The Triangle
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INSIDE Singleschart, 6-7;Album chart,17; New Singles, 18; NewAlbums, 13; Airplay guide, 14-15; lndpendent Labels, 8; Retailing 5. June 28, 1982 VOLUME FIVE Number 12 65p RCA sets price Industry puts brave rises on both face on plunging LPs & singles RCAis implementing itsfirst wide- ranging increase in prices since January Summer disc sales 1981. Then its new 77p dealer price for singles sparked trade controversy but ALL THE efforts of the record industryfor the £s that records appear to be old the rest of the industry followed in due to hold down prices and generate excite-hat. People who are renting a VCR are course. ment in recorded music are meeting amaking monthly payment equivalent to With the new prices coming into stubbornly flat market. purchasing one LP a week," he said. effect on July 1, RCA claims now to be Brave faces are being worn around the Among the major companies howev- merely coming into line with other major companies but itis becominger, there is steadfast resistance to gloom. companies. clear that the business is in the middle of Paul Russell, md of CBS, puts the New dealer price for singles will be an even worse early Summer depressionproblem down to weak releases and is 85p (ex VAT) with 12 -inch releases than that of 1981. happy to be having success with Joan costing £1.49, a rise of 16p. On tapes The volume of sales mentioned by theJett, The Clash, Neil Diamond andWHETHER IT likes it or not, Polydorand albums the 3000 series goes from RB chart department shows a decline ofAltered Images with the prospect of bigis now heavy metal outfit Samson's£2.76 to £2.95, the 6000 series from between 20 and 30 percent over the samereleases from Judas Priest and REOrecord company. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JON HENDRICKS NEA Jazz Master (1993) Interviewee: Jon Hendricks (September 16, 1921 - ) and, on August 18, his wife Judith Interviewer: James Zimmerman with recording engineer Ken Kimery Date: August 17-18, 1995 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 95 pp. Zimmerman: Today is August 17th. We’re in Washington, D.C., at the National Portrait Galley. Today we’re interviewing Mr. Jon Hendricks, composer, lyricist, playwright, singer: the poet laureate of jazz. Jon. Hendricks: Yes. Zimmerman: Would you give us your full name, the birth place, and share with us your familial history. Hendricks: My name is John – J-o-h-n – Carl Hendricks. I was born September 16th, 1921, in Newark, Ohio, the ninth child and the seventh son of Reverend and Mrs. Willie Hendricks. My father was a minister in the African Methodist Episcopal Church, the AME Church. Zimmerman: Who were your brothers and sisters? Hendricks: My brothers and sisters chronologically: Norman Stanley was the oldest. We call him Stanley. William Brooks, WB, was next. My sister, the oldest girl, Florence Hendricks – Florence Missouri Hendricks – whom we called Zuttie, for reasons I never For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 really found out – was next. Then Charles Lancel Hendricks, who is surviving, came next. Stuart Devon Hendricks was next. Then my second sister, Vivian Christina Hendricks, was next. Then Edward Alan Hendricks came next. -
The Club Scene at New College
The Volume VI, Issue 4 September 17, 1996 mentally retarded, immersed in vice and corruption 'Alternative' THE CLUB SCENE AT NEW Academics COLLEGE by Charles Choi Contributed by Mario Rodriguez parodies human behavior, unlike the more The standards and schedules that we Do you watch Japanese animation topical humor of American mainstream are at times forced to conform to here can solely for sexual gratification? Are you cartoons, like The Simpsons. lead to a sense of academic claustropho comfortably chained to the land? Or to "Even though people are getting bia. But there are alternatives available the earth-{;ontent not to challenge the cursed, turned into animals and having other than intellectual suicide that can strictly physical existence to which soci martial arts battles on the school help us remember why we came to New ety relegates you? grounds," she said, "[anime] is a lot more College in the first place. In fact, there If your answer is yes, three clubs realistic than anything on American tele are now two more of them. forming at New College don't want you. vision." And unlike most American The Alternative College Network However, if you stay in the darkness of animation, cartoons appeal to a wide fan stems out of the Alternative Higher your room all day cursing your corporal base in Japan (adults as well as children.) Education Network that was started last bondage and seething with angst, the American viewers aren't quite as di January by Chris Kawecki of Hampshire Anime Club, which will be having its first verse. -
