P&C Music Rsd20 List for Aug 29 Customer Version 12/9/20
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
HIS Voice 3/2009
editorial obsah Glosář Matěj Kratochvíl 2 Sunn O))) Petr Ferenc 4 Tim Hecker Karel Veselý 5 aktuálně Vážení a milí čtenáři, Alio Die Pavel Zelinka 6 již řada čísel našeho časopisu byla věnována V pasti orientalismu Karel Veselý 8 hudbě z různých koutů světa, to aktuální v nasto- lené sérii však pokračuje jen zdánlivě. Zatímco v číslech věnovaných Polsku, Francii či Slovensku Sun City Girls Thomas Bailey 12 jsme mířili za skutečnou hudbou skutečných zemí, Orient na nejnovější obálce v sobě spojuje reálný základ a notnou dávku fantazie. Spíše než o geo- Acid Mothers Temple Petr Ferenc 15 grafickou oblast nám jde o nahlédnutí za oponu téma imaginárního Východu, oblasti, do níž si mnozí hudebníci i posluchači promítají své sny. I když První císař a dialektika Druhého Jan Chmelarčík 18 si v mnoha případech půjčují skutečné nástroje a další hudební prvky, ve vzduchu visí představa pohádkových světů. Hudební Orient má častokrát Vlastislav Matoušek Matěj Kratochvíl 22 podobně neurčitou lokaci jako říše kněze Jana, do níž mířil Baudolino, hrdina stejnojmenné knihy Umberta Eca. „Na nejzazším východě těchto krajů, Georgs Pelēcis Vítězslav Mikeš 28 oddělených od oceánu zeměmi obývanými zrůd- nými bytostmi, jimiž ostatně budeme muset také Postepilog Alfreda Šnitkeho Vítězslav Mikeš 30 projít, se nachází Pozemský ráj. (…) My se tudíž současná kompozice musíme ubírat k východu, nejdřív dorazit k Eufratu, pak k Tigridu a nakonec k řece Ganges, a potom odbočit k dolním krajům východním.“ Střet reál- Christina Kubisch Pavel Klusák 34 ného a imaginárního může mít mnoho různých podob, od dokumentární činnosti značky Sublime Frequencies přes východně-západní hudbu skla- Cuong Vu Jan Faix 38 datele Tana Duna po psychedelický rock japonské skupiny Acid Mothers Temple. -
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
![MP3: Girl Talk: Smash Your Head [Infinite Mixtape #22] Posted by Amy Phillips in Remix, Tour, Remix, Tour on Wed: 09-13-06: 09:00 AM CDT | Permalink](https://docslib.b-cdn.net/cover/1533/mp3-girl-talk-smash-your-head-infinite-mixtape-22-posted-by-amy-phillips-in-remix-tour-remix-tour-on-wed-09-13-06-09-00-am-cdt-permalink-181533.webp)
MP3: Girl Talk: Smash Your Head [Infinite Mixtape #22] Posted by Amy Phillips in Remix, Tour, Remix, Tour on Wed: 09-13-06: 09:00 AM CDT | Permalink
Pitchfork: News#38521#38521#38521#38521#38521 Page 3 of 17 Girl Talk is on the road right now, with shows scheduled all the way through December. [MORE...] MP3: Girl Talk: Smash Your Head [Infinite Mixtape #22] Posted by Amy Phillips in remix, tour, remix, tour on Wed: 09-13-06: 09:00 AM CDT | Permalink Mission of Burma Documentary Coming to DVD Legendary Boston post-punks and Pitchfork Music Festival alums Mission of Burma have already proven their resurrected greatness, and now they will share the intimate details of their Lazarus story with the world. On November 21, MVD Visual will release Not a Photograph, a 70-minute documentary DVD about the band's 2002 reunion and the obstacles they had to overcome to make it the success it was and still is. Not a Photograph was directed by David Kleiler, Jr. and Jeff Iwanicki, and, in addition to the recent performances, it includes archival footage from the band's original incarnation, including a performance by the Moving Parts, bassist Clint Conley's and guitarist Roger Miller's first band together. And don't forget-- as previously reported, Miller will share his next Mission of Burma tour diary exclusively with Pitchfork. The tour begins this Friday, September 15, at Seattle's Crocodile Cafe. [MORE...] MP3: Mission of Burma: 2wice Posted by Dave Maher in dvd on Wed: 09-13-06: 07:00 AM CDT | Permalink The Pogues Get Expanded Reissue Treatment When the Pogues finished playing, you howled out for more. And, saints be praised, Rhino Records answered. Now grab a pint or two and get ready to curl up all over again with the Celtic folk-punk band's first five albums, like you've never quite heard them before. -
