal- fifty-five line sets (stage-wide pipes in Paul Klee, Oskar Schlemmer, Sophie let score “The Rite of Spring” for the the flies, from which you can hang Taeuber-Arp), looking for something Carolina Performing Arts festival “The props and curtains), the church had just that was a little bit human, but much Rite of Spring at 100,” in Chapel Hill. one pole, installed on ropes by Twist’s more art, made puppets, or works for At the end of February, I went to a de- crew. But the cast was game. During the puppets. The trend continues. Opera consecrated church in Bushwick to see action, Twist stood behind a table, play- now routinely supplements its human how the rehearsals were going. The ing the score on a laptop, but he kept his casts with puppets, as in the Metropol- Twist in the studio. -
Competition Rule Book
NCA COLLEGE COMPETITION RULES COMPETITIONNCA & NDA RESERVES THE RIGHT TO BE THE ARBITRATOR RULE AND INTERPRETER OF ALL RULES BOOK COVERED IN THIS DOCUMENT. FOR COLLEGE TEAMS NCA & NDA COLLEGIATE CHEER AND DANCE CHAMPIONSHIP Daytona Beach, Florida April 7-11, 2021 UPDATED AS OF 3/9/21 COLLEGIATE RULE BOOK • 1 TABLE OF CONTENTS NCA & NDA RESERVES THE RIGHT TO BE THE ARBITRATOR AND INTERPRETER OF ALL RULES COVERED IN THIS DOCUMENT. HOW TO QUALIFY 1 DANCE CONT. NCA VIDEO QUALIFICATION AND ENTRY FORMAT 1 NDA LEGALITY AND SAFETY NDA VIDEO QUALIFICATION AND ENTRY FORMAT 2 SAFETY GUIDELINES 27 CODE OF CONDUCT 3 TUMBLING AND AERIAL STREET SKILLS (INDIVIDUALS) 27 EXCLUSIVITY POLICY 3 DANCE LIFTS AND PARTNERING (GROUPS) 28 ELIGIBILTY VERIFCATION 4 MUSIC FORMAT 5 UNASSISTED DISMOUNTS TO THE PERFORMANCE SURFACE 28 VIDEO MEDIA POLICY 5 INJURY DURING PERFORMANCE 29 LOGO USAGE 5 DEDUCTIONS 29 CHEER LEGALITY VERIFICATION 30 GENERAL COMPETITION INFORMATION NDA SCORING PERFORMANCE AREA 7 JUDGING PANELS 31 COLLEGIATE EXPECTATIONS 7 CATEGORY DESCRIPTIONS 31 COLLEGIATE IMAGE 7 JUDGING SCALE FOR DANCE FUNDAMENTALS 32 UNIFORM 7 RANGES OF SCORES 33 MUSIC 9 DANCE GLOSSARY OF TERMS 38 CHOREOGRAPHY 9 INJURY DURING PERFORMANCE 9 NCA & NDA COLLEGE GAME DAY DIVISION ORDER OF PERFORMANCE 9 GAME DAY COLLEGE CHEER DIVISIONS OBJECTIVE 45 DIVISIONS 10 BENEFITS OF GAME DAY 45 NUMBER OF MALE PARTICIPANTS VS. FEMALE PARTICIPANTS 10 GENERAL RULES 45 TEAM ROUTINE REQUIREMENTS 10 FORMAT 46 INTERMEDIATE DIVISION RESTRICTIONS 11 45 SECOND CROWD SEGMENT 12 SKILL SCORING & RESTRICTIONS -
2015 Full Program (PDF)
2015 Women in Dance Leadership Conference! ! October 29 - November 1, 2015! ! Manship Theatre, Baton Rouge, Louisiana, USA! ! Conference Director - Sandra Shih Parks WOMEN IN DANCE LEADERSHIP CONFERENCE 10/29/2015 - 11/1/2015 "1 Women in Dance Leadership Conference ! Mission Statement ! ! To investigate, explore, and reflect on women’s leadership by representing innovative and multicultural dance work to celebrate, develop, and promote women’s leadership in dance making, dance related fields, and other! male-dominated professions.! Conference Overview! ! DATE MORNING AFTERNOON EVENING Thursday 10/29/2015 !Registration/Check In! !Reception! Opening Talk -! Kim Jones/Yin Mei Karole Armitage and guests Performance Friday 10/30/2015 Speech - Susan Foster! Panel Discussions! Selected ! ! Choreographers’ Speech - Ann Dils !Master Classes! Concert Paper Presentations Saturday 10/31/2015 Speech - Dima Ghawi! Panel Discussions! ODC Dance Company ! ! ! Performance Speech - Meredith Master Classes! Warner! ! ! Ambassadors of Women Master Classes in Dance Showcase Sunday 11/1/2015 Master Class THODOS Dance Chicago Performance ! ! ! ! WOMEN IN DANCE LEADERSHIP CONFERENCE 10/29/2015 - 11/1/2015 "2 October 29th 2015! !Location 12 - 4 PM 4:30 PM - 6 PM 6 PM - 7:30 PM 8 PM - 9:30 PM !Main Theatre Kim Jones, Yin Mei ! and guests ! performance ! !Hartley/Vey ! Opening Talk by! !Studio Theatre Karole Armitage !Harley/Vey! !Workshop Theatre !Josef Sternberg ! Conference Room Jones Walker Foyer Registration! ! Conference Check In Reception Program Information! -