Elvis Costello and the Attractions by As F Fey Kahn I
PERFORMERS Elvis Costello and the Attractions By Asf fey Kahn I— £ i£ — I 1 And it came to pass that many tribes were spread across the land, divided bp the music they made and the clothes they wore. One danced in tight skins of many colors, one sang of peace and allowed no razor to touch their heads, and one sang o f wrath and shaved their heads and rent their garments. 2 From the East a singer came, whose words were plenty and whose songsfoundfavor from all tribes. But the singer was strange, for his hair was neither long nor shaved and he called himself with a kingly name and he sang of wrath and yet said he was not wrathful N SOME WAYS, 1977 IS ALM OST ANCIENT HISTORY and lush Hollywood soundtracks. His songwriting now, back when a skinny-tied, gap-toothed, revealed a depth and wit and prolificacy unmatched Fender-banging Buddy Holly look-alike from by most popular tunesmiths, let alone his punk- England formed a band, called it the Attrac driven peers; Dylan comparisons were inevitable and tionsI and dared to name himself after the King of earned. Each album defied expectation and defined an Rock & Roll. At first, Elvis Costello ever-widening musical embrace. seemed a part of punk’s spit and Costello was less a product of his audacity, his music spinning time, it turned out, than of his par aggression into slashing riffs with ents’ expansive record collection. lyrics that became slogans of the “My mother says I could work the season. -
The Crooked Median
UNLV Theses, Dissertations, Professional Papers, and Capstones 12-2010 The Crooked median Monica Zarazua University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the American Literature Commons, Literature in English, North America Commons, and the Modern Literature Commons Repository Citation Zarazua, Monica, "The Crooked median" (2010). UNLV Theses, Dissertations, Professional Papers, and Capstones. 731. http://dx.doi.org/10.34917/2002069 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. THE CROOKED MEDIAN by Monica Zarazua Bachelor of Arts University of Illinois, Urbana-Champaign 2001 A thesis submitted in partial fulfillment of the requirements for the Master of Fine Arts in Creative Writing Department of English College of Liberal Arts Graduate College University of Nevada, Las Vegas August 2010 Copyright by Monica Zarazua 2010 All Rights Reserved THE GRADUATE COLLEGE We recommend the thesis prepared under our supervision by Monica Zarazua entitled The Crooked Median be accepted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing English Douglas Unger, Committee Chair Dave Hickey, Committee Member Vincent Perez, Committee Member Jorge Villavicencio Grossmann, Graduate Faculty Representative Ronald Smith, Ph. -
FWWH Revised Songbook ―This Camp Was Built to Music Therefore Built Forever
FWWH Revised Songbook Revised Summer 2011 ―This camp was built to music therefore built forever‖ These are the songs sung by Four Winds and Westward Ho campers – songs that have expressed their interests and ideals through the years. As you sing the songs again, may they recall memories of sunny days, and some misty and rainy ones too, of sailing on sparkling blue water, of cantering along leafy trails, of exploring the beach when the tide is out. May these songs remind you of unexpected adventure, and of friendships formed through the sharing of Summer days, working and playing together. 1 Index of songs A Gypsy‘s Life…………………………………………………….7 A Junior Song……………………………………………………..7 A Walking Song………………………………….…….………….8 Across A Thousand Miles of Sea…………..………..…………….8 Ah, Lovely Meadows…………………………..……..…………...9 All Hands On Deck……………………………………..……..…10 Another Fall…………………………………...…………………10 The Banks of the Sacramento…………………………………….…….12 Big Foot………………………………………..……….………………13 Bike Song……………………………………………………….…..…..14 Blow the Man Down…………………………………………….……...14 Blowin‘ In the Wind…………………………………………………....15 Boy‘s Grace…………………………………………………………….16 Boxcar……………………………………………………….…..……..16 Canoe Round…………………………………………………...………17 Calling Out To You…………………………………………………….17 Canoe Song……………………………………………………………..18 Canoeing Song………………………………………………………….18 Cape Anne………………………………………………...……………19 Carlyn…………………………………………………………….…….20 Changes………………………………………………………………...20 Christmas Night………………………………………………………...21 Christmas Song…………………………………………………………21 The Circle Game……………………………………………………..…22 -