Freak Emporium
Search: go By Artist By Album Title More Options... Home | Search | My Freak Emporium | View Basket | Checkout | Help | Links | Contact | Log In Bands & Artists: a b c d e f g h i j k l m n o p q r s t u v w x y z | What's New | DVDs | Books | Top Sellers Browse Over 120 Genres: Select a genre... 60's & 70's Compilations - Blues (9 Email Me about new products in this genre | More Genres products) > LIST ALL | New See Also: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Year Offer 60's & 70's Euro Folk Rock 60's & 70's UK Folk Rock 60's & 70's Japanese / Korean / Asian Rock and Pop 60's & 70's Compilations - Pop & Rock Search 60's & 70's Compilations - Blues : go! 60's & 70's Acid Folk & Singer/Songwriter Search Entire Catalogue > 60's & 70's Compilations - Psychedelia 60's & 70's Psychedelia 60's & 70's Compilations - Garage, Beat, Freakbeat, Surf, R&B 60's & 70's Prog Rock 60s Texan Psych And Garage Mod / Freakbeat Latest additions & updates to our catalogue: Paint It Black - Various. CD, £12.00 Blues For Dotsie - Various. CD, £12.00 (Label: EMI, Cat.No: 367 2502) (Label: Ace, Cat.No: CDCHD 1115) Fascinating twenty track Everything from Jump to Down Home to Boogie compilation CD of Rolling Stones Woogie babes on this collection of West Coast covers by some of the greatest Blues cut for and by Dootsie Williams. -
The Titles Below Are Being Released for Record Store
THE TITLES BELOW ARE BEING RELEASED FOR RECORD STORE DAY (v.2.2 updated 4-01) ARTISTA TITOLO FORMATO LABEL LA DONNA IL SOGNO & IL GRANDE ¢ 883 2LP PICTURE WARNER INCUBO ¢ ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO LP SPACE AGE ¢ AL GREEN GREEN IS BLUES LP FAT POSSUM ¢ ALESSANDRO ALESSANDRONI RITMO DELL’INDUSTRIA N°2 LP BTF ¢ ALFREDO LINARES Y SU SONORA YO TRAIGO BOOGALOO LP VAMPISOUL LIVE FROM THE APOLLO THEATRE ¢ ALICE COOPER 2LP WARNER GLASGOW, FEB 19, 1982 SOUNDS LIKE A MELODY (GRANT & KELLY ¢ ALPHAVILLE REMIX BY BLANK & JONES X GOLD & 12" WARNER LLOYD) HERITAGE II:DEMOS ALTERNATIVE TAKES ¢ AMERICA LP WARNER 1971-1976 ¢ ANDREA SENATORE HÉRITAGE LP ONDE / ITER-RESEARCH ¢ ANDREW GOLD SOMETHING NEW: UNREALISED GOLD LP WARNER ¢ ANNIHILATOR TRIPLE THREAT UNPLUGGED LP WARNER ¢ ANOUSHKA SHANKAR LOVE LETTERS LP UNIVERSAL ¢ ARCHERS OF LOAF RALEIGH DAYS 7" MERGE ¢ ARTICOLO 31 LA RICONQUISTA DEL FORUM 2LP COLORATO BMG ¢ ASHA PUTHLI ASHA PUTHLI LP MR. BONGO ¢ AWESOME DRE YOU CAN'T HOLD ME BACK LP BLOCGLOBAL ¢ BAIN REMIXES 12'' PICTURE CIMBARECORD ¢ BAND OF PAIN A CLOCKWORK ORANGE LP DIRTER ¢ BARDO POND ON THE ELLIPSE LP FIRE ¢ BARRY DRANSFIELD BARRY DRANSFIELD LP GLASS MODERN ¢ BARRY HAY & JB MEIJERS THE ARTONE SESSION 10" MUSIC ON VINYL ¢ BASTILLE ALL THIS BAD BLOOD 2LP UNIVERSAL ¢ BATMOBILE BIG BAT A GO-GO 7'' COLORATO MUSIC ON VINYL I MISTICI DELL'OCCIDENTE (10° ¢ BAUSTELLE LP WARNER ANNIVERSARIO) ¢ BECK UNEVENTFUL DAYS (ST. VINCENT REMIX) 7" UNIVERSAL GRANDPAW WOULD (25TH ANNIVERSARY ¢ BEN LEE 2LP COLORATO LIGHTNING ROD DELUXE) ¢ BEN WATT WITH ROBERT WYATT SUMMER INTO WINTER 12'' CHERRY RED ¢ BERT JANSCH LIVE IN ITALY LP EARTH ¢ BIFFY CLYRO MODERNS 7'' COLORATO WARNER ¢ BLACK ARK PLAYERS GUIDANCE 12'' PICTURE VP GOOD TO GO ¢ BLACK LIPS FEAT. -
Extreme Rock from Japan