Heraldic Terms
HERALDIC TERMS The following terms, and their definitions, are used in heraldry. Some terms and practices were used in period real-world heraldry only. Some terms and practices are used in modern real-world heraldry only. Other terms and practices are used in SCA heraldry only. Most are used in both real-world and SCA heraldry. All are presented here as an aid to heraldic research and education. A LA CUISSE, A LA QUISE - at the thigh ABAISED, ABAISSÉ, ABASED - a charge or element depicted lower than its normal position ABATEMENTS - marks of disgrace placed on the shield of an offender of the law. There are extreme few records of such being employed, and then only noted in rolls. (As who would display their device if it had an abatement on it?) ABISME - a minor charge in the center of the shield drawn smaller than usual ABOUTÉ - end to end ABOVE - an ambiguous term which should be avoided in blazon. Generally, two charges one of which is above the other on the field can be blazoned better as "in pale an X and a Y" or "an A and in chief a B". See atop, ensigned. ABYSS - a minor charge in the center of the shield drawn smaller than usual ACCOLLÉ - (1) two shields side-by-side, sometimes united by their bottom tips overlapping or being connected to each other by their sides; (2) an animal with a crown, collar or other item around its neck; (3) keys, weapons or other implements placed saltirewise behind the shield in a heraldic display. -
Haviah Mighty Has Won the 2019 Polaris Music Prize for the Album 13Th Floor
HAVIAH MIGHTY HAS WON THE 2019 POLARIS MUSIC PRIZE FOR THE ALBUM 13TH FLOOR TORONTO, ON – Monday, September 16, 2019 Haviah Mighty has won the 2019 Polaris Music Prize for the album 13th Floor. “For me, the 13th floor is something that we remove from our reality because it is something that we don’t understand and therefore we dismiss it,” said Haviah Mighty. “This is very parallel to so many of the experiences that I speak on, on this album. I’m in a room with so many different people from so many different walks of life who have acknowledged that this is something they feel is important. These people don’t necessarily share the narratives that I ,do or the walks of life that I have, and yet, here we are, finally on what I believe is the 13th floor. This is the moment of resurgence where the dismissal that has existed is now being removed, and the discussion is being had. I’m so grateful that the people around me push me to be brave enough to speak my truth and to have it be acknowledged in this way.” The Prize, which was presented by CBC Music, goes to the best Canadian album of the year based on artistic merit without regard to genre, sales history or label affiliation. It was determined by a Grand Jury of 11 music media professionals drawn from the greater Polaris jury pool of 199 writers, editors, broadcasters, DJs and personalities from across the country. Haviah Mighty’s victory came with a $50,000 monetary reward.