Marc Ribot Trio Wo 29 Okt 2008 [email protected] T +32 (0)3 248 28 28 F +32 (0)3 248 28 00
2008-2009 architectuur theater dans muziek 2008-2009 BLAUWE ZAAL deSingel Desguinlei 25 / B-2018 Antwerpen ma vr 10 19 uur / za 16 19 uur MARC RIBOT TRIO www.desingel.be WO 29 OKT 2008 [email protected] T +32 (0)3 248 28 28 F +32 (0)3 248 28 00 deSingel is een kunstinstelling van de Vlaamse Gemeenschap en geniet de steun van hoofdsponsor mediasponsors 2008-2009 / JAZZ ZA 6 SEP 2008 OPENINGSCONCERT FREE MUSIC FESTIVAL WO 22 OKT 2008 DAVE DOUGLAS 3 WO 29 OKT 2008 MARC RIBOT TRIO do 20 NOV 2008 BRUSSELS JAZZ ORCHESTRA & RICHARD GALLIANO VR 6 MRT 2009 DUO RAVA - BOLLANI WO 18 MRT 2009 TRIO MAHANTHAPPA-DRESSER-HEMINGWAY WO 27 MEI 2009 FLY inleiding door Hugo De Craen, 19.15 uur, foyer de kunsthaven begin 20.00 uur pauze omstreeks 20.45 uur einde omstreeks 21.50 uur teksten programmaboekje Didier Wijnants coördinatie programmaboekje deSingel MARC RIBOT TRIO MARC RIBOT gitaar HENRY GRIMES contrabas ChAD TAYLOR drums gelieve uw GSM uit te schakelen De inleidingen kan u achteraf beluisteren via www.desingel.be Selecteer hiervoor voorstelling/concert/tentoonstelling van uw keuze. Op www.desingel.be kan u uw visie, opinie, commentaar, appreciatie, … REAGEER betreffende het programma van deSingel met andere toeschouwers delen. & WIN Selecteer hiervoor voorstelling/concert/tentoonstelling van uw keuze. Neemt u deel aan dit forum, dan maakt u meteen kans om tickets te winnen. Bij elk concert worden cd’s te koop aangeboden door ’t KLAverVIER, Kasteeldreef 6, Schilde, 03 384 29 70 > www.tklavervier.be foyer de kunsthaven enkel open bij avondvoorstellingen -
Durante Los Años Sesenta Grabó Con Johnny Mathis, Neil Diamond
Bajista#05pag.qxp 08/02/2005 9:42 PÆgina 18 urante los años sesenta grabó con Johnny Mathis, Neil Diamond, Nancy DSinatra, Pat Boone, Sammy Davis Jr., The Everly Brothers, Dionne Warwick, Barbara Streisand, Linda Ronstadt, el guitarrista fla- menco Carlos Montoya, The Doors, con los que grabó "L.A. Woman" (fue invitado a unirse a la banda poco antes de la muerte de Jim Morrison). Un día recibió una llamada del guitarrista James Burton para lo que se conocería posteriormente como la "TCB Band" de Elvis. Scheff trabajó para el rey desde 1969 a 1973 y de 1975 hasta el final. En 1976 empezó a tocar para Bob Dylan, grabando varios discos. Durante los ochenta prosiguió su carrera como músico de sesión y grabó para John Denver, Elvis Costello y Roy Orbison (se le puede ver tocando el contra- bajo en el DVD "Black and white night") y literalmente decenas de artistas. Más de lo mismo en los noventa. Los discos en los que ha grabado se cuentan por cientos. Una auténtica leyenda que sigue en activo hoy en día. Scheff trasladó sus raíces de Jazz y R&B al terreno del Rock And Roll y del Country. Sus líneas son com- 18 bajista MARZO 2005 Bajista#05pag.qxp 08/02/2005 9:42 PÆgina 19 Ejemplo 01 plejas e imaginativas, o sim- ceras mayores a un tono de ples y eficaces según el tema distancia contra el mi al aire lo requiera. Domina el bajo de la cuarta cuerda, Scheff sin trastes y el contrabajo. Si sugiere los acordes de mi la ocasión lo requiere es un menor (Em) y de la con bajo excelente solista (un buen en mi (A/E). -
Murder, She Sang: a Progression on Sopranos and Death by Jennifer
Murder, She Sang: A Progression on Sopranos and Death by Jennifer Cresswell A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts (Music: Performance) in the University of Michigan 2021 Doctoral Committee: Associate Professor Stephen Lusmann, Chair Dr. Naomi André Professor Priscilla Lindsay Dr. Scott Piper Professor Stephen West Jennifer Cresswell [email protected] ORCID iD: 0000-0002-9017-7138 © Jennifer Cresswell 2021 ii DEDICATION For the women who are told they can have it all, and are then told they must make choices. ii ACKNOWLEDGMENTS No success is achieved through the efforts of a single individual. I offer sincere gratitude and many thanks to the professors at the University of Michigan who guided me through this journey. Special acknowledgment goes to Stephen Lusmann, George Shirley, and Dr. Naomi André, whose support and encouragement have enabled me to sing with my best voice and remain focused on the tasks at hand. I also wish to acknowledge and thank the Center for the Education of Women, whose financial support and mentorship helped make the completion of this degree possible. Further gratitude is extended to the School of Music, Theatre & Dance Eileen Weiser EXCEL Fund, Rackham Graduate School, and John and Christy Spencer, for helping to fund the creation of the final performance piece of this project; INTERSTATE. To my two children, Elliott and Brenda: I thank you for the patience and love you have had for me as your mother throughout this process. I also wish to thank those who have offered their time and love to watch over you when I could not. -