Extreme Rock From Japan Joe Paradiso MIT Media Lab Japan • Populaon = 127 million people (10’th largest) – Greater Tokyo = 30 million people (largest metro in world) – 3’rd largest GDP, 4’th largest exporter/importer • Educated, complex, and hyper mo<vated populace – OCD Paradise… • Many musicians, and the level of musicianship is high! • Japan readily absorbs western influences, but reinterprets them in its own special way… – Creavity bubbles up in crazy ways from restric<ve uniformity – Get Western idioms “wonderfully” wrong! – And does it with gusto! Nipponese Prog • Prog Rock is huge in Japan (comparavely speaking….) – And so is psych, electronica, thrash bands, Japanoise (industrial), metal, etc. • I will concentrate on Early Synth music - Symphonic Prog – Fusion/jazz - RIO (quirky) prog – Psychedelic/Space Rock – by Nature Incomplete • Ian will cover Hip Hop, Miku, etc. Early (70s) Electronics – Isao Tomta 70’s Rock Electronics - YMO • Featuring Ryuichi Sakamoto 70s Berlin-School/Floydish Rock Far East Family band • Parallel World produced by Klaus Schulze – Entering – 6:00, Saying to the Land (4:00) 70’s Progish Jazz – Stomu Yamash'ta • Supergroup “Go” • Freedom is Frightening, 5:00, Go side B Other Early 70’s Psych (Flower Travelin’ band) • Satori, pt. II, middle Early Symphonic Prog - Shingetsu 1979 • Led by Makoto Kitayama (Japanese Peter Gabriel) • Oni Early Symphonic Prog – Outer Limits (1985) 1987 2007 • The Scene Of Pale blue (Part One) – middle • Plas<c Syndrome, Consensus More Early Symphonic Prog – Mr. Sirius 1987 1990 -
6509757.PDF (6.063Mb)
This dissertation has been 65-9757 microfilmed exactly as received SMITH, Bobby L ., 1930- SATIRE IN THE DRAMA OF SEAN O’CASEY. The University of Oklahoma, Ph. D ., 1965 Language and Literature, modern University Microfilms, Inc., Ann Arbor, Michigan THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE SATIRE IN THE DRAMA OF SEAN O'CASEY A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree o f DOCTOR OF PHILOSOPHY BY BOBBY L. SMITH Norman, Oklahoma 1965 SATIRE IN THE DRAMA OF SEAN O'CASEY APPROVED BY c y'i> r- -U)JiUfrwv lA-. DISSERTATION COMMITTEE ACKNOWLEDGMENTS I am especially indebted to Dr. A. J. Fritz for his professional aid and his personal encouragement during the several years since he first introduced me to the dramas of Sean O'Casey. In addition, I am grateful to him for directing this dissertation and for offering a recent seminar which concentrated on the development of modern Irish drama. I am also grateful to Dr. Calvin G. Thayer, Dr. Bruce I. Granger, and Dr. William H. Maehl, Jr., who courteously consented to serve as a reading committee and whose teaching and personal friendship have been invaluable through out my career as a graduate student. i i i TABLE OF CONTENTS Page ACKNOWLEDGMENTS i i i C hapter I . INTRODUCTION....................................................................................... 1 I I . THE IRISH PLAYS .............................................................................. 13 The Shadow o f a Gunman ..................................................... I3 Kathleen Listens In ............................................................ 25 Juno and th e Pay cock .............. .. ............................... 31 Nannie's Night Out .............................................................. 40 The Plough and the Stars ................................................ I I I . TRANSITIONAL PERIOD .................................................................... -
The Evolution of Ornette Coleman's Music And
DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY by Nathan A. Frink B.A. Nazareth College of Rochester, 2009 M.A. University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Nathan A. Frink It was defended on November 16, 2015 and approved by Lawrence Glasco, PhD, Professor, History Adriana Helbig, PhD, Associate Professor, Music Matthew Rosenblum, PhD, Professor, Music Dissertation Advisor: Eric Moe, PhD, Professor, Music ii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Copyright © by Nathan A. Frink 2016 iii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Ornette Coleman (1930-2015) is frequently referred to as not only a great visionary in jazz music but as also the father of the jazz avant-garde movement. As such, his work has been a topic of discussion for nearly five decades among jazz theorists, musicians, scholars and aficionados. While this music was once controversial and divisive, it eventually found a wealth of supporters within the artistic community and has been incorporated into the jazz narrative and canon. Coleman’s musical practices found their greatest acceptance among the following generations of improvisers who embraced the message of “free jazz” as a natural evolution in style. -
Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
URMC V127no26 20170914.Pdf (11.14Mb)
NEWS OPINION A&C COUNCIL DICUSSES HOUSING FIRST INITIATIVE FALL FESTIVALS THIS GAMEDAY SHOWS PROMISE WEEKEND Volume 127, No. 26 Thursday, September 14, 2017 PAGE 6 PAGE 8 PAGE 16 A compilation of quotes by President Donald Trump about immigration. ILLUSTRATION BY AJ FRANKSON COLLEGIAN Dreamers in jeopardy DACA students speak out on program’s repeal By Mason Force @masforce1 on campus fearful of losing the Donald Trump regarding the undocumented who entered allowed to pursue our dreams.” opportunity to work and study termination of the bill in six the country as minors call Maria was brought to the in the U.S., and be deported to a months left students across the themselves Dreamers, and the United States from Mexico City Editor’s Note: The Collegian country they never knew. country reeling as they struggle Dreamers United organization when she was two months old, is not publishing the last names The Deferred Action for to cope with an uncertain future. brings these students at CSU similar to many other Dreamers, of Maria and Anarely due to the Childhood Arrivals Executive There are approximately together. who often remember no country sensitive nature of their stories, Order, or DACA, gives students 189 students at Colorado State According to Maria, other than the United States. and because these students are who are undocumented who University who will be directly undocumented freshman, the “It’s truly like an identity affected by the repeal of the were brought to America as impacted by the decision to title of “dreamer” represents crisis, it truly is,” Maria said. -
BC2019-Printproginccovers-High.Pdf
CONTENTS Welcome with Acknowledgements 1 Talk Abstracts (Alphabetically by Presenter) 3 Programme (Friday) 32–36 Programme (Saturday) 37–41 Programme (Sunday) 42–46 Installations 47–52 Film Festival 53–59 Entertainment 67–68 Workshops 69–77 Visionary Art 78 Invited Speaker & Committee Biographies 79–91 University Map 93 Area Map 94 King William Court – Ground Floor Map 95 King William Court – Third Floor Map 96 Dreadnought Building Map (Telesterion, Underworld, Etc.) 97 The Team 99 Safer Spaces Policy 101 General Information 107 BREAK TIMES - ALL DAYS 11:00 – 11:30 Break 13:00 – 14:30 Lunch 16:30 – 17:00 Break WELCOME & ACKNOWLEDGEMENTS WELCOME & ACKNOWLEDGEMENTS for curating the visionary art exhibition, you bring that extra special element to BC. Ashleigh Murphy-Beiner & Ali Beiner for your hard work, in your already busy lives, as our sponsorship team, which gives us more financial freedom to put on such a unique event. Paul Callahan for curating the Psychedelic Cinema, a fantastic line up this year, and thanks to Sam Oliver for stepping in last minute to help with this, great work! Andy Millns for stepping up in programming our installations, thank you! Darren Springer for your contribution to the academic programme, your perspective always brings new light. Andy Roberts for your help with merchandising, and your enlightening presence. Julian Vayne, another enlightening and uplifting presence, thank you for your contribution! To Rob Dickins for producing the 8 circuit booklet for the welcome packs, and organising the book stall, your expertise is always valuable. To Maria Papaspyrou for bringing the sacred feminine and TRIPPth.