The Red Badge of Courage / Stephen Crane
AG RED BADGE FM 8/9/06 8:46 AM Page i The Red Badge of Courage Stephen Crane THE EMC MASTERPIECE SERIES Access Editions SERIES EDITOR Laurie Skiba EMC/Paradigm Publishing St. Paul, Minnesota AG RED BADGE FM 8/9/06 8:46 AM Page ii Staff Credits: for EMC/Paradigm Publishing, St. Paul, Minnesota Laurie Skiba Paul Spencer Editor Art and Photo Researcher Lori Coleman Chris Nelson Associate Editor Editorial Assistant Brenda Owens Kristin Melendez Associate Editor Copy Editor Jennifer Anderson Sara Hyry Assistant Editor Contributing Writer Gia Garbinsky Christina Kolb Assistant Editor Contributing Writer for SYP Design & Production, Wenham, Massachusetts Sara Day Charles Bent Partner Partner All photos courtesy of Library of Congress. Library of Congress Cataloging-in-Publication Data Crane, Stephen, 1871–1900. The red badge of courage / Stephen Crane. p. cm. -- (The EMC masterpiece series access editions) Summary: During his service in the Civil War a young Union soldier matures to manhood and finds peace of mind as he comes to grips with his conflicting emotions about war. ISBN 0-8219-1981-4 1. Chancellorsville (Va.), Battle of, 1863 Juvenile fiction. [1. Chancellorsville (Va.), Battle of, 1863 Fiction. 2. United States--History-- Civil War, 1861–1865 Fiction.] I. Title. II. Series. PZ7.C852Re 199b [Fic]--dc21 99-36549 CIP ISBN 0-8219-1981-4 Copyright © 2000 by EMC Corporation All rights reserved. No part of this publication may be adapted, reproduced, stored in a retrieval system, or transmitted in any form or by any means, elec- tronic, mechanical, photocopying, recording, or otherwise without permis- sion from the publisher. -
THEATRE at UCSB Eyes of the Dragon and 10 Can Afford
2A Thursday, October 31,1991 lents Santa Barbara Scene larence Thomas? Pauly Shore his social Old hatl It’s time to graces (exemplified so well concentrate on our u our cover story), Sam Ki- C own sin for a while, nison, will be at the Ana most notably tonight’s Hal conda this Friday, Nov. 1. loween festivities. But, as Call 685-5901 and hear Sam you’re descending into the himself tell you how much hell that is human nature, tickets are, as well as a nifty here are a few upcoming little story about necrophil- events on which to ponder iacs in Denver. your pumpkin: • George Wallace and M u s ic . Dennis Wolfberg will be at • The Anaconda presents the Ventura Theatre Satur its Halloween Blowout, be day, Nov. 2. Word is, they’re ginning at 6 p.m. and featur “ topically funny,” as op ing the uneven talents o f posed to the kind of funny bands like Kronix, Creature you just swallow with a glass Feature, Socket and the Su o f water. Make sure to tell preme Love Gods; all head Cast members of Museum discover the them that “if it bends, it’s lined by the promising MC aesthetic of whiteness on an empty canvas. funny. If it breaks, it’s not 900 F t Jesus (see review this funny,” preferably when issue). Rumour has it that S ta te . brought to the fore” this Sa you run into them in the loo. the bald rap/jazz/soul artist • The UCSB drama de turday, Nov. -
The BG News March 25, 1999
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 3-25-1999 The BG News March 25, 1999 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News March 25, 1999" (1999). BG News (Student Newspaper). 6470. https://scholarworks.bgsu.edu/bg-news/6470 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. A The BG News /olume 8 5/lssuell2 A daily independent student press Thursday, March 25,1999 Kosovo Student prepares for ice show rocked by job and is highly appreciated By LINE ANETTE among her peers. DJUVE Julie Brown, publicity direc- massive The BG News tor for the Ice Classics '99, said This weekend a University she is amazed with the kind of airstrikes student will make her dream work Eland has put into her job come true after eight months of as director. The Associated Press hard work. "She is very organized," WASHINGTON — American Meredith Eland, a junior Brown said. "She's been really planes and ships led an opening i Columnist Jud Laipply sports management major, will efficient. I don't think people wave of airstrikes on Yugoslavia says warm weather direct the annual Silver Blade realize what a big commitment Wednesday that included the leads to 'spring flings.' Figure Skating Club as they it is." first-ever combat use of the Air perform Ice Classics 99' in Find- Eland has been responsible Force B-2 stealth bomber.